This collection of studies represents the range of Rosand's contribution to the history and criticism of music of the seventeenth and eighteenth centuries. Varied in focus and scope, each of these studies is directed toward developing an understanding of the ways in which music works. Taken together, the articles demonstrate how Rosand has opened entirely new prospects on seventeenth-century music and offered new insight into the more canonical repertoire of the eighteenth century.
Januar 2026, ca. 380 Seiten, Ashgate Contemporary Thinkers on Critical Musicology Series, Englisch
Taylor and Francis
978-1-4094-2003-3