Inhalt
Beginning with a 1915 Saint-Saens lecture on the performance of old music, this title sets out to capture musicological discussion that has actually changed the way Baroque music can sound. It closes with a section on the musicological challenges to the ideology of the early music movement mounted (principally) in the 1990s.
Bibliografische Angaben
Juli 2011, ca. 588 Seiten, The Library of Essays on Music Performance Practice, Englisch
Taylor and Francis
978-0-7546-2882-8