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Bartl A: Ballade

Ballade

Eine Einführung

1. Was ist eine Ballade.- 2. Vorgeschichte.- 3. Sturm und Drang.- 4. Klassik.- 5. Restaurationsepoche 6. Motivgeschichtlicher Exkurs.- 7. Realismus.- 8. Frühes 20. Jahrhundert.- 9. Spätes 20. Jahrhundert / Gegenwart.- 10. Praxis: Die Ballade im Unterricht.- 11. Anhang&nbsp;

Bibliothek der klassischen Altertumswissenschaften / Neue Folge, 2. Reihe

Intratextuelle Transformationen in Ovids ‚Epistulae ex Ponto‘

‚Naso Tomitanus‘

Anglistik & Englischunterricht

Identities, Cultures, Regions

Teaching Canada II

Celan gilt als einer der bedeutendsten deutschsprachigen Dichter des 20. Jahrhunderts und sein Einfluss auf Literatur, Kunst und Musik ist unumstritten. Das Handbuch schlüsselt Gedichte, Prosa und Übersetzungen auf, beleuchtet historische und biografische Hintergründe und bietet Orientierung innerhalb einer kaum noch überschaubaren Forschung. Die 3. Auflage ist ergänzt um Artikel zu den neu abgeschlossenen Editionen und Briefausgaben, zur Rezeption Celans in Israel und den USA. Alle anderen Artikel sind revidiert und z.T. erweitert.

Celan gilt als einer der bedeutendsten deutschsprachigen Dichter des 20. Jahrhunderts und sein Einfluss auf Literatur, Kunst und Musik ist unumstritten. Das Handbuch schlüsselt Gedichte, Prosa und Übersetzungen auf, beleuchtet historische und biografische Hintergründe und bietet Orientierung innerhalb einer kaum noch überschaubaren Forschung. Die 3. Auflage&nbsp;ist&nbsp; ergänzt um Artikel zu den neu abgeschlossenen Editionen und Briefausgaben, zur Rezeption Celans in Israel und den USA. Alle anderen Artikel sind revidiert und z.T. erweitert.

Leben – Werk – Wirkung

Celan-Handbuch

A great deal has been written about early modern temporality, both by scholars of Renaissance drama and historians of chronometry. Much of the former has focused, unsurprisingly, on Shakespeare. This book seeks to broaden the discussion of temporality and the early modern stage by focusing on “our other Shakespeare” – Thomas Middleton, a writer preoccupied with issues of time, chronometry, and temporality. In this first book length study of Middleton’s portrayal of time, his representations of clocks and calendars are explored as a way of understanding early modern time consciousness. Middleton, more than any other playwright of his era, was aware of the alienating qualities of these chronometric devices and showed how the subject’s experience of time was influenced by them, while also demonstrating how choices in chronometry were influenced by gender, class and religious identity. As a result, his texts explore the complex intersections between sexuality, economic systems, and temporality in the early modern world.Eric Dunnum is Associate Professor and Victor Small Endowed Chair of English at Campbell University, USA. His previous monograph, Unruly Audiences and the Theater of Controlin Early Modern London (2020),&nbsp;explores how playhouse riots influenced early modern dramaturgy. He has also published essays on theater history, disability studies, and trauma theory.

A great deal has been written about early modern temporality, both by scholars of Renaissance drama and historians of chronometry. Much of the former has focused, unsurprisingly, on Shakespeare. This book seeks to broaden the discussion of temporality and the early modern stage by focusing on “our other Shakespeare” – Thomas Middleton, a writer preoccupied with issues of time, chronometry, and temporality. In this first book length study of Middleton’s portrayal of time, his representations of clocks and calendars are explored as a way of understanding early modern time consciousness. Middleton, more than any other playwright of his era, was aware of the alienating qualities of these chronometric devices and showed how the subject’s experience of time was influenced by them, while also demonstrating how choices in chronometry were influenced by gender, class and religious identity. As a result, his texts explore the complex intersections between sexuality, economic systems, and temporality in the early modern world.

Clocks, Calendars, and Temporality

Middleton and Time

“Here is a bold new book that, if read with care, may well re-orient studies in the humanities. Pluralism and rhetoric appear here brighter than ever, Brandom and Wittgenstein do work we never expected of them, and we learn to read Elizabeth Bishop, Edith Wharton and Twelve Angry Men better than we ever imagined to be possible.”—Kevin Hart, Duke UniversityThis book reinvents aspects of the rhetorical tradition as part of a philosophical pluralism oriented to “the whole of things”. Its chapters unfold some of the ethical and intellectual responsibilities philosophy and rhetoric share, their commitments toward literature broadly conceived, the limited authority of their interpretations, and the kinds of judgments they issue in. Part One, drawing chiefly on Ludwig Wittgenstein and Richard McKeon, leverages a central line of argument regarding “Rationality” in the pragmatism of Robert Brandom. Part Two pivots to specific instances of the range of rhetorical argument found in surprising places and in sophisticated arrangements. The book as a whole culminates in Part Three, where the author demonstrates how “ordinary language criticism” fruitfully bears on cultural models – film, drama, novels, poetry –belonging to “American Low Modernism.”Walter Jost is Professor of English at the University of Virginia, USA, and author of Rhetorical Thought in John Henry Newman and Rhetorical Investigations. He has edited or co-edited seven other books, among them Rhetoric and Hermeneutics in Our Time and Ordinary Language Criticism: Literary Thinking After Cavell After Wittgenstein.

This book reinvents aspects of the rhetorical tradition as part of a philosophical pluralism oriented to “All-in-Allness”. Its chapters unfold some&nbsp;of the ethical and intellectual responsibilities philosophy and rhetoric share, their commitments toward literature broadly conceived, the limited authority of their interpretations, and the kinds of judgments they issue in. Part One, drawing chiefly on Ludwig Wittgenstein and Richard McKeon, leverages a central line of argument regarding “Rationality” in the pragmatism of Robert Brandom. Part Two pivots to specific instances of the range of rhetorical argument found in surprising places and in sophisticated arrangements. The book as a whole culminates in Part Three, where the author demonstrates how “ordinary language criticism” fruitfully bears on cultural models&nbsp; – film, drama, novels, poetry – belonging to “American Low Modernism.”

Rhetorical Considerations in Literature, Thought, and Experience

All in All (More or Less)

Fröhliche Wissenschaft

In Dantes&nbsp;
 Commedia
 , besonders im&nbsp;
 Paradiso
 ,
 &nbsp;
 ist
 &nbsp;
 vom Licht, von dessen Leuchten und Strahlen, von Glanz und Glut die Rede. Dabei wird in Dantes Versen aber auch klar, dass mit den Wörtern&nbsp;für Lichterscheinungen nichts Physikalisches und nichts Irdisches bezeichnet werden soll. Sind deshalb Dantes Lichtwörter Metaphern? Und wenn sie es sind, wie lassen sich Metaphern dann bei Dante, aber auch in der Poesie, ja in den Künsten überhaupt analysieren und verstehen?&nbsp;Nicht zuletzt von seinem eigenen Umgang mit Gedichten ausgehend, erkundet Franz Josef Czernin&nbsp;in diesem dichten Essayband unter anderem an Beispielen von Theodor W. Adorno, Jorge Borges, Oswald Wiener und Peter Paul Rubens das&nbsp;Metaphorische als Erkenntnismedium.

Metaphern und Literatur

Ein anderes Licht?

Modern and Contemporary Poetry and Poetics

Since the publication of his first poetry collection Kargun in 1980, Lionel Fogarty has produced some of the most complex, playful and strident poems written in English, and has been regarded by some as the greatest Aboriginal Australian poet of his generation. While over the course of his career, Fogarty has had relatively little recognition in awards or grants, recent attention to his work suggests a new turn in how his poetry is read and understood in Australia and overseas. Emerging from these conversations, Lionel Fogarty in Poetry and Politics illuminates the craft and art of Fogarty’s poetry in hand with his political activism in order to open his work for new readers and researchers.&nbsp;Bringing together a wide range of critical and creative voices in the first book-length study of Fogarty’s work, this essay collection represents a landmark moment for the study of Indigenous studies, poetry and poetics, Australian literature, and for future work on Fogarty’s poetry.
Philip Morrissey (senior editor) is the former Academic Coordinator, Australian Indigenous Studies within the School of Culture and Communication at The University of Melbourne, Australia. He has coedited a number of essay collections and poetry anthologies, including Kim Scott: Readers, language, interpretation (2019), Reading the Country: 30 years on (2018) and Lionel Fogarty: Selected poems 1980-2017 (2017).
Dashiell Moore is a DECRA Fellow in English and Writing at the University of Sydney, Australia. A prominent researcher in world literature, his first book,&nbsp;The Literary Mirroring of Aboriginal Australia and the Caribbean (2024), examined the relationship between Indigeneity and creolisation in Aboriginal Australian and Caribbean literature.

Since the publication of his first poetry collection Kargun in 1980, Lionel Fogarty has produced some of the most complex, playful and strident poems written in English, and has been regarded by some as the greatest Aboriginal Australian poet of his generation. While over the course of his career, Fogarty has had relatively little recognition in awards or grants, recent attention to his work suggests a new turn in how his poetry is read and understood in Australia and overseas. Emerging from these conversations, Lionel Fogarty in Poetry and Politics illuminates the craft and art of Fogarty’s poetry in hand with his political activism in order to open his work for new readers and researchers.&nbsp;Bringing together a wide range of critical and creative voices in the first book-length study of Fogarty’s work, this essay collection represents a landmark moment for the study of Indigenous studies, poetry and poetics, Australian literature, and for future work on Fogarty’s poetry.

Lionel Fogarty in Poetry and Politics

Die Geschichte der reichhaltigen und vielgestaltigen Literaturen Lateinamerikas in einem Band - gegliedert nach sieben Großräumen unter Einbeziehung des portugiesischsprachigen Brasilien. Das Buch beginnt mit der Literatur der Inka, Maya und Azteken, widmet sich ausführlich der Kolonialzeit und setzt einen besonderen Akzent auf die gegenwärtigen Entwicklungen - in der vierten Auflage nun weit in das 21. Jahrhundert hinein. Die über 370 Abbildungen lassen die Regionen und die Literaturen noch plastischer werden.

Die Geschichte der reichhaltigen und vielgestaltigen Literaturen Lateinamerikas in einem Band - gegliedert nach sieben Großräumen unter Einbeziehung des portugiesischsprachigen Brasilien. Das Buch beginnt mit der Literatur der Inka, Maya und Azteken, widmet sich ausführlich der Kolonialzeit und setzt einen besonderen Akzent auf die gegenwärtigen Entwicklungen - in der vierten Auflage nun weit in das 21. Jahrhundert hinein. Die über 370 Abbildungen lassen die Regionen und die Literaturen noch plastischer werden.

Lateinamerikanische Literaturgeschichte

Johann Christoph und Luise Adelgunde Victorie Gottsched Briefwechsel 1722–1766

The letters in the 20th volume document the rapid development of Gottsched’s recently founded Society of Free Arts. The dispute between Maupertuis and Samuel König takes on new dimensions when Voltaire gets involved. His satirical attack on Maupertuis also challenges King Friedrich II; Gottsched’s correspondents comment on the events. Gottsched’s conflict with the theater director shines a light on the dilemmas of Enlightenment theater.

November 1752 − März 1753

Eine neue Biographie eines erfahrenen Storm-Herausgebers, die ein Bild von Storm als streitbarem Schriftsteller entwirft und besonders seine Tochter Gertrud in den Fokus nimmt.

Eine neue Biographie eines erfahrenen Storm-Herausgebers, die ein Bild von Storm als streitbarem Schriftsteller entwirft und besonders seine Tochter Gertrud in den Fokus nimmt.

Theodor Storm – Biographie

Companion to Central and Eastern European Humanism / Hungary

Early Modern Literature in History

In its mapping of networks within and journeys beyond the Inns of Court, this book encompasses an innovative, focused range of scholarly perspectives. It illuminates the drama, poetry, debates, educational practices, translation activities, sociability, book ownership, manuscript circulation and political engagements of the Inns, and valuably presents new critical approaches to the creative and intellectual life of these distinctive early modern communities. &nbsp;
-Sarah Knight, Professor of Renaissance Literature, University of Leicester.
This collection of essays presents recent research on the Inns of Court and their place in the literature and culture of the early modern world. The volume is structured in three sections. Section One looks at the institutional spaces of the Inns themselves. The chapters consider how the Innsmen’s identities and writings were shaped by their participation in the communal life of the legal Societies. Section Two looks at the Inns in the context of early modern London. The chapters attend to the intellectual and cultural traffic between the Inns and the city in which they were located by examining the role of Innsmen in the book trade, the circulation of manuscripts, playhouses, and musical culture. Finally, Section Three sets a wider international context. The chapters focus on the role of Innsmen in translation, nation-building, and early colonisation. Together these sections attend to the Innsmen not only as writing communities in themselves, but as participants in a complex of intersecting networks reaching out into London and beyond.
Emma Rhatigan is Senior Lecturer in English at the University of Sheffield, UK. Her research and publications focus on early modern texts in performance and their audiences. She is co-editor of The Oxford Handbook of the Early Modern Sermon (2011) and is editing a volume of John Donne’s Inns of Court sermons for The Oxford Edition of the Sermons of John Donne.
Jackie Watson holds a PhD from Birkbeck College, UK, and is an independent scholar. Author of Epistolary Courtiership and Dramatic Letters: Thomas Overbury and the Jacobean Playhouse (2024), she publishes on the intersection between law and drama, including essays in recent collections such as Playing and Playgoing in Early Modern England: Actor, Audience and Performance (2022) and Shakespeare/Sense (2020).

This collection of essays presents recent research on the Inns of Court and their place in the literature and culture of the early modern world. The volume is structured in three sections. Section One looks at the institutional spaces of the Inns themselves. The chapters consider how the Innsmen’s identities and writings were shaped by their participation in the communal life of the legal Societies. Section Two looks at the Inns in the context of early modern London. The chapters attend to the intellectual and cultural traffic between the Inns and the city in which they were located by examining the role of Innsmen in the book trade, the circulation of manuscripts, playhouses, and musical culture. Finally, Section Three sets a wider international context. The chapters focus on the role of Innsmen in translation, nation-building, and early colonisation. Together these sections attend to the Innsmen not only as writing communities in themselves, but as participants in a complex of intersecting networks reaching out into London and beyond.

Writing Communities

Mapping the Early Modern Inns of Court

Ballade

Inhalt

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Inhalt

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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