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Roman | Zwei Brüder im Kampf mit sich selbst – und der gewaltigen Natur des Yellowstone Nationalparks

The 100-Year Struggle to Shape the American Economy

Marketcrafters

Shinjuku 69 Heaven

Shinjuku 69 Heaven 2

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

US Marines in World War II: Europe, the Caribbean, and South America

Overshadowed

Americana

Wonderfully spare, deceptively simple verses pair with richly evocative paintings to celebrate the iconic imagery of America. Each spread shows a stirring tableau, from the view of the Statue of Library at Ellis Island, to the great plains, to a spacecraft at Cape Canaveral blasting off.&nbsp;With illustrations paired to each line of the well-known song, and that celebrate America's history, landscape, and people in powerful, stirring and reflective illustration. Non-fiction spreads at the end of the book will explain this history and significance of the song, and why we sing it today as well as more information on some of the places shown in the artwork. O beautiful for spacious skies, For amber waves of grain, For purple mountain majesties Above the fruited plain! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea!O beautiful for pilgrim feet, Whose stern, impassioned stress A thoroughfare for freedom beat Across the wilderness! America! America! God mend thine every flaw, Confirm thy soul in self-control, Thy liberty in law!O beautiful for heroes proved In liberating strife, Who more than self their country loved And mercy more than life! America! America! May God thy gold refine, Till all success be nobleness, And every gain divine!O beautiful for patriot dream That sees beyond the years Thine alabaster cities gleam Undimmed by human tears! America! America! God shed His grace on thee And crown thy good with brotherhood From sea to shining sea!

America The Beautiful

Midnight Manor

Ein verwunschenes altes Anwesen, vier Milliardärsbrüder und ihre dunklen Geheimnisse: Band 4 der&nbsp;Midnight Manor-Reihe&nbsp; An dem Tag, an dem ich Obsidian Voss vor dem Ertrinken im Meer rettete, änderte sich mein Leben für immer. Als mein Vater in Schwierigkeiten gerät, bietet der Milliardär mir einen Job an. Es dauert nicht lange, bis ich merke, dass hinter der Fassade, die er der Welt präsentiert, mehr steckt – eine dunklere, gefährlichere Seite. Dennoch fühle ich mich zu ihm hingezogen. Als er mich in eine Welt einführt, von der ich nicht wusste, dass sie existiert, verliebe ich mich in ihn. Doch ich bin mit einem Plan nach Midnight Manor gekommen, und ich habe Obsidian von Anfang an belogen. Irgendwann wird er es herausfinden. Mein Geheimnis wird alles verändern. Und wenn Obsidian wirklich das Monster ist, für das er sich hält, was wird er dann mit mir machen?&nbsp; TWISTED TRUTH ist eine düstere, zeitgenössische Romance, in der Die kleine Meerjungfrau neu erzählt wird.

Roman | Dark Romance Little Mermaid Retelling

Twisted Truth

How a Nonbinary Minister Became America's Most Radical Revolutionary

Not Your Founding Father

The self-evident truths of 1776 hover over America's divisions-as inspiring ideals, as measures of how far the nation still must come, as the hypocrisy of slaveholders, as intrusions on local traditions. The revolutionary politics of 1776 turned from securing the rights of Englishmen to establishing the authority of an independent nation. The battlefields of 1776 cast the military mould for the war years to come and gave an enduring symbol of gritty determination. Drawing together the eloquence of Jefferson and the insistence of Paine, the strategies of generals and the audacious tactics of armies on the move and the powerful political movement that transformed colonies into states, this history of 1776 is a leading scholar's distillation of the pivotal events that must be reckoned with two hundred and fifty years after the nation's birth.

Why 1776 Matters

Declaring Independence

Blazing Light&nbsp;is&nbsp;published to coincide with Mimi Plumb’s first solo museum exhibition of the same name (High Museum of Art, Atlanta, Georgia) and brings together three of her major bodies of work—The White Sky, Landfall and The Golden City,&nbsp;and&nbsp;The Reservoir—that collectively contemplate the anxieties of American life in the waning years of the Cold War and its aftermath. In the 1970s, Plumb began photographing as a teenager in the San Francisco suburb of Walnut Creek at a time marked by rapid development of the land coupled with global political and economic instability. Her early artistic life was defined by a burgeoning awareness of global warming, the AIDS epidemic, violent conflict in Latin America and the Middle East, and a looming threat of nuclear war. This atmosphere attuned Plumb to the evidence of such forces in the land, the built environment, and the ways people carry themselves and relate to one another—concerns that continue to abide in her work to this day. Plumb’s photographs foreground the presence of people, lending her images a greater degree of pathos and even notes of humorous absurdity. Though the artist embraces realism, her photographs are more ambient and enigmatic, inviting conjecture rather than providing documentary information. The publication will include texts by Gregory Harris, curator of the exhibition; Karen Irvine, chief curator and deputy director at the Museum of Contemporary Photography, Chicago, IL; and Lauren Richman, curator of photography at the Norton Museum of Art, West Palm Beach, FL. Plumb's work is held in numerous public collections, including the High Museum of Art (GA), San Francisco Museum of Modern Art (CA), Los Angeles County Museum of Art (CA), Museum of Fine Arts Boston (MA), Yale University Art Gallery (CT), and the Deutsche Börse Collection (Germany). The&nbsp;Mimi Plumb: Blazing Light&nbsp;exhibition will be on view at the High Museum of Art from February 6-May 5, 2026. The exhibition will then travel to the Johnson Museum at Cornell University, NY (summer 2026), the Norton Museum of Art in West Palm Beach, FL (winter 2026/2027), followed by the Museum of Contemporary Photography in Chicago, IL (spring 2027).

Mimi Plumb: Blazing Light

Guide to rail travel in the USA. Travel information and holiday advice for 38 US and Canadian rail routes plus 38 cities and 500 destinations. Also covers accommodation suggestions, railway history, practical advice, steam trains, tips for family and solo travel, national parks such as Yosemite, Yellowstone and the Grand Canyon, and coastal routes.

plus Canada's main routes

USA by Rail

Scholars and contemporary artists reckon with decommissioned monuments, examining fraught narratives of the legacy of the Civil War and slavery as well as national identity in the United StatesThis volume features a selection of decommissioned monuments, many of them Confederate, presented alongside contemporary artworks that address American history and national identity. MONUMENTS, which accompanies the eponymous exhibition, marks the last several years of monument removals as a historic moment and aims to build a better understanding of our shared history and ideals, while holding the monuments accountable to the present. Featuring contributions by the exhibition curators, Bennett Simpson, Hamza Walker and Kara Walker, as well as scholars, poets and artists, the publication attends to the social, political, historical and art historical context of these monuments as well as the legacies of the people and events they commemorate. It includes additional essays by Sven Beckert, Emily Bingham, Thomas J. Brown, Karen Cox, Hilary N. Green, Grace Elizabeth Hale, Michael Lobel, Dani R. Merriman, Charmaine A. Nelson, Michael Ralph, Kirk Savage, Cherise Smith, Tsione Wolde-Michael and Dell Upton, and contributions by Derrick Austin, Mark Thomas Gibson, David Hartt, Ashley M. Jones, Melissa Lyttle and Kiki Petrosino. Artists include: Bethany Collins, Karon Davis, Abigail DeVille, Stan Douglas, Leonardo Drew, Torkwase Dyson, Kevin Jerome Everson, Nona Faustine, Jon Henry, Kahlil Robert Irving, Monument Lab, Walter Price, Martin Puryear, Andres Serrano, Cauleen Smith, Hank Willis Thomas, Davone Tines, Kara Walker. This book was published in association with The Museum of Contemporary Art, Los Angeles; The Brick.

MONUMENTS

Said in Stone

Edmonia Lewis

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