<div class="raw-html-embed"> Kennen Sie schon unseren Geschäftskundenservice? <a href="/fuer-geschaeftskunden">Wir beraten Sie gerne</a>.</div>

NL_Doormat: Hintergrundfarbe des Newsletter Banners unten in der Doormat. Mit # eingeben z.B. #1405BE

NL_Doormat: Verlinkung zur Newsletter Seite

Über uns

À propos de nous

Zahlung und Lieferung

Paiement et livraison

Nachhaltigkeit

Durabilité

Open Access

Datenschutz

Protection des données

Karriere

Carrière

Impressum

Mentions légales

LEXIA

LEXIA Arbeitsrecht

Was ist LEXIA?

C'est quoi LEXIA ?

LEXIA Familienrecht

Zeitschriften

Revues

recht

Pflegerecht

ZBJV

forumpoenale

ZStrR

Anwaltsrevue

Revue de l'avocat

RSAS

FamPra.ch

ASYL

Life Science Recht

BlAR

Sachbuch

Livres spécialisés

LOKI

Semaphor

Fokusthemen

Focus

Thema

Recht studieren

Arbeitsrecht

Droit du travail

Studium

Études

Familienrecht

Droit de la famille

Sozialversicherungsrecht

Droit des assurances sociales

Strafrecht

Droit pénal

Publikationen

Publications

Literatur

Onlinemodule LEXIA

Modules en ligne LEXIA

Bücher

Livres

Buchreihen

Collections

Datenbanken

recht.ch

Studienliteratur

Littérature pour les études

Services

Dienstleistungen für

Corporate Books

Publishing Lösungen

Aktuelles

Geschäftskunden

Professionnels

Corporate Publishing

Content solutions

Buchhandlungen

Librairies

Veranstaltungen

Événements

Presse

Dozierende

Enseignants

Studierende

Étudiants

Inserierende

Annonceurs

Newsletter

Blog

Autorinnen/Autoren

Auteurs

Unsere Schreibenden

Hilfe

Unsere Autorinnen und Autoren

Liste

Autorenlounge

Espace des auteurs

Bei uns publizieren

Publier chez nous

Autorenstimmen

Témoignages

Verlag

Éditions

Themen

Mehr wissen

Mitarbeitende

Collaborateurs

Geschichte

Histoire

Vision und Mission

Vision et mission

Unser Magazin

Notre magazine

Unternehmenskultur

Culture d'entreprise

Partner

Partenaires

Kontakt

Contact

Shop

Schweizer Recht

Ausländisches Recht

Über unseren Shop

Neuerscheinungen

Nouveautés

Sortiment und Funktionen

Assortiment et recherche

Vorankündigungen

À paraître

Nach Rechtsgebiet

Par domaine juridique

Kommentare

Commentaires

Auf zu neuen Werken!

Max Slevogt und sein Verleger Bruno Cassirer

Warum kann ich nicht ankommen? Was ist falsch mit mir? Bin ich immer noch auf der Flucht? Das sind Fragen, die sich Kriegsenkel heute stellen. Sie wollen wissen, wie es für sie weitergehen kann, in einem Job, den sie lieben, in einer befriedigenden Beziehung, im Leben. Oftmals haben sie eine vom Leid geprägte Kindheit bei durch Nationalsozialismus, Krieg und Vertreibung traumatisierten Eltern verbracht. Gleichzeitig schauen sie auch auf eine Zeit zurück, die von Wohlstand, Wachstum und der politischen Wende geprägt war. Von diesem transgenerationellen Erbe fühlen sich viele schwer belastet und machen es verantwortlich für ihre aktuelle Situation, die oftmals von einem "Nie ankommen" bestimmt ist. 
In ihrem neuen Buch zeigt Ingrid Meyer-Legrand anhand von biografischen Fallbeispielen, wie die Erfahrungen der Kriegsenkel und die schon früh in der Familie eingeübten Kompetenzen zur Lösung aktueller Fragen genutzt werden können, wie der Einzelne sein Leben im "Dazwischen" bewusst und erfolgreich gestalten kann - dann ist ein Ankommen endlich möglich, beruflich und privat.

Warum kann ich nicht ankommen? Was ist falsch mit mir? Bin ich immer noch auf der Flucht? Das sind Fragen, die sich Kriegsenkel heute stellen. Sie wollen wissen, wie es für sie weitergehen kann, in einem Job, den sie lieben, in einer befriedigenden Beziehung, im Leben. Oftmals haben sie eine vom Leid geprägte Kindheit bei durch Nationalsozialismus, Krieg und Vertreibung traumatisierten Eltern verbracht. Gleichzeitig schauen sie auch auf eine Zeit zurück, die von Wohlstand, Wachstum und der politischen Wende geprägt war. Von diesem transgenerationellen Erbe fühlen sich viele schwer belastet und machen es verantwortlich für ihre aktuelle Situation, die oftmals von einem „Nie ankommen“ bestimmt ist. 
In ihrem neuen Buch zeigt Ingrid Meyer-Legrand anhand von biografischen Fallbeispielen, wie die Erfahrungen der Kriegsenkel und die schon früh in der Familie eingeübten Kompetenzen zur Lösung aktueller Fragen genutzt werden können, wie der Einzelne sein Leben im „Dazwischen“ bewusst und erfolgreich gestalten kann – dann ist ein Ankommen endlich möglich, beruflich und privat.

Neue Zukunftsperspektiven durch die Versöhnung mit deiner Geschichte

Kriegsenkel: Endlich ankommen!

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

Little Nuns

Little nuns and ducks happily playing every day! The hit web illustration series gets it's English language debut! After a successful crowdfunding program and Japanese release, Diva's nuns and ducks make their way to the English reading world. Follow Clumsy and the rest of the nuns as they have fun in the monastery.

Nuns and Ducks Artbook

Little Nuns, 1

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Yet behind this great and famous artist is a volatile, voracious, nervous yet reckless man, largely unknown. Jackie Wullschläger's enthralling biography, based on thousands of never-before translated letters and unpublished sources, is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. He was as obsessional in his love affairs as in his love of nature, and changed his art decisively three times when the woman at the centre of his life changed. His work also responded intensely to outside cataclysms - the Dreyfus Affair, the First World War. Prime Minister Georges Clemenceau was his closest friend. Rich intellectual currents connected him to writers from Zola to Proust; affection and rivalry to Renoir, Pissarro and Manet. Monet said he was driven 'wild with the need to put down what I experience'. This rich and moving biography immerses us in that passionate experience, transforming our understanding of the man, his paintings and the fullness of his achievement.

The Restless Vision

Monet

This book is a blueprint for artists looking to engage with activist movements with a persistent longevity and a reminder that art has the power to be more dangerous than words.
Front Lines: A Lifetime of Drawing Resistance is Susan Simensky Bietila's story of her six decades as a movement artist and activist and a lifetime of artistic collaborations rooted in her activist experience. Growing up during McCarthyism, she rejected the nationalist masculinity of elite art and conformist culture and found feminism and collectivism as new forms of resistance. She became an artist in the New Left, creating illustrations for radical underground publications including RAT, Subterranean News, and comics for the anarchic World War 3 Illustrated.
With more than one hundred images, Front Lines documents her art on the page and in action featuring protest banners and giant puppets of birds and fish carried in the streets, masks of notorious dictators for street theater, posters pasted on walls and hung in radical spaces, community art builds, and more. Visual storytelling and detailed captions contextualize and bring to life her work with movements including antiwar protests during the Viet Nam era, Indigenous led antimine and antipipeline struggles, water protection, immigrant rights, anticorporate globalization convening, protests against the state and capital, Palestinian liberation actions, and collaborations with groups throughout the Great Lakes region and beyond. She agitates from the roots and the front lines to this day.

A Lifetime of Drawing Resistance

Front Lines

Die reich bebilderte Publikation zeigt herausragende Werke der amerikanischen Nachkriegskunst im Vorfeld der Eröffnung des Museum Reinhard Ernst in Wiesbaden. Angefangen bei Josef Albers über Helen Frankenthaler bis hin zu Andy Warhol und Julian Schnabel illustrieren sie die eindrucksvolle Vielfalt abstrakter Positionen jenseits des Atlantiks.Den Facettenreichtum von rund 70 Jahren amerikanischer Abstraktion offenbart der Blick auf einflussreiche Einzelpositionen und auf Künstlergruppierungen wie die New York School und die Washington Color School. Expressive Formspiele treffen auf streng geometrische Kompositionen, malerische Werke treten in Dialog mit skulpturalen Objekten. Bei aller Verschiedenheit unterstreichen die 110 Werke von 45 Künstlerinnen und Künstlern vor allem die große Freude an der Farbe.

Künstler*innen:
Josef Albers, Richard Anuszkiewicz, Norman Bluhm, David Budd, John Chamberlain, Oscar Chelimsky, Gene Davis, Richard Diebenkorn, Friedel Dzubas, Sam Francis, Ruth Francken, Helen Frankenthaler, Adolph Gottlieb, Peter Halley, Hans Hofmann, Paul Jenkins, Franz Kline, John Franklin Koenig, Willem de Kooning, Lee Krasner, John Levee, Morris Louis, Robert Mangold, Conrad Marca-Relli, Brice Marden, Joseph Marioni, Ed Moses, Robert Motherwell, Kenneth Noland, Jules Olitski, Jackson Pollock, Larry Poons, Robert Rauschenberg, Julian Schnabel, John Seery, Richard Serra, Theodoros Stamos, Frank Stella, Walasse Ting, Mark Tobey, Esteban Vicente, Andy Warhol, Tom Wesselmann, Frank Lloyd Wright, Kenneth Victor Young

American Painting in the Collection Reinhard Ernst

Abstract Expressionism - And Beyond

Blue Period

Yatora ist als einer der Gewinner aus dem AOJ-Kunstwettbewerb hervorgegangen. Doch so recht freuen kann er sich darüber nicht. Denn als Inspiration diente ihm Sanadas tragische Geschichte - die er als Außenstehender für sich benutzt hat. Geplagt von seinem schlechten Gewissen fragt Yatora sich, ob er jemals "ehrliche" Kunst erschaffen kann ...

Blue Period 16

A comprehensive presentation of the Yale University Art Gallery's collection of Italian paintings from the thirteenth to the fifteenth century &nbsp; The collection of Italian paintings at the Yale University Art Gallery is one of the largest and richest in the world. The first of four volumes on the collection, this sumptuously illustrated book features over seventy-five works dating from 1230 to 1420 by artists such as Taddeo Gaddi, Andrea di Cione (better known as Orcagna), Lippo Memmi, Pietro and Ambrogio Lorenzetti, and Lorenzo Monaco. In addition to discussions of each painting's meaning, function, and significance, entries provide published references, provenance, full technical notes, and detailed conservation histories. An introduction by Laurence Kanter chronicles the history of the collection, from the James Jackson Jarves Collection that was assembled in the nineteenth century-the earliest formed collection of Italian paintings in any American museum-to more recent gifts by Louis and Hannah Rabinowitz and Richard Feigen. While many of the works are from Florence and Siena, the volume also includes examples from Bologna, Rimini, Venice, and more. Through its wide-ranging holdings, the Gallery's collection provides a remarkable sense of the diverse visual culture of the time. &nbsp; Distributed for the Yale University Art Gallery

Volume 1: 1230-1420

Italian Paintings at the Yale University Art Gallery

The Politics of Form in Contemporary British Performance

Proper Theatre

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Little nuns and ducks happily playing every day! The
 hit web illustration series returns with another collection of comedic illustrations! After a 
successful crowdfunding program and Japanese release, Diva's nuns and 
ducks make their way to the English reading world. Follow Clumsy and the
 rest of the nuns as they have fun in the monastery.

Little Nuns, 2

Joss Marsh's stirring book traces the international phenomenon that is cinema's Dickens obsession, from its origins in Dickens's celebrity, through Dickens impact on the pioneers, first masters, and later innovators of the cinema and his enmeshment in the complex of technologies and cultural formations that made up the world of late-Victorian fantasy - from the photograph to the magic lantern, from celebrity to time travel.

As Joss Marsh observes in her stirring book on Dickens and cinema, Dickens was the first mass-mediated photographic celebrity of the modern era, more intimately "familiar" than any person in Britain besides the royal family. Suggesting Dickens's celebrity, as much as his work, contributed to the international phenomenon that is cinema's Dickens obsession, Marsh begins with  J. J. E. Mayall's famous celebrity portraits to trace Dickens's impact on the pioneers, first masters, and later innovators of the cinema. At the same time, Marsh uncovers a larger issue: to understand Dickens's place in cinema is to understand his enmeshment in the whole complex of technologies and cultural formations that made up the world of late-Victorian fantasy-from the photograph to the magic lantern, from celebrity to time travel.  Each of the six chapters unfolds a century-long cultural story that maps the Dickensian points of inspiration in the history of cinema. Marsh's cinematic geography of Dickensland transports the reader from Dickens's experiences with the early-Victorian portraitist's camera to Sunset Boulevard, Billy Wilder's remake of Great Expectations as a satire on the vampiric celebrity "celluloid self"; from actor-manager Martin-Harvey's 1899 manufacture of the "cast-iron" Victorian stage play to Dirk Bogarde's 1958 inheritance of the sacrificial gay role of Sydney Carton; from Charley Dickens Jnr.'s attempt to cash in on his father's knowledge of London to the history of production design as a medium of historical tourism and virtual experience; from Dickens's "impersonation" of Fagin, anti-Semitic and inherently theatrical, to the transformations of "the Jew" by Chaplin and David Lean and his musical apotheosis as magician and Pied Piper; from Dickens's 1868 return, in his last public reading, to the murder of Nancy to the contemporary slasher movie; and finally from the time travel enabled by the magic lantern's "dissolving views" through the role of Dickens's lantern-inspired Christmas tales of the 1840s in the lantern's development of pre-cinematic visual storytelling.  Informed by extensive archival research, deftly written, and beautifully illustrated, Joss Marsh's book shows film's fascination with Dickens was the trace of a persisting desire”fueled by decades of Dickensian impersonation and enabled by the medium's capacity to make still images live”to bring back the most extraordinary literary artist and personality of the nineteenth and early twentieth centuries”to make Dickens live again.

Multi-Media 'Boz' and the Culture of Celebrity

Starring Charles Dickens

Auf zu neuen Werken!

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema