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Dittmar Tim: Audio Engineering 101

Audio Engineering 101

A Beginner's Guide to Music Production

An Intimate History of Rough Trade

Document And Eyewitness

Focus on World Music Series

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers.The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music leans heavily toward Native peoples of the United States, but also includes information on First Nations of Canada. It synthesizes current research on Native American music, illustrated by photographs, figures, music notations, audio examples, and personal narratives of active performers. The outstanding features are its treatment of contemporary Native American/First Nations musical life, its overview of the history of Native American music, and its focus on the musical life of Woodland peoples in Oklahoma. It is distinctive in the range of styles and genres discussed, featuring sde-bar profiles of Native American singers, musicians, and dancers.

Focus: Native American Music

A melodic odyssey through the interwoven worlds of music, physics and mathematics.

Music, Mathematics and Science

A Perfect Harmony

Black music has long played a dominant role in American music and has frequently been taken over and popularized by white musicians. This book presents an overview of this influence, as well as discussions of how white musicians, corporations, and entrepreneurs appropriated, adapted, and even stole this music. It addresses why and how this occurred throughout recent history and in a variety of musical idioms. Examples discussed include the convoluted history of the minstrel era, Black pop and rock artists, white blues, jazz, rhythm and blues, and hip-hop musicians. Further examination into American music then reveals how Black musicians rebelled against the white domination of swing music, and how African Americans have influenced classical music compositions and performance styles. The book highlights the prevalence and importance of Black music in virtually every American music style, the often-hidden or little-noticed interactions of Black and white musicians, and it answers questions about how the music business succeeded in monetizing Black musical styles to market this music to mass audiences.

A History of Black Musical Influence and Appropriation in the United States

DISCOVER the BEST places on the planet to buy records—Marcus Barnes’s updated guide is a MUST-READ for all vinyl lovers, crate diggers, and music fans. Looking for the best place in Europe to buy electronic music? Want to get lost in the racks of the world’s biggest independent record store? Are you constantly in search of the undiscovered, the original, the cult, the lost classics? Around the World in 80 Record Stores offers a unique look at where music lovers need to go to feed their addiction for new records. Boasting a truly global outlook—featuring stores everywhere from Iceland and India to the coolest cities in Europe, the US, and the UK, plus the mecca for crate diggers that is Japan—each entry includes plenty of interesting details about the record store, including the music genres sold, the store’s opening date, and facts about its history and quirks. Showcasing the best places to buy house, indie, jazz, rock, hip-hop, afrobeat, and everything in between, this is an essential companion for all record junkies.

A Guide to the Best Vinyl Emporiums on the Planet

Around the World in 80 Record Stores: Updated edition

"Finally, a text that is a reference source and tells the story and impact of the Groupe de Recherches Musicales from its beginning with Pierre Schaeffer and his many experiments at French National Radio."--John Chowning, Stanford University "The clearest, most insightful, and most comprehensive history of the GRM in print. It is absolutely indispensable for understanding how musique concrète became a school of composition, a research program, a technological laboratory, and an institution."--Brian Kane, Yale University "Évelyne Gayou's pathbreaking history of the GRM is now available in this beautiful English translation by David Vaughn. Of interest to both scholars and a general audience, it charts the course of a musical revolution that contributed to the evolution of cultural life in the twentieth and twenty-first centuries."--David W. Bernstein, Mills College at Northeastern University "The evolution of musical languages is inextricably linked to technology. A Revolution in Music identifies the seminal importance of both the recording medium and the radio station to the development of contemporary musical thought. In this fluent translation, Gayou provides a comprehensive analysis of the interactions between people, technology, and composition at the GRM."--John Dack, Guildhall School of Music and Drama, UK

Established in the 1950s by musician and engineer Pierre Schaeffer, the Groupe de Recherches Musicales would become the nerve center for avant-garde artists experimenting with sound and acoustics, as well as the birthplace of a genre of music-making enabled by new recording technologies and sound pioneers: musique concrète. Évelyne Gayou—herself a researcher, composer, and producer at the GRM—tells the history of the storied institution through the people, works, technologies, and research developed there. Placing musique concrète within a broad historical context extending from the early twentieth-century avant-garde's experiments with noise to the development of techniques in sound recording (at the Studio d'Essai in the 1940s) and later in sound synthesis, Gayou shows how recording technology made it possible for composers to not only create music from sounds in the world around them but also create acousmatic music—novel sounds without a visible connection to their source. Available in English translation for the first time, this updated edition will be an important resource for readers interested in the pioneering works and techniques of Schaeffer and his contemporaries, as well as their influence on the makers of new music and the contemporary avant-garde.

The History of the Groupe de Recherches Musicales

A Revolution in Music

Music Theory in Britain, 1500–1700: Critical Editions

The critical edition of John PlayfordâEUR(TM)s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of PlayfordâEUR(TM)s seminal pedagogical treatise in the middle of its development. Although PlayfordâEUR(TM)s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century. The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

The critical edition of John Playford’s Introduction to the Skill of Musick (1672, Sixth edition) represents the contents of Playford’s seminal pedagogical treatise in the middle of its development. Although Playford’s Introduction was one of the most famous music texts of the period, a satisfactory modern edition of its contents has not yet been published. This is due, in part, to the fact that the interior contents of the Introduction changed markedly throughout its publication run from 1654 to 1730 (though post-1694 changes are minimal). This edition addresses this issue by presenting not only the transcription of the 1672 edition, but detailed contents of the entire publication run to better understand the shifting contents of the major sections of the work from its beginnings to the turn of the century.The contents include an introductory essay concerning the development of the series, divided according to the main sections of the text: The Grounds and Rules of Musick, Instructions and Lessons for the Bass Viol, and The Art of Descant. The body is a full transcription of the 1672 edition with images. Two appendices contain 1) critical notes on the text and a comparison of the major changes-section changes, major wording and style changes, repertoire lists, along with significant codicological amendments-between editions using 1672 as the model, and 2) a list of all of the music in the different editions of the Introduction, including information regarding in which editions the pieces may be found and a reference to modern editions on those works.

John Playford’s Introduction to the Skill of Musick, 1672

The first definitive biography of Gene Krupa, the most famous drummer on the planet, whose feverish rhythms leapt across genres to change music forever. From jazz to the Swing Era, to rock and roll, Elton John’s biographer, Elizabeth J. Rosenthal, recounts the pioneering drummer’s exploits, challenges, and accomplishments, while framing him against not just his fellow musicians and peers but the music industry and general culture as a whole. From the early 1930s onward, Gene Krupa was a drum-centric rarity in the jazz world. Never before had a drummer been in the forefront as a solo artist. His galvanizing, unrestrained passion for percussion demanded it. Rocking the rafters, Gene thrilled audiences in ballrooms, nightclubs, and movies. He always knew he would. It was in his blood. Seemingly born jazz-drum crazy in 1909 to a Polish-immigrant working-class family in South Chicago, Gene was a professional by the age of thirteen and soon made his first recordings. By the early 1930s, he was New York City’s most in-demand drummer, and in 1934, joined brilliant clarinetist Benny Goodman’s band, helped inaugurate the Swing Era, and played the first-ever swing concert at Carnegie Hall. It made history. So did Gene, whose celebrity spread with every ride cymbal beat and bass drum bomb drop. He formed his own band, hired such dazzlingly outsized personalities as singer Anita O’Day, and unconditionally shattered racial boundaries by sharing the spotlight with the blistering African-American trumpeter Roy Eldridge. But after a skyrocketing ride to the top, Gene experienced a rollercoaster ride of good and bad luck, emotional highs, and devastating depths. In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend whose acolytes would include such rock-era artists as Ringo Starr, Keith Moon, John Bonham, and Apollo 440. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on.

The first definitive biography of Gene Krupa, the most famous drummer on the planet, whose feverish rhythms defined the Swing Era, changed jazz music forever, spurred rock and roll, and influenced generations. From the early 1930s onward, Gene Krupa was a drum-centric rarity in the jazz world. Never before had a drummer been in the forefront as a solo artist. His galvanizing, unrestrained passion for percussion demanded it. Rocking the rafters, Gene thrilled audiences in ballrooms, nightclubs, and movies. He always knew he would. It was in his blood. Seemingly born jazz-drum crazy in 1909 to a Polish-immigrant working-class family in South Chicago, Gene was a professional by the age of thirteen and soon made his first recordings. By the early 1930s, he was New York City’s most in-demand drummer, and starting in 1934, he joined brilliant clarinetist Benny Goodman’s band, helped inaugurate the Swing Era, and played the first-ever swing concert at Carnegie Hall, which made history. So did Gene, whose celebrity spread with every ride cymbal beat and bass drum bomb drop. He formed his own band, hired such dazzlingly outsized personalities as singer Anita O’Day, and unconditionally shattered racial boundaries by sharing the spotlight with the blistering African-American trumpeter Roy Eldridge. But after a skyrocketing ride to the top, Gene experienced a roller-coaster ride of good and bad luck, emotional highs, and devastating depths. In The Master of Drums, biographer Elizabeth J. Rosenthal crafts a celebratory, honest, and exhaustively researched portrait of a twentieth-century music legend whose acolytes would include such rock-era artists as Ringo Starr, Keith Moon, John Bonham, and Apollo 440. When he died, Gene Krupa may have left behind a world of grieving friends, colleagues, fans, students, and progeny, but as The Master of Drums proves, his dynamic musical and cultural influences live on. Foreword by Slim Jim Phantom of the Stray Cats Includes 16 pages of exclusive, never-before-seen photographs

Gene Krupa and the Music He Gave the World

The Master of Drums

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Musical Composition in Max/MSP: Strategies for Digital Creativity offers a music-centered introduction to the widely used music programming language Max/MSP. Placing creative results at the core of its approach, this book guides readers through the process of composing a complete musical work.

Strategies for Digital Creativity

Musical Composition in Max/MSP

Explore the makings of a musical phenomenon in this ultimate celebration of Coldplay. Life in Technicolor is the definitive tribute to Coldplay, telling the complete story one of the most successful bands of the twenty-first century. Co-authored by Debs Wild, the A&amp;R scout who discovered Coldplay, this fully illustrated book reveals rare, behind-the-scenes moments from the band's rise to global superstardom - from their acclaimed debut album Parachutes to the record-breaking Music of the Spheres Tour. Featuring individual profiles of Chris Martin, Guy Berryman, Will Champion, and Jonny Buckland, and packed with rare, original memorabilia including setlists, flyers, tour passes and candid snapshots, this is an essential companion for any Coldplay fan and the most complete celebration of the band to date.

Life In Technicolor: A Celebration of Coldplay (2025)

You're falling through time so all I can do is fall with you.The numbness had set in long before I sat at your bedside. But even with senses impaired as the flight touches down at Belfast City I can somehow still feel the screeching of wheels on tarmac scorching something deep into me.

The Forest Is the Path

Audio Engineering 101

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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