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The debut book from writer and pioneer of digital culture Camille Charrière

Charrière C: Ashamed

Ashamed

The Life, Old Age, and Death of a Working-Class Woman

Notes on the Anti-Colonial Imagination

Analogue Africa

Television writer, producer, and bestselling author of the acclaimed The Broke Diaries and Mixed charts her unexpected role as her terminally ill mother's caretaker in this funny, moving, and unforgettable memoir.Angela Nissel always wanted her mother’s approval. But two defining events created a barrier between them: renouncing Christianity and being admitted to a psychiatric ward— events that mirrored failed parenting to her mother.&nbsp;Beating her depression, Angela moved to Los Angeles where she quickly achieved success as a television writer but soon after found herself dead broke and enduring a painful divorce. It was at this low point that she received heartbreaking news: her mother had cancer. Angela moves her mother to Los Angeles where she attempts to hide foreclosure notices and her live-in boyfriend while also trying to save her mother’s life with everything from crystals to celebrity doctors. Still, her mother succumbs to her cancer.In this poignant and hilarious memoir, Angela chronicles her odyssey as she tries to remain “strong” like her mother in the face of grief. Delightfully self-deprecating, unsparing in its honesty, yet filled with wacky humor and joy, Good Grief, Pass the Bread, Mom is Dead, is an unforgettable portrait of love, yearning, loss, and resilience that reveals the indelible power of introspection to save our lives.

A Memoir

Good Grief, Pass the Bread, Mom Is Dead

Liquid Reflections

Medal Man

THE SUNDAY TIMES AND NEW YORK TIMES BESTSELLERThe renowned author returns with a timely book about his journeys to three sites of conflict - Dakar, South Carolina, and Palestine - exploring how the stories we tell, and the ones we don't, shape our realities. 'A politically-charged meditation on the power of stories' Guardian ***Ta-Nehisi Coates originally set out to write a book about writing, but soon found himself grappling with deeper questions about the destructive myths that shape our world. First we join Coates on his inaugural trip to Africa - a journey to Dakar, where he finds himself in two places at once: a modern city in Senegal and the ghost-haunted country of his imagination. He then takes readers to Columbia, South Carolina, where he reports on the banning of his own work and the deep roots of a false and fiercely protected American mythology - visibly on display in its segregationist statues. Finally in Palestine, Coates sees with devastating clarity the tragedy that grows in the clash between the stories we tell and reality on the ground. Written at a dramatic moment in American and global history, this work from one of our most important writers is about the urgent need to embrace the liberating power of even the most difficult truths. ***'An earnest and intimate exploration of locations of extreme injustice' Oprah Daily

The Message

Shooting Up

Exploring the County that Made the Modern World

Lancashire

A Family Story of Love, Loss and Obsession

Kutchinsky's Egg

Biography and memoirs

A Boarding School Memoir

One Boy!

One man’s adventures in cancerland

The Leopard in my House

'Unforgettable'SUNDAY TIMES'Courageous'OBSERVER'One of the most important books to be published in years' SARA COLLINS'There are few writers with Li's power'DOUGLAS STUARTThe best book I have read this year' DAVID NICHOLLS'I will return to it for the rest of my life' CHARLOTTE WOODA remarkable, defiant work of radical acceptance from acclaimed Pulitzer Prize finalist Yiyun Li as she considers the loss of her son James.'There is no good way to say this,' Yiyun Li writes at the beginning of this book.'There is no good way to state these facts, which must be acknowledged. My husband and I had two children and lost them both: Vincent in 2017, at sixteen, James in 2024, at nineteen. Both chose suicide, and both died not far from home.'There is no good way to say this - because words fall short. It takes only an instant for death to become fact, 'a single point in a timeline'. Living now on this single point, Li turns to thinking and reasoning and searching for words that might hold a place for James. Li does what she can: including not just writing but gardening, reading Camus and Wittgenstein, learning the piano, and living thinkingly alongside death.This is a book for James, but it is not a book about grieving. As Li writes, 'The verb that does not die is to be. Vincent was and is and will always be Vincent. James was and is and will always be James. We were and are and will always be their parents. There is no now and then, now and later, only, now and now and now and now.' Things in Nature Merely Grow is a testament to Li's indomitable spirit.As seen in the New Yorker, Vanity Fair, LA Times, TIME, and the Paris Review.'To state that this courageous book is a testament to love is an understatement. One is left altered by it'OBSERVER'A story of loss that is unlike any other book I've read ... an unforgettable monument to endurance'SUNDAY TIMES'Resolutely unsentimental, and yet it might wind you with its emotional force'GUARDIAN'A memoir unlike others, strange and profound and fiercely determined not to look away'NEW YORK TIMES'An extraordinary book' SARAH MOSS'A manifesto of living, not dying, and of how we endure the most unimaginable things' SINÉAD GLEESON, in THE WEEK'A profound look at how a parent continues to live in a world without her children'TIME'A book unlike any I've read, that brims with rare clarity and intelligence, with love and care. It will stay with me for a long time' CECILE PIN

Things in Nature Merely Grow

Ashamed

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