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Abramovic Marina: Art Theft as Art

Art Theft as Art

Ulay's There's a Criminal Touch to Art

The former director of a small Upstate New York art museum in 1980 tells the true story of a failed heist. Ten years later, the world's most disastrous heist of a Boston museum uses similar tactics. The story follows the suspected perpetrator's life of crime including his masquerading as a Hollywood screenwriter.

How a Failed Art Heist Provided a Blueprint for the World's Largest Art Robbery

The Practice Run

Biotechne: Interthinking Art, Science and Design

This open access book takes a queer, feminist, and decolonial technoscience approach to the ecologies that emerge from our entanglements with nonhumans (air, rocks, algae, trees, soil and plants) and computational hard/software. In Plants by Numbers, artists and theorists working with computation address the urgent need to think beyond the human paradigm, opening up new fields of debate that question the troubled relationship between ecosystems and human technology.

Organised around three key themes--techno-nature entanglements, plants as resistant agents, and becoming-with-plants--the volume provides a vital pathway through complex theoretical ideas that inform the practices of artists working in the fields of computation and ecology.

Fusing art theoretical and art practice approaches, the contributors describe how we might design, make and imagine computational processes differently, or otherwise, through the co-production of artworks with plants. Showing how these artworks might act as communicative media between the biological and technological, Plants by Numbers opens up new potential areas of research whilst producing new ethical-political engagements.

The eBook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by the University of Michigan.

This open access book takes a queer, feminist, and decolonial technoscience approach to the ecologies that emerge from our entanglements with nonhumans (air, rocks, algae, trees, soil and plants) and computational hard/software. In Plants by Numbers, artists and theorists working with computation address the urgent need to think beyond the human paradigm, opening up new fields of debate that question the troubled relationship between ecosystems and human technology. Organised around three key themes--techno-nature entanglements, plants as resistant agents, and becoming-with-plants--the volume provides a vital pathway through complex theoretical ideas that inform the practices of artists working in the fields of computation and ecology. Fusing art theoretical and art practice approaches, the contributors describe how we might design, make and imagine computational processes differently, or otherwise, through the co-production of artworks with plants. Showing how these artworks might act as communicative media between the biological and technological, Plants by Numbers opens up new potential areas of research whilst producing new ethical-political engagements. The eBook editions of this book are available open access under a CC BY 4.0 licence on bloomsburycollections.com. Open access was funded by the University of Michigan.

Art, Computation, and Queer Feminist Technoscience

Plants by Numbers

Serial killers. Assassins. Executioners. Real and horrifying conversations with the world's most dangerous killers, from activist, speaker and podcast host Shaun Attwood.

Real and horrifying conversations with the world's most dangerous killers, from activist, speaker and podcast host Shaun Attwood.

Real conversations with the world’s most dangerous killers

Sitdowns with Serial Killers & Murderers

The Time and Space of David Bowie

Far Above The World

How Activist Artists Can Change the World

Useful Art

Radical Intimacy in Contemporary Art focuses on practices that operate at the edges of sexuality and its socially sanctioned expressions. Using psychoanalysis and object-oriented feminism, Keren Moscovitch focuses on the work of several contemporary, provocative artists to initiate a dialogue on the role of intimacy in challenging and reimagining ideology. Moscovitch suggests that intimacy has played an under-appreciated role in the shifting of social and political consciousness. She explores the work of Leigh Ledare, Genesis P-Orridge, Ellen Jong, Barbara DeGenevieve, Joseph Maida and Lorraine O'Grady, who, through their radical practices, engage in such consciousness shifting in elegant, surprising, and provocative ways. Guided by the feminist psychoanalytic canon of Julia Kristeva throughout, as well as being informed by the philosophy of Luce Irigaray and the critical theory of Judith Butler, Moscovitch situates these artists in the emerging lineage of feminist new materialism. She argues that the instability of intimacy leads to radical and performative objecthood in their work that acts as a powerful expression of revolt. Through this line of argumentation, Moscovitch joins a growing group of philosophers exploring object-oriented theories and practices as a new language for a new era. In this era, the hegemony of subjectivity has been toppled, and a new world of human ontology is built creatively, expressively and in the spirit of revolt.

Radical Intimacy in Contemporary Art focuses on practices that operate at the edges of sexuality and its socially sanctioned expressions. Using psychoanalysis and object-oriented feminism, Keren Moscovitch focuses on the work of several contemporary, provocative artists to initiate a dialogue on the role of intimacy in challenging and reimagining ideology.
 
 Moscovitch suggests that intimacy has played an under-appreciated role in the shifting of social and political consciousness. She explores the work of Leigh Ledare, Genesis P-Orridge, Ellen Jong, Barbara DeGenevieve, Joseph Maida and Lorraine O’Grady, who, through their radical practices, engage in such consciousness shifting in elegant, surprising, and provocative ways. Guided by the feminist psychoanalytic canon of Julia Kristeva throughout, as well as being informed by the philosophy of Luce Irigaray and the critical theory of Judith Butler, Moscovitch situates these artists in the emerging lineage of feminist new materialism. She argues that the instability of intimacy leads to radical and performative objecthood in their work that acts as a powerful expression of revolt. Through this line of argumentation, Moscovitch joins a growing group of philosophers exploring object-oriented theories and practices as a new language for a new era. In this era, the hegemony of subjectivity has been toppled, and a new world of human ontology is built creatively, expressively and in the spirit of revolt.

Abjection, Revolt, and Objecthood

Radical Intimacy in Contemporary Art

Genshin Impact

Explore the world of Genshin Impact in this stunning keepsake showcasing hundreds of illustrations.Genshin Impact is a free-to-play open-world adventure RPG that brings players to the visually stunning world of Teyvat. Take on the role of the mysterious "Traveler," who sets off on a journey to discover the fate of their lost sibling and unveils unique cultures, stories, and vast surrounding landscapes, as well as the mysterious secrets of Teyvat along the way.Genshin Impact: The Official Art Book Vol. 2 features beautiful artwork that celebrates moments, characters, and storylines from Version 2 to Version 2.8 of the hugely successful game. Packed full of character designs, promotional art, character trailer art, and commemorative illustrations, this book is perfect for Genshin Impact fans.

Genshin Impact: Official Art Book Vol. 2

Collected Texts

J Walking Through the Alphabet

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

The Routledge Companion to Digital Humanities in Theatre and Performance

The book covers the history of Singapore National songs, starting with the search for folk songs that could be considered a National song. It follows the history of Majulah Singapura written by Zubir Said, which was officially adopted as Singapore's national anthem in 1959. The book traces the first three official National Day Parade songs written by Hugh Harrison in 1985 to 1987. This was followed by the Sing Singapore competition which gave rise to Dick Lee's winning song, Home. The book follows all Singapore National Day Parade songs from 1985 to the present, and it highlights notable personalities involved in the writing and production of Singapore National songs. The year 2025 is the 60th Anniversary of Singapore's Independence as well as the 40th Anniversary of National Day Parade songs. Both are celebrated by the publication of this book.

Home, Truly: A History Of Singapore National Songs

National Theatre Backstage Guides

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting. Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: Amadeus Ma Rainey's Black Bottom Master Harold and The Boys Death and The King's Horseman The Comedy of Errors The Overwhelming - to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work. Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor's bookshelf.

From one of the most celebrated actors of the stage and screen comes this book on the craft of acting. Lucian Msamati draws on his rich experience, particularly in the context of productions at the National Theatre - including: Amadeus Ma Rainey's Black Bottom Master Harold and The Boys Death and The King's Horseman The Comedy of Errors The Overwhelming - to delve into sets of challenges and possibilities that actors might face. He offers up his tips on getting started in the industry; navigating the various professional relationships and roles inside a rehearsal room; and offers insights into running your own company and generating your own work. Peppered with quoted interviews with other industry professionals and personal anecdotes, which are sure to resonate with any reader, this will be a cherished book on any actor's bookshelf.

A Backstage Guide

Acting

Elements in Shakespeare Performance

Performing Visible Pregnancy in Shakespeare's Plays

Art Theft as Art

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