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Workman Calendars: Art Page-A-Day®
Gallery Calendar Refill Pack 2026

Art Page-A-Day® Gallery Calendar Refill Pack 2026

X-Men For Dummies

Create Your Own Comics is packed with story ideas, drawing tips, creative prompts and loads of fun suggestions to start you off on your way to becoming a comic master.

Everything You Need to Know

Create Your Own Comics

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Book is an exciting, readable and comprehensive, all-in-one resource for students of fashion across the English-speaking world. It is designed as an introduction to fashion studies that can be used in a range of fashion courses from fashion studies degrees to fashion modules, and majors in disciplines including cultural studies, cultural sociology, cultural geography, communications and media, anthropology and cultural history. The book will present current writings and research on major topics debates in fashion studies drawing on the literature on fashion theory and incorporating many global case studies (as easy-to-read boxed material). Graphs, tables and diagrams will add texture to the written material. Approximately 200 colour images are planned to generously illustrate the historical and the contemporary tapestry of fashion. A dedicated interactive website will complement the text and ensure that students are in touch with the latest news, issues and trends.

The Fashion Studies Book

Frühe Neuzeit

Alle drei Bände der von Jörg Jochen Berns herausgegebenen Edition Von Strittigkeit der Bilder. Texte des deutschen Bildstreits im 16. Jahrhundert sind als preisreduziertes Set zu erwerben. Die Bände geben verlässlich Einblick in eine deutschsprachige, theologisch grundierte Mediendebatte. Singulär ist die umfassende Zusammenstellung zum einen wegen ihres Umfangs von neunundneunzig historischen Texten auf mehr als zweitausendeinhundert Seiten, zum andern wegen der regionalen Vielfalt und konfessionellen Vielstimmigkeit dieser Zeugnisse: von Amling, Bucer, Buchstab, Bullinger bis hin zu Quad, Schwenckfeld, Zwingli. Nicht nur werden viele der Dokumente hier erstmals seit vier Jahrhunderten wieder ediert, sondern auch zum ersten Mal zusammengestellt und so miteinander konfrontiert, dass es möglich wird, Gemeinsamkeiten und Differenzen zu erkennen, Leitbegriffe zu verfolgen und argumentative Muster freizulegen. Die Texte werden durch Anmerkungen und umfängliche Nachworte kommentiert und durch umfangreiche Register erschlossen. Als Handwerkszeug bildwissenschaftlichen Forschens, insbesondere auf kunsthistorischem, kirchengeschichtlichem, volkskundlichem, psychologiehistorischem, mediengeschichtlichen oder germanistisch-linguistischem Terrain, ist die Sammlung unverzichtbar.

Von Strittigkeit der Bilder / [Strittigkeit der Bilder, Bände 1-3]

Considers the enduring legacy of California Conceptualism, known for its lax approaches to creating, writing about, and exhibiting art. Moving away from making objects, and turning instead to staging scenes, the artists associated with California Conceptualism--including Eleanor Antin, John Baldessari, David Lamelas, Tony Ramos, Ilene Segalove, and William Wegman--behaved indifferently toward their art, denied making it and knowing what it was about, and displayed a lack of concern for its future. Their casual attitude and aesthetic transformed relationships between artists, critics, and viewers, separating those who could recognize these practices from those who could not. Contemporary artists have continued this trajectory, finding new ways to act casually through their "stance." In the humanities, this term is often taken to mean the beliefs, values, and intentions of authors, and it has offered a useful way to think about how artists position themselves toward their work and audiences. Jacob Stewart-Halevy builds on recent social theory to show how artists, critics, and other members of the art world wield stance to make sense of artworks and their social circumstances, arguing that, through the rise of conceptual art, stance has come to supplement--and in some cases replace--the aesthetic quality of artworks.

Downplaying Art Since California Conceptualism

The Casual

How artists created fictionalized identities to realize works that resisted political overreach and art historical conventions. This book explores how a group of real California artists created imaginary artists, engaging with the political climate of the Cold War era and frustrating the discipline of art history. They employed pseudonymity, obfuscation, anonymity, (auto)biografiction, imaginary portraiture, heteronymity, role-playing, doubling, and alter ego. Often laced with humor, these exploits facilitated stylistic experimentation, provoking reactions from art viewers and governing authorities alike, and disrupting reliance on documentation and attribution within art history. In the 1950s and early 1960s, Ed Kienholz, Walter Hopps, Robert Alexander, Wally Hedrick, George Herms, and Wallace Berman activated imagined and secret identities, provoking reactions within a conservative environment gripped by communist paranoia. As political concerns shifted in the 1960s and 1970s to movements for peace and equality, artists including Billy Al Bengston, Ed Ruscha, Joe Goode, Lynda Benglis, Larry Bell, Judy Chicago, and Eleanor Antin redirected these tactics to probe the rise of celebrity culture and the administrative state. These practices also became the precursor for later interventions by Bruce Conner, Asco, Allen Ruppersberg, Senga Nengudi, and others. Considering a compelling range of visual material, including paintings, sculptures, and performed intrusions as well as publications, postcards, and advertisements, Monica Steinberg examines why these imaginary artists appeared when and where they did--and to what ends.

Lives of the Imaginary Artists in Cold War California

The Politics of Form in Contemporary British Performance

Proper Theatre

Insider: How to Get a Job and Earn a Living in the Art World

Elliot Carter

Handbooks in International Art Business

The Valuation of Fine Art and Design provides a detailed analysis of the art and science of valuation, focussing on the process of assigning monetary values to artworks. The book sets out to educate art-world stakeholders in the nuances of pricing in the broadest sense. Construction of appropriate values requires an understanding of the international art market infrastructure in which these values will be applied; for this reason, the book explores the major sales venues in some detail. Additionally, it requires the appraiser to establish the importance of the work in question; to this end, the book presents fine and decorative-arts research sources. Finally, all value conclusions are based upon evidence derived from previous sales of similar items. The book concludes by demonstrating, through case studies, the impact on an artwork's value of factors including authenticity, style, artist's stature, publication and exhibition record, medium, rarity, and inclusion of related works in museum collections.

The Valuation of Fine Art and Design provides a detailed analysis of the art and science of valuation, focussing on the process of assigning monetary values to artworks. The book sets out to educate art-world stakeholders in the nuances of pricing in the broadest sense. Construction of appropriate values requires an understanding of the international art market infrastructure in which these values will be applied; for this reason, the book explores the major sales venues in some detail. Additionally, it requires the appraiser to establish the importance of the work in question; to this end, the book presents fine and decorative-arts research sources. Finally, all value conclusions are based upon evidence derived from previous sales of similar items. The book concludes by demonstrating, through case studies, the impact on an artwork's value of factors including authenticity, style, artist’s stature, publication and exhibition record, medium, rarity, and inclusion of related works in museum collections.

A Handbook for Professionals

The Valuation of Fine Art and Design

SOAS Studies in Music

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book's second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author's own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict, in a search of methodology for improving the effectiveness of current practices

Musical improvisation is a complex form of creative human expression. In this book, Sabina Rakcheyeva explores the logical outcomes of performance, relating them to existing theories and expanding those theories with new findings. Rakcheyeva begins with an examination of the attributes of musical improvisation, how it is practised, its logic, the creativity of the process and the role of the audience in performance. The book’s second half is devoted to a description of a performance-based research project involving the author, a violinist, and members of her ensemble. A self-referent endeavour involving cross-cultural and cross-disciplinary analyses, investigates aspects of improvisation in recent musical practice, juxtaposing this onto the author’s own performance experience and elaborating, in particular, on how improvisation encapsulates processes of imagination, creation, and collaboration among musicians from different music backgrounds. Taking the music performance to a next stage, the author explores the ways of how musical collaboration as a tool of public engagement can contribute to promoting understanding and preventing and resolving conflict,in a search of methodology for improving the effectiveness of current practices.

Music as Cultural Diplomacy: Using Improvisation as a Creative Tool

Matters of the Image introduces a new framework for thinking about digital images.

Matters of the Image introduces a new framework for thinking about digital images.

Designing Digital Images with Materiality, Energy, and Living Matter

Art Page-A-Day® Gallery Calendar Refill Pack 2026

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