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Workman Calendars: Art Page-A-Day®
Gallery Calendar Refill Pack 2026

Art Page-A-Day® Gallery Calendar Refill Pack 2026

Insider: How to Get a Job and Earn a Living in the Art World

The Fashion Book is designed to be a one-stop textbook and reference for students of fashion and textile studies in the English-speaking world. This inter-disciplinary introduction to theories, debates, methodologies and case studies in fashion studies will suit students in degrees, modules and majors including cultural studies, art, communications/media, cultural geography, anthropology and cultural history.

The Fashion Studies Book

Music and Material Culture

In the early twenty-first century we are inundated with technologies and discourses that privilege the apparently liberating immaterial aspects of digital culture. Despite, or perhaps because, of this, the making of material objects continues to be of importance in people's everyday lives. Including case studies on guitar makers, homemade recording equipment, car audio culture, and 3D printing of musical instruments, Gavin Carfoot critically examines the ways that musical objects are produced through social and cultural practices and forms of labour, in co-constitutive ways between human makers and non-human objects.

The Culture and Practice of Making Musical Objects

Making Things Musical

The Politics of Form in Contemporary British Performance

Proper Theatre

Routledge Revivals

First published in 1987, The Heritage Industry sets out to protect the present and the future of life in Britain from their most dangerous enemy: a creeping takeover by the past.

Britain in a Climate of Decline

The Heritage Industry

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Anfang des 20. Jahrhunderts entstand eine materialistische Theorie, die sich mit ökonomischen und sozialen Verhältnissen der Kunstproduktion auseinandersetzte. Mit ihr ging eine Kritik am Kanon einher, die zuvor ausgeschlossene Alltagsgegenstände, Kinderzeichnungen, Volkskunst oder Fotografien als materielle Bedingungen einer Kultur begriff. Sammlungen von Kunstwerken und Artefakten wurden zu Denkumgebungen, um das Verhältnis von Geschichte, Form und Gesellschaft neu zu bestimmen. Wie Material- und Bildersammlungen auf Grundlage theoretischer Annahmen zusammengetragen wurden und auf diese zurückgewirkt haben, diskutieren die Beiträge des Bandes am Beispiel von Frederik Antal, Walter Benjamin, Bernard Berenson, Wilhelm Fraenger, Sigmund Freud, Henri Foçillon, Vernon Lee, Meyer Schapiro und Aby Warburg.

Materialismus und Kunsttheorie (1900–1960)

Bildersammlungen als Denkmaterial

X-Men For Dummies

Biotechne: Interthinking Art, Science and Design

Viruses and Viral Phenomena Across Science, Technology, and the Arts

Viral Behaviors

How artists created fictionalized identities to realize works that resisted political overreach and art historical conventions. This book explores how a group of real California artists created imaginary artists, engaging with the political climate of the Cold War era and frustrating the discipline of art history. They employed pseudonymity, obfuscation, anonymity, (auto)biografiction, imaginary portraiture, heteronymity, role-playing, doubling, and alter ego. Often laced with humor, these exploits facilitated stylistic experimentation, provoking reactions from art viewers and governing authorities alike, and disrupting reliance on documentation and attribution within art history. In the 1950s and early 1960s, Ed Kienholz, Walter Hopps, Robert Alexander, Wally Hedrick, George Herms, and Wallace Berman activated imagined and secret identities, provoking reactions within a conservative environment gripped by communist paranoia. As political concerns shifted in the 1960s and 1970s to movements for peace and equality, artists including Billy Al Bengston, Ed Ruscha, Joe Goode, Lynda Benglis, Larry Bell, Judy Chicago, and Eleanor Antin redirected these tactics to probe the rise of celebrity culture and the administrative state. These practices also became the precursor for later interventions by Bruce Conner, Asco, Allen Ruppersberg, Senga Nengudi, and others. Considering a compelling range of visual material, including paintings, sculptures, and performed intrusions as well as publications, postcards, and advertisements, Monica Steinberg examines why these imaginary artists appeared when and where they did--and to what ends.

Lives of the Imaginary Artists in Cold War California

Routledge Companions

Digital Humanities has emerged in recent years as a new paradigm within theatre and performance studies. This is the first volume to compile scholarly and best practice knowledge from around the globe, and to address both the history and future of this new field. Contributors examine a range of projects documenting, reconstructing and visualizing theatre and performance practices both past and present; discuss a new methodology for theatre scholarship, and for archiving and preserving works; and consider the impact of the Digital Humanities on higher education in theatre and performance studies.

The Routledge Companion to Digital Humanities in Theatre and Performance

Art Page-A-Day® Gallery Calendar Refill Pack 2026

Informations bibliographiques

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Informations bibliographiques

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