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The upstairs neighbour keeps blasting music at 2 a.m. Another mutilated body has been found floating in the Thames. Then Mia meets Ana, Alfie's art teacher, who proposes an unconventional route to empowerment. Apex Predator opened at Hampstead Theatre, London, in March 2025.

Donnelly John: Apex Predator

Apex Predator

Shakespeare: The Critical Tradition

"This volume offers critical opinions about Twelfth Night across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden Clarke, Charles Lamb, George Bernard Shaw and Caroline F. E. Spurgeon. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods"--

This new volume in the Shakespeare: The Critical Tradition increases our knowledge of how Twelfth Night was received and understood by critics, editors and general readers. The volume offers, in separate sections, both critical opinions about the play across the centuries and an evaluation of their positions within and their impact on the reception of the play. The volume features criticism from key literary figures such as Thomas De Quincey, Charles Knight, Mary Cowden Clarke, Charles Lamb, George Bernard Shaw and Caroline F. E. Spurgeon. The chronological arrangement of the text-excerpts engages the readers in a direct and unbiased dialogue, whereas the introduction offers a critical evaluation from a current stance, including modern theories and methods. The volume makes a major contribution to our understanding of the Twelfth Night and of the traditions of Shakespearean criticism surrounding it as they have developed from century to century.

Twelfth Night

Classical Receptions in Twentieth-Century Writing

Tragic Classicism

Wole Soyinka

Revels Plays

By Thomas Norton and Thomas Sackville

Gorboduc

Rebel in the Deep

The Age of Blood

A stunning tale ripe with political scheming, fascinating magic, and deliciously complicated characters you can't help but root for. A decadent story that won't let you go' Sara Hashem, author of The Jasad Heir FATE IS A CRUEL MISTRESS The daughter of a powerful but disgraced Blood Worker, Shan LeClaire has spent her entire life perfecting her blood magic, building her network of spies, and gathering every scrap of power she could. Now, to protect her brother, she assassinates their father and takes her place at the head of the family. And that is only the start of her revenge. Samuel Hutchinson is a bastard with a terrible gift. When he stumbles upon the first victim of a magical serial killer, he's drawn into the world of magic and intrigue he's worked so hard to avoid - and is pulled deeply into the ravenous and bloodthirsty court of the vampire king. Tasked by the Eternal King to discover the identity of the killer cutting a bloody swath through the city, Samuel, Shan and mysterious Royal Bloodworker Isaac find themselves growing ever closer to each other. But Shan's plans are treacherous, and as she lures Samuel into her complicated web of desire, treason and vengeance, he must decide if the good of their nation is worth the cost of his soul. Fans of From Blood and Ash and Kingdom of the Wicked will devour this decadent, bloodthirsty debut. Praise for Mistress of Lies: 'A dark, delicate, beauty of a novel, with all the edges of sharpened steel' K.S. Villoso, author of The Wolf of Oren-Yaro 'An exquisitely crafted, bloodthirsty decadence of gothic romance and cunning political intrigue. Enright weaves a fantasy that is utterly unputdownable.' Ashley Shuttleworth, author of A Dark and Hollow Star 'Mistress of Lies is a honey trap of romance and royaltycore that leaves no corroded stone unturned when delving into the corruption at the heart of monarchy' Ladz, author of The Fealty of Monsters 'Sensual and sinister, Mistress of Lies had me by the throat. This class conscious political fantasy speaks to the diasporic longing for recognition and connection, and the constant balancing of identity and integration in a very special way' Gabriella Buba, author of Saints of Storm and Sorrow 'A cunning and clawed fantasy romance. Whether manoeuvring cutthroat society parties or scorching bedroom alliances, Enright's characters crackle with chemistry, pitting loyalty against clashing ideals in a twisting murder mystery that will leave you breathless to the very end' S. A. MacLean, author of The Phoenix Keeper 'Rich, fresh, and deliciously dark, Mistress of Lies strikes the perfect chord-captivating magic, intense romance, and beautiful prose' Freydís Moon, author of Heart, Haunt, Havoc 'A dark fantasy the way it should be done: intricately built, steeped in political intrigue, featuring messy families, morally grey protagonists, and visceral blood magic. I adored the world Enright has created, deep and complex, with an atmosphere so thick, you can slice it with a knife' Genoveva Dimova, author of Foul Days 'Captivating and deadly, Mistress of Lies enthralls from the very first page. Twisted through with the darkest of secrets. . . a powerful exploration of race, class and injustice' Laura R. Samotin, author of The Sins On Their Bones

A dark romantic fantasy debut with a villainous, bloodthirsty heroine who finds herself plunged into the dangerous world of power, politics and murder in the court of the Eternal king.

the sensual and sinister Sunday Times bestseller!

Mistress of Lies

Movement Training as a Catalyst for Change

Physicality and Acting

Set sail for adventure and love in the next spicy fantasy romance from Katee Robert, the New York Times bestselling author of the TikTok smash hit Neon Gods. As a bloodline vampire, Lizzie has never had a problem taking what she wants, and right now what she wants are the family heirlooms that were stolen from her, a ship, and a portal home. Unfortunately, even that short list is impossible to accomplish on her own-and her allies have bigger things to worry about. When they rescue a selkie, it's the perfect solution to her problem. Lizzie needs a guide through Threshold and the selkie needs her skin back. Maeve didn't choose to give up her skin-it was stolen from her. Now she's in an uneasy partnership with a dangerous woman who seems more apt to kill than to share a kind word. It's terrifying...and a bit alluring. Even though she knows it will end in heartbreak, Maeve can't help being drawn to Lizzie. Unfortunately, the danger to Maeve's heart is the least of her worries. The ship they're seeking belongs to the Cwn Annwn, and they don't take kindly to people who cross them. They're coming hunting, and not even Lizzie's viciousness or Maeve's knowledge will be enough to save them...

Set sail for adventure and love in the next spicy fantasy romance from Katee Robert, the New York Times bestselling author of the TikTok smash hit Neon Gods. As a bloodline vampire, Lizzie has never had a problem taking what she wants, and right now what she wants are the family heirlooms that were stolen from her, a ship, and a portal home. Unfortunately, even that short list is impossible to accomplish on her own—and her allies have bigger things to worry about. When they rescue a selkie, it’s the perfect solution to her problem. Lizzie needs a guide through Threshold and the selkie needs her skin back. Maeve didn’t choose to give up her skin—it was stolen from her. Now she’s in an uneasy partnership with a dangerous woman who seems more apt to kill than to share a kind word. It’s terrifying…and a bit alluring. Even though she knows it will end in heartbreak, Maeve can’t help being drawn to Lizzie. Unfortunately, the danger to Maeve’s heart is the least of her worries. The ship they’re seeking belongs to the Cwn Annwn, and they don’t take kindly to people who cross them. They’re coming hunting, and not even Lizzie’s viciousness or Maeve’s knowledge will be enough to save them…

Blood on the Tide

What We Did Before Our Moth Days

Penguin Modern Classics

After ten long years spent away from Dublin, Richard, Bertha and their young illegitimate son Archie are back home. Despite expectations of comfort and domesticity, the couple's return to the place where they first met triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers. James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.

After ten long years spent away from Dublin, Richard, Bertha and their young illegitimate son Archie are back home. Despite expectations of comfort and domesticity, the couple's return to the place where they first met triggers an existential questioning, an anxiousness which is exacerbated by meetings with old friends and lovers. James Joyce's only surviving play, Exiles builds upon one of his most famous short stories, 'The Dead', to provide a profound exploration of jealousy, doubt and the complexity of human desire.

Exiles

Shakespeare and Adaptation

Negotiating Cultural Value

Shakespeare and Comics

SEDUCTIVE, SINISTER, GLAMOROUS, HORRIFIC: this collection brings together the best poems inspired by the undead, from Goethe and Byron to Emily Dickinson and Ishmael Reed A nest of vampires literal and metaphorical, this poetry collection ranges across centuries and languages to bring readers a bevy of dark delights. The undead have long provided the perfect vessel for humanity's fears and desires--from spine-tingling chills to sinister sexiness, vampires are the ultimate representation of the most frightening and alluring parts of ourselves. They've inspired poems that tell stories, proffer warnings, and imagine life from inside the eternal night, by authors like J.W. Goethe, Lord Byron, Emily Dickinson, Charles Baudelaire, Anna Laetitia Barbauld, Delmira Agustini, and Ishmael Reed, brought together with many more in this one-of-a-kind collection. With an introduction by Claire Kohda, author of Woman, Eating. Contents include: <ul><li>CHILLING TALES: poems by Gottfried August Burger, Johann Wolfgang von Goethe, Robert Southey, Anne Bannerman ("The Dark Ladie"), John Stagg ("The Vampyre"), Lord Byron, Samuel Taylor Coleridge, Alfred Lord Tennyson, Rafael Campo</li><li> DIRE WARNINGS: poems by Heinrich August Ossenfelder ("The Vampire"), John Keats, Henry Thomas Liddell ("The Vampire Bride"), James Clerk Maxwell, Charles Baudelaire, Christina Rossetti, Madison Julius Cawein, Rudyard Kipling, Conrad Aiken, Edna St Vincent Millay ("The Witch-Wife"), James Weldon Johnson</li><li> THE VAMPIRE WITHIN: poems by Anna Laetitia Barbauld, Emily Brontë ("Ah! Why, Because the Dazzling Sun"), Emily Dickinson ("A Death blow is a Life blow to Some [816]"), Walter Pater, Delmira Agustini, William Butler Yeats ("Oil and Blood"), Ishmael Reed ("I Am a Cowboy in the Boat of Ra"), Dorothy Barresi ("Pocket Vampire"), John Yau</li></ul>

Selected Vampiric Verses

White Teeth, Red Blood

Methuen Drama Engage

British Theatre 2010-2019

Staging Systemic Violence

Apex Predator

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