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Killer Minds

Carreón C: Antipoemario de un completo
loco

Antipoemario de un completo loco

A Norton Short

Drawing on deep passion and personal experience, former US Poet Laureate Tracy K. Smith demystifies the art form that has too often been mischaracterised as "inaccessible", "irrelevant" or "intimidating". She argues that poetry is rooted in fundamentally human qualities innate to our capacities to love, dream, question and engage across diverse cultures and backgrounds. Lifting the veil on her own creative process, Smith shows us how reading and writing poetry allows us to confront life's many uncertainties and losses, to build camaraderie with strangers and to understand ourselves. She grounds readers in the technical elements of the craft and provides close readings of the works of contemporary poets, alongside classic poems. By reimagining and re-examining the age-old art form, Fear Less is a warm invitation to find meaning, consolation and hope through poetry.<ul><li>A Norton Short</li>
</ul>

Poetry in Perilous Times

Fear Less

Late Heaney

Gedichte, der Lauf des Lebens, Abschiede, Musik, Natur, Liebe

Gedichte 2025

Wenn die Zeiger der Uhr vorrücken

Covering all of the major genres of fiction, nonfiction, poetry, dramatic writing and writing for digital media, this 3rd edition of the book is a practical, complete, introductory manual for students of creative writing. The Bloomsbury Introduction to Creative Writing now features: - New sections and exercises for editing and revising across the genres and hybrid forms - A new chapter on intersectionality and writing alongside interviews with practitioners from a host of backgrounds and experiences - An updated and expanded chapter on writing for digital media that explores the role of AI - An updated and fully expanded glossary of key terms Through a structured series of practical writing exercises - perfect for the classroom, the writer's workshop or the creative writing autodidact - the book helps build the new writer from the first explorations of voice and the relationship between writing and knowledge, through to mastery of a wide range of genres and forms. With practical guidance on writing scholarly critiques of your own work, The Bloomsbury Introduction to Creative Writing is an essential guide for any introductory creative writing course and a practical companion for more advanced writers.

The Bloomsbury Introduction to Creative Writing

Offering a careful balance of hope and rage, The Scarred Peach Is the Sweetest explores and illuminates the beauty in every relationship and interaction with the natural world around us. With Denise Levertov's precision, Kathie-Louise Clarke uncovers the mysteriousness of truths such as the burden of verdigris and the remains of a snow-capped goddess. Clarke's poems mesmerize us with imagery, effortlessly weaving together tales of both modern and old worlds, creating an entirely new and rich topography to be explored. From tea-cups holding marmalade to the texture of packing peanuts, this debut collection gently reminds us that in everything we can find love-if we choose.

The Scarred Peach Is the Sweetest

Menschen hören überhaupt nur sehr wenig ist ein urbaner Gedichtband über das Zusammenleben von Mensch und Natur: präzise beobachtet, poetisch verdichtet - mit einer Stimme, die selbst im Lärm der Stadt hörbar bleibt. Die Stadt wird zum Resonanzraum für das Unausgesprochene; Tiere treten aus Träumen in die Wirklichkeit, Erinnerungen kreuzen die Gegenwart.

Marie Iljašenko schreibt über Fremdsein, Begehren und Wahrnehmung selbst - und über urbane Biotope wie Bäche, Brachen, Straßenschluchten und grüne Korridore ebenso wie über die Fallen des Alltags: Glasflächen, Gitter, Dornen, Lichtschächte. Diese Gedichte suchen eine Sprache für Tiere und Pflanzen, ohne zu vereinfachen oder zu belehren - wach, intim und zugleich gegenwärtig.

Aus dem Tschechischen von Julia Miesenböck erscheint der Lyrikband im Vorfeld des Ehrengastauftritts Tschechiens auf der Frankfurter Buchmesse 2026.

Gedichte

Menschen hören überhaupt nur sehr wenig

Balancierend

Creative Writing Curiosity: Ten Essays on the Curious and Writerly is a lively collection examining how curiosity informs, shapes, deepens and empowers creative writing. Across ten varied essays the collection explores curiosity as stimulus, as guide, as teacher, companion or provocateur. Sometimes initiating, sometimes encouraging deeper thinking and greater imagining, and often the impetus, curiosity is shown as innate and routinely engaged with uncertainty. It is from our desire to know, the questioning that our curiosity entails, that creative writing emerges. Ultimately, it is shown that curiosity is manifest not only in what we write creatively but in how we go about writing it.

Ten Essays on the Curious and the Writerly Volume 1

Creative Writing Curiosity

Poems of a Forgotten Girl By Lacey Shaikh Milt She was never just a girl. She was the aftermath no one wanted to name.This is not a gentle book. These poems bleed.Poems of a Forgotten Girl is a raw and honest look at trauma, self-harm, desire, and survival. L.S.M. writes what others bury-memories too painful to name, feelings too sharp to hold. Each poem is intimate, graphic, and emotionally charged.Some whisper. Some scream. All of them cut deep.This book is for anyone who's lived through silence and wants to speak. For those who know that love can feel like a razor, and pain can feel like home. Some cuts are quiet. Some are love. Some scars stay warm, like the hands that made them. And sometimes, the deepest love is the one that hurts the most.

Poems of a Forgotten Girl

Die mini-poems erzählen - in sehr verdichteter Form - von wilden Gefühlen und winzigen Momentaufnahmen, von scheinbar unscheinbaren Alltagsgedanken, ungewöhnlichen Erlebnissen, ganz normalen Tageseindrücken... nichts ist zu groß oder zu klein, um hier Platz zu finden. 
Und vermutlich jede und jeder wird sich dort oder da ein wenig wiederfinden.
Einige dieser minis sind Teil eines Tanztheaterstückes - sogar konkret dafür beauftragt - nämlich die "Vier Farben der Liebe", inszeniert und choreographiert von Anastasia Ferrer, mit der Erstaufführung im April 2026 in Graz.

mini-poems

mondflirren

Bringing together essays from neurodivergent and disabled writers, and writers with chronic illnesses, this collection explores the impact of these experiences and the struggle against such biases within the field of creative writing. Whilst neuro-divergent and disabled writers publish world-class poetry, prose, and drama that moves readers and wins awards, they face many difficulties accessing these achievements - difficulties which often go unnoticed, unmentioned, and underappreciated. Visibility, insight, alternative approaches, and thorough research are all needed to create more inclusive writing environments. This book confronts these issues head on, calling for diversity in the creative writing field, community, and industry, and more equitable spaces in adjacent arenas from academia to publishing. Broken into four sections, this anthology focuses on creative writing programs, classrooms, the community, and its people, combining narrative, research and practical contributions to the field to offer a mix of practical strategies, personal and pedagogical interventions, critiques, and craft meditations that explore teaching, transformation, evolution, embodied craft, visibility, belonging, injustice, otherness, and views from the outside. With essays and excerpts written by authors and educators from across seven countries, who are each impacted by a wide range of disabilities, including ADHD, autism, blindness, dyslexia, dyspraxia, stroke aphasia, cerebral palsy, bipolar, fibromyalgia, and rheumatoid arthritis, this collection informs, deconstructs and re-imagines to reform and revolutionize normative structures within writing institutions and communities.

Disability, Illness, Neurodivergence, and Ableism in Creative Writing

Divergent Writers

Research in Creative Writing

Just like a magician, spiritual guide or modern-day witch, poets use their craft to tap into the inherent power of language as an agent of change, willing words to construct and alter reality through intentional acts and performances. Through an examination of the linguistic, historical, and affective poetics of magic, this book shows how pragmatic magical practices from the ancient and Medieval worlds, and poetry from the English Romantics to the present day, leverage the same linguistic qualities to bring about change. Making the case that contemporary poets, especially poets of disenfranchised identity groups, write with language meant to do something, Robert Eric Shoemaker highlights how these writers successfully incant through language, using techniques such as metaphor, symbolism, chant and other magics, to change their readers by leveraging slippages of meaning. Drawing on the long histories of magical, religious, and ritual language, from modernist poets through the English Romantics and stretching back to poems and spells from the Middle Ages and ancient Egyptian, Greek, Roman, and Jewish traditions, this book establishes a theoretical, analytic, and practical framework for magical poetics. An introduction to the theory and topic, Magical Poetics manages and expands on important poetic legacies, establishes frameworks of contemporary practitioners and aids today's writers and readers in seeing the importance of poetry in the everyday, positioning them as part of the larger lineage of poet-hierophants who may work to change the world with words.

The Power of Language and Effective Poetry

Magical Poetics

Antipoemario de un completo loco

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