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Anselm K: Anselm Kiefer: Women
Alchemists

Anselm Kiefer: Women Alchemists

An invitation to look closely at artworks and explore the techniques artists use to draw viewers in and keep them interested

Discovering the Unexpected in Art

The Lingering Look

Published in celebration of the Hollywood star's 100th birthday and in association with the Marilyn Monroe estate, to accompany the exhibition at the National Portrait Gallery. Marilyn Monroe: A Portrait celebrates Monroe's enduring legacy as a cultural icon, by exploring her impact on photography, art and film. Marilyn Monroe was one of the most famous and photographed women of the twentieth century whose cultural significance continues to fascinate generations. Marilyn Monroe: A Portrait reflects on Monroe's extraordinary impact on photographers and artists, showing familiar and rarely seen photographs of her, alongside outstanding artworks made during her lifetime and afterwards, that collectively create a portrait of her. Today, as we better understand the challenges Monroe faced in her life and the agency she sought in shaping her career, her photographs have accumulated new meanings and captivated new audiences. From her collaborations with photographers such as Eve Arnold and Richard Avedon to bold reinterpretations of her by Pop artists including Pauline Boty and Andy Warhol, Monroe's image has been continually reimagined, speaking to her lasting impact on visual culture and our understanding of beauty, fame, and power. Far more than a Hollywood star, Monroe was a complex figure; ambitious, witty, charismatic, and deeply involved in the crafting of her public persona. Marilyn Monroe: A Portrait includes contributions from the actor, director and writer Lena Dunham, playwright and cultural commentator Bonnie Greer and feminist art historian Griselda Pollock, who offer fresh and personal perspectives on Monroe's cultural significance and enduring legacy.

Marilyn Monroe: A Portrait

Koudelka: Diaries offers insight into the mind of this iconoclastic Czech photographer renowned for projects on the Roma, the 1968 Soviet invasion of Prague, and the impact humans have had on the landscape. Over the course of fifty-plus years Josef Koudelka has kept nearly seventy journals. Distilled now into one richly illustrated volume, Koudelka: Diaries offers a look inside the mind of the iconoclastic Czech photographer renowned for his life in exile and a career that has included seminal projects on the Roma, legendary coverage of the 1968 Soviet invasion of Prague, and volumes on the often-devastating impact humans have had on the landscape. Revealed throughout the book are Koudelka's thoughts on photographers, such as Henri Cartier-Bresson, and editors, curators, and friends, including Robert Delpire and Anna Fárová, along with notes on his legendary projects. Facsimiles of actual diary pages and images by the photographer, including self-portraits, lend the volume an immediacy and authenticity. Josef Koudelka: Diaries provides a perfect companion to Josef Koudelka: Next (2023), the visual biography by Melissa Harris, editor at large at Aperture, and has been brought together by the same creative collaborators: designer Ales Najbrt and translators Derek and Marzia Paton.

Josef Koudelka: Diaries

The internationally acclaimed Slovakian conceptual artist Roman Ondak (b. 1966) responds to the historical specificities of Central Europe while also reflecting on the functioning of society in today's global world in works that highlight the cyclical nature of processes and the reciprocal mirroring of the past and the present. His distinctive creative traits include the use of ordinary objects and materials as well as everyday situations, which he transfers into the exhibition space. This richly illustrated catalogue with essays by Barbora Ropková and Dieter Roelstraete accompanies the exhibition "The Day After Yesterday" at Kunsthalle Praha and explores Ondak's artistic universe, in which existential and societal themes naturally intertwine with a biography of his own family.

Roman Ondak: The Day After Yesterday

Three of the biggest names in contemporary art collide in an explosion of color and pop culture For the first time ever, the exhibition Triple Trouble brings together the work of three titans of contemporary art: Shepard Fairey, Damien Hirst and Invader. Spanning painting, sculpture and installation, the three artists remixed and redesigned their most familiar motifs: Fairey's color-blocked posters set in mosaic, Hirst's signature Cherry Blossoms with Obey superimposed on top, Invader's signature aliens suspended in formaldehyde. These provocative reconfigurations not only transform each artist's oeuvre but challenge the boundaries between contemporary art, street culture and pop iconography. This playful catalog reproduces all of the works in the exhibition--both individual works and bold new collaborations--and includes a long-form conversation between all three artists and writer James Fox.

Triple Trouble

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, (invented or existing) holidays and games, (puppet) theatre and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like Manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. The essays and interviews by preeminent scholars, critics, and curators, including Benjamin Buchloh, David Joselit, and Molly Nesbit, compiled in this volume trace the trajectory of Huyghe’s practice over the last three decades, from the artist’s earlier engagements with the built environment, the temporalities of cinema and television, the customs of social communities, and the volatile property relations in global media culture, to his most recent and much-discussed ecological redefinitions of the objects and sites of art. At the same time these texts and conversations ponder and gauge the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the early twenty-first century.

The first collection of critical writings on the work of the influential contemporary French artist Pierre Huyghe. Influenced by wide-ranging ideas from land art and institutional critique to experimental cinematic practices and narrative film, the groundbreaking work of Pierre Huyghe since the early 1990s has arguably, even indelibly, altered the landscape of contemporary art. The French artist works at the beguiling intersection of fiction and reality, representation and performance, spectacle and memory, chance and agency, living organisms and technological entities. As formats and discourses of cinema (be it Godard or Lumet) and architecture, holidays (invented or existing) and games, (puppet) theater and opera, fairy tales and (travel) literature, museology and computer technology, life sciences and popular culture (like manga comics or Disney movies) are renegotiated in Huyghe’s variegated projects, the methods and modalities of producing, exposing, and experiencing art, in turn, come under both critical scrutiny and allegorical speculation. Essays and interviews by preeminent scholars, critics, and curators—including Benjamin Buchloh, David Joselit, and Molly Nesbit—trace the trajectory of Huyghe’s practice over the last three decades. You’ll find writing about the artist’s early engagement with the built environment, the temporalities of cinema and television, the customs of social communities, volatile property relations in global media culture, and his most recent and much-discussed ecological redefinitions of the objects and sites of art. These texts explore the far-reaching implications of Huyghe’s many seminal artworks for the history, theory, and ontology of art in the twenty-first century.

Pierre Huyghe

As always Josephine Wall offers a stunning journey into the fantastic and the spiritual. A fine new art calendar from Flame Tree. Take a breathtaking journey into the spiritual landscape with a calendar featuring fantasy works by contemporary artist Josephine Wall. Dazzling artwork with swirling backgrounds, vibrant colours and otherworldly beings brings this slim calendar to life with the inspirational sense that anything is possible. Printed on FSC-certified paper, with plastic-free packaging.

Celestial Journeys by Josephine Wall Slim Calendar 2027 (Art Calendar)

Englische AusgabeDas Dresdner Residenzschloss ist seit dem 16. Jahrhundert ein Ort glanzvoller Bälle, Maskeraden und Rituale politischer Macht. In den wiedererstandenen Festsälen präsentiert die Rüstkammer Kunstwerke, die zu den kostbarsten Zeugnissen europäischer Festkultur gehören. Im Großen Ballsaal erinnern die Sonnenmaske Augusts des Starken, Silberharnische, fantasievolle Inventionsinsignien sowie Pferde mit prächtigen Reitzeugen und einem mit hunderten Schellen besetzten Schlittenzeug an grandiose Festinszenierungen. Im Propositionssaal stehen die Zeichen der Macht im Zentrum: Wo 1831 die erste Verfassung Sachsens ausgerufen wurde, werden Insignien vom Kurfürstenhut über den Krönungsmantel bis zu Orden und Büsten der sächsischen Monarchen gezeigt. Die in den letzten Jahren aufwendig restaurierten Bestände werden nun erstmals in einer eigenen Publikation vorgestellt.<ul><li>Weltweit einzigartige Zeugnisse der Festkultur und Machtrepräsentation des 16. bis 19. Jahrhunderts</li><li>Dauerausstellung der Rüstkammer im Nordflügel des Dresdner Residenzschlosses, ab März 2026 "Masken und Kronen - Festkultur und Repräsentation der Macht"</li></ul>

English editionSince the 16th century, Dresden’s Royal Palace has been a venue for glittering balls, masquerades, and rituals of political power. In the restored banquet halls, the Rüstkammer (Armoury) presents works of art belonging to the most precious relics of European festive culture. In the Großer Ballsaal (Great Ballroom), the sun mask of Augustus the Strong, silver armour, imaginative insignia, horses with sumptuous riding equipment, and a sleigh decorated with hundreds of bells are reminders of magnificent festive celebrations. Symbols of power take centre stage in the Propositionssaal (Proposition Hall): Insignia ranging from the electoral hat and coronation mantle to medals and busts of Saxon monarchs are on display in the place where Saxony’s first constitution was proclaimed in 1831. The collection, which has undergone extensive restoration in recent years, is being presented for the first time in this dedicated publication.<ul><li>Internationally unique testimony to festive culture and the representation of power from the 16th to the 19th century</li><li>Permanent exhibition in the Armoury of Dresden’s Royal Palace, starting in March 2026: "Masks and Crowns – Festive Culture and Representation of Power"</li></ul>

Masks and Crowns – Festival Culture and Representation of Power

Dresden Rüstkammer

In 1905, Wassily Kandinsky and Gabriele Münter spent three months in Tunisia. Side by side during this little-documented trip, they created around 540 works, which are presented in this publication as a visual travel journal. Both were experiencing Arab culture for the first time in Tunisia, where they were fascinated by the alleyways of the medinas, folkish scenes, and Muslim places of worship, the mosques and cemeteries, as well as Arabic scripts and applied arts. This is the first publication devoted entirely to the little-known group of works from their Tunisian stay. Around half of the material has not been published before, presented here for the first time in a comprehensive catalogue and analysed against the context of its creation.<ul> <li>German edition</li> <li>First comprehensive study and cataloguing of Wassily Kandinsky's and Gabriele Münter's trip to Tunisia</li> <li>Presentation of 542 artworks, about half of which have never been published before</li></ul>

In 1905, Wassily Kandinsky and Gabriele Münter spent three months in Tunisia. Side by side during this little-documented trip, they created around 540 works, which are presented in this publication as a visual travel journal. Both were experiencing Arab culture for the first time in Tunisia, where they were fascinated by the alleyways of the medinas, folkish scenes, and Muslim places of worship, the mosques and cemeteries, as well as Arabic scripts and applied arts. This is the first publication devoted entirely to the little-known group of works from their Tunisian stay. Around half of the material has not been published before, presented here for the first time in a comprehensive catalogue and analysed against the context of its creation.  German edition  First comprehensive study and cataloguing of Wassily Kandinsky’s and Gabriele Münter’s trip to Tunisia     Presentation of 542 artworks, about half of which have never been published before

'Unsere tunesischen Eindrücke'

Die Tunisreise von Wassily Kandinsky und Gabriele Münter

German edition Care, welfare and nurturing work ensure the foundations of human coexistence. This exhibition catalogue of Vienna's VERBUND COLLECTION presents works by artists who devote themselves to existential areas of caregiving. They reflect upon a new 'sign language of the kitchen'. They make paid and unpaid care work - often invisible and realised under precarious working conditions - visible as class politics. Touching photographs of care for elders show intergenerational solidarity. Female artists who are mothers address the evaluation of care work in the art world. Works by the Feminist Avant-garde of the 1970s are thereby set into a lively dialogue with contemporary works. Thus, the publication aims to contribute to the appreciation of care work, which is predominantly performed by women. <ul> <li>Discussion of the highly relevant topic of care/nurturing/welfare</li> <li>A lively dialogue between works from the Feminist avant-garde of the 1970s and contemporary works - including sculptures, objects, photographs, drawings and videos</li> <li>Participating artists: Akihito Yoshida, Aneta Grzeszykowska, Anna Kutera, Anna Schölß, Annegret Soltau, Birgit Jürgenssen, Christine Lederer, Elizabeth Catlett, Frida Orupabo, Hannah Cooke , Karin Mack, Kirsten Justesen, Laura Ribero, Lena Henke, Letícia Parente, Lorna Simpson, Mägorzata Markiewicz, Margaret Raspé, Maria Pini¿ska-Bere¿, Marlene Haring, Martha Rosler, Mary Sibande, Mierle Laderman Ukeles, Natalia Iguiñiz, Nicole Wermers, Renate Bertlmann, Renate Eisenegger, Rosemarie Trockel, See Red Women's Workshop, Sophie Gogl, VALIE EXPORT&nbsp;</li> <li>An exhibition by the VERBUND COLLECTION, Vienna, Albertina, Vienna, March 13 to June 14, 2026</li> </ul>

German editionCare, welfare and nurturing work ensure the foundations of human coexistence. This exhibition catalogue of Vienna’s VERBUND COLLECTION presents works by artists who devote themselves to existential areas of caregiving. They reflect upon a new ‘sign language of the kitchen’. They make paid and unpaid care work – often invisible and realised under precarious working conditions – visible as class politics. Touching photographs of care for elders show intergenerational solidarity. Female artists who are mothers address the evaluation of care work in the art world. Works by the Feminist Avant-garde of the 1970s are thereby set into a lively dialogue with contemporary works. Thus, the publication aims to contribute to the appreciation of care work, which is predominantly performed by women.<ul><li>Discussion of the highly relevant topic of care/nurturing/welfare</li><li>A lively dialogue between works from the Feminist avant-garde of the 1970s and contemporary works – including sculptures, objects, photographs, drawings and videos</li><li>Participating artists: Akihito Yoshida, Aneta Grzeszykowska, Anna Kutera, Anna Schölß, Annegret Soltau, Birgit Jürgenssen, Christine Lederer, Elizabeth Catlett, Frida Orupabo, Hannah Cooke , Karin Mack, Kirsten Justesen, Laura Ribero, Lena Henke, Letícia Parente, Lorna Simpson, Małgorzata Markiewicz, Margaret Raspé, Maria Pinińska-Bereś, Marlene Haring, Martha Rosler, Mary Sibande, Mierle Laderman Ukeles, Natalia Iguiñiz, Nicole Wermers, Renate Bertlmann, Renate Eisenegger, Rosemarie Trockel, See Red Women's Workshop, Sophie Gogl, VALIE EXPORT&nbsp;</li><li>An exhibition by the VERBUND COLLECTION, Vienna, Albertina, Vienna, March 13 to June 14, 2026</li></ul>

Kunst aus der SAMMLUNG VERBUND, Wien

CARE MATTERS

Drawing into Painting reveals Lucian Freud's lifelong focus on the human face and form, tracing the intimate dialogue between his sketches and paintings from the 1940s to the early 21st century. &gt; Drawing into Painting explores how drawing remained central to Freud's artistic practice throughout his life. From quick sketches to finished works in charcoal, pastel, and etching, his drawings offer a rare window into his process, revealing shifts in style, experimentation, and his evolving way of seeing. Spanning from his childhood to his final years, the book traces the unconventional path from his drawing practice to his painting, and back again. Alongside a selection of key paintings by Freud and others, the book includes conversations with David Dawson, Freud's close friend and assistant, and Bella Freud, the artist's daughter. Insightful essays by writer and curator Catherine Lampert, British Museum drawings curator Isabel Seligman, and acclaimed novelist Colm Tóibín further illuminates Freud's world and legacy.

Drawing into Painting

Lucian Freud

A fantastic selection of underworld deities and mythology by the artist Jason Engle. A fine new art calendar by Flame Tree. Jason Engle has been creating art for the publishing and entertainment markets since 1998, working on some of the best and biggest games in the world over that time. Discover 12 of his Dark Gods-inspired artworks in this eye-catching wall calendar. Features Nyx, Anubis, Hel, Hades and more. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Dark Gods of the Underworld: Illustrated by Jason Engle Wall Calendar 2027 (Art Calendar)

Anselm Kiefer: Women Alchemists

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