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Andrea Blum: Biota

A Discourse between Art and Architecture from the 1970s to the Present

Flame Tree Bookmarks

L.S. Lowry: Gentleman Looking at Something Bookmarks (pack of 10)

'A beautifully written memoir by one of the most important and original artists working today . . . utterly gripping, enraging, entertaining - and important. I can't recommend it highly enough' Jennifer Higgie A sparkling memoir and portrait of trailblazing artist Liliane Lijn as a young woman In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution - peopled and controlled almost entirely by men. In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: 'There never have been.' Liquid Reflections is her memoir of these years of experiment and adventure - years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. And she sought - and found - radical pleasure in the act of creative expression and in the living, sensuous world around her. Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity...' Liliane Lijn

Liquid Reflections

Routledge Research in Art History

Taking up questions of artists' materials and technical processes currently at the vanguard of art-historical scholarship, this book studies the contiguity and interchange of workshop methods in the linked fabrication of both ephemeral and preparatory works by Bernini.

Bernini Ephemeral and Preparatory Sculpture

Key Issues in Cultural Heritage

This book explores how diverse digital technologies have allowed for new types of heritage-related mobilities, and thereby established a novel set of practices, interventions, and politics in heritage collections, archives, exhibitions, entertainment, preservation, management, commerce, education, restitution, activism, and regulation.

Practices, Interventions, Politics

Mobile Heritage

Francis Bacon Studies

The fifth volume in the acclaimed Francis Bacon Studies series, published under the aegis of The Estate of Francis Bacon.

Francis Bacon Retrieved - Lost Words / New Writing

The long-awaited reprint of the sold-out first edition, Wired is the first book to document the development of wire weaving in African art.&nbsp;With over 270 magnificent full-color images, Wired showcases the works of the most renowned contemporary weavers.&nbsp;The decorative use of wire has long been a feature of African artwork and, with&nbsp;advancements in telecommunications, a new type of wire—multi-colored, plastic-coated copper wire, referred to as telephone wire— became available. In the 1960s, Zulu night watchmen started weaving scraps of this wire around their traditional sticks. The practice became popular among Zulu communities, and today, there is great innovation and creativity&nbsp;in the use of this medium. Artists have produced goods ranging from soft wire bowls and plates to glass bottle covers, tea sets, isikhetho (beer strainers), and pots, all created in a wide variety of colors and complex patterns.The first major exhibition showcasing the spectacular art of telephone-wire weaving in any North American museum opens at the Museum of International Folk Art in NYC on November 17, 2024.&nbsp;&nbsp;iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa was developed in consultation with artists, community members, and other experts with deep connections to wire-weaving communities in KwaZulu-Natal, South Africa. Produced in collaboration with the Museum, scholars, and a committee of Indigenous Knowledge Experts,&nbsp;Weaving Meanings shares the histories of wire as an artistic medium in South Africa, from its use as a marker of social status in the 19th-century the early introduction of colorful telephone wire as a recycled material, to the dazzling styles weavers create for local and international markets today.Exhibition schedule:Museum of International Folk Art (MOIFA), Santa Fe, NM (November 17, 2024-November 27, 2025)

The long-awaited reprint of the sold-out first edition, Wired is the first book to document the development of wire weaving in African art.&nbsp;With over 270 magnificent full-color images, Wired showcases the works of the most renowned contemporary weavers.&nbsp;The decorative use of wire has long been a feature of African artwork and, with&nbsp;advancements in telecommunications, a new type of wire—multi-colored, plastic-coated copper wire, referred to as telephone wire— became available. In the 1960s, Zulu night watchmen started weaving scraps of this wire around their traditional sticks. The practice became popular among Zulu communities, and today, there is great innovation and creativity&nbsp;in the use of this medium. Artists have produced goods ranging from soft wire bowls and plates to glass bottle covers, tea sets, isikhetho (beer strainers), and pots, all created in a wide variety of colors and complex patterns.The first major exhibition showcasing the spectacular art of telephone-wire weaving in any North American museum opens at the Museum of International Folk Art in NYC on November 17, 2024.&nbsp;&nbsp;iNgqikithi yokuPhica / Weaving Meanings: Telephone Wire Art from South Africa was developed in consultation with artists, community members, and other experts with deep connections to wire-weaving communities in KwaZulu-Natal, South Africa. Produced in collaboration with the Museum, scholars, and a committee of Indigenous Knowledge Experts,&nbsp;Weaving Meanings shares the histories of wire as an artistic medium in South Africa, from its use as a marker of social status in the 19th-century the early introduction of colorful telephone wire as a recycled material, to the dazzling styles weavers create for local and international markets today.Exhibition schedule:Museum of International Folk Art (MOIFA), Santa Fe, NM (November 17, 2024-November 27, 2025)

Wired: Contemporary Zulu Telephone Wire Baskets

The Artist Box: Claude Monet

John O'Connor (1913-2004), a romantic but also a realist, recorded old endangered things, high and low: churches, canals, barges, dilapidated barns and garden sheds.With a keen eye, sure hand and way with words, he drew, engraved, painted and described what he valued most around him.

John O'Connor (1913-2004), a romantic but also a realist, recorded old endangered things, high and low: churches, canals, barges, dilapidated barns and garden sheds.With a keen eye, sure hand and way with words, he drew, engraved, painted and described what he valued most around him.

Engraver, Painter and Teacher

A Portrait of John Scorror O'Connor

A highly anticipated and richly illustrated anthology of essays on the work of artist Tacita Dean. This volume explores the deeply-influential work of Tacita Dean, recognized increasingly as one of the key artists of our times. Emerging initially as part of the generation of the so-called “Young British Artists” in the 1990s, Dean (b. 1965) has reinvented the manner in which artists use analogue mediums such as drawing, photography, and film, prompting major questions in her work around the issues of time, memory, history, and chance events. Dean’s films embrace long takes that achieve a near-photographic stillness; they have been dedicated to obsolescent objects or stranded buildings, failed quests, as well as extraordinary figures—usually other artists and writers—nearing the end of their lives. But Dean’s contemplative films have been rigorously reinvented as a form over the course of her career, and linked to a widening series of projects involving writing, chalk drawings, found photographs, dance, and theater. This anthology explores the artist’s expansive practice, gathering essays and interviews by authors from an array of disciplines including art criticism, philosophy, literature, and film. Spanning 25 years of the artist’s career, the volume includes writings by George Baker, Douglas Crimp, Brian Dillon, Briony Fer, Hal Foster, Mark Godfrey, Louise Hornby, Rosalind Krauss, Elisabeth Lebovici, Jean-Luc Nancy, Tamara Trodd, Marina Warner, Peter Wollen, and the artist herself.

Tacita Dean

Isms

The description for this book, Lennon-isms, will be forthcoming.

The description for this book, Lennon-isms, will be forthcoming.

Lennon-isms

The Secret Museum is a unique treasure trove of the most intriguing artifacts hidden away in museum archives from all over the world - curated, brought to light, and brought to life by Molly Oldfield in a beautifully illustrated collection.

The Secret Museum

Andrea Blum: Biota

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