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Handler Daniel: And Then? And Then? What
Else? / B

And Then? And Then? What Else?

A Writer's Life

The Early Modern Englishwoman, 1500-1750: Contemporary Editions

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

The full texts of both 1680 editions of Elizabeth Cary's History of Edward II are here reproduced completely, along with an extensive introduction including biographical, cultural, and literary commentary on Elizabeth Cary, and also background on the debate surrounding the texts' authorship. In the recovery of women writers of early modern England, Elizabeth Tanfield Cary, Viscountess Falkland, has drawn substantial interest. Swan examines the post-publication history of both 1680 editions, revealing how the many hands at work in various subsequent editions have resulted in the obfuscation of the textual history, which has, in the past, led to the misattribution of the history to Henry Cary, Elizabeth's husband.  The reproduction of both versions allows scholars to easily compare the two, which is important in order to understand Cary's reworking of her text from early to late drafts. Both versions represent intentions and socially received states which are useful in presenting the text, in documenting Cary's changing attitudes and discursive strategies in the mid-1620's-the period of composition for all the manuscript states and a period of particular biographical significance-and in accounting for the more recent reception of the history.   Swan showcases here how Cary contributes significantly both to the development of resistance theory (essential to democratic-republican ideals at the root of Anglo-American politics and government), and to the development of non-fiction prose style in English. This volume will be of interest to literary scholars working on Early Modern women as well as to historians and queer theorists, both of whom have made Edward II an important intellectual site in the last generation of scholarship.

A Critical Edition

Elizabeth Tanfield Cary’s History of Edward II

The Scents of a Life

Base Notes

Studies in Publishing History: Manuscript, Print, Digital

Maura Ives's publishing history of "Goblin Market" maps its appearance in collected editions and in standalone volumes in Britain and the United States. Topics include the poem's composition, production, and marketing; contemporary reception; fine press, miniature, and mass market editions, including versions for children; and musical settings and adaptations. The volume concludes with an annotated list of archival sources and published versions of "Goblin Market," followed by an extensive bibliography.

As the lead poem in Christina Rossetti's first collection, Goblin Market and Other Poems, "Goblin Market" stands both historically and literally as the gateway to Rossetti's works. Despite its importance in the Rossetti canon, the publishing history of Rossetti's famous poem remains incomplete. Maura Ives offers the first extended treatment of this neglected topic, mapping "Goblin Market"'s publication history in collected editions and in standalone volumes in Britain and the United States. Topics covered include the poem's composition, production, and marketing; contemporary reception; fine press, miniature, and mass market editions, including versions for children; and musical settings and adaptations. The volume concludes with an annotated list of archival sources and published versions of "Goblin Market," followed by an extensive bibliography.  Memorable not only for its vivid imagery and its disconcerting combination of sensuality and Christian symbolism, the absorption of "Goblin Market" into popular culture is readily evident to this day, with Rossetti's poem serving as the title for a folk-rock duo, restaurants in Manhattan and Florida, and a number of books by other authors. Ives's publishing history of "Goblin Market" sheds light on the longstanding critical and commercial appeal of this fascinating Victorian poem and on book publishing from the Victorian period to the present.

A Publishing History

Christina Rossetti's Goblin Market

Examining French ideological novels, Louise Lyle charts the development of French hostility towards social Darwinism during the fin de siècle. Lyle argues that the antagonism of a wide range of authors from diverse literary schools was a consequence of and a response to historically specific insecurities relative to the state of the French nation. Grounded in the cultural history of biology, Lyle's study is an important contribution to literature and the history of science.

Examining French ideological novels, Louise Lyle charts the development and motivation of French hostility towards social Darwinism during the fin de siècle. Lyle argues that the antagonism of authors from diverse literary schools was a consequence of and a response to historically specific insecurities relative to the state of the French nation. She analyzes works by Emile Zola, foremost among the literary naturalists and an exponent of 'scientific republicanism'; right-wing reactionaries Maurice Barrès and Paul Bourget; anarchist sympathiser Octave Mirbeau; pro-natalists and commentators on women's issues, Colette Yver and Marcel Prévost; and anti-Anglo-Saxonists, including Gustave Le Rouge, le Capitaine Danrit, and J.-H. Rosny. Lyle also investigates the legacy of the incorporation of social Darwinism by these authors in the work of post-World War II writers Vercors and Romain Gary and in contemporary fiction by Michel Houellebecq and Maurice Dantec. Grounded in the cultural history of biology, particularly in France, Lyle's study is an important contribution to literature and the history of science.

Social Darwinism in the French Ideological Novel

Elizabeth Elstob's Writings on Anglo-Saxon (1709–1715?)

My Memories Of Public Image Ltd

POPTOME

Guides to Foreign Languages for Women (1537–1699)

The Selected Writings of David Williams Vol 1

The Selected Writings of David Williams Vol 4

Eighteenth-Century Political Biographies

A Political Biography of Mary Wollstonecraft

A Death on Location

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

And Then? And Then? What Else?

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