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ISBN: 9780063263963

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Anon9780063263963: Unti Nonfiction

Unti Nonfiction

Betrayers Love Song

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

Betrayers Love Song, Volume 1

Bringing together diverse case studies and interdisciplinary perspectives, this open access collection serves as the first in-depth examination of queer and trans displacement in East Africa. The collection features original creative works by queer and trans diasporic writers and artists with first-hand experiences of displacement. The last decade has seen a sharp rise in state-sponsored homophobia and transphobia in East Africa. This includes discriminatory legislation, such as the widely condemned Anti-Homosexuality Act in Uganda, and government-initiated crackdowns, such as the 'anti-gay taskforce' launched in Tanzania in 2018. The politicisation of sexual and gender rights in the region is often presented as a moral crusade (i.e. a return to traditional/family values) and is enacted with the support of many religious and cultural leaders. It is within this context that an ever-increasing number of LGBTQI+ people are leaving their homes and seeking protection elsewhere. But East Africa cannot be reduced to a site from which LGBTQI+ displacement emanates. Several countries in the region act as either host countries or transit points, even as they produce LGBTQI+ refugees of their own. These complex social, political and legal dynamics make East Africa a productive site for theorising queer and trans displacement. The region offers insights into how, when and why LGBTQI+ Africans move, the social obstacles they face, and the different survival strategies they deploy. Despite this, research on East African queer and trans displacements remains sparse. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by the Bloomsbury Open Collections Library Collective.

East African Queer and Trans Displacements

Revelations on Stage

Bliss and Dance

The Bear Fairy

And Other Male Failures

Broken Biscuits

How to Have a Magnificent Midlife Crisis

A collaboration between Jess T. Dugan (photographer of To Survive On This Shore) and curator Charlotte Cotton, Love Pictures centers around conversations about themes informing Dugan’s practice, including gender and identity, family and politics, writing and language, relationships and community, the book as object, and the dynamics of the exhibition space. These initial dialogues then prompted subsequent conversations with others in Dugan’s and Cotton’s respective communities: friends, colleagues, mentors, and subjects of Dugan’s work—including Dawoud Bey, Kelli Connell, Dorothy Moss, and Catherine Opie, among others. Transcriptions of these intimate and in-depth exchanges are woven with the first comprehensive survey of Dugan’s work in book form. Dugan's work is in the permanent collections of over sixty museums, including the Denver Art Museum, Getty Research Institute, Harvard Art Museums, International Center of Photography, Leslie/Lohman Museum of Gay and Lesbian Art, Minneapolis Institute of Art, Museum of Fine Arts Boston, Museum of Fine Arts Houston, Nelson-Atkins Museum of Art, National Gallery of Art, and San Francisco Museum of Modern Art.

Jess T. Dugan and Charlotte Cotton: Love Pictures

Of Beasts

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

A gripping memoir of faith, family, identity, and stardom, in Devout pop star David Archuleta shares his story of leaving the Mormon church, navigating the relationship with his emotionally abusive father, coming to terms with his sexuality, and finding strength in being your authentic self.Three years ago American Idol alum and pop star David Archuleta found himself on the floor of his apartment, suicidal, riddled with anxiety, and pleading to a god he was no longer sure even existed. It was a crisis of faith and identity, but it was also a turning point for a man who grew up queer in the Mormon church with severe anxiety and constantly under the pressure of his overbearing manager of a father. After that night, David vowed to be his authentic self.Of course, the journey to authenticity is never easy, which is the story Archuleta shares in Devout. From his childhood growing up in the Mormon church, to allegations of sexual abuse against his father and step-grandfather, to his time on American Idol and how the show runners and producers mistreated their young contestants, Archuleta’s memoir is filled with earnest, revelatory anecdotes from his fascinating personal and public lives.Not just for Archuleta’s myriad fans, Devout is a universal story of hope, told with sincerity and humility. It’s a salve for anyone who’s felt different, questioned their faith, felt they were living inauthentically. Most importantly, it’s a story for anyone whose had to break yourself down in order to rebuild yourself stronger than ever, and that’s everyone.

Devout

The Bone Door

Walking In The Footsteps Of David

BOWIELAND

The hilarious and piercing memoir about growing up gay in a not-so-gay world. 'A beautiful celebration of being different.' TOM ALLEN'An important story, told with a sharp wit and disarming humour' MOHSIN ZAIDI author of A Dutiful Boy'Brilliant, spectacularly witty and genuinely moving. I loved it.' MATTHEW TODD, author of Straight JacketI'm just a man, standing in front of a salad, asking it to be a cake. What do you do when you're too gay for Pakistan, too Pakistani to be gay in America and you're ashamed of your body everywhere?How can you find happiness despite years of humiliation, fear and a legion of Brooklyn hipsters who know you only as a queer from Whereveristan?How do you summon the courage to be yourself no matter where you are?Even as a young child in Lahore, Komail Aijazuddin knew he was different. Other boys didn't pirouette off their desks, get bullied for their 'manboobs' or spontaneously burst into songs from The Little Mermaid. Other boys didn't play together like that. Starved of a crucial part of himself, he ate. And ate. Before long, his own body became another burden to carry everywhere and to hide. Komail began to believe his only chance at a happy, meaningful life would be found elsewhere: in America, land of the free, home of the gays. But he would soon learn that finding happiness takes a lot more than a plane ticket. This is Aijazuddin's riotous, intelligent memoir of searching for his place between two worlds while navigating a minefield of expectations, prejudice and self-doubt. In Manboobs, Aijazuddin confidently announces himself as a sharp new voice in humour with his moving, wickedly funny search for love and the bravery required to be yourself.

A very queer memoir

Manboobs

Unti Nonfiction

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