Name: Unti Nonfiction
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ISBN: 9780063263963

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Anon9780063263963: Unti Nonfiction

Unti Nonfiction

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city’s nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

"A surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page."--New York TimesCombining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen's Gambit, a renowned puzzle creator's compulsively readable memoir and history of the crossword puzzle as an unexpected site of women's work and feminist protest.The indisputable "queen of crosswords," Anna Shechtman published her first New York Times puzzle at age nineteen, and later, helped to spearhead the The New Yorker's popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.In this fascinating work--part memoir, part cultural analysis--she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the "Crossword Craze" of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they've been allowed to fill, and the ways that they've used puzzles to negotiate the constraints and play of desire under patriarchy.The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.

Inheriting the Feminist History of the Crossword Puzzle

The Riddles of the Sphinx

In the vein of works by Gary Janetti and Danny Pellegrino, an honest, funny, and heartfelt memoir-in-essays about chasing your dreams, making big messes, and finding yourself along the way.In in his debut book for adults, Jeffery Self invites readers into his world, taking them through the usual foibles of gay adolescence, amplified in the vast wasteland of the American South and the odd characters who peopled it, from shoddy community theater productions to underage drinking with Broadway stars, from downtown comedy rooms to adventure-filled bedrooms. Along the way, he shares his experiences of acting in TV and film, touring live comedy around the world, getting booed off gay cruise ships, a tenure in the "oldest profession," meeting his heroes, falling in love, getting his heart broken, breaking other people's hearts, being hated, hating himself, and on the best of days, finding stuff to like about himself, too.Self-Sabotage is a deeply personal and intimate exploration of Self's life, filled with humor, heartache, and a hearty dose of bipolar disorder. It asks the profound question of how you become the person you want to be when so much of yourself is a secret--and how you learn to accept yourself when it's not. It is also, of course, side-splittingly funny.

In the vein of works by Gary Janetti and Danny Pellegrino, an honest, funny, and heartfelt memoir-in-essays about chasing your dreams, making big messes, and finding yourself along the way.In in his debut book for adults, Jeffery Self invites readers into his world, taking them through the usual foibles of gay adolescence, amplified in the vast wasteland of the American South and the odd characters who peopled it, from shoddy community theater productions to underage drinking with Broadway stars, from downtown comedy rooms to adventure-filled bedrooms. Along the way, he shares his experiences of acting in TV and film, touring live comedy around the world, getting booed off gay cruise ships, a tenure in the “oldest profession,” meeting his heroes, falling in love, getting his heart broken, breaking other people’s hearts, being hated, hating himself, and on the best of days, finding stuff to like about himself, too.Self-Sabotage&nbsp;is a deeply personal and intimate exploration of Self’s life, filled with humor, heartache, and a hearty dose of bipolar disorder. It asks the profound question of how you become the person you want to be when so much of yourself is a secret—and how you learn to accept yourself when it’s not. It is also, of course, side-splittingly funny.

And Other Ways I've Spent My Time

Self-Sabotage

Exploring Class Consciousness in Heavy Metal Music

Stained Class

Betrayers Love Song

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

It's Italy, 19XX, and the Gardino family, which rules a port town, has two candidates for the next boss. One is Gino, a pure-blooded executive who respects tradition. While the other is Dante, a liberal who seeks a new future.

Gino sees Dante as his rival, but Dante always tries to find some reason to get involved, Inadvertently, Gino's "biggest secret" is revealed to Dante. So to keep his secret a hidden, Dante asks...
to hold Gino for one night.

Betrayers Love Song, Volume 1

33 1/3 Europe

"Jarmark is Taco Hemingway's fifth album, and his most political to date, coming soon after he became the first Polish artist to be streamed a billion times on Spotify. Previously described as the voice of a generation with nothing to say, Hemingway's political turn can be read as an intervention, not least because Jarmark was released two days before the presidential election in 2020, which had the potential to end PiS (Law and Justice)'s reign. As such, the book examines the album as a response to a crisis point in Polish society, with a country divided about its future"--

Examining the cultural significance of the rap album Jarmark (2020) as a reflection of Polish politics and history during the country’s populist turn and migration following EU enlargement.
 
Taco Hemingway is the first Polish artist to be streamed a billion times on Spotify. His fifth studio album, Jarmark, is his most political work to date. Previously described as the voice of a generation with nothing to say, Hemingway’s shift towards political themes can be seen as an intervention, especially as Jarmark’s lead single ‘Polskie Tango’ was released just two days before the 2020 presidential election. 

As such, this book examines the album as a response to a crisis point in Polish society, with the country divided about its future, both politically and socially. It also explores the album’s textual and musical characteristics while situating Hemingway’s career within the broader context of Polish rap history as well as Polish migration. Additionally, the book discusses the album’s impact through its critical reception, sales, awards, and social media commentary.

Taco Hemingway's Jarmark

A gay Muslim boy travels the world for a second chance at love after a possibly magical heiress grants him three wishes in this YA that's Simon vs. the Homo Sapiens Agenda with a twist of magic. Sy placed all his bets for happiness on his boyfriend, Farouk . . . who then left him to try and "fix the world." Now, the timid seventeen-year-old Indian Muslim boy is stuck in a dead-end coffee shop job and all he can do is wish for one more chance . . . Sy never expects his wish to be granted. But when a mysterious girl offers him three wishes in exchange for his help and proves she can grant at least one wish with an instant million-dollar deposit into Sy's struggling bank account, a whole new world of possibility opens up. Is she magic? Or just rich? And can Sy find the courage to leave Los Angeles and cross the Atlantic Ocean to lands he'd never even dreamed he could visit, all to track down his missing ex? With help from his potentially otherworldly new friend, will Sy go all the way for one last, desperate chance at rebuilding his life and refinding love? Your wish is granted! Naz Kutub's debut weaves an engrossing whirlwind of an adventure with a journey to find love, home, and family.

The Loophole

Isms

The description for this book, Ono-isms, will be forthcoming.

The description for this book, Ono-isms, will be forthcoming.

Ono-isms

The story of how one woman changed the course of the country when she desegregated that most maligned and misunderstood emotion-black rage-on our most hallowed stage.

The story of how one woman changed the course of the country when she desegregated that most maligned and misunderstood emotion-black rage-on our most hallowed stage.

“Mississippi Goddam.” and the World that Nina Simone Made

All the Rage

From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. `Moving. Salted with intelligence and empathy¿ New York Times Book Review `A page-turner¿ New Yorker `Really shines¿ San Francisco Chronicle `Gorgeous¿ Sebastian Junger ------------- Imagine a secret society which pairs you with your polar opposite. You meet regularly. What would you talk about? Could you become friends? Will is bookish, quiet, gay, manning AIDS helplines. Maxey is loud, a wrestler, a Jock, intent on a military life. But paired together ¿ over dinner, beers, pool games ¿ they forge an extraordinary and resilient bond. We Should Not Be Friends is an account of their odd-couple relationship, its ups and downs, twists and turns, the misunderstandings and the trust built over forty turbulent years. ------------- `A rare view of male friendship . . . succeeds because Maxey comes across as a great character, a warm and devoted friend¿ NPR `Schwalbe has an uncanny ability to use his personal experience as a springboard for universal truths¿ Los Angeles Times `A charming read with plenty of surprises. Celebrates not only an unlikely friendship, but the strange turns a life can take¿ Wall Street Journal `Schwalbe¿s memoir shines. Written like a true friend¿ Daily Mail

PRE-ORDER THE PAPERBACK NOW From the best-selling author of The End of Your Life Book Club comes a warm, funny, irresistible book that follows an improbable and life-changing friendship over the course of forty years. 'Moving' NEW YORK TIMES ''Schwalbe's memoir shines...Written like a true friend' DAILY MAIL ------------- in his last year of university, Will thought he knew everyone he cared to know. A per-haired, out gay young man, working at an AIDS helpline in the early days of the crisis, Will found community amongst the theatre students, artists and writers. He also knew who he wanted to avoid: the jocks. Wearing sporty clothes and moving in boisterous packs, the jocks seemed to be a different species entirely, one Will might encounter only at his own peril. All this changed dramatically when Will was brought into a secret society at Yale, aimed to bring together a group of opposites. On his first day, he was faced with Chris Maxey - a physically imposing, loud, star wrestler who seemed to be uncomfortable around Will and embodied everything he disliked and feared. But through months of mandated dinners, and many beers, the two swapped life-stories and forged an unexpected bond that became a ballast in each other's lives for forty years. A real-life The Breakfast Club story, We Should Not Be Friends is a testament to the miracle of human connection, if only we see past our differences.

Unti Nonfiction

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