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From CJ Leede, the author of Maeve Fly and a new voice in the feminist horror space, comes a scorching new apocalyptic novel.

Leede C: American Rapture

American Rapture

Gripping feminist horror from the author of MAEVE FLY

Vile Lady Villains

An epic fantasy infused with the mythology of West Africa

A Testimony of Blood

In this coming-of-age comedy, a 17-year-old virgin film nerd, Joseph Caldo, who sees himself as a real-life art film, experiences first love, first sex, and first heartbreak in the surreal setting of South Florida while trying to make sense of Shakespeare’s stupid plays.
Caldo has no real social life, unless arguing about film online counts. Having seen so many films while struggling romantically, he has formed a theory that women pick romantic partners the way they pick which movie to watch. He’s definitely not a blockbuster, a rom com, or even a horror film, he’s more of an indie art film that is unfortunately funny. He worries he’ll never find the person who will accept and love him, the way that he accepts and loves his favorite obscure films.
That is until he meets Alexia at his grandmother's retirement home. Alexia was court-ordered to do volunteer work for her DUI but it's cool, Caldo has issues too, and it feels like they have a real connection. But there's also Valerie. The new girl at Caldo's awkwardly small school. She's a straight-A student who is attending on scholarship and is assigned the difficult task to mentor him in Shakespeare's plays. The two opposites have nothing in common except for being romantics who do nothing but fail at romance.
With first jobs that go very wrong, untimely food poisoning, and fake prom dates, Caldo unintentionally reenacts Shakespearian tropes in the heart of South Florida. Humor award-winning author Christoph Paul’s Shakespeare in South Florida is a quirky romantic comedy about being 17 and falling in love.

Shakespeare in South Florida

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other?Only two things are certain:One of them will die. And the other will have killed them.

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other? Only two things are certain: One of them will die. And the other will have killed them.

The 50/50 Killer

Secret Vigilante

'A deliciously dark, twisty turny thriller with characters who leap off the page' John Marrs

The Serial Killer Support Network

War, betrayal and espionage in 1980s Ethiopia: a classic of African literature that sealed its author's fate

Oromay

A DS Cross Thriller

The Tailor

"Mulki Al-Sharmani examines the goals, approaches and methodologies which key scholars have adopted in their efforts at crafting an Islamic feminist discourse. Al-Sharmani also shows that Islamic feminism is a phenomenon which extends far beyond academia. Drawing on the author's own extensive research and interviews with women in Egypt, the UK, Malaysia, Finland and elsewhere, the book explores how ordinary Muslim women in both the West and the Islamic world are increasingly asserting their autonomy and challenging patriarchal interpretations of their religion, as well as exploring the linkages between Islamic feminist scholarship and the realities of these women's lived experiences"--

An incisive study of Islamic feminist scholarship and of the role of ordinary Muslim women in shaping Islamic attitudes, which upends many of our preconceptions about the religion.

Islamic Feminism

The Malabar House Series

a gripping and unforgettable crime thriller from the award-winning author of the Malabar House series

The Edge of Darkness

From the prize-winning author of The Giant Dark comes a beautiful exploration of the ties that bind us and the scars they leave when they break. Aliyah and Ava arrive in England from opposite corners of the world with dreams built upon Emily Bronte, Brideshead Revisited and Richard Curtis films. Instead, in the shadow of their historic, fairytale campus, they get the sense that they don't belong. The two form a Vita-and-Virginia-like bond, building a world full of stories that they write together. For a time, they are inseparable in their identity as 'strange girls'. When the end of university looms, they will have to return to the world where a devotion like this seems impossible to maintain. Years later, Aliyah has everything Ava wants - a room of her own and a publishing deal - and, worse, the thing Ava was certain neither of them had ever wanted: a sensible doctor husband. Arriving back in London for a mutual friend's hen party, Ava is desperate to unpack the truth of what she really meant to Aliyah. Was what they had - whatever you call it - real? And what will become of the stories they tell themselves about one another?

One week, every three years. Two women come together to test the endurance of their bond and to ask: what if? 2013, England. Ava and Aliya meet at university just outside of London. Ava is the quiet American who didn't come to England to meet boys in Jack Wills sweatpants with gelled hair. She's here for Emily Brontë and Brideshead Revisited. Everything disappoints her until: Aliya. Aliya is shy, earnest and this is the first time she has been away from her parents who live in Pakistan and the sense of freedom is overwhelming. When they meet, there's an immediate spark. While everyone else is getting drunk on love, life, sex, drugs, they are getting drunk on each other. They move in together, become twin-like, wife-like in their devotion. They sleep in the same bed, read out loud to each other, finish each other's sandwiches. But in their very last week, something breaks between them and Ava flies back to America alone. Three years later, Ava swishes into London with her new boyfriend, a director opening a play in London. Aliya is nervous and feels stalled in a life that used to seem full of promise. Meanwhile Ava's been at drama school and her life looks glamorous and exciting. But as the cracks start to appear in the façade, the two begin to find their fragile connection again. Will this be the year they admit their feelings for each other? Or next time? Or the time after that? What readers are saying about Sarvat Hasin: 'Heartbreaking, beautiful, epic. I loved it.' Kiran Millwood Hargrave, author of The Mercies 'Blindingly brilliant . . . I cannot wait to read everything she writes.' Daisy Johnson, author of Everything Under 'A beautiful and imaginative reinterpretation that had me spellbound.' Jennifer Saint, author of Ariadne 'A wholly original story.' Guardian

American Rapture

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