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Unravelleing the mystery of Kojève

Groys Boris: Alexandre Kojève

Alexandre Kojève

An Intellectual Biography

Introduction: What does it mean to be human? I. History as Self-Negation 1. Struggle for Recognition 2. The Self-Reflection 3. The Anthropogenic Desire II. From Sophia to Stalin and Back 1. Political Androgyny 2. Paradisal Work 3. Napoleon 4. Stalin 5. The Sage 6. The Working State 7. History as Magic III. The Giving Empire 1. The Christian Empire 2. The Ideocratic State 3. The Latin Empire 4. Colonialism and the Giving Empire 5. Bataille and Marshall Plan IV. Becoming a Sage 1. Painting the Totality 2. Visualization of Logos Epilogue: How to remain human after the End of History?

Philosophy Of Science

The Common Writer in Modern History

In Action, Thought, and Society

An Introduction to Collective Intentionality

There may exist something like the most unbearable of all philosophical thoughts. It is the thought of contingency and universality converging, intersecting, and being one and the same thing, approached from two different perspectives. Hardly anything is as unsettling as the insight into the absolute contingency of the emergence of universals, and the correlative realization that the only true universality is one of the contingency of everything. The goal of this book is to think this unbearable thought through to the end and face up to its most binding and disconcerting consequences. The history of science is full of theoretical unifications of two previously mutually exclusive concepts or two opposite realms (natural and unnatural motion in Galilei, terrestrial and celestial physics in Newton, man and animal in Darwin, electricity and magnetism in Maxwell, mass and energy, space and time, acceleration and gravity in Einstein, etc.). This book is based on the conjecture that what philosophy is lacking is a similar unification of the concepts of "contingency" and "universality." The book will thereby try to accomplish an operation that is implicit in the philosophy of Slavoj Zizek. In doing so, it will provide new answers to questions on the nature of contingency, necessity, predictability of the future, the validity of the laws of nature, the role of singularity in relation to universality, chaos and order, reality and truth. These answers will differ starkly from the ones advocated by contemporary philosophers such as Badiou, Meillassoux, some other speculative realists, and some analytical philosophers of science.

There may exist something like the most unbearable of all philosophical thoughts. It is the thought of contingency and universality converging, intersecting, and being one and the same thing, approached from two different perspectives. Hardly anything is as unsettling as the insight into the absolute contingency of the emergence of universals, and the correlative realization that the only true universality is one of the contingency of everything. The goal of this book is to think this unbearable thought through to the end and face up to its most binding and disconcerting consequences. The history of science is full of theoretical unifications of two previously mutually exclusive concepts or two opposite realms (natural and unnatural motion in Galilei, terrestrial and celestial physics in Newton, man and animal in Darwin, electricity and magnetism in Maxwell, mass and energy, space and time, acceleration and gravity in Einstein, etc.). This book is based on the conjecture that what philosophy is lacking is a similar unification of the concepts of “contingency” and “universality.” The book will thereby try to accomplish an operation that is implicit in the philosophy of Slavoj Žižek. In doing so, it will provide new answers to questions on the nature of contingency, necessity, predictability of the future, the validity of the laws of nature, the role of singularity in relation to universality, chaos and order, reality and truth. These answers will differ starkly from the ones advocated by contemporary philosophers such as Badiou, Meillassoux, some other speculative realists, and some analytical philosophers of science.

A New Ontology

The Contingent Universality

Political Theory 101 introduces readers to the basic themes, ideas, and arguments that have characterized and constituted political theory from ancient thought to the present.

Political Theory 101 introduces readers to the basic themes, ideas, and arguments that have characterized and constituted political theory from ancient thought to the present.

Political Theory: 101

Focusing on the concept of slowness in Gilles Deleuze's philosophy, this book diverges from the conventional interpretation of Deleuze as a philosopher of speed or even accelerationism, instead delving into the minor but critical themes in his works, from idiocy to catatonia. Advocating for a pragmatic reading of its source material, it utilises Deleuze's thought to address the urgent challenges in contemporary political and social philosophy, particularly the issue of acceleration in its subjective, socio-political, and ecological dimensions. The first part discusses the significance of analysing "slowness" and introduces the problem of social acceleration, featuring also the relationship of Deleuze's thought with theorists rarely invoked in Deleuzian scholarship, such as Martha Nussbaum or Hartmut Rosa. Using a wide range of examples and sources such as the lesser explored Deleuzian literary inspiration Heinrich von Kleist and Madame de La Fayette, the second part of the book delves deeper into the three manifestations of slowness in Deleuze's philosophy: the conceptual personae of the idiot, the animal, and the catatonic. These personae and the concepts they help develop are explored as potential strategies of active resistance against the facets of social acceleration. With this book that radically opposes today's enamourment with speed and efficiency, Krzysztof Skonieczny shows how a Deleuzian theory of slowness can inspire productive resistance in the three areas that have been most vulnerable to omnipresent acceleration: our subjectivity, profoundly changed by the accelerating pace of life; our socio-political milieu, ruled by corporate efficiency; and our relationship to the environment, quickly heading towards catastrophe.

Deleuze and Slowness

A Philosophical Guide to Our Most Misunderstood Emotion

How to Love

Routledge Advances in Sociology

Michel Foucault’s Archaeology of the Human Sciences

The Knowledge of Things and their Order

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. He argues that the novel as a character-driven genre emerged from philosophical and scientific thinking about consciousness and that James's canonization must be reexamined in the context of the philosophical, physiological, and biological discourses on which he drew in his theory and practice as a novelist.

Positioning Henry James within his transatlantic and pan-European contexts, Peter Rawlings relocates James and the New Criticism's ideology of organicism in biology rather than in aesthetics. Rawlings argues that the novel as a genre anchored in the representation of character emerged from philosophical and scientific thinking about consciousness and experience that begins in the late seventeenth century and encompasses two hundred years of traffic between Europe and America. His ambitious study explores the significance of American thinkers and their European antecedents, from Jonathan Edwards to Josiah Royce, aligning James's 1884 essay "The Art of Fiction" with contemporary thinking on consciousness and its dense, ramifying aetiology. By this point, Herbert Spencer had extended Darwin's evolutionary thinking into the social domain, disrupting ideas about consciousness as allied with the soul even as the fin-de-siècle enthusiasm for panpsychism and the paranormal made a last stand against the New Sciences. A major contention of Rawlings's book is that Henry James should not and cannot be isolated from the urgent need to rethink what seminal critics such as Ian Watt and Marthe Robert have said about the procession of the novel from prose fiction. James's canonization by the New Critics motivates Rawlings's reexamination of Walter Scott, Jane Austen, Susan Warner, and George Eliot, among others, in the context of the vast range of eighteenth- and nineteenth-century European and North American philosophical, physiological, and biological discourses on which James drew in his theory and practice as a novelist.

Henry James, Consciousness, and the Evolution of the Novel

Weber in Translation

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

This new translation of Max Webers manuscript on the sociology of music presents the earliest and most influential text to examine the harmonic and melodic principles of literate Western art music in a historical and cross-cultural perspective. A comprehensive introduction explains Webers sociology of music and shows its relevance to contemporary cultural studies.

The Sociology of Music

Emergence and Domestication of Critical Theory

The Defeat of Critique

Alexandre Kojève

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