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Browne D: After Party / LF

After Party

The Lockert Library of Poetry in Translation

Selected Poems

Even Time Bleeds

100 poems for the first 100 days of life

Tender

The Black Poet in Washington, DC

"No More Worlds to Conquer"

TERROR COUNTER is a debut collection of poems which acts against the many languages—interpersonal, legal, literary, rhetorical—constricting the lives and meanings of Palestinians.
It moves through sections of varying experimentalism, from an invented visual form (the Gazan Tunnel) to all-caps queer ecstatic, attempting to carve out a space for the negotiation of an alternative subjecthood.
The voices in this collection are driven by despair, futility, utopia, vulnerability and the spirit of a collective liberation; they move in search of a lyrical voice which can inhabit both the paranoid preservationist mode that facilitates Palestinian survival, and the imaginative possibilities that might make possible Palestinian life. TERROR COUNTER asks: where and how might a Palestinian subject escape the public consumption of American letters? And, ultimately, how can we continue to love each other amidst the endless terror of the colonial world?

TERROR COUNTER

Award-winning classicist and historian Emily Hauser takes readers on an epic journey to uncover the astonishing true story of the real women behind ancient Greece's greatest legends, and the real heroes of those ancient epics, Homer's Iliad and Odyssey . . . 'Bold and intellectually thrilling . . . blending history and science, rigorous scholarship and dazzling feats of imagination.' TOM HOLLAND, historian and co-host of 'The Rest is History' podcast 'Absolutely blew me away . . . rich, evocative and original work . . . this book is quite wonderful.' ELODIE HARPER, author of The Wolf Den 'Offers a dazzling new way of thinking about the ancient world . . . a wonderful, beautifully written and important book.' DAN JONES, author of Henry V 'A book the world has been waiting for . . . I loved it.' BETTANY HUGHES, author of The Seven Wonders of the Ancient World Contrary to perceptions built up over three millennia, ancient history is not all about men - and it's not only men's stories that deserve to be told. In Mythica Emily Hauser tells, for the first time, the extraordinary stories of the real women behind some of the western world's greatest legends. Following in their footsteps, digging into the history behind Homer's epic poems, piecing together evidence from the original texts, recent astonishing archaeological finds and the latest DNA studies, she reveals who these women - queens, mothers, warriors, slaves - were, how they lived, and how history has (or has not - until now) remembered them. A riveting new history of the Bronze Age Aegean and a journey through Homer's epics charted entirely by women - from Helen of Troy, Briseis, Cassandra and Aphrodite to Circe, Athena, Hera, Calypso and Penelope - Mythica is a ground-breaking reassessment of the reality behind the often-mythologized women of Greece's greatest epics, and of the ancient world itself as we learn ever more about it.

The Untold History of the Real Women Behind Homer’s Myths

Mythica

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

Let Go of Toxic Bonds and Build Healthy Ones

The One Who Broke You Can't Heal You

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

"A collection of poems and translations drawn from C.D. Wright's archives and from her previous books"--

The Essential C.D. Wright

An eclectic gathering of work from one of the outstanding English poets of our time.

When It Rained For a Million Years

After Party

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