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Abundance not Capital

The Lively Architecture of Anupama Kundoo

This book discusses and illustrates the aesthetics, use and shaping of structural materials in the design and construction of a sustainable built environment.

This book discusses and illustrates the aesthetics, use and shaping of structural materials in the design and construction of a sustainable built environment.

Imagining Delight, Form and Performance

Structural Materials for Sustainable Architecture

This book investigates the foundations determining the conditions of possibility and the limits that make the conservation, readaptation, and transformation of past buildings legitimate operations.

This book investigates the foundations determining the conditions of possibility and the limits that make the conservation, readaptation, and transformation of past buildings legitimate operations.

The Routledge Companion to the Philosophy of Architectural Reconstruction

The city through the eyes of its artists

A remarkable collection of artworks that shine a light on the city's grand edifices, quirky nooks, hidden quarters and modern architecture with equal affection and pride.

A remarkable collection of artworks that shine a light on the city’s grand edifices, quirky nooks, hidden quarters and modern architecture with equal affection and pride.

The City Through the Eyes of Its Artists

The Manchester Art Book

This is a guidebook to Syria's historical and archeological treasures. It is a new, revised and expanded edition in a travel-friendly format. Syria is home to some of the world's richest historical and archaeological remains dating from the Bronze Age through biblical and Byzantine times to the early Islamic and Ottoman periods. Yet even in an age of mass tourism these magnificent monuments are little known and rarely visited - in other words, ripe for discovery by independent-minded and adventurous travellers."The Monuments of Syria" is organised as a gazetteer of all Syria's historical sites, with complementary sections on history and architectural influences and comprehensive chronologies and glossaries. This fully revised edition includes the latest information about site visits and the layout of museums, extensive and detailed itineraries for further travel and a new 24-page colour section.

This is a guidebook to Syria's historical and archeological treasures. It is a new, revised and expanded edition in a travel-friendly format. Syria is home to some of the world's richest historical and archaeological remains dating from the Bronze Age through biblical and Byzantine times to the early Islamic and Ottoman periods. Yet even in an age of mass tourism these magnificent monuments are little known and rarely visited - in other words, ripe for discovery by independent-minded and adventurous travellers."The Monuments of Syria" is organised as a gazetteer of all Syria's historical sites, with complementary sections on history and architectural influences and comprehensive chronologies and glossaries. This fully revised edition includes the latest information about site visits and the layout of museums, extensive and detailed itineraries for further travel and a new 24-page colour section.

A Guide

The Monuments of Syria

Japanese Architects in a Global World

Beyond Japan

Design Research in Architecture

Perry Kulper and Nat Chard work with conditions of uncertainty, developing a contingent architecture that provokes and absorbs the unforeseen as well as the more predictable relationships into which architecture can enter. In mainstream practice and research there is an emphasis on achieving a certain outcome. Those who wish to have a building made make a prediction - what they want to take place - while the architect attempts to make that prediction come true. In Kulper and Chard’s work the outcome is unknown- they have developed their own working and research practices to take this into account. In different ways, they both use the act of making drawings as a way of engaging with uncertain conditions and enrolling a range of incomplete relationships. By acting on these sorts of relations they are breaking new ground by taking up the unpredictable, a marginal area relative to the ordained territories claimed for architectural discussions.  Without the need or desire for a single resolved project they work in parallel, Kulper in a basement in Ann Arbor, Michigan and Chard from his attic in Winnipeg, Manitoba. The work of one is contaminated by the arrival of a new drawing or reference from the other, while the reflection on the exchanged material comes from the other person’s position rather than confirming an agreed target. This condition is heighted by an unspoken policy of exchanging work with very little commentary so that any disturbance provided by these reflections is sincere and without contrivance. While Kulper and Chard have established rigor in their respective research methods, their collaboration disrupts the stability that such discipline provides. It is a collaboration that provides the sort of disturbances that bring a helpful and real uncertainty to the process of design.  Proposing architecture for uncertain conditions touches many paradoxes and the work plays with paradox to nurture uncertainty - as another source of disturbance. The work also

Contingent Practices

A Gazetteer

Modern Buildings in Britain

Gothic Revival Architect

Benjamin Ferrey

Painter Man

Ob uns ein Raum gefällt oder nicht, ist in hohem Maße davon abhängig, wie seine Farblandschaft gestaltet ist, die wir bei seinem Betreten sehen: Was ist hier wichtig? In welche Richtung soll ich mich bewegen? Wie ist das Licht und wie die Atmosphäre? Wirkt die Umgebung harmonisch? Will ich hier verweilen? Die Farben im Raum liefern uns Antworten auf solche Fragen. Farbe ist ein ebenso faszinierendes wie vielschichtiges Thema, das man nur über Zusammenhänge verstehen kann: Funktion und Emotion, Licht und Schatten, Sprache und Material. All diese Faktoren werden in praxisnahen Anleitungen für Farbkonzepte dargestellt, die Mensch, Raum, Farbe und Licht aufeinander abstimmen. Wie gestaltet man gebaute Räume, die ebenso wohltuend, zeitlos und harmonisch auf uns einwirken wie die Farblandschaften der Natur?

Ob uns ein Raum gefällt oder nicht, ist in hohem Maße davon abhängig, wie seine Farblandschaft gestaltet ist, die wir bei seinem Betreten sehen: Was ist hier wichtig? In welche Richtung soll ich mich bewegen? Wie ist das Licht und wie die Atmosphäre? Wirkt die Umgebung harmonisch? Will ich hier verweilen? Die Farben im Raum liefern uns Antworten auf solche Fragen. Farbe ist ein ebenso faszinierendes wie vielschichtiges Thema, das man nur über Zusammenhänge verstehen kann: Funktion und Emotion, Licht und Schatten, Sprache und Material. All diese Faktoren werden in praxisnahen Anleitungen für Farbkonzepte dargestellt, die Mensch, Raum, Farbe und Licht aufeinander abstimmen. Wie gestaltet man gebaute Räume, die ebenso wohltuend, zeitlos und harmonisch auf uns einwirken wie die Farblandschaften der Natur?

Ein Handbuch für Architekten und Gestalter

Farbe und Raum

How the built environment, understood as spatial capital, governs both everyday life in cities and urban systems more generally. In an age of social and environmental crises, we need to critically rethink the role of the built environment and how best to put it to work. Measures and Meanings of Spatial Capital presents a new theory of spatial capital, arguing that spatial form is essential for building resilience into highly complex urban systems. Lars Marcus argues that the built environment constitutes a form of capital that enhances other forms of capital in cities (such as social, economic, and ecological capital), if designed with those goals in mind. This represents an important and necessary shift in how we approach urban space in the numerous studies of cities that are conducted in a range of disciplines today, such as urban sociology, urban economics, and urban ecology. In contemporary urban studies, land has oddly lost its position alongside labor and capital as one of the three fundamental production factors in economic theory, but as Marcus shows, misconceptions of land are at the root of social and environmental crises worldwide. By defining the challenges and modeling our use of spatial form to enhance/improve land, and then synthesizing data into a unified theory of spatial capital, Marcus provides a crucial reframing of how we can best plan and design our cities for the global challenges we are facing.

Contributions to a Theory of Land

Measures and Meanings of Spatial Capital

Written specifically for architectural design practitioners in their education or at the early stages of their professional career, this book provides a unique conceptual framework founded on three processes – Discover, Explore, Deliver – and five methods – Intuition, Calculation, Measurement, Testing, Simulation - to support sustainable design in practice. By tackling the complex relationship between process, methods and tools of sustainable design, it teaches the reader how to achieve truly integrated and effective sustainable architecture, explained using accessible terminology and concepts. To support its technical aspects, the book is well-designed with a strong visual component including sketches, schemes, and simulation outputs all presented in full colour. It provides practical guidance to the vast palette of analogue and digital tools that are available and shows how to inform, develop, test and implement these solutions. At once technically competent and reader-friendly, it provides practical guidelines for the effective implementation of design tools in sustainable architectural practice.

Processes, Methods and Tools

Sustainable Design in Practice

Abundance not Capital

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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