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A Little Vengeance

Have I Lost My Magic?

Help Ever Hurt Cover (Ltd. Edt.)

Vivi La Vita (Mediabook-CD)

"The Best of" and "The Rest of" New Order

A Matter of Time: The Final Hour

Olivia Rodrigo veröffentlicht ihr mit Spannung erwartetes drittes Studioalbum! 'you seem pretty sad for a girl so in love' folgt auf die mit Gold und Platin ausgezeichneten Vorgänger 'GUTS' und 'SOUR'. Das neue Album der dreifachen Grammy-Preisträgerin erscheint am 12. Juni 2026.'

you seem pretty sad for a girl so in love

'My heart broke. My heart was full. I felt all the feelings and I loved every minute of it' Reader Review ¿¿¿¿¿'Come for the drama, stay for the healing' Reader Review ¿¿¿¿¿* * * * *Cassie and Zoe were once as inseparable as sisters could be, but now haven't spoken for two decades. Catapulted to fame in their early twenties, they've spent years in silence since a shocking fallout shattered their world. Zoe juggles life as a suburban mum, while Cassie is lives off-grid, embracing her inner hermit.But Zoe's teenage daughter is desperate to bring the women back together - and unearth the truth behind their fall-out. As long-buried secrets surface, Cassie and Zoe must confront their past choices and betrayals to discover the sisterly love that once made them unstoppable.Can the sister find a way back to each other, or will their past keep them apart forever?This is an irresistible story of sisterhood, redemption and the magic of second chances from the international bestseller, Jennifer Weiner.* * * * *Praise for The Griffin Sisters' Greatest Hits:'The perfect poolside read to escape into' Georgina Moore'Weiner is the undisputed queen of the fun yet thoughtful poolside read' Vogue'Captures the tension of sibling rivalry and the pull of unconditional love with honesty and heart' Heat'I came for a Daisy Jones fix and left with a craving for more Griffin Sisters! The kind of immersive, uplifting read you'll clear the rest of your day for - just wonderful' Louise Candlish'This is an irresistible, multigenerational tale from a master of her craft. A compelling family drama [that] fans will gobble up' Booklist'Irresistible. Weiner breathes new life into the love triangle trope and offers a nuanced view of sisterhood's complexities' Publishers Weekly'A heartfelt look at sisterhood, forgiveness, and the courage it takes to follow your dreams' Kirkus Reviews'A shimmering story about music, motherhood, sisterhood and the dreams we chase' Woman's World

The Griffin Sisters' Greatest Hits

The Harmony Codex

An entertaining and deeply nostalgic dive into how female pop stars broke through the music industry in the 2000s and altered the cultural landscape forever, from the Ringer writer and Every Single Album podcast cohost “Hit Girls bridges our butterfly-clipped, bedazzled past with today’s music world, revealing how the pop songs we belted in our bedrooms shaped everything we’re streaming now.”—Kate Kennedy, New York Times bestselling author of One in a Millennial Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. The aughts were a particularly fruitful era for female artists—still the only decade in the history of recorded music when women made up more than half the list of highest-grossing performers—and especially pop stars. Artists such as Britney Spears, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only leading to a new respect for female artists, but for pop stardom itself. In Hit Girls, Nora Princiotti examines how these artists redefined the role of the pop star within the music industry and culture more broadly, and fundamentally set the stage for the women who top the charts today. Princiotti unpacks the shifts in genre, technology, and celebrity culture that sparked this evolution through the stories of the biggest names in aughties pop. Like how Britney opened the bubblegum floodgates at the start of the decade, inspiring both copycats like Christina Aguilera and Jessica Simpson and mall punk antagonists like Avril Lavigne and Ashlee Simpson. Or how innovations in technology led to the rise of EDM as Rihanna experimented with sound while Ke$ha and Katy Perry embraced the “party anthem.” Along the way, Princiotti explores how celebrity evolved alongside the changes in media from the tabloid days à la Lindsay Lohan to MySpace, Instagram and how Taylor created one of the largest, most dedicated fandoms the world has ever seen. The ultimate love letter to pop music, Hit Girls celebrates the women who revolutionized the genre, inspired the next generation, and—in some cases—are burning brighter than ever.

An entertaining and deeply nostalgic dive into how female pop stars broke through the music industry in the 2000s and altered the cultural landscape forever, from the Ringer writer and Every Single Album podcast cohost “Hit Girls bridges our butterfly-clipped, bedazzled past with today’s music world, revealing how the pop songs we belted in our bedrooms shaped everything we’re streaming now.”—Kate Kennedy, New York Times bestselling author of One in a Millennial Low-rise jeans, butterfly clips, The Lizzie McGuire Movie, and Paris Hilton’s nights out. The early 2000s were a time of major moments in fashion, media, celebrity culture, and especially music. The aughts were a particularly fruitful era for female artists—still the only decade in the history of recorded music when women made up more than half the list of highest-grossing performers—and especially pop stars. Artists such as Britney Spears, Taylor Swift, Rihanna, and Beyoncé were leading the charge—their success not only leading to a new respect for female artists, but for pop stardom itself. In Hit Girls, Nora Princiotti examines how these artists redefined the role of the pop star within the music industry and culture more broadly, and fundamentally set the stage for the women who top the charts today. Princiotti unpacks the shifts in genre, technology, and celebrity culture that sparked this evolution through the stories of the biggest names in aughties pop. Like how Britney opened the bubblegum floodgates at the start of the decade, inspiring both copycats like Christina Aguilera and Jessica Simpson and mall punk antagonists like Avril Lavigne and Ashlee Simpson. Or how innovations in technology led to the rise of EDM as Rihanna experimented with sound while Ke$ha and Katy Perry embraced the “party anthem.” Along the way, Princiotti explores how celebrity evolved alongside the changes in media from the tabloid days à la Lindsay Lohan to MySpace, Instagram and how Taylor created one of the largest, most dedicated fandoms the world has ever seen. The ultimate love letter to pop music, Hit Girls celebrates the women who revolutionized the genre, inspired the next generation, and—in some cases—are burning brighter than ever.

Britney, Taylor, Beyoncé, and the Women Who Built Pop's Shiniest Decade

Hit Girls

Die einzigartige Lebensgeschichte eines exzentrischen Abenteurers, der im Alleingang die Popmusik revolutioniert hat: Wer Popmusik hört, hört Chris Blackwell.
 
 Nach einer behüteten Kindheit als Sohn einer reichen Familie im kolonialen Jamaika, mit den Hausfreunden Errol Flynn und Ian Fleming, gründet Chris Blackwell 1959 in England das Plattenlabel Island Records und ist für den kometenhaften Aufstieg dieses Labels und seiner Künstler verantwortlich: Bob Marley, U2, Tom Waits, Nick Drake, John Martyn oder Cat Stevens - sie alle erlangen Weltruhm, weil ihre Songs von ihm produziert werden. Wie nebenbei erfindet er die Popmusik des 20. Jahrhunderts, nicht zuletzt im legendären Compass-Point-Studio, das er später auf den Bahamas gründet. Robert Palmer geht hier ein und aus, und Grace Jones vergrault durch ihr ständiges Pfeifen der 
 James Bond
 -Titelmelodie dessen Darsteller Sean Connery.&nbsp;
 
 Voller überraschender Begegnungen und illustrer Geschichten liest sich das Leben von Chris Blackwell wie ein Abenteuerroman: 
 Als die Boxen in den Bäumen hingen
 ist ein leidenschaftlicher Streifzug voll Rhythmus und Melodie durch die Jahrzehnte, die die Popmusik bis heute prägen.

Die einzigartige Lebensgeschichte eines exzentrischen Abenteurers, der im Alleingang die Popmusik revolutioniert hat: Wer Popmusik hört, hört Chris Blackwell.
 Nach einer behüteten Kindheit als Sohn einer reichen Familie im kolonialen Jamaika, mit den Hausfreunden Errol Flynn und Ian Fleming, gründet Chris Blackwell 1959 in England das Plattenlabel Island Records und ist für den kometenhaften Aufstieg dieses Labels und seiner Künstler verantwortlich: Bob Marley, U2, Tom Waits, Nick Drake, John Martyn oder Cat Stevens – sie alle erlangen Weltruhm, weil ihre Songs von ihm produziert werden. Wie nebenbei erfindet er die Popmusik des 20. Jahrhunderts, nicht zuletzt im legendären Compass-Point-Studio, das er später auf den Bahamas gründet. Robert Palmer geht hier ein und aus, und Grace Jones vergrault durch ihr ständiges Pfeifen der 
 James Bond
 -Titelmelodie dessen Darsteller Sean Connery.&nbsp;
 
 Voller überraschender Begegnungen und illustrer Geschichten liest sich das Leben von Chris Blackwell wie ein Abenteuerroman: 
 Als die Boxen in den Bäumen hingen
 ist ein leidenschaftlicher Streifzug voll Rhythmus und Melodie durch die Jahrzehnte, die die Popmusik bis heute prägen.

Die unglaubliche Geschichte von Island Records

Als die Boxen in den Bäumen hingen

•&nbsp;INSTANT #1&nbsp;NEW YORK TIMES&nbsp;BESTSELLER!&nbsp;• The iconic, multiplatinum, Grammy Award®–winning performer Brandy brings us a raw, intimate portrait of her life, charting her journey from Mississippi churches to Hollywood spotlights From the moment she first sang at church in McComb, Mississippi, Brandy knew her voice was special. At fourteen she landed her first record deal. At fifteen her first &nbsp;album went platinum. At sixteen she was starring in the hit sitcom&nbsp;Moesha&nbsp;and became the first Black actress to play Cinderella on screen alongside fairy godmother, Whitney Houston. &nbsp; Yet as the accolades piled up, so too did the pressure to maintain a flawless image. To onlookers, she had crafted the blueprint for the teenage “it” girl. But behind closed doors “The Vocal Bible”&nbsp;as she was known, was struggling. &nbsp; In this piercing, revelatory memoir, Brandy shares: <ul> <li>the inside stories behind her most iconic songs and albums;</li> <li>her star-studded connections with Whitney Houston and Diana Ross;</li> <li>the affirmation of friends and family, including her brother Ray J, that helped her through challenging times;</li> <li>and so much more.</li></ul> Delving into the humble roots of her decades-spanning career, her early struggles with bullies and insecurities as a high schooler, and finally her inspirational journey to reclaim her sense of self and her autonomy as a woman in Hollywood and in music, this memoir is an insightful meditation on Brandy's life and how she rose to become the woman she is today.&nbsp;Told through a series of breathtaking vignettes and never-before-seen family photographs in a full-color insert,&nbsp;Phases is a fearless and remarkable story of hope, resilience and the strength it takes to make peace with the past.

A Memoir

Phases

Big Rig

Evil Dead meets Mad Max: Fury Road in Post Malone’s BIG RIG, a “batsh*t, sulfur-soaked, pedal-to-the-metal gorefest” (Matt Dinniman, Dungeon Crawler Carl) set in medieval Europe, where the only thing standing in the way of the horde of demons infesting the continent is a mysterious armored 18-wheeler seemingly sent from the heavens. THEY PRAYED FOR A MIRACLE. THEY GOT 25 TONS AND 18 WHEELS OF HOLY WEAPON. Post Malone’s BIG RIG. The Dark Ages… Demon hordes plague Europe as Hell invades Earth. The Six Petals, a secret sect of The Knights Templar, pray for a holy weapon to drive back the scourge. What crashes to earth instead is The Rig, a fully loaded tractor trailer. In the aftermath of its arrival, the only man left standing is an enigmatic former priest. He will become Trucker and lead the fight against Hell—with 25 tons and 18 wheels of demon-slaying machine. Created by Post Malone. Written by Post Malone and Adrian Wassel. Drawn by Barbaric co-creator and Dark Knights of Steel artist Nathan Gooden "Big Rig is a crazy comic about three unlikely heroes battling wicked demons in medieval times using a massive eighteen-wheeler truck, and it's pretty fucking awesome." – Post Malone For fans of: Evil Dead, Army of Darkness, Mad Max: Fury Road, Blade, The Walking Dead, Fury, Chainsaw Man, Gantz, Spawn, and Vault’s These Savage Shores Heaven. Hell. Horsepower. Praise for Post Malone's BIG RIG: "...relish the frenzy." - Publishers Weekly "Behold the unclean birth of a new genre: All hail Dark-Ages Grindhouse!" -Si Spurrier (The Flash) “I love the art, attitude and characters.” – Michael Bay (Producer) commenting on BIG RIG "BIG RIG is the grimdark combo of SPAWN and CONVOY, a demonic ripsnorter that starts faster than you think it will and keeps driving." — Adam Cesare, USA TODAY Bestselling author of Clown in a Cornfield "A batshit, sulfur-soaked, pedal-to-the-metal gorefest with a killer concept and even more killer execution." — Matt Dinniman (Dungeon Crawler Carl) “The surprise break-out indie comic of the year.” — Screenrant “For anyone in love with legendary cult classics like Army of Darkness and Evil Dead, this is … for you." — Nicholas Eames (Kings of the Wyld, Barbaric) “Gloriously unhinged. Wassel, Malone, &amp; Gooden put the pedal to the death metal." — Daniel Kibblesmith (TV &amp; Comics Writer) “This is the most metal fucking thing I’ve ever read. If Army of Darkness, Big Trouble in Little China and, I don’t know, Ozzy Osborne all got drunk and procreated, you’d have Big Rig. Post, Adrian and Nathan have done something incredible here." — Christopher Yost (Thor: Ragnarok, The Mandalorian) “I wish I’d thought of this.” — Daniel Warren Johnson (Transformers, Do A Power Bomb, Murder Falcon, Wonder Woman: Dead Earth) about BIG RIG

Post Malone's Big Rig Vol. 1

A Little Vengeance

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