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Ibbotson Eva: A Company of Swans / B

A Company of Swans

The Mischief Makers is a haunting, stylish fictional reimagining of the life of Daphne du Maurier - infamous author of Rebecca - and her mysterious association with the man who wrote Peter Pan.

'Fascinating' ELIZABETH BUCHAN 'Intoxicating' CAROL DRINKWATER 'Glorious' JANE JOHNSON She wrote her stories in his shadow. Now Daphne's past is catching up with her... In a beautiful house in the wilds of Cornwall, Daphne du Maurier is on the brink of a nervous breakdown. Tangled in a self-destructive love affair that threatens to unravel her marriage, she is also distracted by worry for the family friend whose shadow looms over her childhood: J. M. Barrie, author of Peter Pan. Daphne tries to escape into writing her new book, but the line between fiction and reality blurs dangerously when her own characters start manifesting before her eyes - in particular a woman called Rebecca who looks suspiciously like her husband's alluring ex-girlfriend. Daphne must confront the dark truth that lurks beneath the fantasy of Peter Pan and the secret life that has plagued her since she found fame. Unless she can solve these mysteries and reckon with who she truly is as an artist, her next great work may be lost to history . . . PRAISE FOR ELISABETH GIFFORD: 'Gorgeously written and devastating' Kate Riordan 'One of the best novels I've read' Gill Paul 'Desperately romantic' Katie Fforde 'Compelling' Sarah Maine 'Gorgeous, melancholy' The Times 'A glorious novel. You won't be able to put it down for a minute' Suellen Dainty 'An undeniably haunting love story' Sunday Times 'A moving story, beautifully told' Tim Pears

The Mischief Makers

An evocative, unputdownable novel about the infamous Salome. Discover the woman behind the myth . . .

An evocative, unputdownable novel about the infamous Salome. Discover the woman behind the myth . . .

The woman behind the dance

Salome

I must work on a ship as a man... Yes, I must seek a new life, more adventurous than that of my fellows on this desolate salt marsh. I must find freedom on the seas. 1843. Ishmaelle is born in a small village on the stormy Kent coast where she grows up swimming with dolphins. After her parents and infant sister die, her brother, Joseph, leaves to find work as a sailor. Abandoned and desperate for a life at sea, Ishmaelle disguises herself as a cabin boy and travels to New York. Call Me Ishmaelle reimagines the epic battle between man and nature in Herman Melville's Moby Dick from a female perspective. As the American Civil War breaks out in 1861, Ishmaelle boards the Nimrod, a whaling ship led by the obsessive Captain Seneca, a Black free man of heroic stature who is haunted by a tragic past. Here, she finds protectors in Polynesian harpooner, Kauri, and Taoist monk, Muzi, whose readings of the I-Ching guide their quest. Through the bloody male violence of whaling, and the unveiling of her feminine identity, Ishmaelle realises there is a mysterious bond between herself and the mythical white whale, Moby Dick. Xiaolu Guo has crafted a dramatically different, feminist narrative that stands alongside the original while offering a powerful exploration of nature, gender and human purpose.

Call Me Ishmaelle

Arguably the greatest novel of the twentieth century, James Joyce's Ulysses remains as much of a shocking and redemptive testament to the human condition as it was when it was first conceived in 1914. Following the events of a single day in Dublin and the experiences of Stephen Dedalus, Leopold Bloom and his wife Molly, Ulysses' ceaseless verbal and formal inventiveness and its astonishing wide-ranging allusions continue to have a profound influence on contemporary culture. A new, annotated students' edition of one of the twentieth century's greatest novels, using the original 1922 text, now the preferred text of Joyce's masterwork, this annotated Student Edition includes extensive notes, line numbers and an introduction by world-renowned Joycean scholar, Andrew Gibson.

For Joyce, literature is 'the eternal affirmation of the spirit of man'. Written between 1914 and 1921, Ulysses has survived bowdlerisation, legal action and bitter controversy. An undisputed modernist classic, its ceaseless verbal inventiveness and astonishing wide-ranging allusions confirm its standing as an imperishable monument to the human condition. A new edition of one of the twentieth century's greatest novels, using the original 1922 text - now the preferred text of Joyce's masterwork - this annotated Student Edition includes extensive notes, line numbers and an introduction by world-renowned Joycean scholar, Andrew Gibson.

Annotated Students' Edition

Ulysses

Miss Caroline Bingley, Private Detective

'Julie Owen Moylan writes about mid-20th century women like no-one else' Laura Price PRE-ORDER the dazzlingly compulsive new novel from Julie Owen Moylan - perfect for fans of Cabaret and The Whalebone Theatre 'A tale of two sisters and a city, all three of them so vividly drawn, I felt I knew them. An almost unbearably poignant story of missed chances, long-hidden lies and women fighting the odds to grab happiness where they can. Superbly atmospheric, with convincingly flawed characters that just leap off the page' Frances Quinn 'An all-singing, all-dancing, moving and masterful book about two complex sisters living in incredibly complex times. Mid-twentieth century Berlin and the glittering world of Babylon Circus are brilliantly evoked and the characters live with us long after we've closed the book. Brilliant.' Anna Mazzola BERLIN, 1926: After the death of their parents, sisters Leni and Annette only have each other. Dreaming of better days, but desperate, Leni finds work at a notorious cabaret: the Babylon Circus. From the dancer's barely-there costumes, to the glimmering mirrors that cover the walls, the Babylon Circus is a place where reality and fantasy merge. For Leni, it's an overwhelming new world, and she's happiest hiding in the shadows. Until she meets the cabaret's resident pianist, Paul. And so begins a love affair that will shape the lives of Leni and Annette, as they navigate the next forty years in the dark and dazzling city they call home. . . PRAISE FOR JULIE OWEN MOYLAN: 'Touching, entertaining and hopeful' Sunday Times 'Dazzling' Good Housekeeping 'I was gripped from the first page' Sara Cox 'Psychologically astute and emotionally absorbing,' DAILY MAIL 'A wonderfully evocative, immersive novel that brings 50s London to life, from the smog and the nightlife to attitudes towards women' SUNDAY EXPRESS 'Emotional, immersive and utterly absorbing' JENNIFER SAINT

'Julie Owen Moylan writes about mid-20th century women like no-one else' Laura Price PRE-ORDER the dazzlingly compulsive new novel from Julie Owen Moylan – perfect for fans of Cabaret and The Whalebone Theatre 'Sexy, electrically stylish, and beautiful - a gorgeous story about sisterhood, and a glamorous, evocative passport to a period we all long to get lost in' Daisy Buchanan 'Julie's best novel yet' Georgina Moore 'A tale of two sisters and a city, all three of them so vividly drawn, I felt I knew them. An almost unbearably poignant story of missed chances, long-hidden lies and women fighting the odds to grab happiness where they can. Superbly atmospheric, with convincingly flawed characters that just leap off the page' Frances Quinn BERLIN, 1926: After the death of their parents, sisters Leni and Annette only have each other. Desperate, but dreaming of better days, Leni finds work at a notorious cabaret: the Babylon Circus. From the dancer’s barely-there costumes, to the glimmering mirrors that cover the walls, the Babylon Circus is where reality and fantasy merge. For Leni, it’s an overwhelming new world, and she’s happiest hiding in the shadows. Until she meets the cabaret’s resident pianist, Paul. And so begins a tentative love affair that will play out over the next forty years. But, in a city whose divisions will define a century, can a love born within the feverish walls of the Babylon Circus ever survive? And can the bond between Leni and Annette – tugged in opposite directions of their own – also endure? In Berlin, two sisters dared to dream of a better life – but where in this dark and dazzling city will they find their true home? 'An all-singing, all-dancing, moving and masterful book about two complex sisters living in incredibly complex times. Mid-twentieth century Berlin and the glittering world of Babylon Circus are brilliantly evoked and the characters live with us long after we've closed the book. Brilliant.' Anna Mazzola 'Bold, brave and absorbing' Elizabeth Buchan 'An epic novel, spanning decades as it explores with compassion and humanity the relationship of two sisters torn between the love and obligation they feel towards one another, and their desire for freedom and a better life that will split them apart' Louise Fein PRAISE FOR JULIE OWEN MOYLAN: 'Touching, entertaining and hopeful' Sunday Times 'Dazzling' Good Housekeeping 'I was gripped from the first page' Sara Cox 'Psychologically astute and emotionally absorbing,' DAILY MAIL 'A wonderfully evocative, immersive novel that brings 50s London to life, from the smog and the nightlife to attitudes towards women' SUNDAY EXPRESS 'Emotional, immersive and utterly absorbing' JENNIFER SAINT

Circus of Mirrors

Heavenly Bodies

"Stars will fall."Elara is vengeful. Her love is in a deep sleep, trapped between the realms of life and death. Her enemy has vanished, Enzo's only connection to the waking world with him. And a life that Elara has never wanted has been thrust upon her, along with a new power she can not control. Now a disgraced queen, Elara must go on a quest to find a way to wake Enzo, while also seeking the lost Titans, a league of gods who ruled the world long before the Stars. But there is a darker power at play, one that even Ariete, King of the Stars, is afraid of. With enemies at every turn, Elara must tread carefully if she has any hope of waking her soulmate, and fulfilling her promise to make every Star fall. The much anticipated sequel to Heavenly Bodies, Fallen Stars is the fantasy adventure you've waited for, complete with pirates, circuses and dark magick, as well as secrets that will leave you reeling long after you've turned the last page.

“Stars will fall.” Elara is vengeful. Her love is in a deep sleep, trapped between the realms of life and death. Her enemy has vanished, Enzo’s only connection to the waking world with him. And a life that Elara has never wanted has been thrust upon her, along with a new power she can not control. Now a disgraced queen, Elara must go on a quest to find a way to wake Enzo, while also seeking the lost Titans, a league of gods who ruled the world long before the Stars. But there is a darker power at play, one that even Ariete, King of the Stars, is afraid of. With enemies at every turn, Elara must tread carefully if she has any hope of waking her soulmate, and fulfilling her promise to make every Star fall. The much anticipated sequel to Heavenly Bodies, Fallen Stars is the fantasy adventure you’ve waited for, complete with pirates, circuses and dark magick, as well as secrets that will leave you reeling long after you’ve turned the last page.

Fallen Stars

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier's impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier's unique contribution and the role of the dancer more broadly as a producer of culture.

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier’s impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier’s unique contribution and the role of the dancer more broadly as a producer of culture.

Dance, Labour, Culture

Louise Lecavalier

The Court of Miracles Trilogy

The SUNDAY TIMES bestselling adventure inspired by LES MISÉRABLES continues.

The SUNDAY TIMES bestselling adventure inspired by LES MISÃ‰RABLES continues.

The Voice of the Wretched

Rakes, Rebels and Rogues

A Widow To Defy The Duke

"For the Translation/Transnation comparative literature series, a monograph that explores the refugee and diasporic literatures that resulted from the 1923 population exchange between Greece and Turkey"--

Stories silenced or sequestered by a century of mass displacement between Europe and the Middle East—recovered and retold at last In 1923, the Greco-Turkish Population Exchange uprooted and swapped nearly two million Christians and Muslims, “pacifying” the so-called Near East through ethnic partition and refugeehood. This imposition of borders not only uprooted peoples from their place in the world; it also displaced many of their stories from a place in world literature. In Literature’s Refuge, William Stroebel recovers and weaves together work by fugitive writers, oral storytellers, readers, copyists, editors, and translators dispersed by this massive “unmixing” of populations and the broader border logic that it set in motion. Stroebel argues that two complementary forces emerged as a template for the Eastern Mediterranean’s cultural landscape: the modern border, which reshuffled people through a system of filters and checkpoints; and modern philology, which similarly reshuffled their words and works. Philologists and publishers defined modern literature by picking apart, extracting, reformatting, or dispossessing refugee and diasporic texts across a racialized borderscape—a gray zone of semi-inclusion and semi-exclusion, semi-mobility and immobility. Stroebel reaches into the chinks and crannies of this borderscape to reconstitute the rich textual geography between Greek Orthodoxy and Sunni Islam, between Greek-script, Arabic-script, and Latin-script literary traditions at the edges of Europe and the Middle East. Doing so, he offers a new methodological toolkit for rewriting the modern borderscapes of world literature.

Rewriting the Mediterranean Borderscape

Literature’s Refuge

A Company of Swans

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