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Kovatcheva A: She Made Herself A Monster

She Made Herself A Monster

Almost Life

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

Set Point

UNTITLED HEPBURN BK #3

A darkly inventive reimagining of the fairytale Bluebeard, exploring power and toxic masculinity

Sour Cherry

Untitled 5 (Felicity George)

Inspector Ramsay

The sixth and final novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. When a frightened girl turns up on Inspector Ramsay's doorstep, he finds himself drawn into an isolated community, where secrets and lies abound . . .

The sixth and final novel in the Inspector Ramsay series by Sunday Times bestselling author Ann Cleeves. When a frightened girl turns up on Inspector Ramsay’s doorstep, he finds himself drawn into an isolated community, where secrets and lies abound . . .

The Baby-Snatcher

Mother, Ghost, Mango Seed

Now I Surrender

Virago Modern Classics

A humorous and compassionate look at friendship between an old woman and a young man.

A Virago Modern Classic

Mrs Palfrey At The Claremont

He'd taken everything she had. Her money, her home - and her heart. But now it's her turn. A poignant, fun-filled trip across Europe to find a romance fraudster turns into a journey to find themselves. From the author who captured the hearts of half a million readers with Confessions, 'the Bridget Jones of our time'

So, I Met This Guy

The Kindness of Strangers

She Made Herself A Monster

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