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Zur Gegenwartsliteratur in den
romanischen Ländern / Zur Gegenwartslit

Zur Gegenwartsliteratur in den romanischen Ländern / Zur Gegenwartsliteratur in den romanischen Ländern. Teil 1/2

Revels Plays Companion Library

Thomas Nashe and Literary Performance

The Cambridge Edition of the Novels and Stories of Thomas Hardy

"Presenting the first-edition text of Far from the Madding Crowd for the first time since its 1874 publication, this volume includes every revision Hardy made over more than 40 years, an introduction containing new material about Hardy's relationship with George Eliot, and numerous appendices detailing his creative process"--

Far from the Madding Crowd

Grundthemen der Literaturwissenschaft

Die Zeit, als unter der Bezeichnung 'Adaptionen' vor allem Literaturverfilmungen verstanden und wissenschaftlich untersucht wurden, ist lange vorbei. Andere Medien als Literatur und Film sowie andere Adaptionsprozesse als der klassische Medienwechsel sind insbesondere seit den späten 1990er Jahren immer stärker in den Fokus der sog. Adaptation Studies gerückt. Das vorliegende Handbuch bietet als erstes deutschsprachiges Werk einen umfassenden Überblick über die Formen, Konzepte und Praktiken von Adaption, die in diesem Zusammenhang zum Gegenstand literatur-, kultur- und medienwissenschaftlicher Forschung geworden sind. Es präsentiert die derzeit aktuellen Fragestellungen und Theorien des Faches ebenso wie dessen Beschäftigung mit verwandten Phänomenen wie z.B. Übersetzung und Serialität. Neben der Betrachtung von Adaption als einem textlichen, kulturellen und nicht zuletzt ökonomischen Phänomen lotet der Band außerdem gezielt das Potenzial von Adaptionskonzepten aus anderen geistes- und naturwissenschaftlichen Disziplinen für die Literaturwissenschaft aus. Das Buch ermöglicht Studierenden, Lehrenden und Forschenden somit einen fundierten Einblick in die Themen und Fragestellungen der Adaptation Studies.

This handbook offers a broad overview of characteristic adaptation processes within and between media, and current academic issues in the theoretical understanding of adaptation. It describes the concepts, practices, and forms of adaptation and their role as cultural phenomena while also examining concepts of adaptation from other disciplines of relevance to literary studies.

Grundthemen der Literaturwissenschaft: Adaption

Oxford Handbooks

Realism is an artistic practice that aims to faithfully represent reality. Historically, it has been practiced across different media, from early pictorial art and epic oral narratives, through literature and visual arts, to film, music, and digital media. However, an understanding of what it means to "faithfully represent reality" is not universal; rather, it varies from culture to culture. The Oxford Handbook of Global Realisms approaches realism as a transnational, transhistorical, and intermedial global phenomenon. It brings the diversity of global realisms to the fore, showcasing previously underrepresented and marginalized theories, practices, forms, and media of realist cultural production.

The Oxford Handbook of Global Realisms

Routledge Research in Gender and Art

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer's overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey's mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the 'Jupiter and Ganymede' motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle's knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

A provocative letter from a prominent eighteenth-century British noblewoman, Henrietta Howard, to her close friend Mary Hervey is a rare survivor of the informal, collaborative satires created by court women in this period. This particular June 1729 artifact contains a witty and light-hearted list of imaginary portraits, most of which refer to a notable political figure through references to specific paintings, sculptures, engravings, ceramics, textiles and book illustrations. Through a close reading of archival manuscripts, published correspondences and art historical treatises, Eric Weichel explores the cultural milieu and historical legacy of this remarkable text. Constrained by strict standards of moral propriety, the writer’s overt discussions of sexuality in this letter are encoded through a system of embedded jokes and mythological references. Weichel argues that through Lady Hervey’s mention of popular works of art, such as the Hampton Court tapestry cartoons by Raphael, the ’Jupiter and Ganymede’ motif in country house décor, or the illustrated fables of Jean de La Fontaine, she alludes specifically to her wider circle’s knowledge of adultery, queerness, sexual violence, and divorce among their peer group. In her imaginary portraits, Hervey also shows an interest in feminist education and literature, political and religious patronage, and contemporary news events.

An Eighteenth-Century Lady-in-Waiting’s 'Collection of Pictures'

Art, Sex and Politics at the Early Georgian Court

A Five-Century History of Our Modern Condition

I, Wandering Jew

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution examines the aesthetic dimensions of female sectarian culture during the English Civil Wars and Interregnum. The topics covered here range from explorations of the formal aspects of women's street performance, petitioning, and political writings, to their fraught relationship with the metaphysical and devotional tradition.

Women and the Poetics of Dissent in the English Revolution

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, their engagement with Spanish literature was limited to exploiting Spanish authors for good plots. Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.

Golden Age Spanish on the Jacobean Stage challenges the received wisdom that, although Fletcher, Massinger, and other Jacobean dramatists drew on Spanish material, English playwrights' engagement with Spanish literature was limited to exploiting Spanish authors for good plots.  Instead, Mary Dudy posits that Fletcher's engagement with Spanish culture was vastly more profound than has previously been recognized; and in fact, that it constitutes a vital, integral element in his dramatic achievement.  Her analysis shows that Fletcher's acquaintance with Spanish novels led the playwright to experiment with significantly different ways of handling the main themes of his artistry.    This study explores Fletcher's repeated use of Golden Age Spanish literature, especially Cervantes, in the context of political and cultural factors that rendered England's relationship to Spain more complex than ever during the reign of James I.  Golden Age Spanish on the Jacobean Stage leads inexorably to the conclusion that in order to gain the fullest possible understanding of later English Renaissance drama, we must think through the Spanish question.

John Fletcher's Reading and Writing of Cervantes & Co

Golden Age Spain on the Jacobean Stage

Gut lesbare Einführung, die Studierende und auch Märchenliebhaber/innen ansprechen soll. Der Schwerpunkt liegt auf dem Volksmärchen mit einem Ausblick auf das Kunstmärchen. Vertiefungskästen liefern Ausblicke auf Weiterführendes wie z.B. narratologische Aspekte, kulturwissenschaftliche Positionen (z.B. zu Alterität etc.).

Gut lesbare Einführung, die Studierende und auch Märchenliebhaber/innen ansprechen soll. Der Schwerpunkt liegt auf dem Volksmärchen mit einem Ausblick auf das Kunstmärchen. Vertiefungskästen liefern Ausblicke auf Weiterführendes wie z.B. narratologische Aspekte, kulturwissenschaftliche Positionen (z.B. zu Alterität etc.).

Zur Gegenwartsliteratur in den romanischen Ländern / Zur ...

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