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A deeply radical attempt to redefine the relationship between basic Christianity and homosexuality.

Alison J: You Can, If You Want to / LF

You Can, If You Want to

Navigating Christian Faith, Conscience, and Matters LGBTQ+

Justice in the Queer Search for Refuge

The Way Out

A Vow Made Twice

From the bestselling author of Meetings With Remarkable Manuscripts, a captivating account of the last surviving relic of Thomas BecketThe assassination of Thomas Becket in Canterbury Cathedral on 29 December 1170 is one of the most famous events in European history. It inspired the largest pilgrim site in medieval Europe and many works of literature from Chaucer's Canterbury Tales to T. S. Eliot's Murder in the Cathedral and Anouilh's Becket. In a brilliant piece of historical detective work, Christopher de Hamel here identifies the only surviving relic from Becket's shrine: the Anglo-Saxon Psalter which he cherished throughout his time as Archbishop of Canterbury, and which he may even have been holding when he was murdered. Beautifully illustrated and published to coincide with the 850th anniversary of the death of Thomas Becket, this is an exciting rediscovery of one of the most evocative artefacts of medieval England.

From the bestselling author of Meetings With Remarkable Manuscripts, a captivating account of the last surviving relic of Thomas Becket The assassination of Thomas Becket in Canterbury Cathedral on 29 December 1170 is one of the most famous events in European history. It inspired the largest pilgrim site in medieval Europe and many works of literature from Chaucer's Canterbury Tales to T. S. Eliot's Murder in the Cathedral and Anouilh's Becket. In a brilliant piece of historical detective work, Christopher de Hamel here identifies the only surviving relic from Becket's shrine: the Anglo-Saxon Psalter which he cherished throughout his time as Archbishop of Canterbury, and which he may even have been holding when he was murdered. Beautifully illustrated and published to coincide with the 850th anniversary of the death of Thomas Becket, this is an exciting rediscovery of one of the most evocative artefacts of medieval England.

The Last Relic of Thomas Becket

The Book in the Cathedral

Minor Black Figures

Routledge New Critical Thinking in Religion, Theology and Biblical Studies

In his chapter entitled 'Anselm on Ethics' in the Cambridge Companion to Anselm, Jeffrey Brower comments that, 'Anselm's ethical views have received very little attention from contemporary scholars, and as a result there is no satisfactory systematic treatment of them available in the contemporary literature.' This book seeks to fill that lacuna. More specifically the purpose of this volume is to examine the extent to which Anselm of Canterbury possessed a consistent normative philosophy which coherently addressed the question of how the individual ought to act. By so doing it extends the contemporary commentary of Anselm's ethical philosophy beyond the abstract and meta-ethical and analyses the ways in which Anselm's letter collection can be used to show pragmatic approaches to ethical questions. In examining this field, this book contains two interdependent parts, one illustrative of the other. The first deals with Anselm's anthropology, theory of will, and ethical philosophy. The second examines the impact of his theology and ethical philosophy upon his societal and political beliefs. The contrast between formal theological writing and the more personal letter collections is intentional as a way of evaluating the manner in which Anselm's thought is consistent across a range of academic exercises and real world scenarios. In addition, this provides case studies of how a normative approach opens up new lines of research and furthers the field of Anselm studies, addressing several past issues of contention.

In his chapter entitled ’Anselm on Ethics’ in the Cambridge Companion to Anselm, Jeffrey Brower comments that, ’Anselm’s ethical views have received very little attention from contemporary scholars, and as a result there is no satisfactory systematic treatment of them available in the contemporary literature.’  This book seeks to fill that lacuna.  More specifically the purpose of this volume is to examine the extent to which Anselm of Canterbury possessed a consistent normative philosophy which coherently addressed the question of how the individual ought to act.  By so doing it extends the contemporary commentary of Anselm’s ethical philosophy beyond the abstract and meta-ethical and analyses the ways in which Anselm’s letter collection can be used to show pragmatic approaches to ethical questions.  In examining this field, this book contains two interdependent parts, one illustrative of the other.  The first deals with Anselm’s anthropology, theory of will, and ethical philosophy.  The second examines the impact of his theology and ethical philosophy upon his societal and political beliefs.  The contrast between formal theological writing and the more personal letter collections is intentional as a way of evaluating the manner in which Anselm’s thought is consistent across a range of academic exercises and real world scenarios.  In addition, this provides case studies of how a normative approach opens up new lines of research and furthers the field of Anselm studies, addressing several past issues of contention.

From the Temporal to the Eternal

The Ethical Philosophy of Anselm of Canterbury

Great Theologians Series

This book fills an important gap in present literature, presenting the first scholarly study of Calvin's theology for nearly thirty years. Bringing together the fruits of recent scholarship which has explored Calvin's intellectual context, this book offers a new reading of how Calvin set about the theological task and what he had to say. Attention is paid to Calvin's location in intellectual history, and to his reading; to his use of the Bible; to his theological method; and to his influence on the later tradition. At the heart of the work is a new summary of Calvin's theology, drawing out major themes and showing their inter-relations.

John Calvin is one of the most significant thinkers in Christian history.  His name is still, 450 years after his death, attached to churches worldwide.  Yet there have been remarkably few authoritative and accessible accounts of his thought.    This book fills an important gap in present literature, presenting the first scholarly study of Calvin's theology for nearly thirty years.  Bringing together the fruits of recent scholarship which has explored Calvin's intellectual context, this book offers a new reading of how Calvin set about the theological task and what he had to say.  Attention is paid to Calvin's location in intellectual history, and to his reading; to his use of the Bible; to his theological method; and to his influence on the later tradition.  At the heart of the work is a new summary of Calvin's theology, drawing out major themes and showing their inter-relations.

Intellectual History and Theology

John Calvin

Manchester Medieval Sources

The Chronicle of Montecassino by Leo Marsicanus, c. 529–1075

Monasticism and Renewal in Southern Italy

"Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture." -VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York-based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco's two new albums-their first in four years-and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York-based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco's visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

“Blanco seeks out a point of unity between the primitive energy of mystical rite, the raw vitality of youth and the relationship between pop and urban culture.” –VogueFrom the Silence of Duchamp to the Noise of Boys is the first book of poetry by New York–based performance artist and writer Mykki Blanco. Coinciding with the release of Blanco’s two new albums—their first in four years—and two new queer anthologies, We Can Do Better Than This (Vintage, 2021) and The Queer Bible (HarperCollins, 2021) that include essays penned by Blanco, this reissue of the sold-out first edition of From the Silence of Duchamp features the original collection of poems with a new introduction by the author. Written over the course of six years with revisions and additions that span across different ages and locations, From the Silence of Duchamp draws heavily from folklore and oral traditions to convey the energy of rebellious youth and challenge a contemporary indifference to spirituality. Blanco, who came of age first in the Pacific Northwest and then as a 16-year-old runaway in New York City, refers in these poems as much to their own experience of life as to the more far-reaching worlds of mysticism, metaphysics and psychedelia. From the Silence of Duchamp is arranged and illustrated by Nikolai Rose, the New York–based creative team of Jacob Melinger and Alan Paukman, who experimented with wine and salt crystals to create the haunting ink washes that accompany Blanco’s visceral words. Michael David Quattlebaum Jr. (born 1986), better known by the stage name Mykki Blanco, is a songwriter, musician, performance artist, poet and activist.

From the Silence of Duchamp to the Noise of Boys

Love Junkie

The book will be a work of non-fiction examining the intersections of sex work, power, violence and feminism, building on an article the author wrote for n+1 on these same topics. It will examine and debunk prevalent myths of what commercial sex is and isn't; reveal sex workers not as hostages of the patriarchy, but as leaders of feminist movements; strip away the commonly accepted pillars of conversation around sex work to ask whether it's useful to frame 'sex work' as 'work' at all; and use international examples from the US, UK and elsewhere to build a picture of the current state of legislation and possible futures.

Sex, Work and Survival

Anything of Value

A Five-Century History of Our Modern Condition

I, Wandering Jew

You Can, If You Want to

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