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Lété N: World of Nathalie Lété Wall
Calendar 2026

World of Nathalie Lété Wall Calendar 2026

From bestselling children's author Marianne Richmond comes a powerful memoir about overcoming a mother's emotional neglect and finding the courage to reclaim the story of your life."In her beautiful memoir, Richmond bravely finds her way through a legacy of emotional trauma, pulling us into her courageous, tender heart while bringing us closer to our own...a stunning story." -- Kelly McDaniel, LPC, author of Mother HungerAt nine years old, Marianne Richmond's life is upended when she collapses on her kitchen floor with full-body convulsions. "Pinched nerve," says the ER doctor, a baffling explanation. But when one episode becomes many, it's clear something is wrong. Afraid to be at school, in her body and in her life, Marianne desperately hopes for help and healing. But her emotionally unavailable mother - still reeling from her own past trauma- refuses medication on Marianne's behalf, preferring to try prayer and homeopathy. At age 18, a full-body seizure in Marianne's dorm room leads her to a diagnosis, medication, and-at long last-neurological intervention. Physically, Marianne feels "fixed," but emotional healing proves more elusive. In the years to come, Marianne becomes a parent herself, and writes a new story for her life. She authors children's books that touch millions of lives, each of them celebrating a mother's unconditional love for her children. A love her own heart still longs to know. When her mother becomes ill, Marianne has a choice to make: will she be present for the mother who rarely felt present to her?If You Were My Daughter is a story of learning to hear your own voice, of one daughter's return to wholeness, and ultimately, a story of accepting that, despite all hope and longing, a mother's "best I could" can still fall far too short. Most of all, Marianne Richmond illuminates how the stories we're born into shape the ones we tell about ourselves-and reminds us that we have the powerful permission to develop a new relationship with what is difficult in our lives, to fully choose and embody who we are meant to be.

A Memoir of Healing an Unmothered Heart

If You Were My Daughter

'A beautifully written memoir by one of the most important and original artists working today . . . utterly gripping, enraging, entertaining - and important. I can't recommend it highly enough' Jennifer Higgie A sparkling memoir and portrait of trailblazing artist Liliane Lijn as a young woman In 1958, talented and fearless and eighteen years old, Liliane Lijn left her family home and moved to Paris alone to become an artist. Once there, she found an art world filled with the wild energy of creative revolution - peopled and controlled almost entirely by men. In the years that followed, Lijn built a life for herself in the city. She embraced the hectic bohemian spirit of the Left Bank. She befriended artists, painters, poets, gallerists and revolutionaries, as the late Surrealists gave way to a burgeoning Pop Art movement. She had disastrous love affairs with difficult men. She experimented boldly, creating ground-breaking sculptures with light, text and movement. And as her profile steadily grew, she was told again and again that there are no great women artists: 'There never have been.' Liquid Reflections is her memoir of these years of experiment and adventure - years when Lijn was constantly in motion, from Paris to New York to Venice to Athens, from paper and canvas to wax and Perspex to oil and water. In love, she became pregnant but rebelled against the idea that a woman could not be both a great artist and a mother. And she sought - and found - radical pleasure in the act of creative expression and in the living, sensuous world around her. Based on personal diaries from the time, this is a riveting and revelatory account of a singular coming of age: a glittering portrait of the artist as a young woman. 'I wrote LIQUID REFLECTIONS because I wanted to take my readers on the journey I made to become an artist. It's the story of an idealistic, inspired young woman who refuses to accept the prejudices of her time. Becoming an artist was also a search for my own identity...' Liliane Lijn

Liquid Reflections

The first critical account of the enormous upsurge in cultural expression across Asian countries from 1979–2008, and the new possibilities it presented for the aesthetic and cultural re-imagining of a “unified” contemporary Asia. Biennial-style art exhibitions. New discourses in modern and contemporary art. The production and circulation of increasingly debordered popular culture. A Regional Contemporary by C. J. W.-L. Wee is an investigative account of the dramatic increase in cultural expression in Asia from 1979 to 2008, with the 1990s as the focal point of this period. The so-called East Asian miracle, Wee argues, projected a fictive but shared contemporary regional identity onto Northeast and Southeast Asia, collectively taken as East Asia. The new cultural explosion was notably enabled by expanded capitalist energies that reached a level critical enough to reposition the region’s postcolonial and Cold War–era nationalisms, and this book examines the resulting implications. A sophisticated and compelling study, A Regional Contemporary is the first to examine the conjunction of high and popular culture in the region. Moreover, Wee reveals how the various cultural formations of this regional contemporary were able to traverse—if not overcome—uneven national economies, the memory of Japanese empire, and the geopolitical rifts of post–Cold War nationalisms. While foregrounding new cultural expression, Wee simultaneously examines how novel economic conditions bolstered a more confident questioning of Western modernity’s dominance and enhanced the capacity for regional dialogue in the bid to overcome colonial-era legacies—even as those legacies were being absorbed into the region[VH1]&nbsp;. &nbsp;[VH1]For the designer: if space is tight on the back, this can be deleted.

Art Exhibitions, Popular Culture, Asia

A Regional Contemporary

Isms

The description for this book, Ono-isms, will be forthcoming.

The description for this book, Ono-isms, will be forthcoming.

Ono-isms

Nine-year-old Ira-Abel Rawles lives on Hook Farm in the village of Underwhelem. Next to the farm is Gore Woods, Ira's sanctuary, overseen by Orlam, the all-seeing lamb's eyeball who is Ira-Abel's guardian and protector. Here, drawing on the rituals, children's songs, chants and superstitions of the rural West Country of England, Ira-Abel creates the twin realm through which she can make sense of an increasingly confusing and frightening world. Orlam follows Ira and the inhabitants of Underwhelem month by month through the last year of her childhood innocence. The result is a poem-sequence of light and shadow - suffused with hints of violence, sexual confusion and perversion, the oppression of family, but also ecstatic moments in sunlit clearings, song and bawdy humour. The broad theme is ultimately one of love - carried by Ira's personal Christ, the constantly bleeding soldier-ghost Wyman-Elvis, who bears 'The Word': Love Me Tender. Orlam is not only a remarkable coming-of-age tale, but the first full-length book written in the Dorset dialect for many decades. Orlam also reveals P J Harvey as not only one of the most talented songwriters of the age, but a gifted poet - whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.

Orlam reveals PJ Harvey as not only one of the most talented songwriters of the age, but a gifted poet – whose formal skill, transforming eye and ear for the lyric line has produced a strange and moving poem like no other.

Orlam

How a Doll Remade the World

Barbieland

The Pulitzer Prize-winning biographer turns his eye to the seventeenth-century Dutch Golden Age Twenty years ago, Benjamin Moser followed a love affair to an ancient Dutch town. In order to make sense of this new place, he threw himself into the Dutch museums. Soon, he found himself unearthing the strange, inspiring and sometimes terrifying stories of the artists who shaped one of the most luminous moments in the history of human creativity, the Dutch Golden Age. As he explored the hidden world of the Dutch Masters (and one Mistress), Moser met a crowd of fascinating personalities: the stormy Rembrandt, the intimate Ter Borch, the mysterious Vermeer. Through their art, he got to know their country, too: from Pieter Saenredam's translucent churches to Paulus Potter's muddy barnyards, and from Pieter de Hooch's cozy hearths to Jacob van Ruisdael's tragic trees. Over the years, Moser found himself on increasingly intimate terms with these centuries-dead artists, and found that they, too, were struggling with the same questions he was. Why do we make art? What is art, anyway - and what is an artist? What does it mean to succeed as an artist, and what does it mean to fail? The Upside-Down World is an invitation to ask these questions, and to turn them on their heads: to look, and then to look again. It is a brilliant, colourful and learned book for anyone, whether lifelong scholar or curious tourist, who has ever felt the lure of the Dutch galleries. It shows us art, and artists, as we have never seen them before.

Meetings with the Dutch Masters

The Upside-Down World

"Bringing together a diverse group of historians, art historians, and museum professionals, and spanning two centuries and several continents, this volume reveals the global dimensions of the trade in Napoleonic collectibles, art, and relics over time. Representing new avenues of research and scholarship, it investigates the material objects and cultural forms that Napoleon inspired across four overarching themes: 'Collections', 'Relics', 'Images', and 'Invention'. Taking a broad, multi-disciplinary approach, including perspectives from art history, film studies, cultural history, and museum curation, it provides a deep critical insight into the cult of personality surrounding Napoleon and its effect on our understanding of celebrity culture today and in the future"--

Two centuries after Napoleon Bonaparte’s death, this edited volume brings together a diverse group of historians, art historians, and museum professionals to critically examine the enduring power of visual and material culture in the making of Napoleonic memory. While most discussions surrounding the legendary figure explore his impact on legislative, political, or military reform, this innovative volume explores the global dimensions of the trade in Napoleonic collectibles, art, and relics over time.

Representing new avenues of research and scholarship, Napoleonic Objects and their Afterlives investigates the material objects and cultural forms that Napoleon inspired through a range of themes. These include art collecting, the circulation and display of objects, political and imperial symbolism, and the flexibility and ambiguity of Napoleon’s enduring legacy. The essays examine how and why, despite his contentious role in contemporary memory, Napoleon continues to escape much historical and popular censure. They explore the ways people have connected with the idea of him: on stage and screen; in museums and galleries; and most intimately of all, by gathering items said to have belonged to him, right down to his toothbrush and locks of his hair.

Napoleonic items can be official or personal, serious or comical, luxury or disposable, yet little work has been done to bring together these diverse cultural histories into conversation with one another. With its broad, multi-disciplinary approach, including perspectives from art history, film studies, cultural history, and museum curation, the book provides a deep critical insight into the cult of personality surrounding Napoleon and its effect on our understanding of celebrity culture today and in the future.
 
Includes an additional foreword by Napoleon’s biographer, Ruth Scurr, author of In Gardens and Shadows (2021).

Art, Culture and Heritage, 1821-present

Napoleonic Objects and their Afterlives

America

Image Word Action / Bild Wort Aktion / Imago Sermo Actio

Der Ursprung des Bildakts bindet die in den letzten drei Jahrzehnten erzielten Forschungsergebnisse der Vor- und Frühgeschichte kunsthistorisch ein und ist als anthropologische Grundlegung einer Wirkmacht der Form konzipiert. Fossilien-Inklusionen in Faustkeilen erlauben eine materiale und philosophische Bestimmung der «ikonischen Differenz» (Boehm), die für das Verständnis des Bildakts fundamental ist.

Der 
 Ursprung des Bildakts
 bindet die in den letzten drei Jahrzehnten erzielten Forschungsergebnisse der Vor- und Frühgeschichte kunsthistorisch ein und ist als anthropologische Grundlegung einer Wirkmacht der Form konzipiert. Fossilien-Inklusionen in Faustkeilen erlauben eine materiale und philosophische Bestimmung der «ikonischen Differenz» (Boehm), die für das Verständnis des Bildakts fundamental ist.

Ursprung des Bildakts

The Post Office was central to Britain's effort to win the Second World War. From sending mail to connecting telephone calls and processing war savings certificates, its functions united a nation in a sense of common purpose and camaraderie, but also connected Britain with the outside world. Yet, owing to the pressures of military conscription, these essential functions, required to maintain morale on both on the home and military front, were discharged by women workers, many of whom had not previously undertaken such important and complex work. 
 
 Drawing on a range of archival material, Mark J. Crowley highlights the role of the Post Office and public service in Britain's Second World War home front experience, and examines the vital contribution of women in this area, which has, until now, received little attention from historians. While primarily focusing on the personnel practices affecting the position of women workers in the Post Office and public service, he also draws on the experiences of women workers through surviving oral history accounts, and the limited existing archival material recorded by women workers at the time. While this is not a social history of women's employment in Britain, it will seek to place their experiences of work and duty to the public service in the wider context of the government's expectations of women during the war effort.

The Post Office was central to Britain’s effort to win the Second World War. From sending mail to connecting telephone calls and processing war savings certificates, its functions united a nation in a sense of common purpose and camaraderie, but also connected Britain with the outside world. Yet, owing to the pressures of military conscription, these essential functions, required to maintain morale on both on the home and military front, were discharged by women workers, many of whom had not previously undertaken such important and complex work. 
 
 Drawing on a range of archival material, Mark J. Crowley highlights the role of the Post Office and public service in Britain’s Second World War home front experience, and examines the vital contribution of women in this area, which has, until now, received little attention from historians. While primarily focusing on the personnel practices affecting the position of women workers in the Post Office and public service, he also draws on the experiences of women workers through surviving oral history accounts, and the limited existing archival material recorded by women workers at the time. While this is not a social history of women's employment in Britain, it will seek to place their experiences of work and duty to the public service in the wider context of the government's expectations of women during the war effort.

Gender, Conflict and Public Service Employment

Post Office Women at War, 1939–45

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ausgehend von Archivmaterial aus der Studienzeit Ludwig Heinrich Heydenreichs richtet diese Publikation den Blick auf historische Unterrichtsformen im Fach Kunstgeschichte sowie auf die engen Verflechtungen von kunsthistorischer Lehre und Forschung. Heydenreichs Aufzeichnungen machen den Gang eines Hamburger Studenten von der Immatrikulation bis zur Promotion in allen Details nachvollziehbar. Gleichzeitig erlauben sie Einblicke in die Abläufe am Kunsthistorischen Seminar Hamburg sowie an der Kulturwissenschaftlichen Bibliothek Warburg. Der Band enthält Mitschriften der Gotik Vorlesungen Erwin Panofskys (1925/26) ebenso wie detaillierte Aufzeichnungen der Methoden-Übungen Aby Warburgs inkl. aller Referate und auch Bildtafeln, die die Studierenden für ihre Vorträge zu arrangieren hatten.

Ludwig Heinrich Heydenreich und die Kunstgeschichte in Hamburg 1925-1928

Studieren bei Warburg und Panofsky

World of Nathalie Lété Wall Calendar 2026

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