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Wicca Wall Calendar 2026 (Art Calendar)

The Photography Workshop Series

In this volume of The Photography Workshop Series, Vik Muniz-known for his playful pictures that complicate what is understood as a photograph, sculpture, and painting-offers his insight into thinking creatively and seeing the familiar in new and surprising ways. Aperture works with the world's top photographers to distill their creative approaches, teachings, and insights on photography-offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Muniz shares his creative practice and artistic inspirations, and discusses a wide range of topics, from generating ideas and creating images that challenge viewers' perceptions, to collaboration, imperfection, and the interplay of subject, scale, and material.

In this volume of The Photography Workshop Series, Vik Muniz—known for his playful pictures that complicate what is understood as a photograph, sculpture, and painting—offers his insight into thinking creatively and seeing the familiar in new and surprising ways. 
Aperture works with the world’s top photographers to distill their creative approaches, teachings, and insights on photography—offering the workshop experience in a book. Our goal is to inspire photographers of all levels who wish to improve their work, as well as readers interested in deepening their understanding of the art of photography. Through images and words, Vik Muniz—whose signature style appropriates and reinterprets iconic images of our time—shares his creative practice and discusses a wide range of topics, from generating ideas and creating images that challenge viewers’ perceptions, to collaboration, imperfection, and the interplay of subject, scale, and material.&nbsp;

Vik Muniz on Photography, Mind, and Matter

An extremely rare and intimate look into the extraordinary life and death of legendary A$AP Mob founder A$AP Yams and the internationally acclaimed music and art collective that includes luminaries A$AP Rocky and A$AP Ferg. Never before has the history been told in words and pictures. As Forbes once said, “Hanging with ASAP Mob…is unlike any other experience in music.” This is the experience. A$AP Yams is one of the most influential figures in hip hop history. From his high school-aged A&amp;R work with Jim Jones' legendary Diplomats Records, to his pioneering role at the then-nascent intersection between hip hop and the internet with his #RNT Tumblr account, to the revolutionary geographically-agnostic sound of his early production for the A$AP Mob, Yams (née Steven Rodriguez) irrevocably changed the cultural and musical landscape for generations to come. Featuring hundreds of little and never-before-seen exclusive photographs, A$AP Yams: Making of a Mob explores the founding and history of one of the most iconic collectives of this young century. Produced in concert with the A$AP Foundation charity, all royalties will be donated to the Foundation's mandate of community outreach, food security, and drug education for the youth of New York City.

Making of a Mob

A$AP Yams

"Macfarlane provocatively upends the standard myth that Group f.64 was uninterested in the political. By showing how the photographers’ ethos of 'purity' constituted a deeply political stance, she reveals just how much the photographs were embedded in the politics of their day. An archivally rich, beautifully written, groundbreaking contribution to our understanding of the era’s photography."—Cara A. Finnegan, author of Picturing Poverty: Print Culture and FSA Photographs "The account of the influential Group f.64 we’ve been waiting for! In a compelling, complex study of modernism that expands our understanding of photography and the political, Macfarlane captures the texture of the interwar era, examining the seemingly mundane affairs of artists—Edward Weston’s diet, Imogen Cunningham’s fertilizer chemistry—as they intersect with debates on race, labor, settler colonization, technology’s role, and human subjectivity, which resonate into the present."—Lauren Kroiz, author of Cultivating Citizens: The Work of Art in the New Deal Era and Creative Composites: Modernism, Race, and the Stieglitz Circle "Politics Unseen&nbsp;is an important and timely volume, with lessons for our age. Ellen Macfarlane challenges us to reconsider the political possibilities of form. How might an image of hard-won artistic beauty strengthen and soften our entry into social and ecological worlds? How might aesthetically improved vision encourage our moral transformation, and do so without anesthetizing our outrage? These concerns feel as urgent as ever in Macfarlane’s account of 1930s California photography, told with vibrant new detail, sensitivity, and nuance."—Jennifer Jane Marshall, author of Machine Art, 1934 "Ellen Macfarlane’s excellent new book is a must-read for anyone interested in Depression-era photography in the United States. Group f.64 is almost always described in terms of art photography and technique, but as Macfarlane points out, f.64 members were deeply engaged politically, and in fact understood their work as providing a way to&nbsp;see&nbsp;politics. This analysis, smart and cogent, opens up a whole new way to think about what socially engaged photography means in the United States—never has it been more important to understand how politics can be pictured and, at the same time, remain unseen."—Terri Weissman, Associate Professor of Art History, University of Illinois, Urbana-Champaign &nbsp;

Group f.64 Photography and the Problem of Purity

Politics Unseen

Lenscratch: Topics in Contemporary Photography

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

This book is the first of its kind to bring together and showcase contemporary photographers’ bodies of work, moving beyond the survey approach so often seen in photography today.

30 Profiles of Artists Photographing [Two Themes TBD], Book 2

Lenscratch - Contemporary Themes in Photography

Routledge History of Photography

Focusing on the creation of the concept of whiteness, this study links early photographic imagery to the development and exploitation that was common in the colonial Atlantic World of the mid- to late-nineteenth century.

The Visual Cultures of White Atlantic Worlds

The Photographic Invention of Whiteness

The iconic fashion house through their finest creations

Dior in 50 Objects

The Shankill, a roughly mile long road in Belfast Northern Ireland, is home to a working class, Protestant community. Their history is complex and troubled and yet they have survived with pride and resilience. During the thirty years of sectarian violence, many stories of this community have been told. A Peace Agreement was signed in 1998 and most journalists and photographers packed their bags and left before the ink had dried. But it is still a fragile peace that remains. The Shankill: A Portrait of Pride and Resilience depicts a proud community defined by their traditions, hoping to move beyond their past. It is a portrait of today.

A Portrait of Pride and Resiliance

The Shankill

On Photography and Social Media

The Social Photo

Visual and Media Histories

This volume engages with the image of the labouring body against monumental machines, dams, and infrastructure and the ways in which photography engages with strands of modernist aesthetics to support new modes of seeing the changing industrial landscape and the human body.

Whether a smoky portrait of a coal mine or a sweeping shot of workers building an immense dam, photographs of established and emerging industries fundamentally shaped the visual culture and politics of South Asia in the decades after independence. This volume engages with the image of the labouring body against monumental machines, dams, and infrastructure and the ways in which photography engages with strands of modernist aesthetics to support new modes of seeing the changing industrial landscape and the human body.The multidisciplinary essays in the book embrace the porosity of ‘documentary’ and ‘journalistic’ photography and draw out questions of aesthetics in relation to both modernizing calls to industry and modernist framings of the visual in India. The book looks back at these photographs from the twenty-first century and critically considers post-World War II industry—with its imagery of factories belching pollutants into the air and the reality of massive displacements of workers due to epidemics, floods, and drought. It analyses these images in relation to contemporaneous understandings of aesthetics and in dialogue with recent understandings of the global climate crisis. The volume probes the co-constitution of industry and photography in postcolonial India by looking at selected sites of industrial and artistic practices and their interwoven histories.Part of the Visual Media and Histories Series, this book will be of interest to students and researchers of history of photography, visual media studies, Indian history, art history, cultural studies and South Asian studies.

Photography, Aesthetics and Labor in India

Documenting Industry

The original adventures of&nbsp;Pavitr Prabhakar, the Spider-Man of India that made waves as a breakout star of ACROSS THE SPIDER-VERSE! Everybody knows the story of Spider-Man...but what if things had happened differently? What if it wasn't a New Yorker named Peter Parker, but an Indian teenager named Pavitr Prabhakar who was gifted with the abilities of the spider? Witness the rebirth of a legend as young Pavitr learns hard lessons about power and responsibility in an all-new interpretation that has received worldwide media coverage! COLLECTING:&nbsp;Spider-Man: India #1-4

The original adventures of&nbsp;Pavitr Prabhakar, the Spider-Man of India that made waves as a breakout star of ACROSS THE SPIDER-VERSE! Everybody knows the story of Spider-Man...but what if things had happened differently? What if it wasn't a New Yorker named Peter Parker, but an Indian teenager named Pavitr Prabhakar who was gifted with the abilities of the spider? Witness the rebirth of a legend as young Pavitr learns hard lessons about power and responsibility in an all-new interpretation that has received worldwide media coverage! COLLECTING:&nbsp;Spider-Man: India #1-4

SPIDER-MAN: INDIA [NEW PRINTING]

This book is the first of its kind to bring together and showcase contemporary photographers' bodies of work, moving beyond the survey approach so often seen in photography today.

Lenscratch: Contemporary Themes in Photography

Wicca Wall Calendar 2026 (Art Calendar)

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