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Beethoven's life and legacy in 100 recordings

Beethoven’s life and legacy in 100 recordings

Lebrecht Norman: Why Beethoven

Why Beethoven

A Phenomenon in 100 Pieces

Total War

This book deals with the problem of generating sequences in the style of a given corpus, in text or music. In particular, the authors study Markov models, which have long been used for capturing basic statistical information about how elements of a given alphabet are put together in representative sequences, formulating them as constraint satisfaction problems (CSPs), a formulation which opens the door to many extensions of basic Markov models through the modularity of constraint satisfaction.The book will be valuable to practitioners, researchers, and graduate students engaged with algorithmic composition and constraint satisfaction.

Applications to Music and Text

Constrained Markov Sequence Generation

How Paul McCartney survived the Beatles and found his Wings

Fly Away Paul

How a Doll Remade the World

Barbieland

Distinctive, unusual and spectacularly entertaining

Quantick's Quite Difficult Quiz Book

The prequel to the critically acclaimed and award-winning This is Memorial Device

Industry of Magic &amp; Light is a love letter to the counterculture of the 1960s and a requiem for its passing. The much-anticipated prequel to Keenan's cult classic debut, This is Memorial Device, Industry of Magic &amp; Light is set in the same mythical Airdrie in the 1960s and early 70s and centres on a group of hippies running their own psychedelic light show. Told in two halves - the first in the form of an inventory of the contents of a caravan abandoned by one of the hippies, the second in the form of a tarot card reading - it is not so much a book about the 1960s as a direct channelling of the decade's energies, bringing to life how even the smallest and dreariest of working class towns felt so full of possibility in the wake of the psychedelic moment. Via artefacts from the time - everything from poetry chapbooks, record reviews and musical instruments through bubblegum wrappers, bicycle repair kits and mysterious cassette recordings - the book opens out into adventures along the hippy trail in Afghanistan and behind the Iron Curtain that leads a cast of new and returning characters - as well as the authorities - to believe that they are literally making magic. Simultaneously a forensics of the 1960s, a detective novel, an occult thriller, a vision quest, and the hallucinatory exposition of a moment where it felt like anything was possible, Industry of Magic &amp; Life brings to life the streets of small working class towns as transformational sites of utopian joy.

Industry of Magic & Light

33 1/3 Brazil

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city's nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

1976, Rio de Janeiro. Revered Brazilian pop musician Jorge Ben Jor, known for his 'samba-rock' fusions and hits such as 'País Tropical' and 'Mas que Nada', picks up the electric guitar and records the album África Brasil. With grooves structured around guitar and horn riffs, funk drumming, samba percussion, and hypnotic vocal refrains, this album has become a favorite of connoisseurs of 1970s Brazilian vinyl. It was part of the growing cultural negritude of the time in Brazil, especially in Rio. American musicians such as James Brown were increasingly influential there; meanwhile, disco began to reach the city’s nightclubs, and a few musicians were getting hip to Afrobeat. 

Through a close examination of the tracks on this seminal album, this book explores how Jorge Ben Jor and fellow musicians created a new sound, and it probes how ideas about blackness, Africa, and Brazilian identity were evolving during the mid-1970s. Written in a clear style and based on new research, it offers an engaging narrative that will appeal to fans, students, and scholars.

33 1/3 Global, a series related to but independent from 33 1/3, takes the format of the original series of short, music-basedbooks and brings the focus to music throughout the world. With initial volumes focusing on Japanese and Brazilian music, the series will also include volumes on the popular music of Australia/Oceania, Europe, Africa, the Middle East, and more.

Jorge Ben Jor’s África Brasil

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years.

Despite the well-known fact that some pieces of Bach's WTC II existed in early forms, there has been no thorough discussion to date as to how the work evolved over the years.

Volume II: Aspects of Afterlife

The Genesis and Early History of Bach's Well-Tempered Clavier, Book II

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu - wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Minnesang ist eine zentrale Gattung der mittelhochdeutschen Literatur und dazu – wegen der Kürze der Gattung der überschaubaren Textlage ein sehr beliebtes Prüfungsthema.

Eine Einführung

Minnesang

Music Lessons marks the first publication in English of a groundbreaking group of writings by French composer Pierre Boulez, his yearly lectures prepared for the Collège de France between 1976 and 1995. The lectures presented here offer a sustained intellectual engagement with themes of creativity in music by a widely influential cultural figure, who has long been central to the conversation around contemporary music. In his essays Boulez explores, among other topics, the process through which a musical idea is realized in a full-fledged composition, the complementary roles of craft and inspiration, and the degree to which the memory of other musical works can influence and change the act of creation. Boulez also gives a penetrating account of problems in classical music that are still present today, such as the often crippling conservatism of established musical institutions. Woven into the discussion are stories of his own compositions and those of fellow composers whose work he championed, as both a critic and conductor: from Stravinsky to Stockhausen and Varèse, from Bartók to Berg, Debussy to Mahler and Wagner, and all the way back to Bach. Including a foreword by famed semiologist Jean-Jacques Nattiez, who was for years a close collaborator and friend of the composer, this edition is also enriched by an illuminating preface by Jonathan Goldman. With a masterful translation retaining Boulez's fierce convictions, cutting opinions, and signature wit, Music Lessons will be an essential and entertaining volume.

Music Lessons

Nadine Shah. Singer, songwriter, musician, activist, mixed-race, thirtysomething, successful, outspoken. That's the tagline, at least... As a professional musician, I decided long ago what truly defines success. Everything else it just a bonus. Famous enough to be scrutinised in the supermarket, but not famous enough to enjoy the perks that come with 'celebrity', I don't know any other life.From my various accolades and media presence, it might seem like I've it made it, but really I just try my best to do what I do best. I imagine that much of my story is yours, too, even if you're not a musician. I know you sometimes feel just as inadequate as I do scrolling through Instagram, viewing 'better' depictions of ourselves. But none of it is real. To me, what makes a good lyricist is the ability to speak for everyone and to everyone. I don't claim to be unique; I don't have any answers to the big questions. But I am willing to share my thoughts on the world with anyone who is willing to listen. This book is a collection of musings on what makes me jump out of bed and what makes me hide under the covers. Sometimes we need to read other people's stories in order to process our own. In this memoir, I will hang out my dirty laundry for all to see in the hope that perhaps you'll find the confidence to do the same. This is not your regular rock-star tale of debauchery; it's just my everyday life ­- the rank and the glamorous, the mundane and the ridiculous, the demons and the angels. My version of events.

Critically Acclaimed, Sort of Famous

The Biography

Dave Allen

Why Beethoven

Inhalt

Bibliografische Angaben

Schlagworte

Inhalt

Bibliografische Angaben

Schlagworte

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