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Chattopadhyay S: When Migrants Become
Political Pawns

When Migrants Become Political Pawns

Decoding the Media Coverage of the American Migrant Busing Crisis

Conflict, Culture, Communication

Discourse and the Construction of Violence

Weaponizing Language

Studies in New Media

The Next Social Revolution

How Women Conquer the Metaverse

California Studies in Music, Sound, and Media

Negotiating Musical Creativity in a Technological Age

Automatic Artistry

Digital Intimacies

Explores how queer men use their smartphones to feel in control of their intimate lives in a times of crisis

Queer Men and Smartphones in Times of Crisis

Bloomsbury Advances in Ecolinguistics

Languaging and Bioecologies in Human-Environment Relationships

Language as an Ecological Phenomenon

SUNY series, Praxis: Theory in Action

The Affective Politics of Women Killings

Mourning and Mobilization in the Americas

Learn how to tell your own stories in ways to help you get ahead in business, job interviews, or sales; to effectively teach any grade level; and to give a toast, a eulogy, or simply captivate the room you're in.

Mastering Diverse Storytelling for Any Occasion

A Story for Everything

Corpus and Discourse

Combining corpus linguistics, critical discourse analysis, and a discourse analysis of narratives, this book considers one aspect of the Brexit process: the language that journalists, politicians and individuals used to write and talk about what it means to be British and European around the time of Brexit. It reveals a trajectory towards a discourse of national division in Brexit Britain in three datasets: pro-Brexit newspaper articles, UK Government documents, and interviews with individual citizens. Demonstrating the important role that (supra-)national identity discourses played in discussions about Brexit, the book traces a shift towards a representation of Brexit Britain as divided and in decline at a time when the construction of a collective identity is likely to be paramount. The emerging representation is a direct contradiction of the great global trading nation narrative that the Vote Leave campaigners - and later the UK Government - promised, questioning the discursive success of the Global Britain project. Constructing Brexit Britain demonstrates that the transition from pre- to post-Brexit Britain was a crucial period of destabilisation for institutional and lay national identity narratives. It also illustrates that the coming years are likely to be just as important, as the UK forges its post-Brexit place in the world amid declining levels of trust in politicians, calls for a second Scottish membership referendum, the COVID-19 pandemic, and a cost of living crisis.

A Corpus-Assisted Approach to National Identity Discourse

Constructing Brexit Britain

Routledge Research in Art History

Focusing on the first four films about Moore's sculpture in the 1940s and 1950s, The Making of Henry Moore on Film: A Cultural History considers how these films played a role in the consolidation of the sculptor's public identity and broke new ground in the exploration of sculptural aesthetics through film. The book draws on extensive archival research in the production files of these films and on detailed contextual research.

Art historians have recognised the relationship between photography and sculpture as a fertile ground for the study of sculpture's intermedial relations. In the case of Henry Moore, the role of photography (both as source material and form of documentation) has recently become a new terrain for researching and interpreting his work. Film, however, remains absent from Moore scholarship. Focusing on four films about Moore's sculpture in the 1940s and 1950s,  The Making of Henry Moore on Film: A Cultural History considers how these films broke new ground in the specialised genre of the "film on art," which throve in these decades.  Katerina Loukopoulou places the relationship between sculpture and film within the relevant historical and cultural contexts of post-war Britain (1945-1959), the period during which Moore's public identity was consolidated. The book draws on extensive archival research in the production files of these films and on detailed contextual research (press cuttings, periodicals, festival pamphlets) of contemporaneous writings about the remediation of works of art  and about the reception of these films on Moore. By revealing overlooked aspects of what these films stood for at this historical conjuncture, Loukopoulou examines the specific aesthetic and political meanings of Moore's sculpture as explored by each film.

When Migrants Become Political Pawns

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