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Streitfeld D: Western Star Unabridged CD
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Western Star Unabridged CD POD

The Life and Legends of Larry McMurtry

AN NPR BOOK-OF-THE-DAY • A PUBLISHERS WEEKLY STAFF PICK • A NYLON MUST-READ • A FORTUNE NEW BOOK TO READ IN AUGUST?And, at the center of it all, am I actually nice or am I just performing a role I think I'm expected to play?? Mia Mercado is a razor-sharp cultural critic and essayist known for her witty and hilarious dissections of the uncomfortable truths that rule our lives. In this thought-provoking collection of new essays, Mercado examines what it means to be ?polite,? ?agreeable,? and ?nice.? She covers topics from the subtleties of the ?Bad Bitch? and why women dominate the ASMR market, to what makes her dog an adorable little freak and how you know if you're shy. This is a book about the unspoken trick mirror of our ?good? intentions: the inherent performance of the social media apology, celebrating men when they do the bare minimum, and why we trust a Midwesterner to watch our stuff when we go pee.Throughout, she ponders her identity as an Asian woman and asks what ?nice? even means?and why anyone would want to be it. With writing that is as precise as it is profound, and cultural references that range from trash reality television to the New York Times Sunday-morning crossword puzzle, Mercado uncovers weird, long-overdue truths about our frailties and failings. In the end, she sees them not as a source of shame but as a cause for celebration. Filled with revelations that range from the silly to the serious,She's Nice Though offers a mind-bending glimpse into the illusions and delusions of contemporary life?and reveals who we *really* are when no one is watching.

AN NPR BOOK-OF-THE-DAY • A PUBLISHERS WEEKLY STAFF PICK •&nbsp;A NYLON MUST-READ •&nbsp;A FORTUNE NEW BOOK TO READ IN AUGUST“And, at the center of it all, am I actually nice or am I just performing a role I think I’m expected to play?” Mia Mercado is a razor-sharp cultural critic and essayist known for her witty and hilarious dissections of the uncomfortable truths that rule our lives. In this thought-provoking collection of new essays, Mercado examines what it means to be “polite,” “agreeable,” and “nice.” She covers topics from the subtleties of the “Bad Bitch” and why women dominate the ASMR market, to what makes her dog an adorable little freak and how you know if you’re shy. This is a book about the unspoken trick mirror of our “good” intentions: the inherent performance of the social media apology, celebrating men when they do the bare minimum, and why we trust a Midwesterner to watch our stuff when we go pee.Throughout, she ponders her identity as an Asian woman and asks what “nice” even means—and why anyone would want to be it. With writing that is as precise as it is profound, and cultural references that range from trash reality television to the New York Times Sunday-morning crossword puzzle, Mercado uncovers weird, long-overdue truths about our frailties and failings. In the end, she sees them not as a source of shame but as a cause for celebration. Filled with revelations that range from the silly to the serious,She’s Nice Though offers a mind-bending glimpse into the illusions and delusions of contemporary life—and reveals who we *really* are when no one is watching.

Essays on Being Bad at Being Good

She's Nice Though

"Secrecy came naturally to John le Carrâe, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden. Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy: cover stories, cut-outs, and dead letter boxes. ... In trying to manage his [original 2015 biography], the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed"--

The extraordinary secret life of a great novelist, which his biographer could not publish while le Carré was alive. Secrecy came naturally to John le Carré, and there were some secrets that he fought fiercely to keep. Adam Sisman's definitive biography, published in 2015, provided a revealing portrait of this fascinating man; yet some aspects of his subject remained hidden.Nowhere was this more so than in his private life. Apparently content in his marriage, the novelist conducted a string of love affairs over five decades. To these relationships he brought much of the tradecraft that he had learned as a spy - cover stories, cut-outs and dead letter boxes. These clandestine operations brought an element of danger to his life, but they also meant deceiving those closest to him. Small wonder that betrayal became a running theme in his work.In trying to manage his biography, the novelist engaged in a succession of skirmishes with his biographer. While he could control what Sisman wrote about him in his lifetime, he accepted that the truth would eventually become known. Following his death in 2020, what had been withheld can now be revealed.The Secret Life of John le Carré&nbsp;reveals a hitherto-hidden perspective on the life and work of the spy-turned-author and a fascinating meditation on the complex relationship between biographer and subject. “Now that he is dead,” Sisman writes, “we can know him better.”

The Secret Life of John le Carre

WINNER OF THE LA TIMES BOOK PRIZE FOR BIOGRAPHYAMERICAN BOOK AWARD WINNERFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR BIOGRAPHYA groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

WINNER OF THE LA TIMES BOOK PRIZE FOR BIOGRAPHYAMERICAN BOOK AWARD WINNERFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR BIOGRAPHYA groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

The True Story of The Bondwoman's Narrative

The Life and Times of Hannah Crafts

A teacher recounts a year on Yamacraw Island, off the South Carolina coast, when he helped black children gain an awareness of themselves as well as the world around them.

“A powerfully moving book . . . You will laugh, you will weep, you will be proud and you will rail.” —Charleston News and CourierYamacraw Island was haunting, nearly deserted, and beautiful. Separated from the mainland of South Carolina by a wide tidal river, it was accessible only by boat. But for the handful of families that lived on Yamacraw, America was a world away. For years these families lived proudly from the sea until waste from industry destroyed the oyster beds essential to their very existence. Already poor, they knew they would have to face an uncertain future unless, somehow, they learned a new life. But they needed someone to teach them, and their rundown schoolhouse had no teacher.The Water Is Wide is Pat Conroy’s extraordinary memoir based on his experience as one of two teachers in a two-room schoolhouse, working with children the world had pretty much forgotten. It was a year that changed his life, and one that introduced a group of poor Black children to a world they did not know existed.“A hell of a good story.” —The New York Times“[Pat] Conroy cuts through his experiences with a sharp edge of irony. . . . He brings emotion, writing talent and anger to his story.” —Baltimore&nbsp;Sun

The Water Is Wide

This biography of Jessica Mitford, fifth of the six famous Mitford Girls, tells the wild and unlikely story of a British aristocrat who became an American Communist, bringing her astonishing self-transformation to life with a riveting, often hilarious, account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antiwar and civil rights struggles that&nbsp;Time&nbsp;magazine would crown her "Queen of the Muckrakers"?&nbsp;Jessica Mitford, fifth of the six famous "Mitford Girls," was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the less advantaged. Her five beautiful sisters have been subjects of books and movies dedicated to their naughty, glamorous lives.&nbsp;Jessica-known as Decca-ran away to America to forge a wilder rebel's life. As this richly researched book details, Decca broke the Mitford mold-fighting fascism in the Spanish Civil War, becoming an American Communist and pioneering witty, wildly popular journalism, including her blockbuster&nbsp;The American Way of Death, placing her at the heart of social justice battles. Decca relentlessly injected laughter into her politics, encouraging the activists she influenced to do likewise.&nbsp;From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, Kaplan's passionate biography of an unlikely life demonstrates that Decca's social empathy was hard-won and self-taught, a model with particular relevance today and a powerful, modern example of female adventure and freedom.

Troublemaker tells the wild and unlikely story of Jessica Mitford, fifth of the six famous Mitford Girls, a British aristocrat-turned-American Communist, famous for exposés like The American Way of Death; this biography brings her astonishing self-transformation to life with a riveting, often hilarious account of trading wealth and status for a life of radical activism. Who could predict that a British aristocrat would so energize American antifascist and civil rights struggles that&nbsp;Time&nbsp;magazine would crown her “Queen of the Muckrakers”?&nbsp;Jessica Mitford, always known as Decca, was brought up by an eccentric English family to marry well and reproduce her wealth and privilege, not to advocate for the rights of others. Her beautiful sisters have been subjects of books and movies dedicated to their naughty, glamorous lives. Decca ran away to America to forge a rebel’s life. As this richly researched book details, Decca broke the Mitford mold. Instead of settling for life as a professional Beauty, she fought fascism in the Spanish Civil War, became an American Communist and pioneered witty, hugely popular journalism, including her 1963 blockbuster&nbsp;The American Way of Death. Decca dedicated her life to social justice and proved herself an immensely effective ally, but she also injected laughter into all her political work, annoying some activists with her relentless antics but encouraging many others to find joy in the struggle.&nbsp;From famed baby doctor Benjamin Spock to best friend Maya Angelou, her anti-authoritarian irreverence had a profound impact on American culture. Mining extensive, untapped sources, and with nearly fifty new interviews, Kaplan’s passionate biography beautifully illuminates how Decca’s hard-won and self-taught social empathy offers a powerful example of female freedom, the dramatic, novelistic story of an extraordinary woman of her time who is remarkably relevant and resonant today.

The Fierce, Unruly Life of Jessica Mitford

Troublemaker

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The MillionsA piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the sameI took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . .A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.&nbsp;

Named a Most Anticipated Book of 2023 by the New York Times, The Week, Vulture, Elle, and The MillionsA piercing blend of memoir, criticism, and biography examining how women writers across the centuries carved out intellectual freedom for themselves—and how others might do the sameI took off my wedding ring for the last time—a gold band with half a line of “Morning Song” by Sylvia Plath etched inside—and for weeks afterwards, my thumb would involuntarily reach across my palm for the warm bright circle that had gone. I didn’t fling the ring into the long grass, like women do in the movies, but a feeling began bubbling up nevertheless, from my stomach to my throat: it could fling my arms out. I was free. . . .A few years into her marriage and feeling societal pressure to surrender to domesticity, Joanna Biggs found herself longing for a different kind of existence. Was this all there was? She divorced without knowing what would come next.Newly untethered, Joanna returned to the free-spirited writers of her youth and was soon reading in a fever—desperately searching for evidence of lives that looked more like her own, for the messiness and freedom, for a possible blueprint for intellectual fulfillment.In A Life of One’s Own, Mary Wollstonecraft, George Eliot, Zora Neale Hurston, Virginia Woolf, Simone de Beauvoir, Sylvia Plath, Toni Morrison, and Elena Ferrante are all taken down from their pedestals, their work and lives seen in a new light. Joanna wanted to learn more about the conditions these women needed to write their best work, and how they addressed the questions she herself was struggling with: Is domesticity a trap? Is life worth living if you have lost faith in the traditional goals of a woman? Why is it so important for women to read one another?This is a radical and intimate examination of the unconventional paths these women took—their pursuits and achievements but also their disappointments and hardships. And in exploring the things that gave their lives the most meaning, we find fuel for our own singular intellectual paths.&nbsp;

Nine Women Writers Begin Again

A Life of One's Own

"A ... debut memoir about a young writer--struggling with depression, family issues, and addiction--and his life-changing decade working for Joan Didion"--

A brilliant debut memoir about a young writer—struggling with depression, family issues, and addiction—and his life-changing decade working for Joan DidionAs an aspiring novelist in his early twenties, Cory Leadbeater was presented with an opportunity to work for a well-known writer whose identity was kept confidential. Since the tumultuous days of childhood, Cory had sought refuge from the rougher parts of life in the pages of books. Suddenly, he found himself the personal assistant to a titan of literature: Joan Didion.In the nine years that followed, Cory shared Joan’s rarefied world, transformed not only by her blazing intellect but by her generous friendship and mentorship. Together they recited poetry in the mornings, dined with Supreme Court justices, attended art openings, smoked a single cigarette before bed.But secretly, Cory was spiraling. He reeled from the death of a close friend. He spent his weekends at a federal prison, visiting his father as he served time for fraud. He struggled day after day to write the novel that would validate him as a real writer. And meanwhile, the forces of addiction and depression loomed large.In hypnotic prose that pulses with life and longing, The Uptown Local explores the fault lines of class, family, loss, and creativity. It is a love letter to a cultural icon—and a moving testament to the relationships that sustain us in the eternal pursuit of a life worth living.&nbsp;

Joy, Death, and Joan Didion: A Memoir

The Uptown Local

"In the summer of 1925, Katharine Sergeant Angell White walked into THE NEW YORKER'S midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse. This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words. White's biggest contribution, however, was her cultivation of women writers whose careers were made at THE NEW YORKER'S -Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer's work but also their life. Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor-through both her incredible tenure at THE NEW YORKER'S, and her famous marriage to E.B. White-and reveals how she transformed our understanding of literary culture and community"--

Finalist for the Pulitzer Prize?Finalist for the National Book Critics Circle Award"Meticulously researched." —The New York Times "A first-rate biography." —Washington PostA lively and intimate biography of trailblazing and era-defining New Yorker editor Katharine S. White, who helped build the magazine’s prestigious legacy and transform the 20th century literary landscape for women.In the summer of 1925, Katharine Sergeant Angell White walked into The New Yorker’s midtown office and left with a job as an editor. The magazine was only a few months old. Over the next thirty-six years, White would transform the publication into a literary powerhouse.This exquisite biography brings to life the remarkable relationships White fostered with her writers and how these relationships nurtured an astonishing array of literary talent. She edited a young John Updike, to whom she sent seventeen rejections before a single acceptance, as well as Vladimir Nabokov, with whom she fought incessantly, urging that he drop needlessly obscure, confusing words.White’s biggest contribution, however, was her cultivation of women writers whose careers were made at The New Yorker—Janet Flanner, Mary McCarthy, Elizabeth Bishop, Jean Stafford, Nadine Gordimer, Elizabeth Taylor, Emily Hahn, Kay Boyle, and more. She cleared their mental and financial obstacles, introduced them to each other, and helped them create now classic stories and essays. She propelled these women to great literary heights and, in the process, reinvented the role of the editor, transforming the relationship to be not just a way to improve a writer’s work but also their life.Based on years of scrupulous research, acclaimed author Amy Reading creates a rare and deeply intimate portrait of a prolific editor—through both her incredible tenure at The New Yorker, and her famous marriage to E.B. White—and reveals how she transformed our understanding of literary culture and community.“The next best thing to cocktails at the Algonquin.” — Heather Clark, author of Red Comet: The Short Life and Blazing Art of Sylvia Plath

Katharine S. White at The New Yorker

The World She Edited

"A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a preface by Henry Louis Gates, Jr."--

Winner of the Los Angeles Times Book Prize for BiographyFinalist for the National Book Critics Circle Award for Biography A groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a foreword by Henry Louis Gates Jr.In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

A “miraculous” (Newsweek) memoir from the renowned #1 New York Times bestselling author of&nbsp;The Prince of Tides&nbsp;and&nbsp;The Great Santini.Yamacraw Island was haunting, nearly deserted, and beautiful. Separated from the mainland of South Carolina by a wide tidal river, it was accessible only by boat. But for the handful of families that lived on Yamacraw, America was a world away. For years these families lived proudly from the sea until waste from industry destroyed the oyster beds essential to their very existence. Already poor, they knew they would have to face an uncertain future unless, somehow, they learned a new life. But they needed someone to teach them, and their run-down schoolhouse had no teacher.The Water Is Wide&nbsp;is Pat Conroy’s extraordinary memoir based on his experience as one of two teachers in a two-room schoolhouse, working with children the world had pretty much forgotten. It was a year that changed his life, and one that introduced a group of poor Black children to a world they did not know existed.

A “miraculous” (Newsweek) memoir from the renowned #1 New York Times bestselling author of&nbsp;The Prince of Tides&nbsp;and&nbsp;The Great Santini.Yamacraw Island was haunting, nearly deserted, and beautiful. Separated from the mainland of South Carolina by a wide tidal river, it was accessible only by boat. But for the handful of families that lived on Yamacraw, America was a world away. For years these families lived proudly from the sea until waste from industry destroyed the oyster beds essential to their very existence. Already poor, they knew they would have to face an uncertain future unless, somehow, they learned a new life. But they needed someone to teach them, and their run-down schoolhouse had no teacher.The Water Is Wide&nbsp;is Pat Conroy’s extraordinary memoir based on his experience as one of two teachers in a two-room schoolhouse, working with children the world had pretty much forgotten. It was a year that changed his life, and one that introduced a group of poor Black children to a world they did not know existed.

A Memoir

The Water is Wide

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street JournalA striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once.Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

“A rare voice, someone who challenges orthodoxies in the way that many journalists and public intellectuals claim to do but don’t. It is bracing to spend time in the company of such a smart, plain-spoken and unpredictable person.”—Wall Street JournalA striking collection of essays from the prize-winning, New York Times bestselling author of Should We Stay or Should We Go, So Much for That, and The Post-Birthday World.Novelist, cultural observer, and social satirist Lionel Shriver is among the sharpest talents of our age. A writer who embraces “under-expressed, unpopular or downright dangerous” points of view, she filets cherished shibboleths and the conformity of thought and attitude that has overtaken us.Bringing together thirty-five works curated from her many columns, features, essays, and op-eds for the likes of the Spectator, the Guardian, the New York Times, Harper’s Magazine, the Wall Street Journal, speeches and reviews, and some unpublished pieces, Abominations reveals Shriver at her most iconoclastic and personal. Relentlessly skeptical, cutting, and contrarian, this collection showcases Shriver’s piquant opinions on a wide range of topics, including religion, politics, illness, mortality, family and friends, tennis, gender, immigration, consumerism, health care, and taxes.In her characteristically frank manner, Shriver shrewdly skewers the concept of language “crimes,” while chafing at arbitrary limitations on speech and literature that crimp artistic expression and threaten intellectual freedom. Many an essay in Abominations reflects sentiments that have “brought hell and damnation down on my head,” as she cheerfully explains, and have threatened her with “cancellation” more than once.Throughout, Shriver offers insights on her novels and explores the perks and pitfalls of becoming a successful artist. In revisiting old pieces and rejected essays, Shriver updates and expands her thinking. “Enlightened” progressive readers will find plenty to challenge here. But they may find, to their surprise, insights with which they agree.A timely synthesis of Shriver's expansive work, Abominations reveals this provocative, talented writer at her most assured.

Selected Essays from a Career of Courting Self-Destruction

Abominations

**INDIE BESTSELLER**A MOST ANTICIPATED BOOK OF 2023 by The Millions • B&amp;N Best Books of 2023 • “Shaped by intellectual rigor and artistic grace … McDonnell’s portrait is vibrant, fluent, sensitive, and clarifying.” — Booklist, starred reviewAn intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion’s work, is attuned to interpret Didion’s vision for readers today. Inspired by Didion’s own words—from her works both published and unpublished—and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer’s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.

**INDIE BESTSELLER**A MOST ANTICIPATED BOOK OF 2023 by The Millions • B&amp;N Best Books of 2023 • “Shaped by intellectual rigor and artistic grace … McDonnell’s portrait is vibrant, fluent, sensitive, and clarifying.” — Booklist, starred reviewAn intimate exploration of the life, craft, and legacy of one of the most revered and influential writers, an artist who continues to inspire fans and creatives to cultivate practices of deep attention, rigorous interrogation and beautiful style.Joan Didion was a writer’s writer; not only a groundbreaking journalist, essayist, novelist and screenwriter, but a keen observer who honed her sights on life’s telling details. Her insights continue to influence creatives and admirers, encouraging them to become close observers of the world, unsentimental critics, and meticulous stylists.An antidote to a global view that narrows our vision to the smallest screens, The World According To Joan Didion is a meditation on the people, places, and objects that propelled Didion’s prose and an invitation to journalists, storytellers, and life adventurers to “throw themselves into the convulsions of the world,” as she once said.Evelyn McDonnell, the acclaimed journalist, essayist, critic, feminist, native Californian, and university professor who regularly teaches Didion’s work, is attuned to interpret Didion’s vision for readers today. Inspired by Didion’s own words—from her works both published and unpublished—and informed by the people who knew Didion and those whose lives she shaped, The World According to Joan Didion is an illustrated journey through her life, tracing the path she carved from Sacramento, Portuguese Bend, Los Angeles, and Malibu to Manhattan, Miami, and Hawaii. McDonnell reveals the world as it was seen through Didion’s eyes and explores her work in chapters keyed to the singular physical motifs of her writing: Snake. Typewriter. Hotel. Notebook. Girl. Etc.One of the first books to be published after the revered writer’s death in 2021, The World According to Joan Didion is a literary companion for those embarking on new journeys and a guide to innovative ways of being. It will radically transform the way you explore the world, and will help you answer the question as you sit in a café, or on a plane or train, pondering the future: What would Joan Didion have seen?The World According to Joan Didion includes 19 black-and-white illustrations and photos throughout.

The World According to Joan Didion

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