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Hawkes V: We Have Some Notes…

We Have Some Notes…

The Insider’s Guide to Notes, Script Editing and Development

Introduction
1. Peter Ansorge
Quick Fire Q&amp;A 1: What’s the role of a script editor or anyone giving notes?
2. Simon Beaufoy
3. Sally Wainwright
Quick Fire Q&amp;A 2: What’s the best thing someone giving notes can do?
4. Russell T Davies
5. Lynne Ramsay
Quick Fire Q&amp;A 3: What’s one thing never to do if you’re giving notes?
6. Alice Lowe
7. Michael Pearce
Quick Fire Q&amp;A 4: Can you reveal any comically bad notes you’ve had?
8. Ben Wheatley
9. Krysty Wilson-Cairns
Quick Fire Q&amp;A 5: What’s the most useful question someone giving notes has asked, that has moved a story forward or made it stronger?
10. Corin Hardy
11. Tomm Moore
Quick Fire Q&amp;A 6: How do you deal with rejection or critical notes?
12. Amma Asante
13. Lone Scherfig
Quick Fire Q&amp;A 7: What’s a common problem that tends to come up during development?
14. Edgar Wright
Quick Fire Q&amp;A 8: What’s your advice to someone wanting to start out in, or further develop a career in script editing or development?
Notes from the Note-givers
Index

Routledge Advances in Film Studies

Through a geographically expansive series of case studies, tracking film performers from the United States, the Americas, Europe and parts of the Pacific Rim, this book explores the varieties and meanings of contemporary Hollywood stardom as it has become increasingly deterritorialized.

Stardom in Contemporary Global Hollywood

The definitive volume on the Alien film universe, covering the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware, and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant from an in-world perspective. The definitive volume on the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant. Structured in 3 traditional encyclopedic volumes - Non-Human, Human, Action in Nature - illustrated throughout with concept art, photography and illustrations, with a historical timeline and alphabetical index. From the Alien to Zeta 2 Reticuli, from the birth of Peter Weyland in 1990 to the USM Auriga's Earthfall in 2381, this is the comprehensive and authoritative official tome on the Alien films.

The definitive volume on the Alien film universe, covering the Xenobiology, terraforming, synthetics, humans, corporations, military, judiciary, culture, science, spacecraft, hardware, and weapons of Alien, Aliens, Alien3, Alien: Resurrection, Prometheus, and Alien: Covenant from an in-world perspective.

Alien Film Franchise Encyclopedia

Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can-and should-encompass diverse structures, themes and values.
Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story.

The Art of Eastern Storytelling

Spring, Summer, Asteroid, Bird

Creative Film Editing

Cutting Rhythms

This book is the first dedicated edited collection that explores the virtualization of screen-making processes from pre-production to post-production, while attuning to the aesthetic, ideological and performative contexts upended by these integrated technologies.

What is Real?

The Screens of Virtual Production

Fundamentals

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production - pre-production, production and post-production - are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

The Fundamentals of Film-Making provides an overview of the collaborative process of film-making.

The book maps out the practical, technical and creative aspects involved, sets out the division of labour, and explains how each individual role combines to influence the final piece. The three primary stages of film production – pre-production, production and post-production – are covered through chapters dealing with each of the major departments: script; production; direction; production design; cinematography; sound and post-production.

The book concludes with an examination of film analysis, providing context and connections between film theory and practice.

The Fundamentals of Film Making

The official art book for the movie Guardians of the Galaxy, the9th title reissue of the 24-book Marvel Studios: The Infinity Sagaseries published as a resized matching set.

Marvel Studios' The Infinity Saga - Guardians of the Galaxy: The Art of the Movie

Cinema Two

Hirokazu Koreeda

International Screen Industries

The Indian Television Industry

A powerful, funny, high-spirited, coming-of-age memoir and manifesto.

Everyone's Seen My Tits

"A vast treasury of ideas, observations and innovation." - Francis Ford Coppola The triple-Oscar winner of the Godfather films, Apocalypse Now and The English Patient presents a masterclass on movies and how they are made. Highly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great.Together with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations.In this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas' American Graffiti, and Anthony Minghella's The English Patient and The Talented Mr Ripley.Suddenly Something Clicked is a book that will change the way you watch movies.

Highly lauded film editor, director, writer and sound designer Walter Murch reflects on the six decades of cinematic history he has been a considerable contributor to - and on what makes great films great. Together with Francis Coppola and George Lucas, Murch abandoned Hollywood in 1969 and moved to San Francisco to create the Zoetrope studio. Their vision was of a new kind of cinema for a new generation of film-goers. Murch's subsequent contributions in film editing rooms and sound-mixing theatres were responsible for ground-breaking technical and creative innovations. In this book, Murch invites readers on a voyage of discovery through film, with a mixture of personal stories, meditations on his own creative tactics and strategies, and reminiscences from working on The Godfather films, Apocalypse Now, Lucas' American Grafitti, and Anthony Minghella's The English Patient and The Talented Mr Ripley. Suddenly Something Clicked is a book that will change the way you watch movies.

Suddenly Something Clicked

How can creative writers and readers be active agents in fighting social injustices? With many writers oblivious to how their writing may actually uphold the very problems they seek to undo, this book both assists writers to identify the unrecognized connections between creative writing and processes of power, and equips them with the knowledge to produce works that project kindness and change. Beginning with an exploration of literature's connections with power and focusing on social voice, representation and whose stories are told, the book moves on to emphasize how stories are told, highlighting the political implications in textual presentation and prevalent standards for judging literary merit. Considering how power operates in, through and around stories at the level of form, structure, and narrative order but also through grammar, style, and figurative language, author Amelia Walker outlines strategies for analyzing texts that draw on theories from Indigenous studies, literary criticism, philosophy, cultural studies, education, journalism, and creative writing theory. Featuring a glossary of terms and writing and reading activities that translate important theories into practical craft tools, Reading and Writing for Change builds ideas for writers and readers seeking to unbalance the dynamic between literature and power in support of change and to disrupt the status quo and imagine life differently.

Theories and Tools for Confronting Power

Reading and Writing for Change

We Have Some Notes…

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

Bibliografische Angaben

Inhaltsverzeichnis

Schlagworte

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