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Waste as a Critique reveals how waste in its manifold variety provides an innovative starting point for interrogating 21st century society.

Waste as a Critique reveals how waste in its manifold variety provides an innovative starting point for interrogating 21st century society.

Waste as a Critique

<ul><li>List of Figures</li> <li>List of Tables</li> <li>Notes on Contributors</li> <li>1: Hervé Corvellec;David Bevan: Introduction: Towards a Critical Waste-Based Epistemology</li> <li>Part I. Materiality</li> <li>2: Josh Lepawsky: Weaponizing Waste</li> <li>3: Jennie Olofsson: On the Socio-Material Practices of Leakage Control: Waste Infrastructures and Bodily Discharges</li> <li>4: Taru Lehtokunnas;Elina Närvänen: From Thin to Thick Relationships with Objects: Constituting Subjectivity through Consumer-Object Folds</li> <li>5: Olli Pyyhtinen;Alma Onali;Stylianos Zavos: Waste as Posthuman Critique</li> <li>Part II. Society</li> <li>6: Nadine Arnold: Feeding the Critique of Standards with Waste: Exclusion and Reactions in Food Systems</li> <li>7: Marisa Solomon: From Refuse to Refusal: Disrupting Racial Capitalism's Wasting Relations</li> <li>8: Jutta Guttberlet;Isabella de Carvalho Vallin: Grassroots Social Innovation of Waste Pickers as Critique of the Existing Social Order</li> <li>9: Hervé Corvellec: A Critique of Heroic Efficacy</li> <li>Part III. Economy</li> <li>10: Zsuzsa Gille: Waste as a Critique of the Concept of the Economy</li> <li>11: Melanie Samson: Not at Our Disposal: Reclaimers' Critique of Disposability Capitalism</li> <li>12: Patrik Zapata;Marí a José Zapata Campos: Waste Commoning as Critical Answer to the Property Question</li> <li>13: Myra J. Hird;Gabriella Dee: Mother Earth and Her Three Little Wasteful Pigs: Waste Reduction through Degrowth</li> <li>Part IV. Temporality</li> <li>14: Kun Wang;Raymond Yu Wang: Waste, Temporalities, and Critique on Event-Based Environment Justice: A Political Ecology of Slow Violence of China's Production Wastescapes</li> <li>15: Zachary Riebeling: Waste and the Historical Future</li> <li>16: Dietmar Offenhuber: Wasting to Slow Down Time: The Paradox of Informational Waste</li> <li>17: Kelly Alexander;Joshua O. Reno: Attempting to Waste Time: An Exploration of Freewheeling Creativity in Kitchens and Gaming Rooms</li> <li>Index</li> </ul>

A Journey Around the World’s Dark Imagination

Monsterland

After Nations

Dislocations

Graduated Provision in Urbanizing China

From Village Commons to Public Goods

The Neolithic Revolution, the Indigenous Critique, and the Myths of Civilization

Prehistoric Philosophy

Learn to create lasting impact for global fashion brands through branding, marketing and consumer engagement.

Strategic Management and Promotion for Global Fashion Brands

International Fashion Marketing

Dogs and Their Humans in Pacific Island Interspecies Cultures

Origins, Histories, Definitions

Fundamental Archaeological Concepts

Love, Loss and Kitchen Objects

The Heart-Shaped Tin

Asian Anthropologies

Politics and Family on Kinmen, 1920-2020

Visions of Marriage

Plastic is omnipresent in our daily lives. But the companies that make it-petrochemical companies which are often subsidiaries of Big Oil like ExxonMobil and Dow Chemical-seem to be hiding in plain sight. Because for all the vivid coverage of where plastic ends up, there is remarkably little discussion of where it comes from. Through a mix of investigative deep dive and vivid character-driven storytelling, Plastic Inc for the first time tells the story of a vast, rapacious industry that, despite public opinion universally calling for less waste and fossil fuel emissions, is preparing to double and eventually triple plastic production by 2050. Award-winning journalist Beth Gardiner gives readers an up-close look at the plastic industry's relentless growth, its manipulation of culture and governments, its extraordinary profits, its toxic pollution and its pivotal role in exacerbating climate change. That for decades Big Oil's masterplan has been to grow plastics in the face of diminishing demand for fossil fuels in a post oil and gas world. Every chapter in Plastic Inc brings new revelations, including: How Big Oil invented the idea of recycling in order to produce more plastic, aware that recycling at scale would never work.How Big Oil created and funded litter campaigns in the 1970s to push responsibility onto the consumer, and away from the producersHow microplastics are becoming a huge public health crisisHow Big oil colludes with US lobby groups and ploughs huge resource into preventing even the smallest town-wide ban on plastic bags or take away containers. The stories in Plastic Inc will reframe for readers a problem many of us think we understand, but which has deeper roots and a more complex future than we can have possibly imagined.

Waste as a Critique

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