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Routledge Studies in Education, Neoliberalism, and Marxism

Bracewell S: Visual Mythologies in
Education

Visual Mythologies in Education

Deconstructing the School Prospectus in An Age of Neoliberal Inequality

Elements in Data Rights and Wrongs

Concerns around misinformation and disinformation have intensified with the rise of AI tools, with many claiming this is a watershed moment for truth, accuracy and democracy. In response, numerous laws have been enacted in different jurisdictions. Addressing Misinformation and Disinformation introduces this new legal landscape and charts a path forward. The Element identifies avoidance or alleviation of harm as a central legal preoccupation, outlines technical developments associated with AI and other technologies, and highlights social approaches that can support long-term civic resilience. Offering an expansive interdisciplinary analysis that moves beyond narrow debates about definitions, Addressing Misinformation and Disinformation shows how law can work alongside other technical and social mechanisms, as part of a coherent policy response.

Addressing Misinformation and Disinformation

This book analyzes the legal tensions that exist in the economy that purports to "reanimate" the dead using postmortem digital technologies. Technological reanimation has proven to be big business, with many notable commercial entities investing in this "afterlife economy". Postmortem technologies convincingly replicate the appearance, physiognomy, conversation styles, and thought patterns of a deceased individual by generating digital copies that act in their stead. In the entertainment industry, new works can be created with dead celebrities through a postmortem copy that is managed by their representatives. The result is an economy in which the dead are offered as a product or service to consumers, with some having their artistic legacies extended past death through an "afterlife career". Many stakeholders stand to benefit from such a lucrative afterlife economy, but the law is simply not prepared for the issues that will arise with this exploitation of the dead. Reanimation requires the exploitation of one's reputation, persona, artistic works, and personal data. However, the corresponding legal protections are either nonexistent, inapplicable, or inconsistent across borders - depending on which posthumous interest is analyzed. In response, and by studying the contours of the existing legal protections in the afterlife economy, this book proposes a system rooted in the "shared ownership" of one's postmortem copy and the responsible "stewardship" of legacies through fiduciary duties.Law and the Digital Reanimation of the Dead will be of considerable interest to scholars working in the areas of entertainment law, intellectual property, and law and technology, as well as others with professional interests in the area.

A Regulatory Framework for the Afterlife Economy

Law and the Digital Reanimation of the Dead

"A riveting account of one death row inmate's quest to die-and a fearless look at how America's system of punishment has failed the public it claims to serve. When Scott Dozier was sent to Nevada's death row in 2007, convicted of a pair of grisly murders, he didn't cry foul or embark upon a protracted innocence campaign. He sought instead to expedite his execution-to hasten his inevitable death. He decided he would rather face his end swiftly than die slowly in solitary confinement. In volunteering for execution, Dozier may have been unusual. But in the tortuous events that led his death date to be scheduled and rescheduled, planned and then stayed, his time on death row was anything but. In The Volunteer, Emmy award-winning investigative reporter Gianna Toboni traces the twists and turns of Dozier's story, along the way offering a hard look at the history and controversy that surround the death penalty today. Toboni reveals it to be a system rife with black market dealings and supply chain labyrinths, with disputed drugs and botched executions. Today's death penalty, generally carried out through lethal injection, has proven so cumbersome, ineffective, and potentially harrowing that some states have considered a return to the electric chairs and firing squads of the past, believing those approaches to be not only more effective but more humane. No matter where you stand on the morality of capital punishment, there's no denying that the death penalty is failing the American public. With costs running into the billions and countless lives kept in limbo, it has proven incapable of achieving its desired end: executing the inmates that fellow Americans have deemed guilty of the most heinous crimes. With The Volunteer, Toboni offers an insightful and profound look at how the death penalty went so terribly wrong. A spellbinding story down to its shocking conclusion, it brings to light the horrifying realities of state-sanctioned killings-realities that many would prefer to ignore"--Provided by publisher.

The Failure of the Death Penalty in America and One Inmate's Quest to Die with Dignity

The Volunteer

An empowering, step-by-step guide that will equip readers with the essential tools and insights to build successful boutique farm brands.   Merging agricultural know-how with entrepreneurial expertise, cultural wisdom, and a unique focus on brand identity, this book offers a clear roadmap for establishing and scaling boutique farming enterprises that are economically viable and culturally impactful. &nbsp; The book delves into the essentials of brand-building for boutique farms, including market positioning, storytelling, and cultivating a strong community presence. Cee’s unique approach emphasizes mindset shifts crucial for success and outlines how artisanal farming can extend beyond profit to benefit the broader community and ecosystem. She accomplishes this through “Groundwork” exercises in each chapter of the book. &nbsp; The book will be a practical and inspirational guide and workbook not only for Black women, but for a wide range of aspiring young or non-traditional beginning farmers who aspire to run a thriving boutique farm business, helping to transform their communities and set new standards in sustainable agriculture. &nbsp; Drawing from her journey as the founder of Green Heffa Farms, Farmer Cee shares her deep knowledge of brand development, sustainable business strategy, and organic, regenerative farming practices. Her background as a seasoned marketing and fundraising expert turned award-winning herb farmer provides readers with practical guidance on launching and growing a boutique farm brand rooted in authenticity and community.

Practical Advice to Keep Your Business Cute, Profitable, and Sustainable

The Black Girl’s Guide to Building a Boutique Farm

In challenging Eurocentric histories and accounts of international law, this book introduces an alternative history of pre-independence India.Western scholars trace the genesis of international law to Europe. However, scholars from the Global South trace the history of international law to different civilisations of the world existing since ancient times. They argue that European narratives are not sufficient to explain the true history of international law and that the history of international law should shed itself of its Eurocentrism and adopt a multi-civilisational perspective, according to which local and national histories can contribute towards a truly global history and in so doing enhance the legitimacy of international law. Taking up this perspective, the author traces the history of key elements of international law - such as diplomacy, trade and war - in and to pre-independent India. As Grotius himself acknowledged, in taking his cue from the practices of Asian States whilst arguing for the freedom of the seas, the author thereby elicits the contribution made by India, among other Global South nations, to the evolution and development of international law.The History of International Law in India is an alternative account of the history of international law and will appeal to scholars and students in the areas of legal history, international law -especially Third World approaches to international law - and South Asian Studies.

Beyond Eurocentrism

The History of International Law in India

Schriftenreihe der Forschungsstelle Provenienzforschung, Kunst- und Kulturgutschutzrecht

Die Washingtoner Prinzipien von 1998, fordern die Signatarstaaten zu "gerechten und fairen Lösungen" im Umgang mit "NS-Raubkunst" auf. Das Vereinigte Königreich setzte diesen Appell im Jahr 2000 mit Einrichtung des "Spoliation Advisory Panel" (SAP) um, das seither einen Streitbeilegungsmechanismus bietet, um auf die Ansprüche Berechtigter zu reagieren. Dieser Band nimmt die 22 Empfehlungen in den Blick, die das Panel bislang ausgesprochen hat. Die Entscheidungen werden vor dem Hintergrund der englischen Rechtstradition und -praxis sowie der historischen Rolle des Vereinigten Königreichs analysiert, systematisiert und einem abstrakten Regelwerk zugeführt. Die so sichtbar gemachte Entscheidungslinie des SAP kann als Diskussions- und Vergleichsgrundlage für die Restitutionspraxen anderer Staaten herangezogen werden.

Die Washingtoner Prinzipien von 1998, fordern die Signatarstaaten zu "gerechten und fairen Lösungen" im Umgang mit "NS-Raubkunst" auf. Das Vereinigte Königreich setzte diesen Appell im Jahr 2000 mit Einrichtung des "Spoliation Advisory Panel" (SAP) um, das seither einen Streitbeilegungsmechanismus bietet, um auf die Ansprüche Berechtigter zu reagieren. Dieser Band nimmt die 22 Empfehlungen in den Blick, die das Panel bislang ausgesprochen hat. Die Entscheidungen werden vor dem Hintergrund der englischen Rechtstradition und -praxis sowie der historischen Rolle des Vereinigten Königreichs analysiert, systematisiert und einem abstrakten Regelwerk zugeführt. Die so sichtbar gemachte Entscheidungslinie des SAP kann als Diskussions- und Vergleichsgrundlage für die Restitutionspraxen anderer Staaten herangezogen werden.

Der Umgang mit „Nazi-looted art“ im Vereinigten Königreich

"Fair and just?"

This book provides an in-depth analysis of the reintroduction and recovery of the Mexican wolf in the American Southwest, with a particular focus on the role of the Federal judiciary. Edward A. Fitzgerald contends that federal courts have played a critical role in facilitating the species' return, primarily through their interpretation of statutory law - most notably, the Endangered Species Act (ESA). The courts rejected challenges from the livestock industry, reaffirmed Federal authority over the recovery process, and struck down certain Federal regulations that hindered effective wolf management. However, Fitzgerald argues that the judiciary also made significant missteps. Federal courts upheld revised Mexican wolf management regulations and recovery plans that failed to meet the ESA's requirement to rely on the "best available science." Additionally, the courts issued inconsistent rulings concerning the construction of border barriers. While they blocked the Trump administration's unauthorized transfer of funds for wall construction, they repeatedly and erroneously upheld the Secretary of Homeland Security's waiver authority. This authority permitted border wall construction to proceed in violation of Federal, state, and local laws - actions Fitzgerald claims exceeded statutory limits and violated the nondelegation doctrine. Providing a comprehensive and detailed examination of the legal challenges surrounding the Endangered Species Act and the recovery of the Mexican gray wolf, this book will be of interest to legal scholars, policymakers, and conservation advocates.

Lobo Returns from Limbo

Mexican Gray Wolves, Courts, and the Border Wall

No Drama Teams

To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge premium prices to thousands of eager subscribers. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes by analysing the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button. Useful reading for the general reader and for students and researchers involved with business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

Traditionally, the presence of pornography in American society has been mediated by two primary factors: legal restrictions and the relatively high cost of the product. The degree of legal restrictions on adult material has varied from era to era and community to community, but the porn premium has remained relatively constant. Given this, these should be heady days for adult business owners. Thanks to the Internet, distribution costs are virtually nil and even the most hardcore content is easily accessible in the smallest coastal hamlet and most rural farmhouse in America. Adult industry balance sheets should be bulging with profit. But in reality, far from it. The World Wide Web has completely eradicated both the legal restrictions and premium cost that used to govern adult industry economics. To paraphrase Sir Winston Churchill, never has so much pornography been available to so many people for so little. This is the story of how the online adult industry has plummeted from its lofty heights of the late 1990s, when a savvy Web entrepreneur could charge thousands of eager subscribers premium prices. It is also the story of how the law has completely failed to keep pace with the technological innovations that boosted and then savaged the online adult industry. It concludes with a detailed analysis of the social impact of virtually unlimited pornography of every description, available to all ages at the click of a button.Accessible to the general reader, this book will appeal to those who want to know more about the adult entertainment industry in America and will prove useful reading for students and researchers involved with a wide variety of academic disciplines including business strategy, the history of technology, cultural studies, sexuality, media studies and technology more generally.

The Pornography Business

Edition Museum

Ausstellungen sind als gemachte kulturelle Ordnungen, Medien des Zeigens und Prozesse der sozialen Interaktion fu¿r Kulturanalysen von großem Interesse. Ausstellungen analysieren zu ko¿nnen ist eine Kompetenz, die es ermo¿glicht, sie als Orte der O¿ffentlichkeit in ihren Wirkungen und Nutzungen kritisch zu befragen und in Folge auch zu verändern. Die Beiträge des Bandes versammeln 19 Methoden der Ausstellungsanalyse aus kulturanalytischer, rezeptionswissenschaftlicher und praxis- orientierter Perspektive, verorten sie innerhalb der jeweiligen Diskurse und machen sie als Schritt-fu¿r-Schritt-Anleitungen fu¿r Forschung, Lehre und Museumspraxis direkt anwendbar.

Methoden der Ausstellungsanalyse

Bloomsbury Studies in Digital Cultures

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of 'drama' online for internet fame/infamy and financial gain. On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la 'aspirational' role-modelling is fast becoming stale to audiences in this very saturated space. Enter the use of 'online drama' to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media. Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the 'influencer apology', 'call out culture', 'cancel culture', and 'meme factories' to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama. The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

Looking at the phenomenon of visibility labour and attention economies on social media, this open access book focuses on the Asia Pacific region to examine the use of ‘drama’ online for internet fame/infamy and financial gain.
 On social media, the attention economy shapes and governs our engagement. Social media actors use a variety of tactics to gain our attention, to 'go viral', and to become 'internet famous'. They manufacture extraordinary events, curate their lives for us to consume, and play on our emotions to draw us in. But relying on only the picture perfect, the pristine, and the prestigious a la ‘aspirational’ role-modelling is fast becoming stale to audiences in this very saturated space.

Enter the use of ‘online drama’ to wrestle for the attention spans of audiences, when social media actors use discursive and visual narratives centred on angst, shock, fear, shame, pity to generate visibility, yield interest, and provoke conversations in the gladiatorial arena of social media.
 Through a range of lively case studies spanning platforms like Instagram, TikTok, Twitter, and YouTube, and popular online for a in the Asia Pacific region, this book explores topics such as 'shamelebrity', the ‘influencer apology’, ‘call out culture’, ‘cancel culture’, and ‘meme factories’ to unpack that peculiarly contemporary online phenomenon: the culture and economy of online drama.
The ebook editions of this book are available open access under a CC BY-NC-ND 4.0 licence on bloomsburycollections.com. Open access was funded by an Australian Research Council Discovery Early Career Researcher Award (DECRA) from the Australian government.

How Attention Economies are Changing

Provoking Online Drama

Gesundheit, Kommunikation und Gesellschaft

Die Public Health Humanities verstehen Gesundheit und Krankheit als kulturell und sozial geprägte Phänomene. Sie ergänzen die empirisch orientierte Multidisziplin Public Health um geisteswissenschaftliche und künstlerische Perspektiven. Dabei fragen sie nach der Bedeutung des Künstlerischen für die Gesundheit, interessieren sich für moralische, soziale und kulturelle Dimensionen von Gesundheit und Krankheit in Kunst bzw. Medien und bieten theoretische Zugänge für gesundheitliche Analysen an. Bezugsdisziplinen sind u.a. Kunst-, Kultur- und Medienwissenschaften, Philosophie und Geschichte. Die Beiträger*innen leuchten das Spektrum unterschiedlicher Perspektiven und Zugänge der Public Health Humanities erstmals auf Deutsch aus.

Perspektiven der Public Health Humanities

Kunst – Kultur – Gesundheit

Visual Mythologies in Education

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