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'Jane Eyre meets American Psycho. Gloriously outrageous, sensationally unhinged' SUNDAY TIMES'Simmering with rage, propulsive and laugh-out-loud funny' CATRIONA WARD'Weird and wonderful' LUCY MANGAN, GUARDIAN

Feito V: Victorian Psycho / LF

Victorian Psycho

Rediscovering Britain’s Forgotten Trails And The People Who Walked Them

The Postal Paths

Come In and Shut the Door

Philip's Road Atlases

The detail you need at a size you can read

2027 Philip's Big Easy to Read Road Atlas of Britain (A3 Spiral)

Rock Goes to College

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other?Only two things are certain:One of them will die. And the other will have killed them.

The 50/50 killer preys on couples. He manipulates their love for each other and makes them play a game. He stalks them, tortures them and then forces them to choose. What is going to break first? Their will or their love for each other? Only two things are certain: One of them will die. And the other will have killed them.

The 50/50 Killer

For Valour

For Valour: The Complete History of the Victoria Cross is the first definitive reference detailing every winner of the Victoria Cross, the highest award in the British military honor system, awarded for gallantry in the face of the enemy. This book is the fourth of eight volumes to be published in association with the Victoria Cross Trust. Each volume is divided into two parts. Part one, "Wars, Battles &amp; Deeds," contains descriptions of each war and battle or engagement that involved deeds resulting in the awarding of a Victoria Cross. The deeds are described within the context of the war and battle during which they occurred. Part two, "Portraits of Valour," presents a biography of each recipient of the Victoria Cross. In this offering, Volume Four covers the Colonial Wars from 1896-7. This volume also includes a foreword by Lord Ashcroft, who owns the largest collection of Victoria Crosses, and are part of a limited edition print run numbered 1 to 500.

The Victorian Wars from 1896

For Valour The Complete History of The Victoria Cross Volume Four

Based on thousands of never-before translated letters and unpublished sources, Jackie Wullschläger's enthralling biography is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. Deeply moving, it immerses us in that passionate experience, transforming our understanding of the man, his art and the fullness of his achievement.

In the course of a long and exceptionally creative life, Claude Monet revolutionized painting and made some of the most iconic images in western art. Yet behind this great and famous artist is a volatile, voracious, nervous yet reckless man, largely unknown. Jackie Wullschläger's enthralling biography, based on thousands of never-before translated letters and unpublished sources, is the first account of Monet's turbulent private life and how it determined his expressive, sensuous, sensational painting. He was as obsessional in his love affairs as in his love of nature, and changed his art decisively three times when the woman at the centre of his life changed. His work also responded intensely to outside cataclysms - the Dreyfus Affair, the First World War. Prime Minister Georges Clemenceau was his closest friend. Rich intellectual currents connected him to writers from Zola to Proust; affection and rivalry to Renoir, Pissarro and Manet. Monet said he was driven 'wild with the need to put down what I experience'. This rich and moving biography immerses us in that passionate experience, transforming our understanding of the man, his paintings and the fullness of his achievement.

The Restless Vision

Monet

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

Victorian Psycho

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