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Multiverse

"A debut collection of poetry activated by sampling, troubling, and trespassing"--

The newest entry in the Multiverse series, Tressing Motions at the Edge of Mistakes is a debut collection activated by sampling, troubling, and trespassing.This is a book of what its teenage nonspeaking autistic author Imane Boukaila, calls “tacit treasures.” Where manifestos encounter poems and raps encounter essays, the lyric constellations that mark this debut sing in opposition to those “troubled-abled” who would coerce and control disabled lives. Boukaila offers another way: her “LOL tressed philosophy,” her truth. This liberatory philosophy exists at the periphery, thresholding, in all the places where life opens toward neurodivergent revolution. “Treasures thrive in open spreading spaces,” she writes. From the muddy streams shimmering with trout, to the space storms in the starry skies, to the tressing that exists between minds, Boukaila offers us a chance to make mistakes, to be messy, to learn and unlearn the languages we use to survive.&nbsp;Readers seeking “treasures yet to be uncovered” will find this and more in this expansive collection.

Boukaila I: Tressing Motions at the Edge
of Mistakes

Tressing Motions at the Edge of Mistakes

Poems

blush / river / fox

"Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along"--

A polyphonic new entry in Multiverse—a literary series written and curated by the neurodivergent—JJJJJerome Ellis’s Aster of Ceremonies beautifully extends the vision of his debut book and album, The Clearing, a “lyrical celebration of and inquiry into the intersections of blackness, music, and disabled speech” (Claudia Rankine).Aster of Ceremonies asks what rites we need now and how poetry, astir in the asters, can help them along.&nbsp;What is the relationship between fleeing and feeling? How can the voices of those who came before—and the stutters that leaven those voices—carry into our present moment, mingling with our own? When Ellis writes, “Bring me the stolen will / Bring me the stolen well,” his voice is a conduit, his “me” is many. Through the grateful invocations of ancestors—Hannah, Mariah, Kit, Jan, and others—and their songs, he rewrites history, creating a world that blooms backward, reimagining what it means for Black and disabled people to have taken, and to continue to take, their freedom.&nbsp;By weaving a chorus of voices past and present, Ellis counters the attack of “all masters of all vessels” and replaces it with a family of flowers. He models how—as with his brilliant transduction of escaped slave advertisements—we might proclaim lost ownership over literature and history. “Bring me to the well,” he chants, implores, channels. “Bring me to me.” In this bringing, in this singing, he proclaims our collective belonging to shared worlds where we can gather and heal.The&nbsp;Aster of Ceremonies&nbsp;audiobook read and performed by JJJJJerome Ellis is available everywhere you listen to audiobooks.&nbsp;

Aster of Ceremonies

In The Wanting Way, the second book in Multiverse-a literary series written and curated by the neurodivergent-Adam Wolfond proves more than willing to "extend the choreography."In fact, his entire thrust is out and toward. Each poem moves out along its own underutilized pathway, awakening unseen dimensions for the reader like a wooded night walk suddenly lit by fireflies. And as each path elaborates itself, Wolfond's guiding hand seems always to stay held out to the reader, inviting them further into a shared and unprecedented unfolding.&nbsp;The Wanting Way is actually a confluence of diverse ways-rallies, paths, waves, jams, streams, desire lines-that converge wherever the dry verbiage of the talking world requires hydration. Each poem is an invitation to bathe in the play of languaging. And each poem is an invitation to a dance that's already happening, called into motion by the objects and atmospheres of a more-than-human world. Wolfond makes space for new poetics, new choreographies, and new possibilities toward forging a consensual-felt and feeling-world where we might find free disassembly and assembly together.&nbsp;There is a neurodivergent universe within this one, and Wolfond's poems continuously pull back the unnecessary veil between human and nature.&nbsp;

In The Wanting Way, the second book in Multiverse—a literary series written and curated by the neurodivergent—Adam Wolfond proves more than willing to “extend the choreography.”In fact, his entire thrust is out and toward. Each poem moves out along its own underutilized pathway, awakening unseen dimensions for the reader like a wooded night walk suddenly lit by fireflies. And as each path elaborates itself, Wolfond’s guiding hand seems always to stay held out to the reader, inviting them further into a shared and unprecedented unfolding.&nbsp;The Wanting Way is actually a confluence of diverse ways—rallies, paths, waves, jams, streams, desire lines—that converge wherever the dry verbiage of the talking world requires hydration. Each poem is an invitation to bathe in the play of languaging. And each poem is an invitation to a dance that’s already happening, called into motion by the objects and atmospheres of a more-than-human world. Wolfond makes space for new poetics, new choreographies, and new possibilities toward forging a consensual—felt and feeling—world where we might find free disassembly and assembly together.&nbsp;There is a neurodivergent universe within this one, and Wolfond’s poems continuously pull back the unnecessary veil between human and nature.&nbsp;

The Wanting Way

"In this remarkable debut, which marks the beginning of Multiverse-a literary series written and curated by the neurodivergent Hannah Emerson's poems keep, dream, bring, please, grownd, sing, kiss, and listen"--

In this remarkable debut, which marks the beginning of Multiverse—a literary series written and curated by the neurodivergent—Hannah Emerson’s poems keep, dream, bring, please, grownd, sing, kiss, and listen. They move with and within the beautiful nothing (“of buzzing light”) from which, as she elaborates, everything jumps. In language that is both bracingly new and embracingly intimate, Emerson invites us to “dive down to the beautiful muck that helps you get that the world was made from the garbage at the bottom of the universe that was boiling over with joy that wanted to become you you you yes yes yes.” These poems are encounters—animal, vegetal, elemental—that form the markings of an irresistible future. And The Kissing of Kissing makes joyously clear how this future, which can sometimes seem light-years away, is actually as close, as near, as each immersive now. It finds breath in the woods and the words and the worlds we share, together “becoming burst becoming / the waking dream.” With this book, Emerson, a nonspeaking autistic poet, generously invites you, the reader, to meet yourself anew, again, “to bring your beautiful nothing” into the light.

The Kissing of Kissing

From the creator of the beloved @PoetryIsNotaLuxury Instagram account, a gorgeously wrought poetry anthology that is a gift and a guide for readers through every season of life.

From the creator of the beloved @PoetryIsNotaLuxury Instagram account, a gorgeously wrought poetry anthology that is a gift and a guide for readers through every season of life.

Poetry Is Not a Luxury

A much needed, inspiring collection of poems both old and new written by queer poets.

A much needed, inspiring collection of poems both old and new written by queer poets.

An Anthology of Queer Poems

He, She, They, Us

Afterburn

The Negroes Send Their Love

100 poems for the first 100 days of life

Tender

Phoenix Poets

"Multilayered lyric poems that resist systems of power and foster intimacy. A previously undocumented child of Syrian and Peruvian parents, an inheritor of lineages marked by colonial and gendered violence, and a survivor of childhood sexual assault, Farid Matuk approaches the musical capacities of verse not as mere excitation or decoration but as forms that reclaim pleasure and presence. Entering the sonic constellations of Moon Mirrored Indivisible, the reader finds relief from nesting layers of containment that systems of power impose on our bodies and imaginations. In this hall of historical mirrors, fictions of identity are refracted, reflected, and multiplied into a vast field of possibilities. Matuk's meditations on place and power offer experiments in self-understanding, moving through expansive conversations between a lyric "I" and others, including poets, the speaker's partner, ancestors, and the reader, creating spaces for strange intimacy. Each of the book's four sections of poems builds on one another to ask how we might form a collective-a people-not founded in orthodoxies of originality but in the mutual work of mirroring one another"--

Moon Mirrored Indivisible

Obsessive love has never been so much fun! What She Wants: Poems on Obsession, Desire, Despair, Euphoria is a powerful tribute to the intensity of obsessive love, told through the trademark humor and heartbreak of bestselling poet Kim Dower.
Following the commercial and literary success of her bestselling poetry collection, I Wore This Dress Today for You, Mom: Poems on Motherhood, Kim Dower delivers What She Wants: Poems on Obsession, Desire, Despair, Euphoria—turning her keen eye, vibrant imagination, trademark insight, and humor to the intensity of obsessive love. These steamy and provocative poems, combining humor and heartache, run through the four phases of Limerence, the state of being infatuated or obsessed with another person: Infatuation, Crystallization, Deterioration, and Ecstatic Release. From the opening poem, “She’ll do anything for food,” to the sexy title poem, “What She Wants,” the painfully funny, “His Other Girlfriend,” to the longing in “Visiting Baudelaire,” and the sad, sweet final poem, “Fish’s Lament,” Kim Dower captures the essence of what it means to be stuck on someone—even on a squirrel! Her eclectic, growing readership will savor these poems that can be read in one sitting, like a story with an arc, or separately, each one recalling the moment of falling in or out of love, the moment our hearts skipped a beat.

Obsessive love has never been so much fun! What She Wants: Poems on Obsession, Desire, Despair, Euphoria is a powerful tribute to the intensity of obsessive love, told through the trademark humor and heartbreak of bestselling poet Kim Dower.
Following the commercial and literary success of her bestselling poetry collection, I Wore This Dress Today for You, Mom: Poems on Motherhood, Kim Dower delivers What She Wants: Poems on Obsession, Desire, Despair, Euphoria—turning her keen eye, vibrant imagination, trademark insight, and humor to the intensity of obsessive love. These steamy and provocative poems, combining humor and heartache, run through the four phases of Limerence, the state of being infatuated or obsessed with another person: Infatuation, Crystallization, Deterioration, and Ecstatic Release. From the opening poem, “She’ll do anything for food,” to the sexy title poem, “What She Wants,” the painfully funny, “His Other Girlfriend,” to the longing in “Visiting Baudelaire,” and the sad, sweet final poem, “Fish’s Lament,” Kim Dower captures the essence of what it means to be stuck on someone—even on a squirrel! Her eclectic, growing readership will savor these poems that can be read in one sitting, like a story with an arc, or separately, each one recalling the moment of falling in or out of love, the moment our hearts skipped a beat.

Poems on Obsession, Desire, Despair, Euphoria

What She Wants

Let Go of Toxic Bonds and Build Healthy Ones

The One Who Broke You Can't Heal You

The Margellos World Republic of Letters

From a trailblazing poet, a trilingual narrative in verse that bears witness to a devastating crime and testifies to the power of collective defiance &nbsp; In 2007, Mexican soldiers raped and left for dead a seventy-three-year-old Indigenous Nahua woman, Ernestina Ascencio Rosario, as she worked on her farm. Despite extensive evidence to the contrary, including eyewitness accounts, the courts ruled that Ascencio had died of natural causes. When journalists began to investigate, they discovered that there were numerous girls in the community who also had been raped by soldiers—girls as young as twelve who were already mothers. The reports sparked outrage throughout Latin America over violence against women and girls, violence against Indigenous communities, and military impunity. &nbsp; Stolen Flower, a contemporary classic originally written in Didxazá (Isthmus Zapotec), is Irma Pineda’s powerful sequence of poems memorializing the events and their ramifications. The poems, which appear here in Didxazá, Spanish, and English, are told through a chorus of fictionalized voices: of Ascencio herself, of the field where the rape occurred, of the forest that has seen generations of Indigenous villagers, of the village grappling with the terror. It is at once a lament and a call to arms, refashioning the testimonio into a tribute to Mexico’s Indigenous peoples and their lands, cultures, languages, and dignity.

Stolen Flower

With A Year of Last Things, acclaimed novelist Michael Ondaatje returns to poetry, looking back on a life of displacement and discovery 'My life always stops for a new book by him' JHUMPA LAHIRI 'A generous, moving book' GUARDIAN Born in Sri Lanka during the Second World War, Ondaatje was sent as a child to school in London, and later moved to Canada. While he has lived there since, these poems reflect the life of a writer, traveller and watcher of the world – describing himself as a 'mongrel', someone born out of diverse cultures. Here, rediscovering the influence of every border crossed, he moves back and forth in time, from a childhood in Sri Lanka to Molière’s chair during his last stage performance, from icons in Bulgarian churches to the Californian coast and loved Canadian rivers, merging memory with the present, looking back on a life of displacement and discovery, love and loss. As he writes in the opening poem: Reading the lines he loves he slips them into a pocket, wishes to die with his clothes full of torn-free stanzas and the telephone numbers of his children in far cities Poetry – where language is made to work hardest and burns with a gem-like flame - is what Ondaatje has returned to in this intimate history.

Tressing Motions at the Edge of Mistakes

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