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Trailblazer 2: Student's Book

With a particular focus on the United States, this book offers a practical guide to writing and delivering sound political TV news coverage.

The Local TV Perspective

Reporting US Politics

The winner of four Emmys, a Peabody, and two Writers Guild Awards (all of which badly need dusting) explains his process for writing comedy without going insane. &nbsp; Philosophers may debate the meaning of comedy (thankfully keeping them too busy to fall into a life of crime), but the rest of us are more likely to wonder how we can make an audience laugh-or at least, how to entertain our friends and followers. According to award-winning comedy writer Elliott Kalan, we need to stop staring out the window, waiting for hilarious bits to stroll into view, fully formed. What we need is a process to plant their premises, tend to their structure and wording, and ultimately harvest them as funny material. In short, a farm. But for jokes. &nbsp; In Joke Farming, Kalan explains that it's easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience-and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career-including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for The Daily Show with Jon Stewart-as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny. &nbsp; Drawing on his experiences in professional writers' rooms as well as episodes from everyday life, Kalan's guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. Joke Farming points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and-most importantly-a bigger laugh from the audience, whoever they may be.

How to Write Comedy and Other Nonsense

Joke Farming

Discussions in the West around diversity in the arts often focus on the identities of characters and creators. Henry Lien makes the pathbreaking argument that diversity is about more than just plopping different faces into stories that are 100 percent Western in spirit; it can-and should-encompass diverse structures, themes and values.
Using examples ranging from Parasite to The Thousand and One Nights to the Mario video game franchise, Lien shows how storytelling staples in the West, such as the three-act structure and themes of empowerment and change, are far from universal. He introduces the East Asian four-act structure (kishotenketsu), as well as circular and nested structures, and explains how Eastern value systems such as collectivism can dictate form. Spring, Summer, Asteroid, Bird is essential reading for any writer or reader who wants to broaden their understanding of how to tell a satisfying story.

The Art of Eastern Storytelling

Spring, Summer, Asteroid, Bird

The authoritative, practical guide to screenwriting, laying out everything you need to be a successful screenwriter for film and television. Written by one of the UK's leading script editors, consultants and producers.

The Craft and The Career

Screenwriting

Flame Tree Pocket Notebooks

New title in the Flame Tree Pocket Notebook collection, combining beautiful art with high-quality production and featuring a pocket at the back, two ribbon bookmarks and a solid magnetic side flap. Perfect for personal use, handbags and make a dazzling gift. A FLAME TREE POCKET NOTEBOOK. Beautiful and luxurious, the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3D masterpieces that feel good in the hand and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list; robust ivory text paper, printed with lines; and when you need to collect other notes or scraps of paper, the magnetic side flap keeps everything neat and tidy. THE ARTIST. William Kilburn (1745–1818) was a highly regarded designer of block-printed cottons in the 18th century. Born in Dublin, he was apprenticed to a cotton and linen printer at Lucan. He moved to London and sold designs to printers, and drawings and engravings to print shops. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

William Kilburn: Marble End Paper (Foiled Pocket Journal)

Why I Write

An illuminating reflection on the creative process from acclaimed fiction writer, essayist, and translator Lydia Davis &nbsp; When asked why she writes, Lydia Davis confesses that the question makes her uncomfortable.&nbsp;Maybe she would rather not know. Instead, Davis considers how she writes her stories, how other writers write, and what insights the how might provide into the why. &nbsp; In this free-ranging exploration, Davis discovers that one reason she writes is for pleasure: the pleasure of encountering something that demands to be treated in language, of handling and manipulating the language into the form it ought to take, and, finally, of seeing a story exist where it didn’t exist before. As she observes the processes of some of the authors who interest her the most, she finds that there seem to be as many reasons to write as there are writers: to relive an experience, to share an experience, to articulate something one has not quite comprehended. &nbsp; Reflecting on an eclectic mix of thinkers, including James Baldwin, Kate Briggs, Walter Raleigh, Christina Sharpe, Knut Hamsun, Grace Paley, Josep Pla, John Ashbery, and John Clare, Davis undertakes a clear-eyed, patient inquiry into the manifold reasons we choose to put pen to paper and begin something new.

Into the Weeds

Trailblazer 4: Student's Book

The winner of four Emmys, a Peabody, and two Writers Guild Awards (all of which badly need dusting) explains his process for writing comedy without going insane. Philosophers may debate the meaning of comedy (thankfully keeping them too busy to fall into a life of crime), but the rest of us are more likely to wonder how we can make an audience laugh--or at least, how to entertain our friends and followers. According to award-winning comedy writer Elliott Kalan, we need to stop staring out the window, waiting for hilarious bits to stroll into view, fully formed. What we need is a process to plant their premises, tend to their structure and wording, and ultimately harvest them as funny material. In short, a farm. But for jokes. In Joke Farming, Kalan explains that it's easier to write jokes when you have a dependable method for doing so. All jokes, he argues, are built from the same elements: structure, premise, voice, tone, wording, and audience--and these elements can be applied to any comedic genre, from stand-up to sitcoms to satire. Kalan analyzes examples from his own career--including jokes that he wrote (and rewrote and rewrote and rewrote . . . ) as head writer for The Daily Show with Jon Stewart--as well as material from a diverse array of comedians, writers, and filmmakers, highlighting the phrasing, rhythm, and precise details that make their work so dang funny. Drawing on his experiences in professional writers' rooms as well as episodes from everyday life, Kalan's guide to jokes will appeal to aspiring writers, their mentors, comedy fans, and anyone who has to speak at a wedding. Joke Farming points the way toward a writing process that lessens stress and agony and yields more reliable rewards: a surprising tagline, a hilarious word choice, and--most importantly--a bigger laugh from the audience, whoever they may be.

Greeting Cards

Gorgeous foiled, handmade pack of 6 greeting cards, blank inside and shrink-wrapped with a gold envelope, printed on FSC paper and wrapped in biodegradable cellobag, perfect for all occasions! Sold in packs of 6. Gorgeous, foiled, handmade greeting cards, blank inside and shrink-wrapped with a gold envelope. Themed with our art calendars, foiled notebooks and illustrated art books, our greeting cards are printed on FSC®-certified paper and wrapped in a biodegradable cellobag. This example features Cook Book Library artwork by Aimee Stewart. Aimee Stewart is a self-taught artist, photographer and writer who has been blurring the lines between digital and traditional art since 2005. Her special focus is in eclectic digital painting and photo-manipulation – she takes components from old photographs and manipulates them into elements that complement her work perfectly.

Pack of 6

Aimee Stewart: Vintage Cook Book Library Greeting Card Pack

Flame Tree Blank Notebooks

New title in the Flame Tree Blank Notebook collection, combining beautiful art with high-quality production, and featuring blank pages, a pocket at the back and two ribbon bookmarks. Perfect as a gift, or an essential personal choice for writers, notetakers, travellers, students, and poets. A FLAME TREE NOTEBOOK. Beautiful and luxurious the journals combine high-quality production with magnificent art. Perfect as a gift, and an essential personal choice for writers, notetakers, travellers, students, poets and diarists. Features a wide range of well-known and modern artists, with new artworks published throughout the year. BEAUTIFULLY DESIGNED. The highly crafted covers are printed on foil paper, embossed then foil stamped, complemented by the luxury binding and rose red end-papers. The covers are created by our artists and designers who spend many hours transforming original artwork into gorgeous 3d masterpieces that feel good in the hand, and look wonderful on a desk or table. PRACTICAL, EASY TO USE. Flame Tree Notebooks come with practical features too: a pocket at the back for scraps and receipts; two ribbon markers to help keep track of more than just a to-do list and robust ivory text paper. THE ARTIST. The Royal Pavilion, Brighton, was constructed as the seaside pleasure palace of King George IV. Queen Victoria visited the Pavilion on a number of occasions between 1837 and 1845. The hand-painted wallpaper in her bedroom was recently returned to the Pavilion from Buckingham Palace and restored. With its jewel colours and exotic plants and birds, it must have transported the young queen to another world, far from the busy streets of Brighton. THE FINAL WORD. As William Morris said, "Have nothing in your houses that you do not know to be useful, or believe to be beautiful."

Royal Pavilion, Brighton: Queen Victoria's Bedroom (Foiled Blank Journal)

This new and updated edition of Voice: Onstage and Off is a comprehensive guide to the process of building, mastering, and fine-tuning the voice for performance. Revised with the contemporary actor in mind, the fourth edition empowers actors wishing to master their voice as performers.

Voice: Onstage and Off

Methuen Drama Engage

Feminism, Dramaturgy, and the Contemporary British History Play

Trailblazer 2: Student's Book

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