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Meineck P: Tony Stark, Odysseus, and the
Myths Behind Marvel

Tony Stark, Odysseus, and the Myths Behind Marvel

Ancient Heroes in the Modern World

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon. Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Plot Twist explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion.In ten chapters, each themed around an element of stagecraft—from “The Producers,” who edit our reality, to “The Props,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture.Like The Anxious Generation but about our media diet, Plot Twist shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

From the popular and award-winning staff writer for The Atlantic, an eye-opening look at how the current media landscape has incentivized us to see our fellow citizens as characters in an ongoing entertainment—and how we can fight back against this phenomenon. Whether it’s our reality-television-star President or our expertly curated Instagram feeds, the line between fact and fiction—between what’s real and what’s fabricated for entertainment—has never been more blurred. Plot Twist explores what happens when we cede our reality to spectacle. Megan Garber explains how today’s internet-inflected culture conditions us to see one another not as people but as characters in an ongoing show, and how some of our most chronic and harmful social conditions—loneliness, depression, mistrust, misinformation, cynicism—stem from our demand for diversion.In ten chapters, each themed around an element of stagecraft—from “The Producers,” who edit our reality, to “The Props,” the strangers we turn into objects of our amusement, to “the Haters,” the worshipful Qanon-types who expect the prophecies of their anonymous leader to play out on live television—Garber argues that this comedy of our daily lives is quickly becoming tragedy. And we can’t understand our politics without first understanding our culture.Like The Anxious Generation but about our media diet, Plot Twist shows why Megan Garber is one of the most respected and widely-read journalists of our day. It is an urgent, page-turning, and dazzling look at how we entertained ourselves into our current predicament, and how we might find our way out of the maze of misinformation and chaos.

How We Entertained Ourselves Into a State of Emergency

Screen People

With humor and candor, Die Hot With a Vengeance shows why beauty should be a tool of self-expression, not self-hate. - TIME*ONE OF BUSTLE'S MOST ANTICIPATED SUMMER READS*Journalist and formerAllureeditor Sable Yong debuts with a sharp-toothed and hilarious essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change.The beauty industry has a single mandate: be hot.In the same week that you might be encouraged to try curtain bangs, contouring, bleached eyebrows, laser facials, buccal fat removal, fillers, and non-invasive facelifts, youre simultaneously absorbing mantras about self-care, body positivity, empowerment, and loving yourself just as you are.Overwhelmed yet?Fear not.Die Hot with a Vengeancedelves into the machinations of this multi-billion-dollar industry, offering readers an expert analysis of its inner workings with the precision of a scalpel and the humor of a stand-up comedian. Along the way, Yongsets off to answer some of the biggest questions of our time:<ul><li>How do you break through the noise of beauty and wellness cultures endless optimization protocols?</li><li>How can you find actual authenticity in a world of performative artifice?</li><li>Can the antidote to aging be found in a jar, tube, or at the end of a syringe?</li><li>Do blondes really have more fun?</li></ul>Using Yongs many years of experience as a beauty editor to unlock the industrys myriad secrets,Die Hot with a Vengeancegives beauty and vanity a neutralizing make-over. At its best, beauty is so much more than an aesthetic; its an inspirational mindset. Its a playfulness inherent to the practice of self-expression.And yet its difficult to engage playfully when it feels like beauty is an ever-moving target. Were all subject to societal expectations surrounding beauty and vanity, enough so that breaking through the capitalist pressures can feel impossible. Yong argues that while the mandate may be for us to be hot, the beauty industry thrives on us absorbing its teachings so it can keep us in a constant feedback loop of appearance-based anxiety, forever perpetuating unattainable standards. Flipping that imperative, Yongs debut collection poses the most important question of all: How do you discover your value of beauty so you can free yourself from the loud and bullshitty noise of all these entities telling you that youre not good enough?Digging deep into our most pervasive and questionable beauty trends and conventions,Die Hot with a Vengeanceoffers an incisive yet wry dissection of one of our most enduring cultural addictions. Irreverent, side-splittingly funny, and astute, the bookis as amusing as it is insightful, an instant classic for beauty-readers and aspirant hotties alike.

“With humor and candor, Die Hot With a Vengeance shows why beauty should be a tool of self-expression, not self-hate.” - TIME*ONE OF BUSTLE'S MOST ANTICIPATED SUMMER READS*Journalist and former&nbsp;Allure&nbsp;editor Sable Yong debuts with a sharp-toothed and hilarious essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change.The beauty industry has a single mandate: be hot.In the same week that you might be encouraged to try curtain bangs, contouring, bleached eyebrows, laser facials, buccal fat removal, fillers, and “non-invasive” facelifts, you’re simultaneously absorbing mantras about self-care, body positivity, empowerment, and loving yourself just as you are.Overwhelmed yet?&nbsp;Fear not.&nbsp;Die Hot with a Vengeance&nbsp;delves into the machinations of this multi-billion-dollar industry, offering readers an expert analysis of its inner workings with the precision of a scalpel and the humor of a stand-up comedian. Along the way, Yong&nbsp;sets off to answer some of the biggest questions of our time:&nbsp;<ul><li>How do you break through the noise of beauty and wellness culture’s endless optimization protocols?</li><li>How can you find actual authenticity in a world of performative artifice?</li><li>Can the antidote to aging be found in a jar, tube, or at the end of a syringe?</li><li>Do blondes really have more fun?</li></ul>Using Yong’s many years of experience as a beauty editor to unlock the industry’s myriad secrets,&nbsp;Die Hot with a Vengeance&nbsp;gives beauty and vanity a neutralizing make-over. At its best, beauty is so much more than an aesthetic; it’s an inspirational mindset. It’s a playfulness inherent to the practice of self-expression.And yet it’s difficult to engage playfully when it feels like beauty is an ever-moving target. We’re all subject to societal expectations surrounding beauty and vanity, enough so that breaking through the capitalist pressures can feel impossible. Yong argues that while the mandate may be for us to be hot, the beauty industry thrives on us absorbing its teachings so it can keep us in a constant feedback loop of appearance-based anxiety, forever perpetuating unattainable standards. Flipping that imperative, Yong’s debut collection poses the most important question of all: How do you discover your value of beauty so you can free yourself from the loud and bullshitty noise of all these entities telling you that you’re not good enough?Digging deep into our most pervasive and questionable beauty trends and conventions,&nbsp;Die Hot with a Vengeance&nbsp;offers an incisive yet wry dissection of one of our most enduring cultural addictions. Irreverent, side-splittingly funny, and astute, the book&nbsp;is as amusing as it is insightful, an instant classic for beauty-readers and aspirant hotties alike.&nbsp;

Essays on Vanity

Die Hot with a Vengeance

"A comprehensive and thought-provoking investigation into one of the most polarizing words in the English language"--

A comprehensive and thought-provoking investigation into one of the most polarizing words in the English language.Few words in the English language are as misunderstood as “like.” Indeed, excessive use of this word is a surefire way to make those who pride themselves on propriety, both grammatical and otherwise, feel compelled to issue correctives.But what the detractors of this word fail to understand is its true function and versatility—as an exclamation, a filler of space, a means of subtle emphasis, and more. “Like” may have started out as slang, but it is now an intrinsic component of fun, serious, and altogether nurturing communication. And like any colloquialism, the word endears the speaker to its audience; a conversation full of likes feels more casual, despite its content.In this book, culture writer and editor for Dwell magazine Megan C. Reynolds takes us through the unique etymology and usage of this oft-reviled word, highlighting how it is often used to undermine people who are traditionally seen as having less status in society—women, younger people, people from specific subcultures—and how, if thought about differently, it might open up a new way of communication and validation. Written in a breezy yet informative and engaging style, this is a must-read for anyone who considers themselves a grammarian, a lover of language, and an advocate for the marginalized in discussions of cultural capital, power, and progress.

A History of the World's Most Hated (and Misunderstood) Word

Like

NATIONAL BESTSELLERThe urgent, revelatory story of how a school board win for the conservative right in one Texas suburb inspired a Christian nationalist campaign now threatening to undermine public education in America—from an NBC investigative reporter and co-creator of the Peabody Award–winning and Pulitzer Prize finalist Southlake podcast.&nbsp;Award-winning journalist Mike Hixenbaugh delivers the immersive and eye-opening story of Southlake, Texas, a district that seemed to offer everything parents would want for their children—small classes, dedicated teachers, financial resources, a track record of academic success, and school spirit in abundance. All this, until a series of racist incidents became public, a plan to promote inclusiveness was proposed in response—and a coordinated, well-funded conservative backlash erupted, lighting the fire of a national movement on the verge of changing the face of public schools across the country.They Came for the Schools pulls back the curtain on the powerful forces driving this crusade to ban books, rewrite curricula, limit rights for minority and LGBTQ students—and, most importantly, to win what Hixenbaugh’s deeply informed reporting convinces is the holy grail among those seeking to impose biblical values on American society: school privatization, one school board and one legal battle at a time.They Came for the Schools delivers an essential take on Donald Trump and Ron DeSantis, as they demean public schools and teachers and boost the Christian right’s vision. Hixenbaugh brings to light fascinating connections between this political and cultural moment and past fundamentalist campaigns to censor classroom lessons. Finally, They Came for the Schools traces the rise of a new resistance movement led by a diverse coalition of student activists, fed-up educators, and parents who are beginning to win select battles of their own: a blueprint, they hope, for gaining inclusive and civil schools for all.

NATIONAL BESTSELLERThe urgent, revelatory story of how a school board win for the conservative right in one Texas suburb inspired a Christian nationalist campaign now threatening to undermine public education in America—from an NBC investigative reporter and co-creator of the Peabody Award–winning and Pulitzer Prize finalist Southlake podcast.&nbsp;Award-winning journalist Mike Hixenbaugh delivers the immersive and eye-opening story of Southlake, Texas, a district that seemed to offer everything parents would want for their children—small classes, dedicated teachers, financial resources, a track record of academic success, and school spirit in abundance. All this, until a series of racist incidents became public, a plan to promote inclusiveness was proposed in response—and a coordinated, well-funded conservative backlash erupted, lighting the fire of a national movement on the verge of changing the face of public schools across the country.They Came for the Schools pulls back the curtain on the powerful forces driving this crusade to ban books, rewrite curricula, limit rights for minority and LGBTQ students—and, most importantly, to win what Hixenbaugh’s deeply informed reporting convinces is the holy grail among those seeking to impose biblical values on American society: school privatization, one school board and one legal battle at a time.They Came for the Schools delivers an essential take on Donald Trump and Ron DeSantis, as they demean public schools and teachers and boost the Christian right’s vision. Hixenbaugh brings to light fascinating connections between this political and cultural moment and past fundamentalist campaigns to censor classroom lessons. Finally, They Came for the Schools traces the rise of a new resistance movement led by a diverse coalition of student activists, fed-up educators, and parents who are beginning to win select battles of their own: a blueprint, they hope, for gaining inclusive and civil schools for all.

One Town's Fight Over Race and Identity, and the New War for America's Classrooms

They Came for the Schools

"A female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin"--Publisher marketing.

New York Times&nbsp;bestselling author Natalie Haynes returns to the world of ancient Greek myth in this scintillating follow-up to&nbsp;Pandora’s Jar.Few writers today have reshaped our view of the ancient Greek myths more than revered bestselling author Natalie Haynes.&nbsp;Divine Might&nbsp;is a female-centered look at Olympus and the Furies, focusing on the goddesses whose prowess, passions, jealousies, and desires rival those of their male kin, including:<ul><li>Athene, who sprang fully formed from her father’s brow (giving Zeus a killer headache in the process), the goddess of war and provider of wise counsel.</li><li>Aphrodite, born of the foam (and sperm released from a Titan’s castrated testicles), the most beautiful of all the Olympian goddesses, the epitome of love who dispenses desire and inspires longing—yet harbors a fearsome vengeful side, doling out brutal punishments to those who displease her.</li><li>Hera, Zeus’s long-suffering wife, whose jealousy born of his repeated dalliances with mortals, nymphs, and other goddesses, leads her to wreak elaborate and often painful revenge on those she believes have wronged her. (Well, wouldn’t you?)</li><li>Demeter, goddess of the harvest and mother of Persephone; Artemis, the hunter and goddess of wild spaces; the Muses, the nine daughters of Zeus and Mnemosyne, the goddess of memory; and Hestia, goddess of domesticity and sacrificial fire.</li></ul>Infused with Haynes’s engaging charm and irrepressible wit,&nbsp;Divine Might&nbsp;is a refreshing take on the legends and stories we thought we knew.

Goddesses in Greek Myth

Divine Might

“Among the Bros&nbsp;is a harrowing and disturbing book. I have read about fraternity life but nothing like this. This book will blow your mind, each page digging deeper into the unimaginable. Except every word is true.”—Buzz Bissinger, #1&nbsp;New York Times&nbsp;bestselling author of&nbsp;The Mosquito Bowl&nbsp;and&nbsp;Friday Night LightsA brilliant young investigative journalist traces a murder and a multi-million-dollar drug ring, leading to an unprecedented look at elite American fraternity life.When Max Marshall arrived on the campus of the College of Charleston in 2018, he hoped to investigate a small-time fraternity Xanax trafficking ring. Instead, he found a homicide, several student deaths, and millions of dollars circulating around the Deep South. He also opened up an elite world hidden to outsiders. Behind the pop culture cliches of “Greek life” lies one of the major breeding grounds of American power: 80 percent of Fortune 500 executives, 85 percent of Supreme Court justices, and all but four presidents since 1825 have been fraternity members. With unprecedented immersion, this book takes readers inside that bubble.Under the live oaks and Spanish moss of Travel + Leisure’s “Most Beautiful Campus in America,” Marshall traces several “C of C” boys’ journeys from fraternity pledges to interstate drug traffickers. The result is a true-life story of hubris, status, money, drugs, and murder—one that lifts a curtain on an ecstatic and disturbing way of life. With expert pacing and a cool eye, he follows a never-ending party that continues after funerals and mass arrests.An addictive and haunting portrait of tomorrow’s American establishment, Among the Bros is nonfiction storytelling at its finest.

A Fraternity Crime Story

Among the Bros

NEW YORK TIMES BESTSELLER&nbsp;• LOS ANGELES TIMES BESTSELLERAn NPR Best Book of the YearIn this spectacular, newsmaking exposé that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid off patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited.It is never just One Bad Man.Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it’s important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture, to see how abusers are created, fed, rewarded, allowed to persist, and, with the right tools, how they can be excised.In&nbsp;Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.Interviews with actors and famous creatives like Evan Rachel Wood, Harold Perrineau, Damon Lindelof, and Orlando Jones abound.&nbsp;Ryan dismantles, one by one, the myths that the entertainment industry promotes about itself, which have allowed abusers to thrive and the industry to avoid accountability—myths about Hollywood as a meritocracy, what it takes to be creative, the value of human dignity, and more.Weaving together insights from industry insiders, historical context, and pop-culture analysis,&nbsp;Burn It Down&nbsp;paints a groundbreaking and urgently necessary portrait of what’s gone wrong in the entertainment world—and how we can fix it.

NEW YORK TIMES BESTSELLER&nbsp;• LOS ANGELES TIMES BESTSELLERAn NPR Best Book of the YearIn this spectacular, newsmaking exposé that has the entertainment industry abuzz and on its heels, Vanity Fair's Maureen Ryan blows the lid off patterns of harassment and bias in Hollywood, the grassroots reforms under way, and the labor and activist revolutions that recent scandals have ignited.It is never just One Bad Man.Abuse and exploitation of workers is baked into the very foundations of the entertainment industry. To break the cycle and make change that sticks, it’s important to stop looking at headline-making stories as individual events. Instead, one must look closely at the bigger picture, to see how abusers are created, fed, rewarded, allowed to persist, and, with the right tools, how they can be excised.In&nbsp;Burn It Down, veteran reporter Maureen Ryan does just that. She draws on decades of experience to connect the dots and illuminate the deeper forces sustaining Hollywood’s corrosive culture. Fresh reporting sheds light on problematic situations at companies like Lucasfilm and shows like Lost, Saturday Night Live, The Goldbergs, Sleepy Hollow, Curb Your Enthusiasm and more.Interviews with actors and famous creatives like Evan Rachel Wood, Harold Perrineau, Damon Lindelof, and Orlando Jones abound.&nbsp;Ryan dismantles, one by one, the myths that the entertainment industry promotes about itself, which have allowed abusers to thrive and the industry to avoid accountability—myths about Hollywood as a meritocracy, what it takes to be creative, the value of human dignity, and more.Weaving together insights from industry insiders, historical context, and pop-culture analysis,&nbsp;Burn It Down&nbsp;paints a groundbreaking and urgently necessary portrait of what’s gone wrong in the entertainment world—and how we can fix it.

Power, Complicity, and a Call for Change in Hollywood

Burn It Down

“A heart-pounding, mind-bending adventure.” —Ilyon WooA riveting biography of Alexander the Great’s final years, when the leader’s insatiable desire to conquer the world set him off on an exhilarating, harrowing journey that would define his legacy. &nbsp;By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.&nbsp;Alexander’s unrelenting desire to press on resulted in a perilous seven-year journey through the unknown eastern borderlands of the Persian empire that would test the great conqueror’s physical and mental limits. He faced challenges from the natural world, moving through deadly monsoons and extreme temperatures; from a rotating cast of well-matched adversaries, who conspired against him at every turn; and even from his own men, who questioned his motives and distrusted the very beliefs on which Alexander built his empire. This incredible sweep of time, culminating with his death in 323 BC at the age of 32, would come to determine Alexander’s legacy and shape the empire he left behind.&nbsp;In Alexander at the End of the World, renowned classicist and art history professor Rachel Kousser vividly brings to life Alexander’s labyrinthine, treacherous final years, weaving together a brilliant series of epic battles, stunning landscapes, and nearly insurmountable obstacles. Meticulously researched and grippingly written, Kousser’s narrative is an unforgettable tale of daring and adventure, an inspiring portrait of grit and ambition, and a powerful meditation on the ability to learn from failure.&nbsp;

“A heart-pounding, mind-bending adventure.” —Ilyon WooA riveting biography of Alexander the Great’s final years, when the leader’s insatiable desire to conquer the world set him off on an exhilarating, harrowing journey that would define his legacy. &nbsp;By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.&nbsp;Alexander’s unrelenting desire to press on resulted in a perilous seven-year journey through the unknown eastern borderlands of the Persian empire that would test the great conqueror’s physical and mental limits. He faced challenges from the natural world, moving through deadly monsoons and extreme temperatures; from a rotating cast of well-matched adversaries, who conspired against him at every turn; and even from his own men, who questioned his motives and distrusted the very beliefs on which Alexander built his empire. This incredible sweep of time, culminating with his death in 323 BC at the age of 32, would come to determine Alexander’s legacy and shape the empire he left behind.&nbsp;In Alexander at the End of the World, renowned classicist and art history professor Rachel Kousser vividly brings to life Alexander’s labyrinthine, treacherous final years, weaving together a brilliant series of epic battles, stunning landscapes, and nearly insurmountable obstacles. Meticulously researched and grippingly written, Kousser’s narrative is an unforgettable tale of daring and adventure, an inspiring portrait of grit and ambition, and a powerful meditation on the ability to learn from failure.&nbsp;

The Forgotten Final Years of Alexander the Great

Alexander at the End of the World

From daughter of musical visionary Frank Zappa. Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the ?Valley Girl,? and finding herself after losing her father, then her mother, and the fracturing of her longest relationships. WELCOMEI got my first journal as a Christmas gift when I was five. It was hardbound, black leather with gold embellishments on the cover and along the paper edges. It was very fancy. The same books followed every year and they felt very important. And yet, even as a small girl, every time I stared down the page to draw and express myself, I felt I came up short against my father's music, handwriting, drawings. Still, I persevered, and just surrendered to how it felt to be swept away by the creative urging.I used my journals like secret best friends to which I could say anything. For a time, when I still lived at home and had no privacy, I'd write in code about my most private feelings. The saying goes that ?God only gives you what you can handle.? Well God didn't grow up in my atheist, Wiccan, celebrity-focused, oversexed, teetotalling, drug-free, cloistered, undiagnosed mental illness ridden, non-communicative, shaming, workaholic, feral-feeling house. For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in the sexually free, wild world of 1970s Laurel Canyon. And as we careen into the 1980s, the style and the music and the tone changes?but Moon remains the constant, trying to find herself in a very confusing, ever-changing equation?that of her family and the relationship with fame.It is Moon's deep sense of humor and humilty that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships. I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.&nbsp;When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice.&nbsp;Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.&nbsp;For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA. And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground.&nbsp;Earth to Moon&nbsp;is a creative, colorful, and wonderful lesson in growing into oneself.&nbsp;&nbsp;

Earth to Moon

"Absolutely essential reading for every&nbsp;LEGO&nbsp;fan." -BlocksThe definitive history of LEGO, based on unprecedented access to the company's archives and rare interviews with the founding family who still owns the company"This book tells the story of how my family built the LEGO brand." -Kjeld Kirk Kristiansen, former President/CEO of the LEGO Group and 3rd generation ownerIt's estimated that each year between eighty and ninety million children around the globe are given a box of LEGO, while up to ten million adults buy sets for themselves. Yet LEGO is much more than a dizzying number of plastic bricks that can be put together and combined in countless ways. LEGO is also a vision of the significance of what play can mean for humanity. This book tells the extraordinary story of a global company and a Danish family who for ninety years have defended children's right to play-and who believe grown-ups, too, should make the time to nurture their inner child. The LEGO Story is built on Jens Andersen's unique access to LEGO's own archives, as well as on Andersen's extensive conversations with Kjeld Kirk Kristiansen, former president and CEO of the LEGO group and grandson of its founder, Ole Kirk Christiansen. A riveting cultural history of changing generations' views of childhood and the importance of play, The LEGO Story also a fascinating case study of how innovation and creativity helped leaders transform LEGO from a small carpentry business into the world's largest producer of play materials and one of the most beloved brands in the world. Richly illustrated with never-before-seen photos from the family's private archive, this is the ultimate book for fans of LEGO, revealing everything you ever wanted to know about the brand.&nbsp;An International Bestseller

“Absolutely essential reading for every&nbsp;LEGO&nbsp;fan.” —BlocksThe definitive history of LEGO, based on unprecedented access to the company’s archives and rare interviews with the founding family who still owns the company"This book tells the story of how my family built the LEGO brand." —Kjeld Kirk Kristiansen, former President/CEO of the LEGO Group and 3rd generation ownerIt’s estimated that each year between eighty and ninety million children around the globe are given a box of LEGO, while up to ten million adults buy sets for themselves. Yet LEGO is much more than a dizzying number of plastic bricks that can be put together and combined in countless ways. LEGO is also a vision of the significance of what play can mean for humanity.This book tells the extraordinary story of a global company and a Danish family who for ninety years have defended children’s right to play—and who believe grown-ups, too, should make the time to nurture their inner child. The LEGO Story is built on Jens Andersen’s unique access to LEGO’s own archives, as well as on Andersen’s extensive conversations with Kjeld Kirk Kristiansen, former president and CEO of the LEGO group and grandson of its founder, Ole Kirk Christiansen.A riveting cultural history of changing generations’ views of childhood and the importance of play, The LEGO Story also a fascinating case study of how innovation and creativity helped leaders transform LEGO from a small carpentry business into the world’s largest producer of play materials and one of the most beloved brands in the world. Richly illustrated with never-before-seen photos from the family’s private archive, this is the ultimate book for fans of LEGO, revealing everything you ever wanted to know about the brand.&nbsp;An International Bestseller

How a Little Toy Sparked the World's Imagination

The LEGO Story

New York Times&nbsp;bestselling author Jeff Pearlman turns his sharp eye and meticulous storytelling to one of pop culture’s most enduring and enigmatic figures—Tupac Shakur—presenting the definitive retelling of his life, complete with explosive new details.&nbsp; Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac’s story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured—his edges sanded down, his complexity numbed—by the competing agendas that surround his legacy.In&nbsp;Only God Can Judge Me, accomplished biographer and cultural historian Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac’s life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like&nbsp;Juice&nbsp;and&nbsp;Poetic Justice&nbsp;to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure,&nbsp;Only God Can Judge Me&nbsp;also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music.Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac’s life, the result offers a truly singular portrait of one of modern pop culture’s most towering figures. &nbsp;Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.&nbsp;

New York Times&nbsp;bestselling author Jeff Pearlman turns his sharp eye and meticulous storytelling to one of pop culture’s most enduring and enigmatic figures—Tupac Shakur—presenting the definitive retelling of his life, complete with explosive new details.&nbsp; Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac’s story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured—his edges sanded down, his complexity numbed—by the competing agendas that surround his legacy.In&nbsp;Only God Can Judge Me, accomplished biographer and cultural historian Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac’s life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like&nbsp;Juice&nbsp;and&nbsp;Poetic Justice&nbsp;to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure,&nbsp;Only God Can Judge Me&nbsp;also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music.Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac’s life, the result offers a truly singular portrait of one of modern pop culture’s most towering figures. &nbsp;Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.&nbsp;

The Many Lives of Tupac Shakur

Only God Can Judge Me

"A surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page."—New York TimesCombining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen’s Gambit, a renowned puzzle creator’s compulsively readable memoir and history of the crossword puzzle as an unexpected site of women’s work and feminist protest.The indisputable “queen of crosswords,” Anna Shechtman published her first New York Times puzzle at age nineteen, and later, helped to spearhead the The New Yorker’s popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.In this fascinating work—part memoir, part cultural analysis—she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the “Crossword Craze” of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they’ve been allowed to fill, and the ways that they’ve used puzzles to negotiate the constraints and play of desire under patriarchy.The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.

Inheriting the Feminist History of the Crossword Puzzle

The Riddles of the Sphinx

Tony Stark, Odysseus, and the Myths Behind Marvel

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