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Meineck P: Tony Stark, Odysseus, and the
Myths Behind Marvel

Tony Stark, Odysseus, and the Myths Behind Marvel

Ancient Heroes in the Modern World

"Nothing I've read has cut to the heart of the '00s like&nbsp;Y2K." -&nbsp;BustlePerfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is a delightfully nostalgic and bitingly told exploration about how the early 2000s forever changed us and the world we live in. THE EARLY 2000s&nbsp;conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all.&nbsp;The internet had arrived, and technology was shiny and fun.&nbsp;For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999,&nbsp;we are still living in the shadows of the Y2K Era. In&nbsp;Y2K, one of our most brilliant young critics Colette Shade offers a darkly funny meditation on everything from the pop culture to the political economy of the period. By close reading Y2K artifacts like the Hummer H2, Smash Mouth's "All Star," body glitter, AOL chatrooms, Total Request Live,&nbsp;and early internet porn, Shade produces an affectionate yet searing critique of a decade that started with a boom and ended with a crash. In one essay Colette unpacks how hearing Ludacris's hit song "What's Your Fantasy" shaped a generation's sexual awakening; in another she interrogates how her eating disorder developed as rail-thin models from the collapsed USSR flooded the pages of&nbsp;Vogue; in another&nbsp;she&nbsp;reveals how the McMansion became an ominous symbol of the housing collapse. Perfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is the first book to fully reckon with the mixed legacy of the Y2K Era-a perfectly timed collection that holds a startling mirror to our past, present, and future.

“Nothing I’ve read has cut to the heart of the ’00s like&nbsp;Y2K.” —&nbsp;BustlePerfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is a delightfully nostalgic and bitingly told exploration about how the early 2000s forever changed us and the world we live in.THE EARLY 2000s&nbsp;conjures images of inflatable furniture, flip phones, and low-rise jeans. It was a new millennium and the future looked bright, promising prosperity for all.&nbsp;The internet had arrived, and technology was shiny and fun.&nbsp;For many, it felt like the end of history: no more wars, racism, or sexism. But then history kept happening. Twenty-five years after the ball dropped on December 31st, 1999,&nbsp;we are still living in the shadows of the Y2K Era.In&nbsp;Y2K, one of our most brilliant young critics Colette Shade offers a darkly funny meditation on everything from the pop culture to the political economy of the period. By close reading Y2K artifacts like the Hummer H2, Smash Mouth’s “All Star,” body glitter, AOL chatrooms, Total Request Live,&nbsp;and early internet porn, Shade produces an affectionate yet searing critique of a decade that started with a boom and ended with a crash.In one essay Colette unpacks how hearing Ludacris’s hit song “What’s Your Fantasy” shaped a generation’s sexual awakening; in another she interrogates how her eating disorder developed as rail-thin models from the collapsed USSR flooded the pages of&nbsp;Vogue; in another&nbsp;she&nbsp;reveals how the McMansion became an ominous symbol of the housing collapse.Perfect for fans of Jia Tolentino and Chuck Klosterman,&nbsp;Y2K&nbsp;is the first book to fully reckon with the mixed legacy of the Y2K Era—a perfectly timed collection that holds a startling mirror to our past, present, and future.

How the 2000s Became Everything (Essays on the Future That Never Was)

New York Times&nbsp;bestselling author Jeff Pearlman turns his sharp eye and meticulous storytelling to one of pop culture’s most enduring and enigmatic figures—Tupac Shakur—presenting the definitive retelling of his life, complete with explosive new details.&nbsp; Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac’s story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured—his edges sanded down, his complexity numbed—by the competing agendas that surround his legacy.In&nbsp;Only God Can Judge Me, accomplished biographer and cultural historian Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac’s life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like&nbsp;Juice&nbsp;and&nbsp;Poetic Justice&nbsp;to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure,&nbsp;Only God Can Judge Me&nbsp;also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music.Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac’s life, the result offers a truly singular portrait of one of modern pop culture’s most towering figures. &nbsp;Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.&nbsp;

New York Times&nbsp;bestselling author Jeff Pearlman turns his sharp eye and meticulous storytelling to one of pop culture’s most enduring and enigmatic figures—Tupac Shakur—presenting the definitive retelling of his life, complete with explosive new details.&nbsp; Scrutinized in life, mythologized in death, Tupac Shakur remains a subject of immense cultural significance and speculation nearly thirty years after his murder. Despite a multitude of books, documentaries, and even a feature film, much about Tupac’s story remains shrouded and misunderstood. Like many icons who died tragically young, Tupac the man has long been obscured—his edges sanded down, his complexity numbed—by the competing agendas that surround his legacy.In&nbsp;Only God Can Judge Me, accomplished biographer and cultural historian Jeff Pearlman tackles his most nuanced subject, telling the definitive story of Tupac Shakur in unprecedented depth. In this authoritative look at Tupac’s life, Pearlman skillfully recreates West Coast hip hop in all its glory, going inside Death Row Records and on the sets of movies like&nbsp;Juice&nbsp;and&nbsp;Poetic Justice&nbsp;to offer the most clear-eyed rendering to date of the man who still casts a shadow over modern hip hop. But more than just a biography of a complicated figure,&nbsp;Only God Can Judge Me&nbsp;also captures the time and place in which Tupac rose, a singular moment in music history when West Coast hip hop became a phenomenon and transformed popular music.Featuring nearly seven hundred original interviews and never-before-published details from every corner of Tupac’s life, the result offers a truly singular portrait of one of modern pop culture’s most towering figures. &nbsp;Guided by the voices of those who knew and lived life alongside him, Only God Can Judge Me captures the layers of a man who, even thirty years after his death, remains as elusive as ever.&nbsp;

The Many Lives of Tupac Shakur

Only God Can Judge Me

"A surprising and ambitious investigation of language and the varied ways women resist the paradoxes of patriarchy both on and off the page."—New York TimesCombining the soul-baring confessional of Brain on Fire and the addictive storytelling of The Queen’s Gambit, a renowned puzzle creator’s compulsively readable memoir and history of the crossword puzzle as an unexpected site of women’s work and feminist protest.The indisputable “queen of crosswords,” Anna Shechtman published her first New York Times puzzle at age nineteen, and later, helped to spearhead the The New Yorker’s popular crossword section. Working with a medium often criticized as exclusionary, elitist, and out-of-touch, Anna is one of very few women in the field of puzzle making, where she strives to make the everyday diversion more diverse.In this fascinating work—part memoir, part cultural analysis—she excavates the hidden history of the crossword and the overlooked women who have been central to its creation and evolution, from the “Crossword Craze” of the 1920s to the role of digital technology today. As she tells the story of her own experience in the CrossWorld, she analyzes the roles assigned to women in American culture, the boxes they’ve been allowed to fill, and the ways that they’ve used puzzles to negotiate the constraints and play of desire under patriarchy.The result is an unforgettable and engrossing work of art, a loving and revealing homage to one of our most treasured, entertaining, and ultimately political pastimes.

Inheriting the Feminist History of the Crossword Puzzle

The Riddles of the Sphinx

"Matthew Specktor grew up in the film industry: the son of legendary CAA superagent Fred Specktor, his childhood was one where Beau Bridges came over for dinner, Martin Sheen's daughter was his close friend, and Marlon Brando left long messages on the family answering machine. He would eventually spend time working in Hollywood himself, first as a reluctant studio executive and later as a screenwriter. Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry--illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA's Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital"--

A personal and cultural exploration of the struggles between art and business at the heart of modern Hollywood, through the eyes of the talent that shaped itMatthew Specktor grew up in the film industry: the son of legendary CAA superagent Fred Specktor, his childhood was one where Beau Bridges came over for dinner, Martin Sheen’s daughter was his close friend, and Marlon Brando left long messages on the family answering machine. He would eventually spend time working in Hollywood himself, first as a reluctant studio executive and later as a screenwriter.Now, with The Golden Hour, Specktor blends memoir, cultural criticism, and narrative history to tell the story of the modern motion picture industry—illuminating the conflict between art and business that has played out over the last seventy-five years in Hollywood. Braiding his own story with that of his father, mother (a talented screenwriter whose career was cut short), and figures ranging from Jack Nicholson to CAA’s Michael Ovitz, Specktor reveals how Hollywood became a laboratory for the eternal struggle between art, labor, and capital.Beginning with the rise of Music Corporation of America in the 1950s,&nbsp;The Golden Hour&nbsp;lays out a series of clashes between fathers and sons, talent agents and studio heads, artists, activists, unions, and corporations. With vivid prose and immersive scenes, Specktor shows how Hollywood grew from the epicenter of American cultural life to a full-fledged multinational concern—and what this shift has meant for the nation’s place in the world. At once a book about the movie business and an intimate family drama, The Golden Hour is a sweeping portrait of the American Century.

A Story of Family and Power in Hollywood

The Golden Hour

"In The Fatal Alliance the acclaimed film critic David Thomson offers us one of his most provocative books yet--a rich, arresting, and troubling study of that most beloved genre: the war movie. It is not a standard history or survey of war films, although Thomson turns his typically piercing eye to many favorites--from All Quiet on the Western Front to The Bridge on the River Kwai to Saving Private Ryan. But The Fatal Alliance does much more, exploring how war and cinema in the twentieth century became inextricably linked. Movies had only begun to exist by the beginning of World War I, yet in less than a century, had transformed civilian experience of war--and history itself--for millions around the globe. This reality is the moral conundrum at the heart of Thomson's book. War movies bring both prestige and are so often box office blockbusters; but is there something problematic at how much moviegoers enjoy depictions of violence on a grand scale, such as Apocalypse Now, Black Hawk Down, or even Star Wars? And what does this truth say about us, our culture, and our changing sense of warfare and the past?"--

“A marvelous bombshell of a book, by one of our most formidably knowledgeable and insightful writers on film, it is filled with surprises and witty asides.&nbsp;Though Thomson is quick to pounce on the hypocrisies and historical omissions of some of these war movies, there is nothing compromised about his own daredevil judgments.&nbsp;We are in the hands of a master critic/essayist.”—Phillip LopateFrom one of the greatest living writers on film, a magisterial look at a century of battle depicted on screen, and a meditation on the twisted relationship between war and the movies.In&nbsp;The Fatal Alliance the acclaimed film critic David Thomson offers us one of his most provocative books yet—a rich,&nbsp;arresting, and troubling study of that most beloved genre: the war movie. It is not a standard history or survey of war films, although Thomson turns his typically piercing eye to many favorites—from&nbsp;All Quiet on the Western Front&nbsp;to&nbsp;The Bridge on the River Kwai&nbsp;to&nbsp;Saving Private Ryan.&nbsp;But&nbsp;The Fatal Alliance&nbsp;does much more, exploring&nbsp;how war and cinema in the twentieth&nbsp;century became inextricably linked. Movies had only begun to exist by the beginning of World War I, yet in less than a century, had transformed civilian experience of war—and history itself—for millions around the globe. This reality is the moral conundrum at the heart of Thomson’s book. War movies bring both prestige and are so often box office blockbusters; but is there something problematic at how much moviegoers enjoy depictions of violence on a grand scale, such as&nbsp;Apocalypse Now, Black Hawk Down, or even&nbsp;Star Wars? And what does this truth say about us, our culture, and our changing sense of warfare and the past?&nbsp;

A Century of War on Film

The Fatal Alliance

“A heart-pounding, mind-bending adventure.” —Ilyon WooA riveting biography of Alexander the Great’s final years, when the leader’s insatiable desire to conquer the world set him off on an exhilarating, harrowing journey that would define his legacy. &nbsp;By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.&nbsp;Alexander’s unrelenting desire to press on resulted in a perilous seven-year journey through the unknown eastern borderlands of the Persian empire that would test the great conqueror’s physical and mental limits. He faced challenges from the natural world, moving through deadly monsoons and extreme temperatures; from a rotating cast of well-matched adversaries, who conspired against him at every turn; and even from his own men, who questioned his motives and distrusted the very beliefs on which Alexander built his empire. This incredible sweep of time, culminating with his death in 323 BC at the age of 32, would come to determine Alexander’s legacy and shape the empire he left behind.&nbsp;In Alexander at the End of the World, renowned classicist and art history professor Rachel Kousser vividly brings to life Alexander’s labyrinthine, treacherous final years, weaving together a brilliant series of epic battles, stunning landscapes, and nearly insurmountable obstacles. Meticulously researched and grippingly written, Kousser’s narrative is an unforgettable tale of daring and adventure, an inspiring portrait of grit and ambition, and a powerful meditation on the ability to learn from failure.&nbsp;

“A heart-pounding, mind-bending adventure.” —Ilyon WooA riveting biography of Alexander the Great’s final years, when the leader’s insatiable desire to conquer the world set him off on an exhilarating, harrowing journey that would define his legacy. &nbsp;By 330 B.C.E., Alexander the Great had reached the pinnacle of success. Or so it seemed. He had defeated the Persian ruler Darius III and seized the capital city of Persepolis. His exhausted and traumatized soldiers were ready to return home to Macedonia. Yet Alexander had other plans. He was determined to continue heading east to Afghanistan in search of his ultimate goal: to reach the end of the world.&nbsp;Alexander’s unrelenting desire to press on resulted in a perilous seven-year journey through the unknown eastern borderlands of the Persian empire that would test the great conqueror’s physical and mental limits. He faced challenges from the natural world, moving through deadly monsoons and extreme temperatures; from a rotating cast of well-matched adversaries, who conspired against him at every turn; and even from his own men, who questioned his motives and distrusted the very beliefs on which Alexander built his empire. This incredible sweep of time, culminating with his death in 323 BC at the age of 32, would come to determine Alexander’s legacy and shape the empire he left behind.&nbsp;In Alexander at the End of the World, renowned classicist and art history professor Rachel Kousser vividly brings to life Alexander’s labyrinthine, treacherous final years, weaving together a brilliant series of epic battles, stunning landscapes, and nearly insurmountable obstacles. Meticulously researched and grippingly written, Kousser’s narrative is an unforgettable tale of daring and adventure, an inspiring portrait of grit and ambition, and a powerful meditation on the ability to learn from failure.&nbsp;

The Forgotten Final Years of Alexander the Great

Alexander at the End of the World

Journalist and former Allure editor Sable Yong presents an essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change.

“With humor and candor, Die Hot With a Vengeance shows why beauty should be a tool of self-expression, not self-hate.” - TIME*ONE OF BUSTLE'S MOST ANTICIPATED SUMMER READS*Journalist and former&nbsp;Allure&nbsp;editor Sable Yong debuts with a sharp-toothed and hilarious essay collection about beauty and vanity, examining their stigmatization in the cultural zeitgeist, and how to shift the focus to use both for powerful tools for self-exploration, interpersonal connection, and cultural change.The beauty industry has a single mandate: be hot.In the same week that you might be encouraged to try curtain bangs, contouring, bleached eyebrows, laser facials, buccal fat removal, fillers, and “non-invasive” facelifts, you’re simultaneously absorbing mantras about self-care, body positivity, empowerment, and loving yourself just as you are.Overwhelmed yet?&nbsp;Fear not.&nbsp;Die Hot with a Vengeance&nbsp;delves into the machinations of this multi-billion-dollar industry, offering readers an expert analysis of its inner workings with the precision of a scalpel and the humor of a stand-up comedian. Along the way, Yong&nbsp;sets off to answer some of the biggest questions of our time:&nbsp;<ul><li>How do you break through the noise of beauty and wellness culture’s endless optimization protocols?</li><li>How can you find actual authenticity in a world of performative artifice?</li><li>Can the antidote to aging be found in a jar, tube, or at the end of a syringe?</li><li>Do blondes really have more fun?</li></ul>Using Yong’s many years of experience as a beauty editor to unlock the industry’s myriad secrets,&nbsp;Die Hot with a Vengeance&nbsp;gives beauty and vanity a neutralizing make-over. At its best, beauty is so much more than an aesthetic; it’s an inspirational mindset. It’s a playfulness inherent to the practice of self-expression.And yet it’s difficult to engage playfully when it feels like beauty is an ever-moving target. We’re all subject to societal expectations surrounding beauty and vanity, enough so that breaking through the capitalist pressures can feel impossible. Yong argues that while the mandate may be for us to be hot, the beauty industry thrives on us absorbing its teachings so it can keep us in a constant feedback loop of appearance-based anxiety, forever perpetuating unattainable standards. Flipping that imperative, Yong’s debut collection poses the most important question of all: How do you discover your value of beauty so you can free yourself from the loud and bullshitty noise of all these entities telling you that you’re not good enough?Digging deep into our most pervasive and questionable beauty trends and conventions,&nbsp;Die Hot with a Vengeance&nbsp;offers an incisive yet wry dissection of one of our most enduring cultural addictions. Irreverent, side-splittingly funny, and astute, the book&nbsp;is as amusing as it is insightful, an instant classic for beauty-readers and aspirant hotties alike.&nbsp;

Essays on Vanity

Die Hot with a Vengeance

From daughter of musical visionary Frank Zappa. Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the ?Valley Girl,? and finding herself after losing her father, then her mother, and the fracturing of her longest relationships. WELCOMEI got my first journal as a Christmas gift when I was five. It was hardbound, black leather with gold embellishments on the cover and along the paper edges. It was very fancy. The same books followed every year and they felt very important. And yet, even as a small girl, every time I stared down the page to draw and express myself, I felt I came up short against my father's music, handwriting, drawings. Still, I persevered, and just surrendered to how it felt to be swept away by the creative urging.I used my journals like secret best friends to which I could say anything. For a time, when I still lived at home and had no privacy, I'd write in code about my most private feelings. The saying goes that ?God only gives you what you can handle.? Well God didn't grow up in my atheist, Wiccan, celebrity-focused, oversexed, teetotalling, drug-free, cloistered, undiagnosed mental illness ridden, non-communicative, shaming, workaholic, feral-feeling house. For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in the sexually free, wild world of 1970s Laurel Canyon. And as we careen into the 1980s, the style and the music and the tone changes?but Moon remains the constant, trying to find herself in a very confusing, ever-changing equation?that of her family and the relationship with fame.It is Moon's deep sense of humor and humilty that keeps her grounded, and keeps this memoir pinned to the ground. Earth to Moon is a creative, colorful, and wonderful lesson in growing into oneself.

From daughter of musical visionary Frank Zappa, Moon Unit Zappa, comes a memoir of growing up in her unconventional household in 1970s Los Angeles, coming of age as part of the MTV generation in the 1980s as the “Valley Girl,” and finding herself after losing her father, then her mother, and the fracturing of her longest relationships. I got my first journal when I was five, for Christmas, then every year after I’d get a new one. They were hardbound in black leather with gold embellishments on the cover and along the paper edges. So fancy. These books felt important. I believed I had a responsibility to do excellent work in them, to match their external beauty and honor the dead trees I held in my hands, a concept my mother had recently illuminated along with explaining hamburgers were deceased cows. Plus, the diaries were from Gail and Frank, my mother and my father, with the inscription to me in his handwriting, so I put undue pressure on myself to turn these blank nothings into weighty somethings, as I saw my idol dad doing on his large, butter-colored music paper.&nbsp;When I wasn’t writing short stories about my camels T’mershi Duween and Sinini, or about aliens or ballerinas or nuns, or alien ballerina nuns, I’d report on the happenings in the house or the world at large. I was political and wrote a letter to President Ford to get him to stop men from clubbing baby harp seals. I was ambitious and practiced signing my autograph in various handwriting styles. I was complimentary and wrote a letter to Tina Turner to let her know she is almost as good a dancer as me. I was boy crazy for Shawn Cassidy and wrote his name everywhere, followed by pages of scrawling my new name “Moon Unit Cassidy” in loopy cursive. I used my journals like a secret best friend I could tell anything to: “I’m sad. I wish my dad would take me with him to Europe.” When I still lived at home and had no privacy, I’d write in code about really secret stuff so I had somewhere safe to be the real me, to vent about my feelings with impunity.As time went on, I loosened the reins on my dad-comparing and perfectionism in my journals. And in life. I had no choice.&nbsp;Rightly or wrongly, I believed I would never be as good as my dad, so I had to learn to live with plain old me.&nbsp;For Moon Unit Zappa, processing a life so unique, so punctuated by the whims of creative genius, the tastes of popular culture, the calculus of celebrity and the nature of fractured love has at times been eviscerating, at others, illuminating. Yes, this is a book about growing up in the shadows of Frank Zappa, in a sexually free, but also dysfunctional world in 1970s LA. And as we careen into the 1980s, the style and the music and the tone changes—but Moon remains the constant, trying to find herself in a very confusing, everchanging equation—that of her family and the relationship with fame.It is Moon’s deep sense of humor and humility that keeps her grounded, and keeps this memoir pinned to the ground.&nbsp;Earth to Moon&nbsp;is a creative, colorful, and wonderful lesson in growing into oneself.&nbsp;&nbsp;

Earth to Moon

“A fascinating peek behind the making of a megahit, and a delightful bit of nostalgia for those of us who remember life before streaming TV.” —Town &amp; CountryWelcome to the O.C., b*tch:&nbsp;it’s the definitive oral history of beloved TV show&nbsp;The O.C.,&nbsp;from the show’s creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today.&nbsp;On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country.Just in time for the show’s twentieth anniversary,&nbsp;The O.C.’s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With&nbsp;Rolling Stone’s chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened,&nbsp;Welcome to the O.C.&nbsp;will offer the definitive inside look at the beloved show—a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu.The O.C.&nbsp;paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it’s time to go back where we started from and experience it all over again.&nbsp;Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more!&nbsp;

Welcome to the O.C., b*tch:&nbsp;it’s the definitive oral history of beloved TV show&nbsp;The O.C.,&nbsp;from the show’s creators, featuring interviews with the cast and crew, providing a behind-the-scenes look into how the show was made, the ups and downs over its four seasons, and its legacy today.&nbsp;On August 5th, 2003, Ryan Atwood found himself a long way from his home in Chino—he was in The O.C., an exclusive suburb full of beautiful girls, wealthy bullies, corrupt real-estate tycoons, and a new family helmed by his public defender, Sandy Cohen. Ryan soon warms up to his nerdy, indie band-loving new best friend Seth, and quickly falls for Marissa, the stunning girl next door who has secrets of her own. Completing the group is Summer, Seth’s dream girl and Marissa’s loyal—and fearless—best friend. Together, the friends fall in and out of love, support each other amidst family strife, and capture the hearts of audiences across the country.Just in time for the show’s twentieth anniversary,&nbsp;The O.C.’s creator Josh Schwartz and executive producer Stephanie Savage are ready to dive into how the show was made, the ups and downs over its four seasons, and its legacy today. With&nbsp;Rolling Stone’s chief TV critic and bestselling author Alan Sepinwall conducting interviews with the key cast members, writers, and producers who were there when it all happened,&nbsp;Welcome to the O.C.&nbsp;will offer the definitive inside look at the beloved show—a nostalgic delight for audiences who watched when it aired, and a rich companion to viewers currently discovering the show while it streams on HBO Max and Hulu.The O.C.&nbsp;paved the way for a new generation of iconic teen soaps, launched the careers of young stars, and even gave us the gift of Chrismukkah. Now, it’s time to go back where we started from and experience it all over again.&nbsp;Includes exclusive interviews with: Ben McKenzie * Mischa Barton * Adam Brody * Rachel Bilson * Peter Gallagher * Kelly Rowan * Melinda Clarke * Tate Donovan * Chris Carmack * Autumn Reeser * Willa Holland * Samaire Armstrong * Alan Dale * Colin Hanks * Amanda Righetti * Navi Rawat * Shannon Lucio * Michael Cassidy * McG * Imogen Heap * Alex Greenwald * Ben Gibbard * Paul Scheer * Doug Liman * and many more!&nbsp;

The Oral History

Welcome to the O.C

NATIONAL BESTSELLERThe urgent, revelatory story of how a school board win for the conservative right in one Texas suburb inspired a Christian nationalist campaign now threatening to undermine public education in America—from an NBC investigative reporter and co-creator of the Peabody Award–winning and Pulitzer Prize finalist Southlake podcast.&nbsp;Award-winning journalist Mike Hixenbaugh delivers the immersive and eye-opening story of Southlake, Texas, a district that seemed to offer everything parents would want for their children—small classes, dedicated teachers, financial resources, a track record of academic success, and school spirit in abundance. All this, until a series of racist incidents became public, a plan to promote inclusiveness was proposed in response—and a coordinated, well-funded conservative backlash erupted, lighting the fire of a national movement on the verge of changing the face of public schools across the country.They Came for the Schools pulls back the curtain on the powerful forces driving this crusade to ban books, rewrite curricula, limit rights for minority and LGBTQ students—and, most importantly, to win what Hixenbaugh’s deeply informed reporting convinces is the holy grail among those seeking to impose biblical values on American society: school privatization, one school board and one legal battle at a time.They Came for the Schools delivers an essential take on Donald Trump and Ron DeSantis, as they demean public schools and teachers and boost the Christian right’s vision. Hixenbaugh brings to light fascinating connections between this political and cultural moment and past fundamentalist campaigns to censor classroom lessons. Finally, They Came for the Schools traces the rise of a new resistance movement led by a diverse coalition of student activists, fed-up educators, and parents who are beginning to win select battles of their own: a blueprint, they hope, for gaining inclusive and civil schools for all.

NATIONAL BESTSELLERThe urgent, revelatory story of how a school board win for the conservative right in one Texas suburb inspired a Christian nationalist campaign now threatening to undermine public education in America—from an NBC investigative reporter and co-creator of the Peabody Award–winning and Pulitzer Prize finalist Southlake podcast.&nbsp;Award-winning journalist Mike Hixenbaugh delivers the immersive and eye-opening story of Southlake, Texas, a district that seemed to offer everything parents would want for their children—small classes, dedicated teachers, financial resources, a track record of academic success, and school spirit in abundance. All this, until a series of racist incidents became public, a plan to promote inclusiveness was proposed in response—and a coordinated, well-funded conservative backlash erupted, lighting the fire of a national movement on the verge of changing the face of public schools across the country.They Came for the Schools pulls back the curtain on the powerful forces driving this crusade to ban books, rewrite curricula, limit rights for minority and LGBTQ students—and, most importantly, to win what Hixenbaugh’s deeply informed reporting convinces is the holy grail among those seeking to impose biblical values on American society: school privatization, one school board and one legal battle at a time.They Came for the Schools delivers an essential take on Donald Trump and Ron DeSantis, as they demean public schools and teachers and boost the Christian right’s vision. Hixenbaugh brings to light fascinating connections between this political and cultural moment and past fundamentalist campaigns to censor classroom lessons. Finally, They Came for the Schools traces the rise of a new resistance movement led by a diverse coalition of student activists, fed-up educators, and parents who are beginning to win select battles of their own: a blueprint, they hope, for gaining inclusive and civil schools for all.

One Town's Fight Over Race and Identity, and the New War for America's Classrooms

They Came for the Schools

David Enrich, the&nbsp;New York Times&nbsp;Business Investigations Editor and the #1 bestselling author of&nbsp;Dark Towers, produces his most consequential and far-reaching investigation yet: an in-depth exposé of the broad campaign?orchestrated by elite Americans?to overturn sixty years of Supreme Court precedent, weaponize our speech laws, and silence dissent.

New York Times Bestseller"Authoritarian governments abroad have long used legal threats and lawsuits against journalists to cover up their disinformation, corruption, and violence. Now, as master investigative journalist David Enrich reveals, those tactics have arrived in America.” —&nbsp;Ruth Ben-Ghiat, author of&nbsp;StrongmenDavid Enrich, the&nbsp;New York Times&nbsp;Business Investigations Editor and the #1 bestselling author of&nbsp;Dark Towers, produces his most consequential and far-reaching investigation yet: an in-depth exposé of the broad campaign—orchestrated by elite Americans—to silence dissent and protect the powerful.It was a quiet way to announce a revolution: In an obscure 2019 case that the Supreme Court refused to even hear, Justice Clarence Thomas raised the prospect of overturning the legendary New York Times&nbsp;v. Sullivan decision. Though hardly a household name, Sullivan&nbsp;is one of the most consequential free speech decisions, ever. Fundamental to the creation of the modern media as we know it,&nbsp;it&nbsp;has enabled journalists and writers all over the country—from top national publications to revered local newspapers to independent bloggers—to pursue the truth aggressively and hold the wealthy, powerful, and corrupt to account.Thomas’s words were a warning—the public awakening of an idea that had been fomenting on the conservative fringe for years. Now it is going mainstream. From the Florida statehouse to small town New Hampshire to Donald Trump's White House, this movement today consists of some of the world’s richest and most powerful people and companies, who believe they should be above scrutiny and want to silence or delegitimize voices that challenge their supremacy. Indeed, many of the same businessmen, politicians, lawyers, and activists are already weaponizing the legal system to intimidate and punish journalists and others who dare criticize them.In this masterwork of investigative reporting, David Enrich,&nbsp;New York Times&nbsp;Business Investigations Editor, traces the roots and reach of this growing threat to our modern democracy. With Trump’s emboldened right-wing coalition committed to demonizing and punishing those who attempt to hold them accountable, Murder the Truth sounds the alarm about the looming war over facts, laying bare the stakes of losing our most sacrosanct rights. The result is a story about power in the age of Trump—the way it’s used by those who have it and the lengths to which they will go to avoid it being questioned.

Fear, the First Amendment, and a Secret Campaign to Protect the Powerful

Murder the Truth

Tony Stark, Odysseus, and the Myths Behind Marvel

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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