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Thomson's Delictual Liability is a highly respected account of the principles of delict in Scots law and is the standard introductory textbook on the subject.

Bogle S: Thomson’s Delictual Liability

Thomson’s Delictual Liability

Chapter 1: The Intentional Delicts Chapter 2: The Economic Wrongs Chapter 3: The Duty of Care Chapter 4: Psychiatric Injury Chapter 5: Negligently-Inflicted Economic Loss Chapter 6: Public Authorities Chapter 7: Novel Duties of Care Chapter 8: Breach of Duty of Care Chapter 9: Causation and Defences Chapter 10: Employer's Liability Chapter 11: Professional Liability Chapter 12: Liability arising from the Ownership or Occupation of Property Chapter 13: Product Liability Chapter 14: Defamation and Malicious Publication Chapter 15: Vicarious Liability Chapter 16: Prescription and Limitation Chapter 17: Remedies

War came to North Africa in June 1940. But it was over a year before a newly-formed SAS went into action. Until then, the fight belonged to an elite, top secret band of brothers called the Long Range Desert Group. They were Britain's first special forces. Born out of a pre-war club of explorers, eccentrics and mavericks, the LRDG operated alone behind enemy lines, performing astonishing feats of navigation, endurance and survival, and paved the way for the SAS. Drawing on his own decade's service with UK Special Forces, Titch Cormack brings to life the action-packed but little-known story of Britain's original rogue heroes.

SAS 101

<div>This artful and thought-provoking picture book shares the little-known story of the disappearance of the Aral Sea—and the loss of livelihood and biodiversity as fishing villages and ships were left stranded in the desert without water.</div>

The Tale of How the Aral Sea Became the Aral Desert

The Vanishing Sea

Critical Interventions in the Medical and Health Humanities

The Eighteenth-Century Construction of the Hermaphrodite

Medicalizing Difference

Historicizing Modernism

D.H. Lawrence, H.D. and Richard Aldington

Great War Modernists

This book offers the first sustained analysis of the interactions between British writers, propaganda and culture from the Second World War to the Cold War. It traces the involvement of a series of major cultural figures in domestic and international propaganda campaigns and throws new light on the global deployment of British propaganda and cultural diplomacy in colonial and post-colonial theatres such as Cyprus, India and Sierra Leone. Chapters re-evaluate the propaganda work of prominent writers including Arthur Koestler and Dylan Thomas in the light of new archival research, study how organisations including the BBC, British Council and Ministry of Information engaged with new media forms, analyse cultural representations of propaganda service and investigate how British literature and culture was deployed and projected as a form of soft power across the globe. Featuring contributions from a variety of disciplines, including literary studies, visual culture, book history and radio history, this book brings together a constellation of established and emerging scholars to show the crucial role played in shaping and mediating the techniques and content of British information campaigns of the mid-twentieth century.

British Writing, Propaganda and Cultural Diplomacy in the Second World War and Beyond

The first full-length study of the late Victorian and Edwardian writing advice industry, exploring how primary instructive material and British fiction of the period represented, reflected upon, and entered into dialogue with this emerging phenomenon.

Literary Advice, British Fiction 1880-1910 and the Birth of the Creative Writing Industry

This is the first encyclopedia devoted exclusively to medieval women’s writing&nbsp;globally. Focusing on the thousand-year period between 500-1500, this comprehensive reference work addresses a long-standing gap in scholarship on women writers from this period. It challenges current understandings of the literary tradition of women by incorporating early writers and texts that remain marginal and by expanding definitions of textual composition to include more collaborative&nbsp;and contextual&nbsp;activities.&nbsp;This encyclopedia also presents women in context of the global Middle Ages.&nbsp;Entries extend beyond works written in England, Scotland, Ireland,&nbsp;and Wales to include works by women from Europe, Africa,&nbsp;and Asia. By locating medieval women’s writing within its cultural, social, religious,&nbsp;and political contexts,&nbsp;The Palgrave Encyclopedia of Medieval Women’s Writing&nbsp;in the Global Middle Ages&nbsp;will be an ideal entry point for students and researchers coming into the field, and a valuable resource for established scholars.

The Palgrave Encyclopedia of Medieval Women's Writing in the Global Middle Ages

In his brilliantly original Tonight the Music Seems so Loud, bestselling author Sathnam Sanghera portrays the extraordinary life, and times, of one of Britain's most beloved musical icons - George Michael.

The Meaning of George Michael

Tonight the Music Seems So Loud

The Rage of Party

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Thomson’s Delictual Liability

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