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Choi F: The World Keeps Ending, And The
World Goes On

The World Keeps Ending, And The World Goes On

“Tramaine Suubi is a visionary love poet, and stages makes a singular life feel vaster than the life cycle of a star. In this poetry of dissolution and re-making, of multiplications and expansion, embodied tenderness is a force capable of moving us “beyond the binary.”&nbsp;As it journeys from personhood to “people-hood,” Suubi’s music shimmers and flashes and connects. I don’t doubt Suubi when they say that “death &amp; I talk mad shit when no one’s listening,” but the gift of this collection is that we get to hear it."— Mary Szybist, National Book Award winner of Incarnadine&nbsp;“Tramaine Suubi’s newest book, stages, crafts new orbits to the oldest questions. As the poems circumnavigate homecomings, desires, and reclamations, the relay baton of sound and syntax passes seamlessly, always ready to hand the reader a line of true substance, a line of unexpected grace, a line of hard-won delight. Suubi insists on playfulness as a site of maturation and love as a protest against multiple erasures. And like celestial bodies, these poems can transfix, predict, and guide one through both dying and newborn light, reminding the reader, “civility is a performance you savage in your dreams.”&nbsp;—Steven Leyva, author of The Opposite of Cruelty“Once, we are looking at a gaggle of geese punctuating the gradient sky, meanwhile, elsewhere we are in Kampala, in Suubi's poem. Suubi navigates between the outwardly observed and the deeply internal, and the readers are at a crossroads, sometimes witnessing, other times noting the mechanical dance of our small, exiled lives. Suubi's sharp, often unblinking, gaze renders each detail with striking precision. What a collection, what a book, what a way to reinvent what African poetry can do, what it will do, what it will continue to do. A second coming that deserves all the praise for its excellence.”—Adedayo Agarau, author of The Years of Blood"So rarely do we come across a book like stages, which mirrors how a day, an hour, a moment--can engage every layer of our being. This collection will dazzle you with swirling musings which authentically ground and unground our desires, histories, and identities."—Marisa Tirado, author of Selena Didn’t Know Spanish EitherCritically acclaimed writer Tramaine Suubi follows up her debut phases, with stages. This powerful meditation, written with the endurance of Lucille Clifton, focuses on choices and changes throughout life, from Yellow Dwarf to Protostar.In this breathtaking companion poetry collection, inspired by the evolution of our brightest star, Tramaine Suubi offers poems alluding to the history of how it came to be and its effects on each human life. Readers will discover poems exploring everything from the gimmicks of capitalism to the false promises of tranquility.This is another brilliant collection that will only reinforce Suubi as a rising star of her generation.

“Tramaine Suubi is a visionary love poet, and stages makes a singular life feel vaster than the life cycle of a star. In this poetry of dissolution and re-making, of multiplications and expansion, embodied tenderness is a force capable of moving us “beyond the binary.”&nbsp;As it journeys from personhood to “people-hood,” Suubi’s music shimmers and flashes and connects. I don’t doubt Suubi when they say that “death &amp; I talk mad shit when no one’s listening,” but the gift of this collection is that we get to hear it."— Mary Szybist, National Book Award winner of Incarnadine&nbsp;“Tramaine Suubi’s newest book, stages, crafts new orbits to the oldest questions. As the poems circumnavigate homecomings, desires, and reclamations, the relay baton of sound and syntax passes seamlessly, always ready to hand the reader a line of true substance, a line of unexpected grace, a line of hard-won delight. Suubi insists on playfulness as a site of maturation and love as a protest against multiple erasures. And like celestial bodies, these poems can transfix, predict, and guide one through both dying and newborn light, reminding the reader, “civility is a performance you savage in your dreams.”&nbsp;—Steven Leyva, author of The Opposite of Cruelty“Once, we are looking at a gaggle of geese punctuating the gradient sky, meanwhile, elsewhere we are in Kampala, in Suubi's poem. Suubi navigates between the outwardly observed and the deeply internal, and the readers are at a crossroads, sometimes witnessing, other times noting the mechanical dance of our small, exiled lives. Suubi's sharp, often unblinking, gaze renders each detail with striking precision. What a collection, what a book, what a way to reinvent what African poetry can do, what it will do, what it will continue to do. A second coming that deserves all the praise for its excellence.”—Adedayo Agarau, author of The Years of BloodCritically acclaimed writer Tramaine Suubi follows up her debut phases, with stages. This powerful meditation, written with the endurance of Lucille Clifton, focuses on choices and changes throughout life, from Yellow Dwarf to Protostar.In this breathtaking companion poetry collection, inspired by the evolution of our brightest star, Tramaine Suubi offers poems alluding to the history of how it came to be and its effects on each human life. Readers will discover poems exploring everything from the gimmicks of capitalism to the false promises of tranquility.This is another brilliant collection that will only reinforce Suubi as a rising star of her generation.

Poems

Stages

"With echoes of Audre Lorde's The Cancer Journals and Susan Sontag's Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman's journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice. With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness. Gibson offers a unique perspective on "the body," viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith. Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms. Gibson presents her body as a "looking glass" that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the "we" in her. The Span of a Small Forever is both testimony and transformation-heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives"--

With echoes of Audre Lorde’s The Cancer Journals and Susan Sontag’s Illness as Metaphor, an extraordinary debut collection from a prize-winning poet that chronicles a Black woman’s journey through disability, the byzantine healthcare system, life-giving, taking, and sacrifice.With breathtaking lyricism and a vulnerability that pierces the heart, April Gibson journeys through the emotional abysses, the daily pleasures, the frustrations, and the joys of being a Black woman living with chronic illness.&nbsp;Gibson offers a unique perspective on “the body,” viewing disability and healthcare through both feminist and socio-economic lenses filtered by race and faith.&nbsp;Through gorgeous sensory language that migrates memories, from carefree innocence to the ravages formed in its absence, Gibson bears witness to grief, courage, and resistance to redefine herself on her own terms.&nbsp;&nbsp;Gibson presents her body as a “looking glass” that re-envisions illness, womanhood, motherhood, religious relics and collective loss through her physicality, through her lamenting, through her unearthing, reckoning and rebirth. Not only do we see her, but see the “we” in her.&nbsp;The Span of a Small Forever&nbsp;is both testimony and transformation—heart-shattering in its honesty, it ultimately offers us transcendent beauty, nourishment, and the strength we need to go on in our lives.

The Span of a Small Forever

The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving&nbsp;the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant,&nbsp;Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

The acclaimed poetic force celebrates the practice of poetry as healing and prayer in this vital, life-affirming collection about surviving&nbsp;the void and touching the divine—the second book in a creative collaboration between Amistad and Moore Black Press.At age fifteen, Barbara Fant tragically lost her mother, and her world was suddenly upended. “I became an angry teenager. I was mad at the world.,” she recalls. “I even stopped praying, but I began to write. Poetry became my way of communication, my way of processing . . . it became my way to pray.”Rebirth, renewal, and healing are the heart of Joy in the Belly of a Riot. Fant’s monumental collection is a continuation of her lifelong project of using poetry as prayer; this is healing-informed poetry to restore herself, her community, and the world. Exquisitely lyrical and boldly resonant,&nbsp;Fant’s poems excavate the nightmares of a childhood marked by poverty, violence, racism, and the loss of countless loved ones. Suffering seemed endemic to neighborhoods like hers, and yet, in Fant’s own words, “I keep trying to write about the trauma, but the joy won’t let me.”Steeped in a rich Black Christian tradition and drawing on Scripture for artistic inspiration, Fant’s verse offers solace and guidance for all, from the devout to the skeptical. In these poems Fant demands that we see her, and her community, throug more than our grief. As she closes this profound collection, Fant gently preaches that we choose life and reminds us that “wholeness is our birthright.”Joy in the Belly of a Riot is a healing balm in times of sustained uncertainty and a rock upon which we can build and sustain a foundation of joy. Fant’s essential message demands to be heard, now more than ever.

Poems, Prayers, Memories, and Meditations

Joy in the Belly of a Riot

Harper Perennial Olive Editions

From the New York Times bestselling author of Beautiful Ruins, the first collection of short fiction from Jess Walter?a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a reader favorite?now available as a special Harper Perennial Olive Edition.These twelve stories?originally published in Harper's, The Best American Short Stories, McSweeney's, Playboy, and other publications?veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.We Live in Water is a darkly comic, heartfelt collection of stories from a ?ridiculously talented writer? (New York Times), ?one of the freshest voices in American literature? (Dallas Morning News).Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

From the&nbsp;New York Times&nbsp;bestselling author of&nbsp;Beautiful Ruins, the first collection of short fiction from Jess Walter—a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a reader favorite—now available as a special Harper Perennial Olive Edition.These twelve stories—originally published in Harper’s, The Best American Short Stories, McSweeney’s, Playboy, and other publications—veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.We Live in Water&nbsp;is a darkly comic, heartfelt collection of stories from a “ridiculously talented writer” (New York Times), “one of the freshest voices in American literature” (Dallas Morning News).Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

We Live in Water

"After the Fireworks is a major work and a turning point for Huxley, leading directly to Brave New World.? ?Gary GiddinsA striking collection of three lost classic pieces of short fiction by Aldous Huxley, author of Brave New World, now available as a Harper Perennial Olive Edition.In the title novella, set in Rome, a renowned novelist sets out on a walk down Via Condotti toward the Spanish Steps when he encounters a mysterious and beautiful young American admirer of his work. He discovers she shares a name, in addition to conspicuous personality traits, with a character from his most celebrated book. Both are irresistibly drawn into a dangerous affair set against the backdrop of the Italian capital. "Uncle Spencer" is the story of an aging World War I veteran's quest for his lost love he met in a prison during the war, and "Two or Three Graces" is the tale of a passionate and destructive writer's abusive relationship with an impressionable, bourgeois housewife. This extraordinary story collection reveals Huxley at the height of his literary powers.This book part of a special series from Harper Perennial called Olive Editions?exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only

"After the Fireworks is a major work and a turning point for Huxley, leading directly to&nbsp;Brave New World.” —Gary GiddinsA striking collection of three lost classic pieces of short fiction by Aldous Huxley, author of Brave New World, now available as a Harper Perennial Olive Edition.In the title novella, set in Rome, a renowned novelist sets out on a walk down Via Condotti toward the Spanish Steps when he encounters a mysterious and beautiful young American admirer of his work. He discovers she shares a name, in addition to conspicuous personality traits, with a character from his most celebrated book. Both are irresistibly drawn into a dangerous affair set against the backdrop of the Italian capital.&nbsp;"Uncle Spencer" is the story of an aging World War I veteran’s quest for his lost love he met in a prison during the war, and&nbsp;"Two or Three Graces" is the tale of a passionate and destructive writer’s abusive relationship with an impressionable, bourgeois housewife. This extraordinary story collection reveals Huxley at the height of his literary powers.This book&nbsp;part of a special series from Harper Perennial called Olive Editions—exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only&nbsp;

Three Novellas

After the Fireworks

From one of Poland's most acclaimed poets comes a new collection of poems and plays spanning almost five decades and translated for the first time.Encapsulating the prolific work of the poet and playwright Zbigniew Herbert,&nbsp;Reconstruction of the Poet&nbsp;is both a celebration of a profound life of letters and a wide-ranging collection of never-before-published work that casts new light on a much-loved poet. Spanning from 1950 to 1998, this volume of work contains three plays—The Philosophers’ Cave, The Other Room, and Reconstruction of the Poet—and over fifty poems. This collection takes readers through the mind of a man attempting to look at the ruins of a postwar world while seeking living sources of European culture, with poems commemorating contemporaries fallen in wartime, elevating erotic experience and friendship, and exploring political and metaphysical passions.A rich expansion of previously published works by Herbert,&nbsp;Reconstruction of the Poet&nbsp;is both an introduction for readers who might still be unfamiliar with this important poet’s work and a fresh invitation for reflection for his longtime readers.&nbsp;

From one of Poland's most acclaimed poets comes a new collection of poems and plays spanning almost five decades and translated for the first time.Encapsulating the prolific work of the poet and playwright Zbigniew Herbert,&nbsp;Reconstruction of the Poet&nbsp;is both a celebration of a profound life of letters and a wide-ranging collection of never-before-published work that casts new light on a much-loved poet. Spanning from 1950 to 1998, this volume of work contains three plays—The Philosophers’ Cave, The Other Room, and Reconstruction of the Poet—and over fifty poems. This collection takes readers through the mind of a man attempting to look at the ruins of a postwar world while seeking living sources of European culture, with poems commemorating contemporaries fallen in wartime, elevating erotic experience and friendship, and exploring political and metaphysical passions.A rich expansion of previously published works by Herbert,&nbsp;Reconstruction of the Poet&nbsp;is both an introduction for readers who might still be unfamiliar with this important poet’s work and a fresh invitation for reflection for his longtime readers.&nbsp;

Uncollected Works of Zbigniew Herbert

Reconstruction of the Poet

Ecco Essentials

Hell, I Love Everybody: 52 Poems by James Tate re-introduces the poet, providing a poem for every week of the year, every mood and season. It includes work from his first publication, The Lost Pilot, a Yale Younger Poets selection (1967) and all his subsequent books. He is a most agile poet in a precarious world. Life is alarming, absurd, but properly considered that absurdity reveals, often with laughter, the something else by which we live. All Tate's poems are about our world, our wrecked, vexed love for it. Tate was described as a surrealist. If he is, that surrealism issues in a vision of a world delivered back to itself by candour. John Ashbery wrote of 'his genius: passionate, humane, funny, tragic, and always surprising and mind-delighting'. -- Publisher's website.

An essential collection of James Tate’s extraordinary poems that will captivate today’s readers, with a foreword by Terrance HayesCelebrating James Tate’s work as it transcends convention, time, and everything that tells us, “No, you can’t do that,” Hell, I Love Everybody gives us the poet at his best, his most intimate, hopeful, inventive, and brilliant. John Ashbery called Tate the “poet of possibilities,” and this collection records forays into possibilities for American poetry’s future. With a foreword by Terrance Hayes, it is sure to give readers new and old a lasting collection of favorites.

Hell, I Love Everybody: The Essential James Tate

Instant New York Times bestsellerThe actress, activist, and once infamous Playboy Playmate reclaims the narrative of her life in a memoir that defies expectation in both content and approach, blending searing prose with snippets of original poetry.“The iconic Anderson uses a mixture of poetry and prose to present an impressionistic view of a fascinating life.”—Booklist (starred review)In this honest, layered and unforgettable book that alternates between storytelling and her own poetry, Pamela Anderson breaks the mold of the celebrity memoir while taking back the tale that has been crafted about her.Her blond bombshell image was ubiquitous in the 1990s. Discovered in the stands of a football game, she was immediately rocket launched into fame, becoming Playboy’s favorite cover girl and an emblem of Hollywood glamour and sexuality. But what happens when you lose grip on your own life—and the image the notoriety machine creates for you is not who you really are?Growing up on Vancouver Island, the daughter of young, wild, and unprepared parents, Pamela Anderson’s childhood was not easy, but it allowed her to create her own world—surrounded by nature and imaginary friends. When she overcame her deep shyness and grew into herself, she fell into a life on the cover of magazines, the beaches of Malibu, the sets of movies and talk shows, the arms of rockstars, the coveted scene at the Playboy Mansion. And as her star rose, she found herself tabloid fodder, at the height of an era when paparazzi tactics were bent on capturing a celebrity’s most intimate, and sometimes weakest moments. This is when Pamela Anderson lost control of her own narrative, hurt by the media and fearful of the public’s perception of who she was…and who she wasn’t.Fighting back with a sense of grace, fueled by a love of art and literature, and driven by a devotion to her children and the causes she cares about most, Pamela Anderson has now gone back to the island where she grew up, after a memorable run starring as Roxie in Chicago on Broadway, reclaiming her free spirit but also standing firm as a strong, creative, confident woman.&nbsp;

Instant New York Times bestsellerThe actress, activist, and once infamous Playboy Playmate reclaims the narrative of her life in a memoir that defies expectation in both content and approach, blending searing prose with snippets of original poetry.“The iconic Anderson uses a mixture of poetry and prose to present an impressionistic view of a fascinating life.”—Booklist (starred review)In this honest, layered and unforgettable book that alternates between storytelling and her own poetry, Pamela Anderson breaks the mold of the celebrity memoir while taking back the tale that has been crafted about her.Her blond bombshell image was ubiquitous in the 1990s. Discovered in the stands of a football game, she was immediately rocket launched into fame, becoming Playboy’s favorite cover girl and an emblem of Hollywood glamour and sexuality. But what happens when you lose grip on your own life—and the image the notoriety machine creates for you is not who you really are?Growing up on Vancouver Island, the daughter of young, wild, and unprepared parents, Pamela Anderson’s childhood was not easy, but it allowed her to create her own world—surrounded by nature and imaginary friends. When she overcame her deep shyness and grew into herself, she fell into a life on the cover of magazines, the beaches of Malibu, the sets of movies and talk shows, the arms of rockstars, the coveted scene at the Playboy Mansion. And as her star rose, she found herself tabloid fodder, at the height of an era when paparazzi tactics were bent on capturing a celebrity’s most intimate, and sometimes weakest moments. This is when Pamela Anderson lost control of her own narrative, hurt by the media and fearful of the public’s perception of who she was…and who she wasn’t.Fighting back with a sense of grace, fueled by a love of art and literature, and driven by a devotion to her children and the causes she cares about most, Pamela Anderson has now gone back to the island where she grew up, after a memorable run starring as Roxie in Chicago on Broadway, reclaiming her free spirit but also standing firm as a strong, creative, confident woman.&nbsp;

Love, Pamela

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever evolving self. Raw, luminous, and urgent, this collection channels Baer’s own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

The third full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Renowned poet Kate Baer returns with a bold and compassionate collection that confronts the march of time in a shifting world.With her trademark candor and curiosity, Baer explores what it means to grow older, to release children into the wildness of their own lives, and to reclaim the ever evolving self. Raw, luminous, and urgent, this collection channels Baer’s own journey to middle age into poems that are profoundly intimate yet resound universally, identifying the beauty, resilience, and fragility that arrive in every stage of life.How About Now is a striking declaration of ongoing transformation and self-discovery. From the poet who has captured the heartbeat of the modern woman, this collection reaffirms Kate Baer’s place among the most vital voices of our era.

How About Now

A stunning collection of work from beloved poet John Ashbery, his first posthumous book Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been a major artistic figure in the cultural life of our time. Parallel Movement of the Hands gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery's diverse and multifaceted artistic obsessions and sources, from children's literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven's pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems often associated with his late career, Ashbery continued to practice the long-form, project-based writing that has long been an important element of his oeuvre.Edited and introduced by Ashbery's former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America's most prominent and celebrated poets.

A stunning collection of work from beloved poet John Ashbery, his first posthumous book&nbsp;Renowned for his inventive mind, ambitious play with language, and dexterity with a wide range of tones and styles, John Ashbery has been&nbsp;a major artistic figure in the cultural life of our time. Parallel Movement of the Hands&nbsp;gathers unpublished, book-length projects and long poems written between 1993 and 2007, along with one (as yet) undated work, to showcase Ashbery’s diverse and multifaceted artistic obsessions and sources, from children’s literature, cliffhanger cinema reels, silent films, and classical music variations by Beethoven’s pupil Carl Czerny to the history of early photography. Ashbery even provides a fresh and humorous take on a well-worn parable from the Gospel of Matthew. These works demonstrate that while producing and publishing the shorter, discrete poems&nbsp;often associated with&nbsp;his&nbsp;late&nbsp;career, Ashbery continued to practice the&nbsp;long-form, project-based writing that has long been an important element of his oeuvre.Edited and introduced by Ashbery’s former assistant poet Emily Skillings and including a preface by acclaimed poet and novelist Ben Lerner, this compelling and varied collection offers new insights into the process and creative interests of a poet whose work continues to influence generations of artists and poets with its signature intertextuality, openness, and simultaneity. A landmark publication of never-before-seen works, this book will enlighten scholars as well as new readers of one of America’s most prominent and celebrated poets.

Five Unfinished Longer Works

Parallel Movement of the Hands

The Millions Most Anticipated Pick and A GMA March Reads Pick?Lee Kravetz has created a bit of a miracle, a plot-driven literary puzzle box whose mystery lives in both its winding approach to history and its wonderous story. It's a book full of ideas about inspiration and a love for language that translates across borders, physical and generational.??Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's Son?Captivating . . . . Part truth, part fiction, the novel is an ingenious addition to an ever-growing body of work about Plath that has helped make her an American literary icon.??Washington PostBlending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar.A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath's modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life?that of her psychiatrist, a rival poet, and years later, a curator of antiquities. Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath's semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she's connected to Plath's legacy in an unexpected way. Plath's psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness. Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy. Like Michael Cunningham's The Hours, Paula McLain's The Paris Wife, and Theresa Anne Fowler's Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz's masterful literary novel is a hugely appealing read.

The Millions Most Anticipated Pick and A GMA March Reads Pick“Lee Kravetz has created a bit of a miracle, a plot-driven literary puzzle box whose mystery lives in both its winding approach to history and its wonderous story. It’s a book full of ideas about inspiration and a love for language that translates across borders, physical and generational.”—Adam Johnson, Winner of the Pulitzer Prize for Fiction for The Orphan Master's Son“Captivating . . . . Part truth, part fiction, the novel is an ingenious addition to an ever-growing body of work about Plath that has helped make her an American literary icon.”—Washington PostBlending past and present, and told through three unique interwoven narratives that build on one another, a daring and brilliant debut novel that reimagines a chapter in the life of Sylvia Plath, telling the story behind the creation of her classic semi-autobiographical novel, The Bell Jar.A seductive literary mystery and mutigenerational story inspired by true events, The Last Confessions of Sylvia P. imaginatively brings into focus the period of promise and tragedy that marked the writing of Sylvia Plath’s modern classic The Bell Jar. Lee Kravetz uses a prismatic narrative formed from three distinct fictional perspectives to bring Plath to life—that of her psychiatrist, a rival poet, and years later, a curator of antiquities.&nbsp;&nbsp;Estee, a seasoned curator for a small Massachusetts auction house, makes an astonishing find: the original manuscript of Sylvia Plath’s semi-autobiographical novel, The Bell Jar, written by hand in her journals fifty-five years earlier. Vetting the document, Estee will discover she’s connected to Plath’s legacy in an unexpected way.&nbsp;Plath’s psychiatrist, Dr. Ruth Barnhouse, treats Plath during the dark days she spends at McLean Hospital following a suicide attempt, and eventually helps set the talented poet and writer on a path toward literary greatness.&nbsp;&nbsp;Poet Boston Rhodes, a malicious literary rival, pushes Plath to write about her experiences at McLean, tipping her into a fatal spiral of madness and ultimately forging her legacy.&nbsp;&nbsp;&nbsp;Like Michael Cunningham’s The Hours, Paula McLain’s The Paris Wife, and Theresa Anne Fowler’s Z: A Novel of Zelda Fitzgerald, The Last Confessions of Sylvia P. bridges fact and fiction to imagine the life of a revered writer. Suspenseful and beautifully written, Kravetz’s masterful literary novel is a hugely appealing read.

The Last Confessions of Sylvia P

The award-winning, genre-crossing writer demonstrates her power as a funkadelic and formidable feminist voice in this rich and beautiful collection of verse and image?a multi-part retrospective that traverses time, space, and reality to illuminate the expansiveness of Black femme lives.Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia's pre-funk '80s; episodic adventures of ?the Black Girl? whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.Every poem in Side Notes elevates and honestly illustrates the buoyancy of Blackness and the calamity of Black lives on earth. In her uniquely embracing and experimental style, Anastacia-Reneé documents these truths as celebrations of diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat.From internet ?Fame? to the toxicity of the white gaze, Side Notes from the Archivist cements Anastacia-Reneé role as a leading light in the womanist movement?an artist whose work is in conversation with advocates of Black culture and thought such as Audre Lorde, Amiri Baraka, and Nikki Giovanni.

The award-winning, genre-crossing writer demonstrates her power as a funkadelic and formidable feminist voice in this rich and beautiful collection of verse and image—a multi-part retrospective that traverses time, space, and reality to illuminate the expansiveness of Black femme lives.Voted one of the Best Books of 2023 by the New York Public Library.Side Notes from the Archivist is a preservation of Black culture viewed through a feminist lens. The Archivist leads readers through poems that epitomize youthful renditions of a Black girl coming of age in Philadelphia’s pre-funk ’80s; episodic adventures of “the Black Girl” whose life is depicted through the white gaze; and selections of verse evincing affection for self and testimony to the magnificence within Black femme culture at-large.Every poem in Side Notes elevates and honestly illustrates the buoyancy of Blackness and the calamity of Black lives on earth. In her uniquely embracing and experimental style, Anastacia-Reneé documents these truths as celebrations of diverse subjects, from Solid Gold to halal hotdogs; as homages and reflections on iconic images, from Marsha P. Johnson to Aunt Jemima; and as critiques of systemic oppression forcing some to countdown their last heartbeat.From internet “Fame” to the toxicity of the white gaze, Side Notes from the Archivist cements Anastacia-Reneé role as a leading light in the womanist movement—an artist whose work is in conversation with advocates of Black culture and thought such as Audre Lorde, Amiri Baraka, and Nikki Giovanni.

Side Notes from the Archivist

The World Keeps Ending, And The World Goes On

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