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Choi F: The World Keeps Ending, And The
World Goes On

The World Keeps Ending, And The World Goes On

A deeply wrought and joyful debut poetry collection from an exciting new voice Looping exultantly through the overlapping experiences of girlhood, Blackness, sex, and personhood in America, award-winning essayist and poet Kendra Allen braids together personal narrative and cultural commentary, wrestling with the beauty and brutality to be found between mothers and daughters, young women and the world, Black bodies and white space, virginity and intrusion, prison and freedom, birth and death. Most of all, The Collection Plate explores both how we collect and erase the voices, lives, and innocence of underrepresented bodies?and behold their pleasure, pain, and possibilityBoth formally exciting and a delight to read, The Collection Plate is a testament to Allen's place as the voice of a generation?and a witness to how we come into being in the twenty-first century.

A deeply wrought and joyful debut poetry collection from an exciting new voice&nbsp;Looping exultantly through the overlapping experiences of girlhood, Blackness, sex, and personhood in America, award-winning essayist and poet Kendra Allen braids together personal narrative and cultural commentary, wrestling with the beauty and brutality to be found between mothers and daughters, young women and the world, Black bodies and white space, virginity and intrusion, prison and freedom, birth and death. Most of all, The Collection Plate&nbsp;explores both how we collect and erase the voices, lives, and innocence of underrepresented bodies—and behold their pleasure, pain, and possibilityBoth formally exciting and a delight to read, The Collection Plate&nbsp;is a testament to Allen’s place as the voice of a generation—and a witness to how we come into being in the twenty-first century.&nbsp;

Poems

The Collection Plate

Cynthia Manick's poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism.No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought. Satisfying moments are captured in odes to Idris Elba's dulcet tones on a meditation app and the satisfaction of half-priced Entenmann's poundcake; in childlike observations of parental Black love, the coveted female form on Jet Magazine covers, and the desire for Zamunda to be a real place full of Black joy. The sour taps into an analysis of reclusiveness, silencing catcalls from men on the street, and detailed recipes and advice to the Black girls forced to endow themselves with armor against the world.Cynthia Manick's latest is a playlist of everyday life, introverted thoughts, familial bonds, and social commentary. In piercing language, she traces the circle of life for a narrator who dares to exist between youthful remembrances and adulthood realities. Each poem in No Sweet Without Brine is a reminder that a hint of sorrow makes the celebration and recognition of the glory of Blackness in all ways, and through all people, that much sweeter.

Cynthia Manick’s poetry collection personifies love of self and culture through fresh observations and bitter truths voiced with breathtaking lyricism.   No Sweet Without Brine is both a soulful and celebratory collection that summons sticky sweet memories with an acrid aftertaste of deep thought.

No Sweet Without Brine

"Every Where Alien is a book that asks for interaction and understanding. . . . Brad Walrond defies aesthetic boundaries to write the poems that only he could write, poems that travel time and space for a truth that is sometimes painful and always necessary."-Jericho Brown, Pulitzer Prize-winning author of The TraditionIn this dazzling collection, the poet, author, and conceptual/performance artist traces blackness, queerness, and desire through the legacy of 1990s and early 2000s New York City underground&nbsp;art movements, illuminating how their roots and undertold histories inspire today's culture. Every Where Alien is Brad Walrond's dazzling afro-futuristic, afro-surrealist journey through New York City's underground art movements, including the New Black Arts Movement, Black Rock Coalition, the Underground House Music-Dance community, the HIV/AIDS Black Queer Artivists, and the House Ballroom Scene. Every Where Alien catapults us to New York City mid-1990s, early-2000s to rebroadcast the black queer creative genius of marginalized communities. Walrond questions narrow conceptions of "alien" as outsider, to explore how feelings of alienation also call us toward our shared humanity.&nbsp;In holographic odes, he pays homage to creative forces both living and dead. Giants like James Baldwin, Nina Simone, Octavia Butler, Ntozake Shange, Amiri Baraka, belong to the same space-time as Larry Levan, Erykah Badu, Vernon Reid, Yasiin Bey, Greg Tate. Here Patti Smith, Kendrick Lamar, Kalief Browder, Willi Ninja, Jeff Mills, Sarah Jones, share the same air.&nbsp;Featuring gorgeous, black-and-white illustrations, Every Where Alien traces our common and conflicting identities to vindicate why human beings are always greater than the sums of our parts. Walrond is a rebellious virtuoso wielding empathy, grief, anger, and grit in equal measure. This triumphant collection is a passionate reminder that through our dreams and determination, we create our own utopias. Every Where Alien is the first publication out of the joint program between Amistad and Moore Black Press, the press for the radical black imagination.

“Every Where Alien is a book that asks for interaction and understanding. . . . Brad Walrond defies aesthetic boundaries to write the poems that only he could write, poems that travel time and space for a truth that is sometimes painful and always necessary.”—Jericho Brown, Pulitzer Prize-winning author of The TraditionIn this dazzling collection, the poet, author, and conceptual/performance artist traces blackness, queerness, and desire through the legacy of 1990s and early 2000s New York City underground&nbsp;art movements, illuminating how their roots and undertold histories inspire today’s culture.Every Where Alien is Brad Walrond’s dazzling afro-futuristic, afro-surrealist journey through New York City’s underground art movements, including the New Black Arts Movement, Black Rock Coalition, the Underground House Music-Dance community, the HIV/AIDS Black Queer Artivists, and the House Ballroom Scene.Every Where Alien catapults us to New York City mid-1990s, early-2000s to rebroadcast the black queer creative genius of marginalized communities. Walrond questions narrow conceptions of “alien” as outsider, to explore how feelings of alienation also call us toward our shared humanity.&nbsp;In holographic odes, he pays homage to creative forces both living and dead. Giants like James Baldwin, Nina Simone, Octavia Butler, Ntozake Shange, Amiri Baraka, belong to the same space-time as Larry Levan, Erykah Badu, Vernon Reid, Yasiin Bey, Greg Tate. Here Patti Smith, Kendrick Lamar, Kalief Browder, Willi Ninja, Jeff Mills, Sarah Jones, share the same air.&nbsp;Featuring gorgeous, black-and-white illustrations, Every Where Alien traces our common and conflicting identities to vindicate why human beings are always greater than the sums of our parts. Walrond is a rebellious virtuoso wielding empathy, grief, anger, and grit in equal measure. This triumphant collection is a passionate reminder that through our dreams and determination, we create our own utopias. Every Where Alien is the first publication out of the joint program between Amistad and Moore Black Press, the press for the radical black imagination.

Every Where Alien

"In this inspiring book of divine discovery, poet and seeker Arundhathi Subramaniam gives us a glimpse into the lives of four self-contained, unapologetic female spiritual travelers"--

In this inspiring book of divine discovery, poet and seeker Arundhathi Subramaniam gives us a glimpse into the lives of four self-contained, unapologetic female spiritual travelers. “among the finest pieces of spiritual truth-telling literature I have ever read…a book to savor and celebrate”—Mirabai Starr, author of Wild Mercy and Ordinary Mysticism“As the pages turn one feels a growing sense of shared humanity, even kinship with these extraordinary practitioners of the sacred”—Tim Parks, author of&nbsp;Teach Us to Sit Still: A Skeptic’s Search for Health and HealingIn life, spiritual paths are often as unique as we are. Bringing together the voices of four women mystics walking very different spiritual paths, poet Arundhathi Subramaniam reveals the expansive potential of forging an intimate, personal connection with the divine. We'll meet these four travelers:<ul><li>Sri Annapurani Amma, who left the safety of home to follow the summons of a long-dead saint and chooses to live naked,</li><li>Balarishi Vishwashirasini, a nada yoga teacher who became a guru as a child and admits she's missed out on a real childhood,</li><li>Maa Karpoori, who needed to resist pressure to marry, and found her calling in a local yoga class and now radiates fierce independence and the contagious joy of living, and</li><li>Lata Mani, who discovered tantra after a major accident left her with a brain injury and today talks of how the spiritual life is deeply anchored in the wisdom of the body—not unlike the redwood trees of her adopted home.</li></ul>Sensitive, insightful, and lyrical, Women Who Wear Only Themselves bathes us in divine love and invites us to connect with all that sparks our spiritual fire.

Four Travelers on Their Sacred Journeys

Women Who Wear Only Themselves

"With lyric and tonal dexterity, these poems spin backwards and forwards in time -- from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness -- between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest -- could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work, The World Keeps Ending, and the World Goes On ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival."--

Named A Most Anticipated Book by: LitHub * Vulture * Time *&nbsp;A PW 2022 Holiday Gift Pick&nbsp;One of: Time's "100 Must-Read Books of 2022" * NPR's 2022 "Books We Love" Vulture's "10 Best Books of 2022"A Goodreads Readers Choice Award SemifinalistFrom acclaimed poet Franny Choi comes a poetry collection for the ends of worlds—past, present, and future. Choi’s third book features poems about historical and impending apocalypses, alongside musings on our responsibilities to each other and visions for our collective survival.Many have called our time&nbsp;dystopian. But&nbsp;The World Keeps Ending, and the World Goes On reminds us that apocalypse has already come in myriad ways for marginalized peoples.With lyric and tonal dexterity, these poems spin backwards and forwards in time--from Korean comfort women during World War II, to the precipice of climate crisis, to children wandering a museum in the future. These poems explore narrative distances and queer linearity, investigating on microscopic scales before soaring towards the universal. As she wrestles with the daily griefs and distances of this apocalyptic world, Choi also imagines what togetherness--between Black and Asian and other marginalized communities, between living organisms, between children of calamity and conquest--could look like. Bringing together Choi's signature speculative imagination with even greater musicality than her previous work,&nbsp;The World Keeps Ending, and the World Goes On&nbsp;ultimately charts new paths toward hope in the aftermaths, and visions for our collective survival.&nbsp;

The World Keeps Ending, and the World Goes On

The second full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller.Kate's second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer and an artist working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.Intimate, evocative, and bold, Kate's beguiling poetry firmly positions her in the company of Dorianne Laux, Mary Oliver, Maggie Nelson, and other great female poets of our time.

The second full length poetry collection from the #1 New York Times bestselling author of What Kind of Woman.Kate Baer shot into the literary stratosphere with the publication of her debut poetry collection, What Kind of Woman, which became an instant #1 New York Times bestseller.Kate’s second full-length book of traditional poetry, And Yet, dives deeper into the themes that are the hallmarks of her writing: motherhood, friendship, love, and loss. Taken together, these poems demonstrate the remarkable evolution of a writer and an artist working at the height of her craft, pushing herself and her poetry in a beautiful and impressive way.Intimate, evocative, and bold, Kate’s beguiling poetry firmly positions her in the company of Dorianne Laux, Mary Oliver, Maggie Nelson, and other great female poets of our time.

And Yet

When Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, "Yes. Me too." For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety, and depression, this collection will help you find hope on the other side. An expanded edition with over forty brand-new poems of the bestselling poetry collection Good Grief by Brianna Pastor.

“Brianna Pastor is by far one of my favorite new writers. Good Grief is a powerful testament that shows how hard the past can be and that overcoming it is possible. If you want to feel seen and deeply moved, read Good Grief. Brianna Pastor has unparalleled talent, let the power of her writing guide you to a better life.”—yung pueblo, #1&nbsp;New York Times&nbsp;bestselling authorAn expanded edition with over forty brand-new poems of the bestselling poetry collection Good Grief by Brianna PastorWhen Brianna Pastor released her self-published poetry collection, Good Grief, she was blown away by the outpouring of support from people who reached out and said, “Yes. Me too.” For anyone who has struggled with questions of identity or coped with serious emotional issues, including grief, trauma, anxiety, and depression, this collection will help you find hope on the other side.we don’t know how long our pain will last. we assume that because it hurts now, it is probably going to hurt tomorrow. it may even hurt the next day. perhaps it will get worse. but we sleep, and you see, and we do this marvelous thing in our sleep—we mend. And tomorrow is not always what we thought it would be.—from Good Grief

Good Grief

Harper Perennial Olive Editions

From the New York Times bestselling author of Beautiful Ruins, the first collection of short fiction from Jess Walter?a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a reader favorite?now available as a special Harper Perennial Olive Edition.These twelve stories?originally published in Harper's, The Best American Short Stories, McSweeney's, Playboy, and other publications?veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.We Live in Water is a darkly comic, heartfelt collection of stories from a ?ridiculously talented writer? (New York Times), ?one of the freshest voices in American literature? (Dallas Morning News).Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

From the&nbsp;New York Times&nbsp;bestselling author of&nbsp;Beautiful Ruins, the first collection of short fiction from Jess Walter—a suite of diverse and searching stories about personal struggle and diminished dreams, all of them marked by the wry wit, keen eye, and generosity of spirit that has made him a reader favorite—now available as a special Harper Perennial Olive Edition.These twelve stories—originally published in Harper’s, The Best American Short Stories, McSweeney’s, Playboy, and other publications—veer from comic tales of love to social satire to suspenseful crime fiction, from hip Portland to once-hip Seattle to never-hip Spokane, from a condemned casino in Las Vegas to a bottomless lake in the dark woods of Idaho. This is a world of lost fathers and redemptive conmen, of meth tweakers on desperate odysseys and men committing suicide by fishing.We Live in Water&nbsp;is a darkly comic, heartfelt collection of stories from a “ridiculously talented writer” (New York Times), “one of the freshest voices in American literature” (Dallas Morning News).Harper Perennial Olive Editions are exclusive small-format editions of some of our bestselling and celebrated titles, featuring beautiful and unique hand-drawn cover illustrations. All Olive Editions are available for a limited time only.

We Live in Water

"A compelling page-turner that will keep readers hoping against hope that everything will somehow, magically, turn out for the best." ? Atlanta Journal-ConstitutionWith a new Afterword from the author reflecting on the 100th anniversary of one of the most heinous tragedies in American history?the 1921 burning of Greenwood, an affluent black section of Tulsa, Oklahoma, known as the "Negro Wall Street"?Jewell Parker Rhodes' powerful and unforgettable novel of racism, vigilantism, and injustice, weaves history, mysticism, and murder into a harrowing tale of dreams and violence gone awry. Tulsa, Oklahoma, 1921. A white woman and a black man are alone in an elevator. Suddenly, the woman screams, the man flees, and the chase to capture and lynch him begins. When Joe Samuels, a young Black man with dreams of becoming the next Houdini, is accused of rape, he must perform his greatest escape by eluding a bloodthirsty mob. Meanwhile, Mary Keane, the white, motherless daughter of a farmer who wants to marry her off to the farmhand who viciously raped her, must find the courage to help exonerate the man she accused with her panicked cry.Magic City evokes one of the darkest chapters of twentieth century, Jim Crow America, painting an intimate portrait of the heroic but doomed stand that pitted the National Guard against a small band of black men determined to defend the prosperous town they had built.

"A compelling page-turner that will keep readers hoping against hope that everything will somehow, magically, turn out for the best." —&nbsp;Atlanta Journal-ConstitutionWith a new Afterword from the author reflecting on the 100th anniversary of one of the most heinous tragedies in American history—the 1921 burning of Greenwood, an affluent black section of Tulsa, Oklahoma, known as the "Negro Wall Street"—Jewell Parker Rhodes’ powerful and&nbsp;unforgettable novel of racism, vigilantism, and injustice, weaves history, mysticism, and murder into a harrowing tale of dreams and violence gone awry.&nbsp;Tulsa, Oklahoma, 1921. A white woman and a black man are alone in an elevator. Suddenly, the woman screams, the man flees, and the chase to capture and lynch him begins. When Joe Samuels, a young Black man with dreams of becoming the next Houdini, is accused of rape, he must perform his greatest escape by eluding a bloodthirsty mob.&nbsp;Meanwhile, Mary Keane, the white, motherless daughter of a farmer who wants to marry her off to the farmhand who viciously raped her, must find the courage to help exonerate the man she accused with her panicked cry.Magic City evokes one of the darkest chapters of twentieth century, Jim Crow America, painting an intimate portrait of the heroic but doomed stand that pitted the National Guard against a small band of black men determined to defend the prosperous town they had built.

Magic City

An NPR Best Book of the YearA new collection of poetry from one of our most acclaimed contemporary poets, Pulitzer Prize winner Jorie Graham In her formidable and clairvoyant new collection, Runaway, Jorie Graham deepens her vision of our futurity. What of us will survive? Identity may be precarious, but perhaps love is not? Keeping pace with the desperate runaway of climate change, social disruption, our new mass migrations, she struggles to reimagine a habitable present?a now?in which we might endure, wary, undaunted, ever-inventive, ?counting silently towards infinity.? Graham's essential voice guides us fluently ?as we pass here now into the next-on world,? what future we have surging powerfully through these pages, where the poet implores us ?to the last be human.?

An NPR Best Book of the YearA collection of poetry from one of our most acclaimed contemporary poets, Pulitzer Prize winner Jorie GrahamIn her formidable and clairvoyant collection, Runaway, Jorie Graham deepens her vision of our futurity. What of us will survive? Identity may be precarious, but perhaps love is not?Keeping pace with the desperate runaway of climate change, social disruption, our new mass migrations, she struggles to reimagine a habitable present—a now—in which we might endure, wary, undaunted, ever-inventive, “counting silently towards infinity.” Graham’s essential voice guides us fluently “as we pass here now into the next-on world,” what future we have surging powerfully through these pages, where the poet implores us “to the last be human.”

Runaway

Spanning time, styles, and traditions, a dazzling collection of essential works from 140 Latine writers, scholars, and activists from across the world--from warrior poet Audre Lorde to novelist Edwidge Danticat and performer and author Elizabeth Acevedo and artist/poet Cecilia Vicuäna.

UNA EXTRAORDINARIA SELECCIÓN DE OBRAS ESENCIALES, EN SU MAYORÍA INÉDITAS, QUE CELEBRAN LA FUERZA, EL TALENTO Y LA DIVERSIDAD DE LAS MUJERES LATINAS, Y TIENDEN PUENTES QUE NOS CONECTAN LAS UNAS CON LAS OTRAS.Desde la prosa implacable de sor Juana Inés de la Cruz hasta los poderosos cantos de la chamana María Sabina; desde las luchas revolucionarias de Audre Lorde, Lolita Lebrón y Berta Cáceres hasta el activismo de Alexandria Ocasio-Cortez; desde los versos pioneros de Cecilia Vicuña, Maryse Condé, Nancy Morejón y Conceição Evaristo hasta la poesía transgresora de Elizabeth Acevedo, Sonia Guiñansaca y Ada Limón, 140 mujeres de América Latina y el Caribe se juntan en esta colección sin precedentes. Un fascinante universo lírico que celebra las voces nacientes, alentadas y alimentadas por quienes, con sus plumas como machetes, despejaron el camino.«Esta antología fue inspirada para reunirnos y contrarrestar juntas la invisibilización y los mitos que existen en torno a la literatura y el talento de las poderosas Hijas de América Latina, en donde quiera que estemos alzando nuestras voces: de Chicago a São Paulo, de Loíza a Asunción, de Portsmouth a Puerto Príncipe, del Bronx a Buenos Aires, de Chiapas a Los Ángeles, y más allá». —de la introducción por Sandra Guzmán.----AN EXTRAORDINARY SELECTION OF ESSENTIAL WORKS THAT CELEBRATE THE STRENGTH, TALENT, AND DIVERSITY OF LATINE WOMEN, AND BUILD BRIDGES THAT CONNECT US TO ONE ANOTHER.From the relentless prose of Sor Juana Inés de la Cruz to the powerful chants of the shaman Maria Sabina; from the revolutionary struggles of Audre Lorde, Lolita Lebrón, and Berta Cáceres to the activism of Alexandria Ocasio-Cortez; from the pioneering verses of Cecilia Vicuña, Maryse Condé, Nancy Morejón, and Conceição Evaristo to the transgressive poetry of Elizabeth Acevedo, Sonia Guiñansaca, and Ada Limón, 140 women from Latin America and the Caribbean come together in this unprecedented collection. A fascinating lyrical universe that celebrates the emerging voices, nurtured and encouraged by those who, with their pens as machetes, cleared the path."This anthology has been inspired to disrupt erasure and myths, to gather us, the powerful literary Daughters of Latin America, from Chicago to São Paulo, from Loíza to Asunción, from Portsmouth to Puerto Príncipe, from the Bronx to Buenos Aires, from Chiapas to Los Ángeles, and beyond". —from the introduction by Sandra Guzmán

Una antología global

Daughters of Latin America \ Hijas de América Latina (Spanish edition)

In her striking collection of poems, Zoë Hitzig investigates how we seek certitude, power, and domination over the natural world and one another. Hitzig brings a scientific rigor to her searing lyricism, as well as a raucous energy and willingness to allow her work to dwell in states of uncertainty and precariousness. The result is an original voice that is incisive and unsparing, but also passionate and tender. Her poems probe the authority of language and logic, questioning the sovereignty of the technological, economic, legal, and political systems that mediate our lives. Urgent in its creation of a new way of looking at our social and natural worlds, Mezzanine is an insightful and visceral debut collection from a poet whose work is poised to leave a lasting mark.

In her striking collection of poems, Zoë Hitzig investigates how we seek certitude, power, and domination over the natural world and one another. Hitzig brings a scientific rigor to her searing lyricism, as well as a raucous energy and willingness to allow her work to dwell in states of uncertainty and precariousness. The result is an original voice that is incisive and unsparing, but also passionate and tender. Her poems probe the authority of language and logic, questioning the sovereignty of the technological, economic, legal, and political systems that mediate our lives.&nbsp; Urgent in its creation of a new way of looking at our social and natural worlds, Mezzanine is an insightful and visceral debut collection from a poet whose work is poised to leave a lasting mark.

Mezzanine

The World Keeps Ending, And The World Goes On

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