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Gregovic L: The Weaver Bride

The Weaver Bride

A Sherlock Holmes Adventure

Treachery, Twists and Terror in Baker Street

The Serpent Under

Murder at Hotel Marvelo

The Crimson Moth

The Rebel Witch

Iron Widow

The Number 1 New York Times Bestseller

Heavenly Tyrant

In works such as The Mask of Anarchy? and "A Philosophical View of Reform,? Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in the reformist crisis of agency occasioned by the dramatic historical and political violence that characterized Britain during the Romantic period. He shows how Shelley's body or work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

From the French Revolution, Reign of Terror, and Napoleonic Wars abroad to the dramatic social changes wrought by industrialization and political agitation at home, the Romantic age in Britain was characterized by dramatic historical and political violence. As a result, the reform movement of the early nineteenth century faced a crisis of agency, in the wake of both Waterloo and Peterloo, that centered on the role of violence in the hope for social progress. In poems such as The Mask of Anarchy and political writings such as "A Philosophical View of Reform," Matthew C. Borushko argues, Percy Bysshe Shelley intervenes in this reformist crisis of agency with a highly original political program of nonviolence rooted in the redefining of aesthetics as the primary site for a critique of the violence of post-revolutionary Europe. Grounded in the dynamic historical contexts in which Shelley wrote and informed by twentieth-century theory, Shelley’s Romantic Nonviolence shows how Shelley’s body of work reconceived the possibility of the political possibilities of art and explores the implications of Shelley's nonviolence for later artists and reformers such as George Bernard Shaw to Mohandas K. Gandhi.

Aesthetics and Politics in an Age of Revolution

Shelley's Romantic Nonviolence

Your Favourite Fake Girlfriend

Pink Band 1B

Reading Champion: Magic Faraway Tree: Silky's Cakes

A Wish So Deadly

The Archbishops of Canterbury Series

Charles Longley was Archbishop of Canterbury in the mid-1860s, at a crucial period for the development of the Church of England and the Anglican Communion. He was centrally involved in a series of major controversies concerning theological radicalism, ritualism, and the identity of the established church. He also inaugurated the first Lambeth Conference in 1867, with far-reaching consequences for international Anglicanism. This is the first ever study of Archbishop Longley's career. The first half of the book examines the theological disputes which dominated his archiepiscopate. The second half offers selections with commentary from his sermons, tracts, speeches and letters, so that Longley's opinions can be heard at first hand.

Charles Longley was Archbishop of Canterbury in the mid-1860s, at a crucial period for the development of the Church of England and the Anglican Communion. He was centrally involved in a series of major controversies concerning theological radicalism, ritualism, and the identity of the established church. He also inaugurated the first Lambeth Conference in 1867, with far-reaching consequences for international Anglicanism.  This is the first ever study of Archbishop Longley's career. The first half of the book examines the theological disputes which dominated his archiepiscopate. The second half offers selections with commentary from his sermons, tracts, speeches and letters, so that Longley's opinions can be heard at first hand.

Archbishop Longley

She Made Herself A Monster

A chronological account of twenty-one women who made French history, from the fifth to the twenty-first century.

A History of France in 21 Women

Humour and horror abound in Catherine Doyle's brand new series, as step-siblings Ted and Frankie defend their new home-turned-hotel against a collection of unruly spiritsTed would rather be anywhere but living in the same house as Frankie spawn-of-the-devil Stark. And Frankie wouldn't be caught dead near a coward like Ted McKenley. But too bad, their parents are now married and have poured their entire savings into turning an unexpectedly inherited mansion into a boutique hotel. At least it's big enough for the new step-siblings to stay far apart. But when Ted encounters a disappearing housekeeper and Frankie runs into a screaming suit of armour, it turns out their rivalry is going to be the least of their problems ...Faced with a ghostly duke determined to destroy their parents' hotel dreams, Ted and Frankie find themselves reluctantly joining forces to defend their new home against an onslaught of rather fed-up spirits. This summer is about to get a lot more spooky.

Scare B’n’B

The Weaver Bride

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