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Overton Tom: The Storyteller

The Storyteller

'A memoir that captivates and delights. Fabulous' - Nina Stibbe 'Evocative, amusing ... [a] redolent, wryly honest memoir' - The Observer '[T]he charm of the book isn't to be found in Groskop's journey ... Instead it's in the book's openness and lightness of touch' - The Spectator Autumn 1993. The former USSR. Viv is about to turn 21 and is on a study year abroad, supposedly immersed in the language, history and politics of a world that has just ceased to exist: the Soviet Union. Instead, she finds herself immersed in Bogdan Bogdanovich - the lead guitarist of a Ukrainian punk rock band. As the temperature drops, he promises that if she can get through the freezing Russian winter, he will give her "one Ukrainian summer." But is he serious about her? Or is she just another groupie? At parties, gigs and dive bars, Viv and her new friends argue over whose turn it is to buy cigarettes, the best places to find Levi's jeans and whether beer counts as a soft drink. No-one debates the merits of speaking Ukrainian over Russian, the precise location of the border or the undeniable brightness of the future. Of course good times are here to stay. Because the Soviet Union is finished. Isn't it? A poignant and often comical account of coming-of-age in the time after the Cold War and before Putin, One Ukrainian Summer is a love letter to a unique moment in history. ALL AUTHOR EARNINGS FROM THIS BOOK WILL BE DONATED TO PEN INTERNATIONAL

Viv is about to turn 21 and is on a study year abroad, supposedly immersed in the language, history and politics of a world that has just ceased to exist: the Soviet Union.   Instead, she finds herself immersed in Bogdan Bogdanovich - the lead guitarist of a Ukrainian punk rock band.

A memoir about falling in love and coming of age in the former USSR

One Ukrainian Summer

Idiosyncratic. Iconoclastic. Acerbic. Hilarious. The influence of Tom Hibbert's music writing across print, radio, TV and podcasts is incomparable. From his genre-defining work at Smash Hits to his 'Who the Hell ... ?' profiles for Q magazine and beyond, this book brings together many of Hibbert's funniest writings. Following his premature death in 2011 at the age of fifty-nine, Hibbert left behind a legacy in music journalism that is unrivalled over the past forty years. Phew, Eh Readers? showcases some of Hibbert's greatest pieces, presenting them chronologically and thematically, and highlighting his marvellously eccentric perspective on life and popular culture. Many leading writers and journalists attest to Hibbert's genius. This compendium supplements his writing with new reflections on Tom from some of his peers, colleagues and admirers, including Mark Ellen, Bob Stanley, Tom Doyle, Chris Heath, Sylvia Patterson, along with his widow Allyce. Phew, Eh Readers? is a must-read homage to one of the most influential writers of our time, a man who left an indelible mark on our cultural landscape.

Idiosyncratic.   Iconoclastic.   Acerbic.   Hilarious.   The influence of Tom Hibbert's music writing across print, radio, TV and podcasts is incomparable.

The Life and Writing of Tom Hibbert

Phew, Eh Readers?

The extraordinary memoir from Dylan Thomas Prize-winning poet, Kayo Chingonyi.

Prodigal

*GIRL, INTERRUPTED FOR THE 21ST CENTURY* *A JENNETTE MCCURDY BOOKCLUB PICK* 'The story is extraordinary, but more importantly, the storytelling is exceptional... If you read one memoir this year, make it this one.' - PANDORA SYKES 'An impressive feat of writing.' - THE DAILY TELEGRAPH 'Written elegantly with humor and compassion... Alice manages to tell her story with insight and forgiveness for her parents and herself, and we root for them all, all the way.' - SUSAN SARANDON 'I spent a feverish few days devouring it with a mixture of anguish and awe.' - SOPHIE WHITE, IRISH INDEPENDENT 'Mind-blowing' - LENA DUNHAM This exceptional memoir and love story tells of a young woman's harrowing coming-of-age amid glamour, excess, and neglect, and her journey, against the odds, to find herself. Alice Carrière tells the story of her unconventional upbringing in Greenwich Village as the daughter of a remote mother, the renowned artist Jennifer Bartlett and a charismatic father, European actor Mathieu Carrière. Her days are a mixture of privilege, neglect, loneliness, and danger-a child living in an adult's world, with little-to-no enforcement of boundaries or supervision. Alice begins to lose her grasp on reality as a dissociative disorder erases her identity and overzealous doctors medicate her further away from herself. She inhabits various roles: as a patient in expensive psychiatric hospitals, a denizen of the downtown New York music scene, the ingenue in destructive encounters with older men-ricocheting from experience to experience until a medication-induced psychosis brings these personas crashing down. With gallows humor and brutal honesty, Everything/Nothing/Someone explores what it means for our body and mind to belong to us wholly, irrevocably, and on our own terms. In pulsing, energetic prose that is both precise and probing, Alice manages to untangle the stories told to her by her parents, the American psychiatric complex, and her own broken mind to craft a unique and mesmerizing narrative of emergence and, finally, cure. 'Spellbinding' - JENNETTE MCCURDY 'It's extraordinary... make your way to this book.' - SARAH JESSICA PARKER 'Remarkable' - NEW YORK TIMES

Everything/Nothing/Someone

These journals are a revelation, a road map and a gift to us all' TAYARI JONES, author of An American Marriage From the acclaimed author Alice Walker - winner of the National Book Award and the Pulitzer Prize - comes an unprecedented compilation of four decades' worth of journals that draw an intimate portrait of her development as an artist, intellectual and human rights activist. In Gathering Blossoms Under Fire, Walker offers a passionate, intimate record of her intellectual, artistic and political development. She also intimately explores - in real time - her thoughts and feelings as a woman, a writer, an African American, a wife, a daughter, a mother, a lover, a sister, a friend, a citizen of the world. In an unvarnished and singular voice, she writes about an astonishing array of events: marching in Mississippi with other foot soldiers of the civil rights movement, led by Martin Luther King, Jr., or 'the King' as she called him; her marriage to a Jewish lawyer, partly to defy laws that barred interracial marriage in the 1960s South; an early miscarriage; the birth of her daughter; writing her first novel; the trials and triumphs of the women's movement; erotic encounters and enduring relationships; the 'ancestral visits' that led her to write The Color Purple; winning the Pulitzer Prize; being admired and maligned, in sometimes equal measure, for her work and her activism; burying her mother; and her estrangement from her own daughter. The personal and the political are layered and intertwined in the revealing narrative that emerges from Walker's journals.

The unseen journals of Alice Walker - literary icon and author of The Color Purple

The Journals of Alice Walker

Gathering Blossoms Under Fire

How did little Jenny Hargreaves become Jenny Eclair and elbow her way into the male dominated world of 1980s stand-up? Daughter of Major Derek Hargreaves (spy?) and June Hargreaves (spy's wife?) sister of Sara (born to be Head Girl) and Ben (the usurper), Jenny's comedy career took off via drama school, cider, sausage rolls, sleeping with men who looked like they lived under a carpet, punk poetry, anorexia, bedsit misery, waitressing and not really having a clue about anything. This was a world before microphones, mobile phones, before everyone gave up smoking or started taking coke. Jenny Eclair was on the comedy circuit before there really was a comedy circuit and was the first woman to win the Perrier Award along the way. Still gigging to sell-out crowds forty years later, Jenny Eclair's memoir charts her childhood, her career and the changing face of women in comedy, all told with hilarious brilliance in Jokes, Jokes, Jokes, her very funny memoir.

How did little Jenny Hargreaves become Jenny Eclair and elbow her way into the male dominated world of 1980s stand-up? Daughter of Major Derek Hargreaves (spy?) and June Hargreaves (spy's wife?) sister of Sara (born to be Head Girl) and Ben (the usurper), Jenny's comedy career took off via drama school, cider, sausage rolls, sleeping with men who looked like they lived under a carpet, punk poetry, anorexia, bedsit misery, waitressing and not really having a clue about anything. This was a world before microphones, mobile phones, before everyone gave up smoking or started taking coke. Jenny Eclair was on the comedy circuit before there really was a comedy circuit and was the first woman to win the Perrier Award along the way. Still gigging to sell-out crowds forty years later, Jenny Eclair's memoir charts her childhood, her career and the changing face of women in comedy, all told with hilarious brilliance in Jokes, Jokes, Jokes, her very funny memoir.

My Very Funny Memoir

Jokes, Jokes, Jokes

Andrei Sinyavsky wrote In Gogol's Shadow while serving time in a Soviet labor camp. Opening with Gogol's funeral, this unorthodox biography strips the man away from the myth. Sinyavsky challenges the deeply held Russian and Soviet view—promoted by Gogol—that Gogol was first and foremost a political writer, whose biting satire was part of a quest for his country's salvation. In Gogol's Shadow reveals a writer more obsessed with language than with politics. Gogol's attempt to force his art neatly into the function of exposing social ills is undermined by his uncanny imagination and inventiveness. Over the course of his investigation, Sinyavsky's own style comes to recall the digressive, free-flowing prose of the author of Dead Souls and The Government Inspector. This irreverent and incisive analysis of Gogol's life and work is a path-breaking exploration of literary creativity in times of strict censorship and ideological control.

In Gogol's Shadow

The UK's top-selling true crime writer and author of the #1 bestselling The Suspicions of Mr Whicher takes on the notorious murders at 10 Rillington Place

The thrilling new page-turner from Britain’s top-selling true crime writer

The Peepshow

An intimate and illuminating account of queer lives and migration, homemaking and community in the Gulf, from a brilliant new voice in narrative non-fiction'An eye-opening tour de force' ALEX ESPINOZA'Exhilarating' SUSAN ORLEAN'Tender and insightful' MOHAMED TONSYUpon moving to the Gulf States - where penalties for queer acts include deportation, imprisonment, torture and death - Gaar Adams wants to understand why LGBTQ+ migrants might choose to live amid such peril. He begins riskily gathering interviews outside the tightly controlled state media, leading with what he thinks is a simple question:Isn't it harder for you to make a life here?But as unforgettable residents share a kaleidoscope of stories - from uproarious Filipino salon workers throwing secret drag parties to a courageous Pakistani farmhand who helps his compatriots smuggle themselves across borders - deeper questions and fault lines begin to emerge alongside the halting steps into Gaar's own clandestine relationship. Weaving intimate and illuminating memoir with unprecedented reportage, Guest Privileges is a decade-long journey of dislocation - not just through the Gulf States, but into the very nature of home, belonging and how we form a life and community. 'Vividly reported and luminously reflective' NADIA OWUSU'I was captivated and carried' ADAM ZMITH'Adams gives a voice to a queer community we hear much about, but little from...offering hope in a world witnessing the concerted rollback of queer rights' HUGO GREENHALGH

Queer Lives and Finding Home in the Middle East

Guest Privileges

My journey with swans

Flight

My life with Alzheimer's

Remember When

Hilton Als grew up in a corner of Brooklyn scarred by riots, racial segregation and sexual prejudice. As a young teenager, he began to glimpse possibility in the different cultures and ways of being he encountered through high school; in the black men and white men who found ways to be together. As a burgeoning writer in a Manhattan pulsing with new culture - with hip hop, Basquiat, nightclubs and new wave - Hilton at last came together with the gay family he had longed for. The timing was not opportune: reports of a 'rare cancer' were beginning to trickle through the press. Part autobiography, part reportage, part cultural criticism, I Don't Remember weaves the impossible story of queer America in the age of the AIDs crisis. It is an elegy like no other for an unsung generation of gay men: of heroic lovers and friends, visionary makers, artists and creators. By turns lyrical, wry, and exquisite in its poetic, rapid-fire storytelling, it sings a song of the necessity of connection, and the grandness of human endeavor, especially when it comes to loving, and being loved, in the face of social limitations, stigma, and unspeakable tragedy.

Hilton Als grew up in a corner of Brooklyn scarred by riots, racial segregation and sexual prejudice. As a young teenager, he began to glimpse possibility in the different cultures and ways of being he encountered through high school; in the black men and white men who found ways to be together. As a burgeoning writer in a Manhattan pulsing with new culture - with hip hop, Basquiat, nightclubs and new wave - Hilton at last came together with the gay family he had longed for. The timing was not opportune: reports of a 'rare cancer' were beginning to trickle through the press. Part autobiography, part reportage, part cultural criticism, I Don't Remember weaves the impossible story of queer America in the age of the AIDs crisis. It is an elegy like no other for an unsung generation of gay men: of heroic lovers and friends, visionary makers, artists and creators. By turns lyrical, wry, and exquisite in its poetic, rapid-fire storytelling, it sings a song of the necessity of connection, and the grandness of human endeavor, especially when it comes to loving, and being loved, in the face of social limitations, stigma, and unspeakable tragedy.

An American Rhapsody

I Don't Remember

The Storyteller

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