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Alain Quemin: The Social World of
Galleries

The Social World of Galleries

Contemporary Art, the Market and Internationalization

A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris

A striking collection of French tapestries, from the 1940s to today, from the collection of the Mobilier nationale, Paris

Modern French Tapestry from the Mobilier national, Paris

Wall Power!

From the National Gallery, a glorious selection of landscape paintings. A fine new mini wall art calendar from Flame Tree. Produced in partnership with The National Gallery, this exquisite mini wall calendar will take you on a journey through a beautiful selection of landscape masterpieces from the gallery's collection. Featuring artists such as J.M.W. Turner, Claude Monet, John Constable and Akseli Gallen-Kallela, enjoy shimmering lakes, verdant mountain valleys, rural idylls and sun-kissed fields. Informative text accompanies each work and the datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

The National Gallery Mini Wall Calendar 2026 (Art Calendar)

Routledge Research in Museum Studies

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art’s (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

The Power of the Canon

Latin American Art at The Museum of Modern Art

New York in Art 2026 Wall Calendar

A revelatory new approach to understanding fashion in America that focuses on the stories told by worn, imperfect, and ordinary clothes

Wear as Witness

(Re)Dressing American Fashion

Impressions: Heni Editions, Volume 1

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

The Secret Museum is a unique treasure trove of the most intriguing artifacts hidden away in museum archives from all over the world - curated, brought to light, and brought to life by Molly Oldfield in a beautifully illustrated collection.

The Secret Museum

The Hossein Afshar Collection

This expansive book considers twelve centuries of Persian ceramics through the lens of the extraordinary Hossein Afshar Collection

Persian Ceramics from the Hossein Afshar Collection

Constant Splendor

A beautifully illustrated catalogue of a world-class collection of arms and armour from India and the Middle East.

The Wallace Collection is home to one of the finest collections of non-European arms and armour in the world, teeming with bejewelled and enamelled dagger hilts, swords and scabbards, and with delicately gilded spears, helmets, shields and breastplates. 

The pieces within the collection provide an unusually comprehensive view of three key areas - India, Iran and the Ottoman Empire - and span the seventeenth, eighteenth and nineteenth centuries, with star objects dating from as early as the fifteenth century. At once functional weapons and prestigious luxury objects, items in this area of the collection are fascinating and awe-inspiring both for their technical achievements and artistic virtuosity. 

This lavishly illustrated catalogue is a landmark contribution to the field of Islamic art, shining a light on the previously overlooked and hidden gems of the Wallace Collection and providing detailed photographs of almost every object, accompanied by descriptions of its provenance, the materials of its construction and how it was made.

A beautifully illustrated catalogue of a world-class collection of arms and armour from India and the Middle East.

The Wallace Collection is home to one of the finest collections of non-European arms and armour in the world, teeming with bejewelled and enamelled dagger hilts, swords and scabbards, and with delicately gilded spears, helmets, shields and breastplates. 

The pieces within the collection provide an unusually comprehensive view of three key areas - India, Iran and the Ottoman Empire - and span the seventeenth, eighteenth and nineteenth centuries, with star objects dating from as early as the fifteenth century. At once functional weapons and prestigious luxury objects, items in this area of the collection are fascinating and awe-inspiring both for their technical achievements and artistic virtuosity. 

This lavishly illustrated catalogue is a landmark contribution to the field of Islamic art, shining a light on the previously overlooked and hidden gems of the Wallace Collection and providing detailed photographs of almost every object, accompanied by descriptions of its provenance, the materials of its construction and how it was made.

The Wallace Collection Catalogue of Arms and Armour from India, Iran and the Ottoman Empire

Art: 365 Days of Masterpieces 2026 Day-to-Day Calendar

A new look at a vanguard modernist artist who reimagined the still life, landscape and portrait genresThis landmark publication coincides with the major Guggenheim New York exhibition of works by the remarkable German Expressionist Gabriele Münter. Münter's painting practice between 1908 and 1920 is the central focus of the exhibition and accompanying book. The study also illuminates her lesser-known later work and includes significant examples of her photography taken during earlier extensive travels in the United States. Münter was notably a cofounder of Der Blaue Reiter (The Blue Rider), a loose and transnational confederation of progressive artists and other creatives, with whom she probed the expressive potential of color and the symbolic resonance of forms. Her introspective portraits during World War II capture the "new woman" and explore questions of gender identity. With over 70 full-color plates, plus a rich selection of Münter's photographs and later works, this publication not only traces Münter's pioneering and understudied practice but also challenges accepted historical narratives that have tended to sideline women artists. Reproductions of archival material appear alongside choice selections of the artist's sketches, prints and reverse glass paintings. Thematic texts by renowned scholars explore identity, place, belonging and the embodied experience of modernist women artists during this period. Gabriele Münter (1877-1962) was at the forefront of the German avant-garde in the early 20th century and exhibited extensively at galleries and salons throughout Europe during her lifetime. Along with her artistic colleague and one-time partner, Vasily Kandinsky, Münter was a founder of the influential Expressionist group of artists, Der Blaue Reiter.

Gabriele Münter

The Social World of Galleries

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

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