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Alain Quemin: The Social World of
Galleries

The Social World of Galleries

Contemporary Art, the Market and Internationalization

The vivid and masterful story of&nbsp;Isabella Stewart Gardner—creator of one of America’s most stunning museums—an American original&nbsp;whose own life was remade by art. Includes archival photos of Isabella’s world, museum,&nbsp;and the art&nbsp;she collected.Isabella Stewart Gardner’s museum, with its plain exterior enfolding an astonishing four-story Italian palazzo, rose from Boston’s Fens at the turn of the twentieth century. Its treasures encompassed not only masterwork paintings but tapestries, rare books, prints, porcelains, and fine furniture.An extraordinary achievement of storytelling and scholarship, Chasing Beauty illuminates the fascinating ways the museum and its holdings can be seen as a kind of memoir, dazzling and haunting, created with objects instead of words and displayed per Isabella’s wishes in the exact placements she initially curated.Born in 1840 to a privileged New York family, Isabella Stewart married Boston Brahmin Jack Gardner as she turned twenty. She was misunderstood by Boston’s insular society and suffered the death of her only child, a beloved boy, not yet two years old.But in time came friendships, glittering and bohemian; awe-inspiring world travels; and collecting beautiful things with a keen eye and competitive pace—all these were balm for loss.&nbsp;Henry James and John Singer Sargent—whose portrait of Isabella was a masterpiece and a scandal—came to recognize her originality. Bernard Berenson, leading connoisseur of the Italian Renaissance, was her art dealer.From award-winning author Natalie Dykstra,&nbsp;Chasing Beauty&nbsp;is the story of the complex and singular woman behind one of the most fascinating museums in the nation and the world—a tale of beauty and loss, grit and American self-invention.&nbsp;

The Life of Isabella Stewart Gardner

Chasing Beauty

Key Issues in Cultural Heritage

Mobile Heritage explores how diverse digital technologies have allowed for new types of mobilities and introduced a novel set of practices, interventions, and politics for heritage collections, archives, exhibitions, entertainment, conservation, management, commerce, education, restitution, activism, and regulation.

Practices, Interventions, Politics

Mobile Heritage

Vancouver Art Gallery

An eclectically curated collection reveals a kaleidoscopic portrait of the many and diverse talents working in and around BC’s art scene over the past forty years. As a musician, performer, activist, collector, John David Lawrence has long held an important, if underrecognized, position in Vancouver’s creative community. After settling in the city in the mid-1980s he participated in and advocated for performance spaces and artist-run centres, building deep roots in the community, and since 2000 he has been the proprietor of DODA ANTIQUES. Over several decades, Lawrence amassed an idiosyncratic personal collection that includes ceramics, Indigenous art, jewelry, folk art, photography, and plant life. Through the stories of some of these pieces and of Lawrence himself, as well as extensive new photography of his holdings, The Place of Objects illuminates the rich cultural production that is often overlooked by Vancouver’s established artistic community. Released to coincide with a Vancouver Art Gallery exhibition of 300 ceramic works from Lawrence’s collection, The Place of Objects opens with an engrossing conversation between scholar Michael Prokopow and Lawrence that uses specific objects and the diverse areas of his collections to reveal Lawrence’s enigmatic biography and ponder the broader cultural obsession with things. The second half of the book features texts by artists, scholars, friends, and curators who highlight objects of art with historical, cultural, or personal significance. The publication also includes a visual index—a two-dimensional genogram of the objects in his collection—to map the tentacular threads that have informed Lawrence’s collecting practices over the decades. Contributors: Glenn Alteen, Grant Arnold, Daina Augaitis, Jonathon Bancroft-Snell, Nicholas R. Bell, Dave Carlin, Allan Collier, Diana Freundl, Tyler Fritz, Mandy Ginson, Donna Hagerman, Carole Itter, Jenn Jackson, Corey Larocque, Hilary Letwin, Carol Mayer, Siobhan McCracken Nixon, Edmond Melnychuk, Michael J. Prokopow, Esther Rausenberg, Stephanie Rebick, Debra Sloan, Mr. Smith, Carolyn Stockbridge, Jordan Strom, Andrea Valentine-Lewis, Jan Wade, Laura Wee Láy Láq. Artists: Hans Coper, Olea Davis, Walter Dexter, Beau Dick, Denny Dixon, Pat Dixon, Ed Drahanchuk, Axel Ebring, Gathie Falk, Ken Foster, Ken Gerberick, Kathleen Hamilton, Ben Houstie, Avery Huyghe, Tam Irving, Elsie John, Charmian Johnson, Thomas Kakinuma, Zoltan Kiss, Roy Kiyooka, Danny Kostyshin, Zeljko Kujundzic, Corey Larocque, Bernard Leach, Janet Leach, Glenn Lewis, Luke Lindoe, Brian Lynch, Mad Dog, Pat McGuire, Edmond Melnychuk, Philip Melvin, Grace Melvin, Santo Mignosa, Carel Moiseiwitsch, Ellen Neel, Wayne Ngan, Oraf, Davide Pan, Randy Pandora, John Reeve, Bill Reid, Bill Rennie, Hilda Ross, Debra Sloan, Russell Smith, Gordon Thorlaksson, Ron Tribe, Jan Wade, Jean Marie Weakland, Laura Wee Láy Láq.

The John David Lawrence Collection

The Place of Objects

Bold and fresh blue-toned works from the ever-impressive artists of the Royal Academy. A fine new art calendar from Flame Tree. Featuring the vibrant work of 12 artists from the Royal Academy (the leading talents Richard Spare, Carrie Lees, Bill Jacklin, Ana Alonso Albarracin, Iris Michael Craig-Martin, Richard Dyson, Peter Lawrence, Barbara Rae RA, Vanessa Gardiner, Eileen Cooper, Neville Goodwin and Fiona Watson), this wall art calendar displays bright, original, modern and contemplative works, all following the peaceful colour theme of blue. The datepad features previous and next month’s views. Printed on FSC-certified paper, with plastic-free packaging.

Royal Academy of Arts Wall Calendar 2026 (Art Calendar)

Contextualizing Art Markets

The Forgotten Story of Valentine Dudensing, Matisse, Picasso, and the US Market for Modern Art (1926–1947)

The Valentine Gallery

From the Fitzwilliam comes one of the world's great collections of ornithological paintings. A fine new art calendar from Flame Tree. John James Audubon (1785–1851) was an American ornithologist and painter. He carried out extensive studies into the natural world and documented his findings through his detailed illustrations. Drawing from the Fitzwilliam Museum's extensive collection, this calendar showcases 12 of his illustrations from Birds of America, published between 1827 and 1838, which is considered to be his most impressive accomplishment. Informative text accompanies each work and the datepad features previous and next month's views. Printed on FSC-certified paper, with plastic-free packaging.

Fitzwilliam Museum: Audubon Birds Wall Calendar 2026 (Art Calendar)

Art: 365 Days of Masterpieces 2026 Day-to-Day Calendar

In collaboration with the estate of Bill Traylor, this publication offers a comprehensive look at the self-taught artist’s distinctive imagery, which mixes subjects and iconography from the American South with a strong formalistic treatment of color, shape, and surface.Born into slavery, Traylor spent much of his life after the 1863 Emancipation Proclamation working as a farm laborer in rural Alabama and, later, as a shoemaker and factory worker in Montgomery. In 1939, at approximately the age of 85, having never previously trained or studied art in any formal way, Traylor began making drawings and works on paper using gouache and other media. Though he continued to make art for the remainder of his life, Traylor was most prolific between 1939 and 1942, creating a body of work that offers a unique and rich registry of his life, experience, and insights.This monograph weaves beautiful reproductions of Traylor’s works with essays by and conversations with his descendants, offering a unique and deeply personal look at this artist whose work exists in the collections of many notable institutions in the United States but whose story has never been fully told.

Bill Traylor

Routledge Research in Museum Studies

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art's (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

This study sheds light on an as yet unstudied aspect of the Museum of Modern Art’s (MoMA) preeminent role in establishing the definition of the problematic term "Latin American art" in the United States.

The Power of the Canon

Latin American Art at The Museum of Modern Art

This volume takes stock of five years of provenance research at Kunstmuseum Basel. Eleven essays, the result of intense research in archives in Switzerland and abroad, present selected paintings, sculptures and works on paper from the museum’s holdings. The paths taken by the artworks also reveal the fates of the Jewish families to whom they once belonged. Switzerland comes into focus as a country of exile and transit for those fleeing National Socialism. This book strikes a balance between case studies, institutional history, and paying tribute to the former owners. The transparent presentation of research processes opens a discourse on why this research is being conducted and what follows from it. Despite the immense scholarly endeavour and new findings, open questions remain, inviting critical reflection on the complex case studies.        Comprehensive reappraisal of the previous Jewish owners’ fates based on in-depth scientific research   Selected case studies: Albrecht Altdorfer, Carl Blechen, Carl Gustav Carus, Gustave Courbet, Eugène Delacroix, Käthe Kollwitz, Wilhelm Lehmbruck, Max Liebermann, Aristide Maillol, Hans von Marées, Adolph von Menzel, Otto Meyer-Amden, Henri Rousseau, and Camille Pissarro   Starting points of current research   Assuming historical responsibility for the collection history of a museum institution

Provenienzforschung am Kunstmuseum Basel

OFFENE FRAGEN. Kunstwerke – Erwerbungen – Schicksale

Overexposed

The Social World of Galleries

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema