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Waterman R: The Politics and Sociology
of Silent Comedy Films

The Politics and Sociology of Silent Comedy Films

Early American Cinema, 1895-1915

Diddly Squat

Jeremy Clarkson is back, with another year's worth of hilarious stories from Diddly Squat Farm.

Diddly Squat: The Farmer's Dog

Digital Geographies

Global Digital Divides in the COVID-19 Era examines global digital divides prior to and during the pandemic, emphasizing internet and technology trends, spatial distributions, determinants, explanations, policy implications, and the aspiration of an equitable digital society. It analyzes purposeful use of the internet in the world and the majority of its major regions and countries. For digitally underserved economies, such as sub-Saharan Africa and parts of the Middle East, it is still appropriate to consider the traditional measures of technology access and use. In advanced economies, AI and machine learning are examined. This book identifies where deficits are located geographically, and also where the hot spots and cold spots are for levels of use and purposeful use of technologies. It points out the impacts of these technologies before and during the COVID-19 pandemic. For mature, inclusive, and equitable digital societies worldwide, attention has shifted from gaps in access to gaps in purposeful use of these technologies. For broadband, purposeful uses include e-commerce, e-health, e-entertainment, e-communication, e-education, and remote work. This book provides actual accounts of the digital divide challenges and successes in several case studies, such as the trailing usage of ICTs in Bolivia, the heightened purposeful use of e-commerce in Sweden and Denmark, and AI use in the US Silicon Valley. Finally, it recommends policies and steps that various national, state, and provincial governments can develop to narrow digital divides and improve the equity and inclusion of all their diverse citizens.

Purposeful Use of the Internet and Technologies

Global Digital Divides in the COVID-19 Era

Naturbilder / Images of Nature

Das Buch zeigt erstmals auf, wie die unsichtbare Pflanzenseele in Kunst, Film, Tanz und Wissenschaft Frankreichs dargestellt und mit religiösen und biologischen Konzepten vermischt wurde. Die Bandbreite der Visualisierungen reicht von romantischen Personifikationen im frühen Film über fleischfressende zoomorphe Monster bis zu Ornamenten bei FrantiSek Kupka und Loïe Fuller, die Pflanzenbewegungen zu einem abstrakten Dynamismus stilisierten. Auch der neu erfundene Zeitrafferfilm zeigt das langsame Leben der Pflanzen beschleunigt und schreibt ihnen so Willen und Ausdruck zu. Die Kunst- und Bildgeschichte der postevolutionären anima vegetativa verdeutlicht, dass der vegetabile Animismus Konzeptionen von Natur, Wahrnehmung und Wirkmacht hinterfragt und damit auch den Sonderstatus des Menschen.

Do plants have a soul? This first-ever study examines how the invisible souls of plants were depicted in French art, film, dance and science around 1900, including the way these depictions were melded with religious and biological concepts. The aesthetic and pictorial history of post-evolutionary anima vegetativa shows how plant animism questioned conceptions of nature, perception and power, and, by extension, the special status of human beings.

Florale Animationen in bildender Kunst, Film und Tanz Frankreichs um 1900

Anima vegetativa

Studienkurs Medien & Kommunikation

Medienästhetik

Vintage Classics Shakespeare Series

The Merchant of Venice, Retold

Shylock is My Name

The Taming of the Shrew, Retold

Vinegar Girl

"The humdrum life of an aspiring food writer changes when he meets a famous celebrity chef. Equal parts funny and heartwarming, Hungry Heart, based on the hit webcomic, is an endearing queer rom-com that grapples with self-discovery, finding your voice, and the power of acceptance."--Provided by publisher.

The humdrum life of an aspiring food writer changes when he meets a famous celebrity chef. Equal parts funny and heartwarming,&nbsp;Hungry Heart, based on the hit webcomic, is an endearing queer rom-com that grapples with self-discovery, finding your voice, and the power of acceptance.

Hungry Heart: Volume 1

CNCZ - The Wiley-Blackwell Companions to National Cinemas

A new collection on Indian cinema in the Wiley Blackwell Companions to National Cinemas series

In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar bring together 25 established and emerging scholars to deliver new research on contemporary and historical questions on Indian cinema. Engaging with current debates in film and media studies, the collection reflects on production cultures, media infrastructures, material cultures, censorship, stardom, media aesthetics and circulation, and Indian cinema's movement through transnational networks. From regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi to Indian cinema in China, the chapters also span the range from art cinema to commercial Bombay/Bollywood to B movie circuits. Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this volume extends from cinema in early twentieth century India to a historicized engagement with more recent dimensions of technology, aesthetics, and the archival impulse of film.

Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for other scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

A new collection in the Wiley Blackwell Companions to National Cinemas series, featuring the cinemas of India

In A Companion to Indian Cinema, film scholars Neepa Majumdar and Ranjani Mazumdar along with 25 established and emerging scholars, deliver new research on contemporary and historical questions on Indian cinema. The collection considers Indian cinema's widespread presence both within and outside the country, and pays particular attention to regional cinemas such as Bhojpuri, Bengali, Malayalam, Manipuri, and Marathi. The volume also reflects on the changing dimensions of technology, aesthetics, and the archival impulse of film. The editors have included scholarship that discusses a range of films and film experiences that include commercial cinema, art cinema, and non-fiction film.

Even as scholarship on earlier decades of Indian cinema is challenged by the absence of documentation and films, the innovative archival and field work in this Companion extends from cinema in early twentieth century India to a historicized engagement with new technologies and contemporary cinematic practices. There is a focus on production cultures and circulation, material cultures, media aesthetics, censorship, stardom, non-fiction practices, new technologies, and the transnational networks relevant to Indian cinema.

Suitable for undergraduate and graduate students of film and media studies, South Asian studies, and history, A Companion to Indian Cinema is also an important new resource for scholars with an interest in the context and theoretical framework for the study of India's moving image cultures.

A Companion to Indian Cinema

Suhrkamp BasisBibliothek

In seinem 1962 erschienenen, legendären Debüt hat Alexander Kluge Geschichten versammelt, die über die Bruchstelle von 1945 hinweg verlaufen: »Die Erzählungen dieses Bandes stellen aus sehr verschiedenen Aspekten die Frage nach der Tradition. Es handelt sich um Lebensläufe, teils erfunden, teils nicht erfunden; zusammen ergeben sie eine traurige Geschichte.«
 
 Diese Ausgabe der »Suhrkamp BasisBibliothek - Arbeitstexte für Schule und Studium« bietet neben den Texten einen Kommentar, der alle für das Verständnis der Erzählungen erforderlichen Informationen enthält: ein biografisches Porträt des Autors, die Entstehungs-, Text- und Rezeptionsgeschichte, Deutungsansätze, Literaturhinweise sowie detaillierte Wort- und Sacherläuterungen.

In seinem 1962 erschienenen, legendären Debüt hat Alexander Kluge Geschichten versammelt, die über die Bruchstelle von 1945 hinweg verlaufen: »Die Erzählungen dieses Bandes stellen aus sehr verschiedenen Aspekten die Frage nach der Tradition. Es handelt sich um Lebensläufe, teils erfunden, teils nicht erfunden; zusammen ergeben sie eine traurige Geschichte.«Diese Ausgabe der »Suhrkamp BasisBibliothek – Arbeitstexte für Schule und Studium« bietet neben den Texten einen Kommentar, der alle für das Verständnis der Erzählungen erforderlichen Informationen enthält: ein biografisches Porträt des Autors, die Entstehungs-, Text- und Rezeptionsgeschichte, Deutungsansätze, Literaturhinweise sowie detaillierte Wort- und Sacherläuterungen.

Lebensläufe

Apply these hilariously realistic affirmations wherever you—or anyone else—may need an antidote to toxic positivity.

100+ Stickers to Stick Wherever

Disappointing Affirmations Sticker Book

A Companion to Russian Cinema provides an exhaustive and carefully organised guide to the cinema of pre-Revolutionary Russia, of the Soviet era, as well as post-Soviet Russian cinema, edited by one of the most established and knowledgeable scholars in Russian cinema studies.
* The most up-to-date and thorough coverage of Russian, Soviet and post-Soviet cinema, which also effectively fills gaps in the existing scholarship in the field
* This is the first volume on Russian cinema to explore specifically the history of movie theatres, studios, and educational institutions
* The editor is one of the most established and knowledgeable scholars in Russian cinema studies, and contributions come from leading experts in the field of Russian Studies, Film Studies and Visual Culture
* Chapters consider the arts of scriptwriting, sound, production design, costumes and cinematography
* Provides five portraits of key figures in Soviet and Russia film history, whose works have been somewhat neglected

A Companion to Russian Cinema

De Gruyter Contemporary Social Sciences

The women on television series are spectacularly feminine. They are the most beautiful doctors, lawyers, detectives, scientists, queens, fashion-writers, moms, Victorian ladies, and witches ever seen. Focusing on series that celebrate empowered women from mainstay crime dramas such as Bones (2005-2017) and The Rookie: Feds (2022-2023) to teen dramas, with series such as Sex Education (2019-2023) and Charmed (2018-2022), to romance series such as Bridgerton (2020-), this book analyzes the onscreen portrayals of femme, femininity, and feminism. Specifically, this book maps the televisual trends that objectify femininity and those that visualize femininity as subject, working to demonstrate how televisual style constructs femininity through its onscreen portrayals.

Femininity on TV

Watching Women

The Politics and Sociology of Silent Comedy Films

Bibliografische Angaben

Schlagworte

Bibliografische Angaben

Schlagworte

Weitere Titel zum Thema