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The Oxford Handbook of Black Dance
Studies

The Oxford Handbook of Black Dance Studies

Dance in Dialogue

A series of conversations with researchers and practitioners that explores the critical dynamics of silence within choreography, performance and composition.

In Conversation

Dance and Silence

Science, Politics, and the Body in Motion

Making Movement Modern

This book explores the vibrant intersection of sports and arts as a powerful medium for cultural exchange between the United Kingdom and China. It includes approximately one hundred works by contemporary British and Chinese artists, and vividly captures the dynamic synergy of athleticism and creativity. Integrated with international art/sport festival programmes, the book offers a fresh perspective on community interaction and engagement, highlighting the unique value of sports and art in modern life. This sports and arts fusion serve not only as a bridge for human civilisation but also as a driving force and inspiration for sustainable development.

Sports and Arts in British-Sino Cultural Exchange

Unity in Motion

Discover the dazzling new historical novel from the author of That Green Eyed Girl and 73 Dove StreetPerfect for fans of City of Girls, Cabaret and Sunday Times bestseller, The Whalebone Theatre - available to pre-order in paperback! 'Sexy, electrically stylish, and beautiful - a gorgeous story about sisterhood, and a glamorous, evocative passport to a period we all long to get lost in' Daisy Buchanan, award-winning author of Insatiable'Julie's best novel yet' Georgina Moore, bestselling author of The Garnett GirlsWould you choose your sister or the love of your life? BERLIN, 1926After the death of their parents, sisters Leni and Annette only have each other. Desperate to support her younger sister, Leni finds work at a notorious cabaret: the Babylon Circus, a place where reality and fantasy merge. It's an overwhelming new world, and Leni is happiest hiding in the shadows. That is, until she meets the cabaret's resident pianist, Paul, beginning a tentative love affair that will play out over the next forty years and will change the course of their lives forever. In a city whose divisions will define a century, can a love born within the feverish walls of the Babylon Circus ever survive? And can the bond between Leni and Annette - tugged in opposite directions of their own - also endure?Praise for Circus of Mirrors: 'A tale of two sisters and a city, all three of them so vividly drawn, I felt I knew them. Superbly atmospheric, with convincingly flawed characters that just leap off the page' Frances Quinn, author of The Bonesetter Woman 'An all-singing, all-dancing, moving and masterful book about two complex sisters living in incredibly complex times. Brilliant.' Anna Mazzola, author of The Clockwork Girl 'Bold, brave and absorbing' Elizabeth Buchan, author of Bonjour, Sophie 'With hints of Atonement, this is an epic novel' Louise Fein, author of Daughter of the Reich Praise for Julie Owen Moylan 'Touching, entertaining and hopeful' Sunday Times 'Dazzling' GOOD HOUSEKEEPING 'I was gripped from the first page' SARA COX 'Psychologically astute and emotionally absorbing,' DAILY MAIL 'A wonderfully evocative, immersive novel that brings 50s London to life, from the smog and the nightlife to attitudes towards women' SUNDAY EXPRESS 'Emotional, immersive and utterly absorbing' JENNIFER SAINT

Circus of Mirrors

With over 40 years' experience in magic and as one of only a handful of professional magic teachers worldwide, Justin Higham is in a unique position to write about the challenges magicians face in learning and performing magic. This book offers valuable insights into why magicians find it hard to perform impromptu: why they forget their tricks and why things so often do not pan out as expected. 'I have learned the trick, the method, the patter, the misdirection, so why is it not working for me? Drawing from over 3500 individual magic lessons given by Higham over the past 12 years, this guide will help the intermediate student reach their goal of becoming an authentic, spontaneous and confident magician. The real secret as revealed here is to master magic through improvisation.

Mastering Magic Through Improvisation

Intuitive Magician, The

Notes for Performers

Notes for Oboists: A Guide to the Repertoire is an essential resource for professional, amateur, and student oboists that collects the important historical and analytical information for thirty-five of the best-known pieces composed for the instrument. These works span the eighteenth through the twenty-first century and include sonatas, concertos, chamber music, and works for solo oboe by a wide range of composers. Chapters will cover compositions such as Alessandro Marcello's Concerto in D Minor, Robert Schumann's Three Romances Op. 94, Francis Poulenc's Sonata for Oboe and Piano, Isang Yun's Piri for Oboe Solo, Reena Esmail's Jhula Jhule for Oboe and Piano, and thirty other treasures of the oboe repertoire.

Writing in engaging and accessible prose supported by fact-filled analytical charts, Nora A. Lewis offers rich biographical information on individual composers, historical context for compositions (such as the circumstances for its development), as well as clear structural analyses to help oboists gain a deeper understanding of well-known repertoire. In offering both historical/biographical as well as musicological insight, Notes for Oboists connects performance studies with scholarship, allowing readers to build a more complete picture of the music and encourage them to approach other compositions in a similarly analytical manner.

A Guide to the Repertoire

Notes for Oboists

Routledge Advances in Theatre & Performance Studies

This book is a seminal seated dance guidebook for global dance and health practitioners. Seated dance is an inclusive and diverse form of physical activity, suitable for all, regardless of age or disability.

Take Your Seat!

The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan

The Untamed Women of Modern Dance

Wild Grace

Performance Books

An Introduction to the Work and Principles of Augusto Boal

The Theatre of the Oppressed in Practice Today

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier's impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier's unique contribution and the role of the dancer more broadly as a producer of culture.

As principal dancer with Montréal-based company La La La Human Steps, Louise Lecavalier was among the most iconic dancers of her generation: strong, muscled, androgynous, punk. Moving with spectacular speed, precision and an athletic physicality, her commitment to dancing would ultimately transform the potential of what bodies within Western concert dance could do.
 
 Drawing on extensive oral history accounts and archival material, the book follows Lecavalier’s impact on the evolving aesthetic of La La La Human Steps, via the development of its early repertoire, and offers the first sustained account of her 1982 solo Non, Non, Non, je ne suis pas Mary Poppins. More, it tracks diverse influences and sources for the repertoire, complicating understandings of nationalism in Québec, while marking the significance of the collective in generating new aesthetics. What emerges is a portrait of the dancer as artist, icon, labourer and mover of cultural discourse. 
Featuring an expansive set of photos and ephemera, including performance documentation by photographer/activist Linda Dawn Hammond, production images by choreographer Édouard Lock and street photography by key players in the 1980s Montréal scene, this study offers a critical and celebratory appraisal of Lecavalier’s unique contribution and the role of the dancer more broadly as a producer of culture.

Dance, Labor, Culture

Louise Lecavalier

This volume investigates the contributions and achievements of the physically disabled dancer while at the same time challenging and recognizing the inherent inequities in the field of integrated dance in the UK which currently places greater emphasis on the learning-disabled performer.

The Physically Disabled Dancer and the Affirmative Model of Disability

The Pug Who Wanted to...

The Pug who wanted to be a Dancer

The Oxford Handbook of Black Dance Studies

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