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The Oxford Handbook of Black Dance
Studies

The Oxford Handbook of Black Dance Studies

Many of us consider making and consuming art to be a hobby, or even a luxury. But what if arts engagement - from classical music to salsa, poetry to pop concerts, galleries to graffiti - was in fact one of our most powerful tools for unlocking health and happiness? What if art could help you live longer - and even save your life?In Art Cure, Professor Daisy Fancourt reveals the life-changing power of the arts. Engaging in the arts improves the functioning of every major organ system in the body: songs support the architectural development of children's brains; creative hobbies help our brains to stay resilient against dementia; visual art and music act just like drugs to reduce depression, stress, and pain; dancing and drumming affect neurotransmitters, hormones, cells, proteins, even the expression of our genes; going to live music events, museums, exhibitions, and the theatre decreases our risk of future loneliness and frailty. Informed by the ground-breaking results of decades of scientific studies, and with practical advice that gives you the tools to write your own 'arts prescription', Art Cure will fundamentally change the way you value and engage with arts in your daily life. The arts not only helps us to survive, they allow us to thrive and flourish.

How the arts can save your life

Art Cure

Dance in Dialogue

A series of conversations with researchers and practitioners that explores the critical dynamics of silence within choreography, performance and composition.

In Conversation

Dance and Silence

Early Modern Performance Beyond the Public Stage is the first major work to explore and analyse the popular 'extra-theatrical' performances in late medieval and Renaissance England. This wider heterogeneous category of early modern performance included puppetry, fireworks shows, rope dancing, minstrelsy, performing animals, games, civic drama, court masques, university drama, morris dances, and ceremonial rituals, all taking place in a variety of venues. The volume reveals how these extra-theatrical productions shaped urban and rural life and conveyed a sense of spectacular excess, of exceeding traditional genres, conventional modes of performance and the typical bounds of theatrical space. The spaces where medieval and early modern drama flourished include pageant carts, convents, private homes, universities, waterways, and the streets of both urban and rural communities. Much like public theatres, these performance spaces also played a pivotal role in articulating individual, communal, and national aspirations. Spanning the medieval period to the late 17th century, this volume engages with questions of spatiality, gender, religion, transcontinental exchanges, and colonialism, presenting the latest research from scholars across the globe.

Early Modern Performance Beyond the Public Stage is the first major work to explore and analyse the popular 'extra-theatrical' performances in late medieval and Renaissance England. This wider heterogeneous category of early modern performance included puppetry, fireworks shows, rope dancing, minstrelsy, performing animals, games, civic drama, court masques, university drama, morris dances, and ceremonial rituals, all taking place in a variety of venues.

The volume reveals how these extra-theatrical productions shaped urban and rural life and conveyed a sense of spectacular excess, of exceeding traditional genres, conventional modes of performance and the typical bounds of theatrical space. The spaces where medieval and early modern drama flourished include pageant carts, convents, private homes, universities, waterways, and the streets of both urban and rural communities. Much like public theatres, these performance spaces also played a pivotal role in articulating individual, communal, and national aspirations. Spanning the medieval period to the late 17th century, this volume engages with questions of spatiality, gender, religion, transcontinental exchanges, and colonialism, presenting the latest research from scholars across the globe.

Extra-Theatrical Forms and Spaces

Early Modern Performance Beyond the Public Stage

Follow the misadventures of Ian Moore as he chronicles the charming and chaotic escapades of his family and their eccentric assembly of animals, on their continued search for serenity in rural France. With stresses, strains and animal poo mounting up, la famille Moore have their work cut out - but they're determined to give it their best shot!

Follow the misadventures of Ian Moore as he chronicles the charming and chaotic escapades of his family and their eccentric assembly of animals, on their continued search for serenity in rural France. With stresses, strains and animal poo mounting up, la famille Moore have their work cut out - but they're determined to give it their best shot!

Adventures of an English Grump in Rural France

C'est la Vie

Forms of Drama

"Provides a clear guide to Kathakali, exploring the origin, evolution and characteristics of the form today and the ways it has adapted for a 21st-century audience. This introduction to this mode of dance drama traces the distinctive features of Kathakali - which is sometimes tightly structured with fixed conventions and sometimes fluid enough to incorporate flights of fancy. It charts how the form has changed over the centuries and assesses its cultural legacy today. It also includes translations of extracts from poems, plays and performance manuals, as well as interviews with actors and cultural historians"--

Authored by a leading exponent of the form, this book provides a clear guide to Kathakali, exploring its origin, evolution, and characteristics and the ways it has adapted for a 21st-century audience. Kathakali is an introduction to this vibrant mode of dance drama, which comes from Kerala in southwest India and combines poetry, music, rhythm, and dance to represent stories of gods, demons, and humans. Originating in the latter part of the 16th century, today Kathakali commands attention and involves practitioners from around the world. Largely drawing its stories from the Ramayana and the Mahabharata, it integrates music, dance, grand makeup, and costume to evoke the epic universe. This book illuminates how Kathakali combines associated literary texts, performative conventions, and practices from local and pan-Indian contexts. The actors use their whole body—deploying complex dance movements, interpretive gestures, and highly developed facial expressions—as a site to depict, elaborate, and interpret action. Encapsulating the world of Kathakali, its performative grammar, and the aesthetic theories that underpin it, this book examines its history as one of continual change. The book traces the distinctive features of Kathakali, which is sometimes tightly structured with fixed conventions, and sometimes fluid enough to incorporate imaginative flights of fancy. It assesses Kathakali’s cultural legacy and charts how the form has changed over the centuries. It also includes translations of extracts from poems, plays, and performance manuals, as well as interviews with actors and cultural historians.

Tradition, Innovations and Transitions in the Dance Drama of Kerala

Kathakali

Routledge Advances in Theatre & Performance Studies

This volume investigates the contributions and achievements of the physically disabled dancer while at the same time challenging and recognizing the inherent inequities in the field of integrated dance in the UK which currently places greater emphasis on the learning-disabled performer.

The Physically Disabled Dancer and the Affirmative Model of Disability

Oxford Handbooks

The Oxford Handbook of Indian Dance is a volume of original essays that brings together cutting-edge research on Indian dance by scholars and practitioners across the globe. It highlights key social and political dimensions of Indian dance and intersecting concerns such as ability, caste, class, gender, nationhood, race, region, religion, and sexuality.

The Oxford Handbook of Indian Dance

This book is a seminal seated dance guidebook for global dance and health practitioners. Seated dance is an inclusive and diverse form of physical activity, suitable for all, regardless of age or disability.

Take Your Seat!

The Practitioner’s Essential Guide to Teaching Seated Dance Across the Lifespan

The Routledge Companion to Choreomusicology: Dialogues in Music and Dance is a distinguished collection of essays by leading scholars presenting research that redefines and rethinks the question of what dance and music are, together and apart, and which promotes new ideas and voices in the discipline.

Dialogues in Music and Dance

Choreomusicology

BestMasters

In der kulturellen Praxis des Tango Argentino wird die Semantik einer Überschneidung hegemonialer Diskurse sichtbar, die insbesondere durch binäre Geschlechterrollen und heteronormative Performanz gekennzeichnet sind. Im Kontext der leidenschaftlichen und emotionalen Begegnungen des Tangos, die nicht selten von erotischen Spannungen durchzogen sind, entfaltet sich ein Diskurs, der die heteronormative Konstruktion der tanzenden Körper vermittelt. Ausgehend von der Betrachtung des Tangos als Bewegungspraxis, die in einem symbolisch-diskursiven Feld verortet ist, das den Konstitutionsrahmen für Körper und deren Bewegungen im Tanz schafft, untersucht die vorliegende Arbeit vor dem Hintergrund der Queer Theory und Ansätzen der feministischen Phänomenologie das Verhältnis zwischen dem Diskurs der Geschlechterdifferenz und der körperlich-leiblichen Erfahrung queerer Tangotänzer*innen. Im Zentrum steht dabei die Frage, auf welche Weise heteronormative Strukturen, die in der Tangokultur vorherrschen, im Sinne queerer Subversion dekonstruiert werden. Das Erkenntnisinteresse dieser Arbeit liegt darin zu verstehen, wie sich queeres Selbstverständnis im Tango manifestiert, in welchen Elementen des Tangos sich Performativität und die diskursive Konstitution von Geschlechterrollen widerspiegeln und wie queere Tangotänzer*innen in Bezug darauf den Tanz auf der körperlichen Ebene erfahren.&nbsp;Die AutorinBianca Griech ist Wissenschaftliche Mitarbeiterin am Cologne Innovation and Transfer Lab der Technischen Hochschule Köln.

Selbstverständnis und leibliche Erfahrungen von queeren Tangotänzer*innen in Buenos Aires

Tanz als dekonstruktive Körperpraxis

The Oxford Handbook of Black Dance Studies

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