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Thrasher S: The Overseer Class

The Overseer Class

A Manifesto

"A social activist, journalist, public theologian, and international speaker who has become a powerful and brilliant voice of her generation offers a bold path to liberation and healing for people of African descent struggling in the shadows of the American Dream."--Publisher's description.

A social activist, journalist, public theologian, and international speaker who has become a powerful and brilliant voice of her generation offers a bold path to liberation and healing for people of African descent struggling in the shadows of the American Dream. The United States is at a critical juncture in its history. Not since the 1960s has the nation been so racially divided. White supremacy remains America’s Achilles’ heel—a moral failure that haunts us and holds us back from being the great nation we profess. For centuries, people of African descent have endured unimaginable hatred and discrimination which has manifested in pain and trauma passed from generation to generation. To break free from this historical cycle of suffering and be truly free at last, Black and brown people must reimagine ourselves, our communities, this country, and our relationship to Africa.Weaving storytelling, socioeconomic analysis, and cultural criticism with the spiritual and political threads of liberation theology and Pan Africanism, Imagine Freedom empowers us to begin the difficult but necessary work of decolonizing our minds and overcoming the lies we have been told about ourselves for centuries. Sobering and inspiring, filled with despair and hope, Rahiel Tesfamariam dares us to see the world through a larger historical and global lens— to understand how our quests for freedom and healing are intrinsically connected to our past, present, and future. By widening our vision, we discover new ways of imagining self, community, nation, and world, and most importantly, a new way to achieve the freedom that has been too long denied.

Transforming Pain into Political and Spiritual Power

Imagine Freedom

A sweeping, narrative history of Black wealth and the economic discrimination embedded in America's financial system. The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book shows the scores of setbacks that have held the Black-white wealth gap in place--from enslavement to redlining to banking discrimination--and, ultimately, the reversals that occurred in the mid-2020s as the push for racial equity became a polarized political debate.Fifteen Cents on the Dollar follows the lives of four Black Millennial professionals and a banking company founded with the stated mission of closing the Black-white wealth gap. That company, known as Greenwood, a reference to the historic Black Wall Street district in Tulsa, Oklahoma, generated immense excitement and hope among people looking for new ways of business that might lead to greater equity. But the twists and turns of Greenwood's journey also raise tough questions about what equality really means.Seasoned journalist-academics Louise Story and Ebony Reed present a nuanced portrait of Greenwood's founders--the entertainment executive Ryan Glover; the Grammy-winning rapper Michael Render, better known as Killer Mike; and the Civil Rights leader and two-term Atlanta mayor, Andrew Young--along with new revelations about their lives, careers, and families going back to the Civil War. Equally engaging are the stories of the lesser-known individuals--a female tech employee from rural North Carolina trying to make it in a big city; a rising leader at the NAACP whose father is in prison; an owner of a BBQ stand in Atlanta fighting to keep his home; and a Black man in a biracial marriage grappling with his roots when his father is shot by the police.In chronicling these staggering injustices, Fifteen Cents on the Dollar shows why so little progress has been made on the wealth gap and provides insights Americans should consider if they want lasting change.

A sweeping, narrative history of Black wealth and the economic&nbsp;discrimination embedded in America’s financial system.&nbsp;The early 2020s will long be known as a period of racial reflection. In the wake of the police killing of George Floyd, Americans of all backgrounds joined together in historic demonstrations in the streets, discussions in the workplace, and conversations at home about the financial gaps that remain between white and Black Americans. This deeply investigated book shows the scores of setbacks that have held the Black-white wealth gap in place—from enslavement to redlining to banking discrimination—and, ultimately, the reversals that occurred in the mid-2020s as the push for racial equity became a polarized political debate.Fifteen Cents on the Dollar&nbsp;follows the lives of four Black Millennial professionals and a banking company founded with the stated mission of closing the Black-white wealth gap. That company, known as Greenwood, a reference to the historic Black Wall Street district in Tulsa, Oklahoma, generated immense excitement and hope among people looking for new ways of business that might lead to greater equity. But the twists and turns of Greenwood’s journey also raise tough questions about what equality really means.Seasoned journalist-academics Louise Story and Ebony Reed present a nuanced portrait of Greenwood’s founders—the entertainment executive Ryan Glover; the Grammy-winning rapper Michael Render, better known as Killer Mike; and the Civil Rights leader and two-term Atlanta mayor, Andrew Young—along with new revelations about their lives, careers, and families going back to the Civil War. Equally engaging are the stories of the lesser-known individuals—a female tech employee from rural North Carolina trying to make it in a big city; a rising leader at the NAACP whose father is in prison; an owner of a BBQ stand in Atlanta fighting to keep his home; and a Black man in a biracial marriage grappling with his roots when his father is shot by the police.In chronicling these staggering injustices,&nbsp;Fifteen Cents on the Dollar&nbsp;shows why so little progress has been made on the wealth gap and provides insights Americans should consider if they want lasting change.

How Americans Made the Black-White Wealth Gap

Fifteen Cents on the Dollar

How Uncovering My Family's History Set Me Free

I Am Nobody's Slave

My name is Jose Antonio Vargas. I was born in the Philippines. When I was twelve, my mother sent me to the United States to live with her parents. While applying for a driver’s permit, I found out my papers were fake. More than two decades later, I am still here illegally, with no clear path to American citizenship. To some people, I am the “most famous illegal” in America. In my mind, I am only one of an estimated 11 million human beings whose uncertain fate is under threat in a country I call my home.This is not a book about the politics of immigration. This book—at its core—is not about immigration at all. This book is about homelessness, not in a traditional sense, but about the unsettled, unmoored psychological state in which undocumented immigrants like me find ourselves. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about what it means to not have a home.

THE NATIONAL BESTSELLER“This riveting, courageous memoir ought to be mandatory reading for every American.”&nbsp;&nbsp;—Michelle Alexander, New York Times bestselling author of The New Jim Crow“l cried reading this book, realizing more fully what my parents endured.” —Amy Tan, New York Times bestselling author of The Joy Luck Club and Where the Past Begins“This book couldn’t be more timely and more necessary.” —Dave Eggers, New York Times bestselling author of What Is the What and The Monk of MokhaPulitzer-Prize winning journalist Jose Antonio Vargas, called “the most famous undocumented immigrant in America,” tackles one of the defining issues of our time in this explosive and deeply personal call to arms.“This is not a book about the politics of immigration. This book––at its core––is not about immigration at all.&nbsp;This book is about homelessness, not in a traditional sense, but in the unsettled, unmoored psychological state that undocumented immigrants like myself find ourselves in. This book is about lying and being forced to lie to get by; about passing as an American and as a contributing citizen; about families, keeping them together, and having to make new ones when you can’t. This book is about constantly hiding from the government and, in the process, hiding from ourselves. This book is about what it means to not have a home.After 25 years of living illegally in a country that does not consider me one of its own, this book is the closest thing I have to freedom.”—Jose Antonio Vargas, from&nbsp;Dear America

Notes of an Undocumented Citizen

Dear America

"Through diverse, first-person accounts across the nation, this insightful examination urges readers to confront uncomfortable racial dialogues, revealing how differing perspectives on national identity challenge America's democratic ideals and hinder unity."--Publisher provided description.

Essays from Black Americana

If We Are Brave

WINNER OF THE LA TIMES BOOK PRIZE FOR BIOGRAPHYAMERICAN BOOK AWARD WINNERFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR BIOGRAPHYA groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

WINNER OF THE LA TIMES BOOK PRIZE FOR BIOGRAPHYAMERICAN BOOK AWARD WINNERFINALIST FOR THE NATIONAL BOOK CRITICS CIRCLE AWARD FOR BIOGRAPHYA groundbreaking study of the first Black female novelist and her life as an enslaved woman, from the biographer who solved the mystery of her identity, with a forward by Henry Louis Gates Jr.In 1857, a woman escaped enslavement on a North Carolina plantation and fled to a farm in New York. In hiding, she worked on a manuscript that would make her famous long after her death. The novel, The Bondwoman’s Narrative, was first published in 2002 to great acclaim, but the author’s identity remained unknown. Over a decade later, Professor Gregg Hecimovich unraveled the mystery of the author’s name and, in The Life and Times of Hannah Crafts, he finally tells her story.In this remarkable biography, Hecimovich identifies the novelist as Hannah Bond “Crafts.” She was not only the first known Black woman to compose a novel but also an extraordinarily gifted artist who honed her literary skills in direct opposition to a system designed to deny her every measure of humanity. After escaping to New York, the author forged a new identity—as Hannah Crafts—to make sense of a life fractured by slavery.Hecimovich establishes the case for authorship of The Bondwoman’s Narrative by examining the lives of Hannah Crafts’s friends and contemporaries, including the five enslaved women whose experiences form part of her narrative. By drawing on the lives of those she knew in slavery, Crafts summoned into her fiction people otherwise stolen from history.At once a detective story, a literary chase, and a cultural history, The Life and Times of Hannah Crafts discovers a tale of love, friendship, betrayal, and violence set against the backdrop of America’s slide into Civil War.

The True Story of The Bondwoman's Narrative

The Life and Times of Hannah Crafts

From Denne Michele Norris and Electric Literature, a vital anthology of essays by trans and gender-nonconforming writers of color, sharing stories of joy, heartbreak, rage, and self-discovery.Featuring seventeen essays by trans people of color—spanning writers, scientists, actors, activists, and drag queens—Both/And explores what it means to live as a trans or gender nonconforming person of color today.Acclaimed authors Akwaeke Emezi, Tanaïs, and Meredith Talusan share their stories alongside activist and organizer Raquel Willis and RuPaul’s Drag Race star Peppermint, as well as a host of rising literary talent. Each story is told with honesty, authenticity, and beauty. A nonbinary molecular biologist has nightmares about their estranged father transitioning. A writer revisits a casual hook-up when she discovered her womanhood. And a woman vacations with her wife in Hawaii, where she gets in touch with the fire goddess within. These stories depict real trans lives from trans points of view, at a time when these perspectives are most urgent and valuable.Inspired by Electric Literature’s groundbreaking series and edited by the first Black, openly trans editor-in-chief of a major literary publication, Both/And uplifts and amplifies stories of queer joy, heartbreak, rage, and self-discovery.

From Denne Michele Norris and Electric Literature, a vital anthology of essays by trans and gender-nonconforming writers of color, sharing stories of joy, heartbreak, rage, and self-discovery.Featuring seventeen essays by trans people of color—spanning writers, scientists, actors, activists, and drag queens—Both/And explores what it means to live as a trans or gender nonconforming person of color today.Acclaimed authors Akwaeke Emezi, Tanaïs, and Meredith Talusan share their stories alongside activist and organizer Raquel Willis and RuPaul’s Drag Race star Peppermint, as well as a host of rising literary talent. Each story is told with honesty, authenticity, and beauty. A nonbinary molecular biologist has nightmares about their estranged father transitioning. A writer revisits a casual hook-up when she discovered her womanhood. And a woman vacations with her wife in Hawaii, where she gets in touch with the fire goddess within. These stories depict real trans lives from trans points of view, at a time when these perspectives are most urgent and valuable.Inspired by Electric Literature’s groundbreaking series and edited by the first Black, openly trans editor-in-chief of a major literary publication, Both/And uplifts and amplifies stories of queer joy, heartbreak, rage, and self-discovery.

Essays by Trans and Gender-Nonconforming Writers of Color

Both/And

A surprising and beautiful meditation on the color blue?and its fascinating role in Black history and culture?from National Book Award winner Imani Perry.

A “vast, multifaceted and enchanting” (Minneapolis Star-Tribune) meditation on the color blue and its fascinating role in Black history and culture, from National Book Award winner Imani Perry, “the most important interpreter of Black life in our time” (Eddie S. Glaude, Jr.)Throughout history, the concept of Blackness has been remarkably intertwined with another color: blue. In daily life, it is evoked in countless ways. Blue skies and blue water offer hope for that which lies beyond the current conditions. But blue is also the color of deep melancholy and heartache, echoing Louis Armstrong’s question, “What did I do to be so Black and blue?” In this book, celebrated author Imani Perry uses the world’s favorite color as a springboard for a riveting emotional, cultural, and spiritual journey—an examination of race and Blackness that transcends politics or ideology.Perry traces both blue and Blackness from their earliest roots to their many embodiments of contemporary culture, drawing deeply from her own life as well as art and history: The dyed indigo cloths of West Africa that were traded for human life in the 16th century. The mixture of awe and aversion in the old-fashioned characterization of dark-skinned people as “Blue Black.” The fundamentally American art form of blues music, sitting at the crossroads of pain and pleasure. The blue flowers Perry plants to honor a loved one gone too soon.Poignant, spellbinding, and utterly original, Black in Blues is a brilliant new work that could only have come from the mind of one of our greatest writers and thinkers. Attuned to the harrowing and the sublime aspects of the human experience, it is every bit as vivid, rich, and striking as blue itself.

How a Color Tells the Story of My People

Black in Blues

"... tells the story of one Black family's pursuit of the American Dream through the impacts of systemic racism and racial violence. This book examines how trauma from enslavement and Jim Crow shaped their outlook on thriving in America, influenced each generation, and how they succeeded despite these challenges."--Provided by publisher.

A 2022 Pulitzer Prize finalist and former Wall Street Journal writer exhaustively examines his family’s legacy of post-enslavement trauma and resilience, in this riveting memoir—a soulful, shocking, and spellbinding read that blends the raw power of Natasha Tretheway’s Memorial Drive and the insights of Clint Smith’s How the Word is Passed. I Am Nobody’s Slave tells the story of one Black family's pursuit of the American Dream through the impacts of systemic racism and racial violence. This book examines how trauma from enslavement and Jim Crow shaped their outlook on thriving in America, influenced each generation, and how they succeeded despite these challenges.To their suburban Minnesotan neighbors, the Hawkinses were an ideal American family, embodying strength and success. However, behind closed doors, they faced the legacy of enslavement and apartheid. Lee Hawkins, Sr. often exhibited rage, leaving his children anxious and curious about his protective view of the world. Thirty years later, his son uncovered the reasons for his father’s anxiety and occasional violence. Through research, he discovered violent deaths in his family for every generation since slavery, mostly due to white-on-Black murders, and how white enslavers impacted the family’s customs.Hawkins explores the role of racism-triggered childhood trauma and chronic stress in shortening his ancestors' lives, using genetic testing, reporting, and historical data to craft a moving family portrait. This book shows how genealogical research can educate and heal Americans of all races, revealing through their story the story of America—a journey of struggle, resilience, and the heavy cost of ultimate success.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

Joining the growing Black creative movement currently refashioning horses and cowboy imagery, a thoughtful, probing exploration of the shared history of Blackness and horses which reveals what its image can teach us about nationhood, race, and culture. Drawing on their personal history as a former urban equestrian, Black queer person, and child of Jamaican and Filipino immigrants, essayist and art critic Bitter Kalli contends the horse should be regarded as a critical source of power and identity in Black life.In a series of astute essays, Kalli explores the work of Black artists and influencers from Beyoncé to filmmakers Tiona Nekkia-McClodden and Jeymes Samuel and explores their own life-long relationship to equines. Alternatively playful and critical, meditative and biting, these essays navigate time and place—from the shadows of racetracks where jockey culture and the ubiquity of “equestrian chic” was born, to the reclamation—or, in Lil Nas X’s word, yeehawification—of the image of the cowboy, to the fraught connections of equestrian sport to slavery, US militarization, and European colonial domination. At heart, Kalli probes a central question: What does it mean for Black people to ride and tend horses in the context of a culture that has also used horses against them?Throughout these essays, Kalli reflects on the experience of being the only Black member of the equestrian team at Columbia University, and how the aesthetics, ethos, and practice of horse stewardship contributed to their understanding of gender, sexuality, and radical community building. Mounted moves beyond the reductive stereotypes that dominate our perceptions of “horse people”—the swaggering masculinity, snooty elitism, and assumed whiteness—to reveal how Black people relate to the image and physical presence of the horse in nature and culture, considering violence, sexualization, power, migration, and more through its image.

On Horses, Blackness, and Liberation

Mounted

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family."As necessary and powerful as it is captivating." –&nbsp;Michael Harriot,&nbsp;New York Times&nbsp;bestselling author of&nbsp;Black AF History"Searing and urgent." – Bakari Sellers, New York Times&nbsp;bestselling author of&nbsp;My Vanishing Country&nbsp;and&nbsp;The MomentBefore police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

The incredible story of MOVE, the revolutionary Black civil liberties group that Philadelphia police bombed in 1985, killing 11 civilians—by one of the few people born into the organization, raised during the bombing's tumultuous aftermath, and entrusted with repairing what was left of his family."As necessary and powerful as it is captivating." –&nbsp;Michael Harriot,&nbsp;New York Times&nbsp;bestselling author of&nbsp;Black AF History"Searing and urgent." – Bakari Sellers, New York Times&nbsp;bestselling author of&nbsp;My Vanishing Country&nbsp;and&nbsp;The MomentBefore police dropped a bomb on a residential neighborhood on May 13, 1985, few people outside Philadelphia were aware that a Black-led civil liberties organization had taken root there. Founded in 1972 by a charismatic ideologue called John Africa, MOVE’s mission was to protect all forms of life from systemic oppression. They drew their ideology from the Black Panther Party and pre-dated animal and environmental rights groups like PETA and Earth First. MOVE emerged in an era when Black Philadelphians suffered under devastating policies brought by the long, doomed war in Vietnam, Mayor Frank Rizzo’s overtly racist police surveillance, and, eventually, President Ronald Reagan's War on Drugs. MOVE members lived together in a collection of West Philadelphia row houses and took the surname Africa out of admiration for the group's founder.But in MOVE's lifestyle, city officials saw threats to their status quo. Their bombing of MOVE homes shocked the nation and made international news. Eleven people were killed, including five children. And the City of Brotherly Love became known as the City That Bombed Itself.Among the children most affected by the bombing was Mike Africa Jr. Born in jail following a police attack on MOVE that led to his parents’ decades-long incarcerations, Mike was six years old and living with his grandmother when MOVE was bombed. In the ensuing years, Mike sought purpose in the ashes left behind. He began learning about the law as a teenager and became adept at speaking and inspiring public support with the help of other MOVE members. In 2018, at age 40, he finally succeeded in getting his parents released from prison.On a Move is one of the most unimaginable stories of injustice and resilience in recent American history. But it is not only one of tragedy. It is about coming-of-age for a young activist, the strong ties of family, and, against all odds, learning how to take indignities on the chin and to work within the very system that created them. At once a harrowing personal account and an impassioned examination of racism and police violence, On a Move testifies to the power of love and hope, in the face of astonishing wrongdoing.

Philadelphia's Notorious Bombing and a Native Son's Lifelong Battle for Justice

On a Move

In this groundbreaking exploration, the editor of the? New York Times? bestseller? Barracoon documents and discusses social, political, and economic ?disparities? and ?inequities? that undermine African American freedom, citizenship, and sovereignty and that inhibits the advancement of America's evolution as a democratic republic and its principles of freedom, equality, and justice for all. Of Greed and Glory is a penetrating analysis of the systemic barriers intended to manage or prevent African American success in America. It questions the so-called ?disparities? that deny and obstruct African American equality, economic stability, and political advancement. In examining the root causes of black impoverishment and the challenges to black mobility, full citizenship, and sovereignty, Of Greed and Glory posits human greed as a primary causal factor and discusses the politics of State officials and civic leaders who, driven by greed, ambition, and a propensity for excess, consciously choose to exploit ?white supremacist? ideology to achieve their aims. It interrogates the fiction of a ?racial divide? that is manipulated to maintain what is cast as ?structural inequities.? Through analyses of court decisions, legislative acts, administrative policies, and social custom, and the stories of historical and contemporary figures like Denmark Vesey, Fannie Lou Hamer, and George Floyd, Deborah G. Plant identifies and examines specific dynamics of the oppressive systems that serve to re-enslave or colonize African Americans: deracination, dispossession, systemic exclusion, mass incarceration, and the devaluation of black life. Consequent to the undoing of black life, Plant cautions, is the simultaneous undermining of the very fabric of our constitutional democracy.

A ground-breaking, personal exploration of America’s obsession with continuing human bondage from the editor of the New York Times–bestselling Barracoon.Freedom and equality are the watchwords of American democracy. But like justice, freedom and equality are meaningless when there is no corresponding practical application of the ideals they represent. Physical, bodily liberty is fundamental to every American’s personal sovereignty. And yet, millions of Americans—including author Deborah Plant’s brother, whose life sentence at Angola Prison reveals a shocking current parallel to her academic work on the history of slavery in America—are deprived of these basic freedoms every day.In her studies of Zora Neale Hurston, Deborah Plant became fascinated by Hurston’s explanation for the atrocities of the international slave trade. In her memoir,&nbsp;Dust Tracks on a Road, Hurston wrote: “But the inescapable fact that stuck in my craw, was: my people had&nbsp;sold&nbsp;me and the white people had bought me. . . . It impressed upon me the universal nature of greed and glory.” We look the other way when the basic human rights of marginalized and stigmatized groups are violated and desecrated, not realizing that only the practice of justice everywhere secures justice, for any of us, anywhere.An active vigilance is required of those who would be and remain free; with Of Greed and Glory, Deborah Plant reveals the many ways in which slavery continues in America today and charts our collective course toward personal sovereignty for all.

In Pursuit of Freedom for All

Of Greed and Glory

The Overseer Class

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