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The Nile Delta

Histories from Antiquity to the Modern Period

Cambridge Companions to History

The Cambridge Companion to the Spanish Inquisition

Women in Antiquity

Life, Love, and Literature in Ancient Rome

Sulpicia

Before there was Cher or Madonna, Iran had Googoosh. For the first time, one of the biggest pop stars of the 20th century tells her story: her rise to fame in pre-revolution Iran, her arrest and imprisonment by Revolutionary forces, her twenty-year exile, and finally, her triumphant return to the global stage.

A Sinful Voice

Googoosh

Clark Studies in the Visual Arts

An examination of how engagement with the nuances of Caribbean intellectual thought could reshape art history

Seeing Art History from the Caribbean

Beyond Boundaries

How a lifelong engagement with experimental art informed the brilliant Czech-Brazilian philosopher Vilém Flusser’s early vision of a world dominated by glowing screens. Predicting the importance of technology and images in the twenty-first century as early as the 1970s, Vilém Flusser warned, “the basic structure of our thinking is about to experience a mutation.” The bewitching images and screens that surround us could lead toward a centrally programmed, totalitarian society—or another, better one characterized by dialogue and collaboration among humans and new forms of intelligence. In this book on the idiosyncratic and prescient Czech-Brazilian philosopher, art historian and critic Martha Schwendener explores the profound effect of art on Flusser’s thought. The Society of the Screen reveals how Flusser’s lifelong engagement with experimental practices—from abstract painting and concrete poetry in Brazil to video, cybernetics, and photography in Europe and the United States—as well as his extensive involvement with the São Paulo Biennial informed his belief that we were moving from “history”—a civilization informed by linear writing—into “post-history,” dominated by technical images. The book delves deeply into how Flusser’s ideas evolved, particularly in correspondence and collaboration with artists like Mira Schendel, Fred Forest, Wen-Ying Tsai, Harun Farocki, Louis Bec, and Karl Gerstner.

Vilém Flusser’s Radical Prescience

The Society of the Screen

Afro-Latin America

Art and Anti-Racism in Latin America

The extraordinary creative energy of Renaissance Italy lies at the root of modern Western culture. In this study, Virginia Cox offers a fresh vision of this iconic moment in cultural history. This book explores key artistic, literary and intellectual developments, as well as histories of food and fashion, map-making, exploration and anatomy.

A Cultural History

The Italian Renaissance

Dress Cultures

Photography and Identity in a Global City

Fashion in Late Ottoman Istanbul

Contemporary Turkey

Looking Back is a compelling account of how Armenians, as migrants in Canada, remember their past lives in Turkey and make sense of their experiences in two very different landscapes. Anchored in the workings of the Turkish nation, theirs are stories about loss, denial, trauma, and discrimination on the one hand, resilience, survival, and community on the other. Bayar's in-depth examination tackles questions about memory, citizenship, and being a minority inside a nationalist landscape while revealing rich and multilayered accounts of everyday encounters with institutions, friends, and strangers. Looking Back is a timely study about the costs of nation-building and the ways minorities navigate an exclusionary landscape.

Armenian Emigrants, Nationalism and Modern Turkey

Looking Back

An account of Egypt's foreign policy decline following the Arab Uprisings - explaining the causes, consequences, and dynamics of this decline.

An account of Egypt's foreign policy decline following the Arab Uprisings - explaining the causes, consequences, and dynamics of this decline.

Power Dynamics and Regional Influence after 2011

Egyptian Foreign Policy

A nuanced and personal look at the Latino art world in New York from the 1970s to the new millennium &nbsp; In this deft interweaving of autobiography with the story of Latino art’s place in the flourishing New York art scene, Edward J. Sullivan calls attention to the prominent influence of Latin American artists from the 1970s until today. Recounting his own journey from student and curator to one of the field’s most celebrated scholars, Sullivan gives readers an insider’s look at a time when Latino art went from the margins to the spotlight and the discipline of Latin American art emerged. Beginning in the wake of the Black Power, gay liberation, and second wave feminism movements, Latino artists exhibited their work everywhere from alternative art spaces to major museums and forged a community and a collective identity. As Latin American and Latino artists navigated crises from AIDS to 9/11, they established their art forms as central to academic study and made New York’s institutions, museums, and galleries take it more seriously. &nbsp; Sullivan offers his readers an intimate view of the people, places, and events that populated the world of Latino art in New York as he showcases Latin American art from ancient to modern times. Rufino Tamayo, Carmen Herrera, Pepón Osorio, Cecilia Vicuña, and Juan Sánchez are among the many personalities who populated the scene. The result is a compelling and often surprising tale of cultural, personal, and institutional activity, and, at times, the intrigues that result from their collaborations.

Art and Experience, 1970-2001

Latino New York

Cambridge Texts and Studies in Platonism

Selected Essays

The Ladder of the Sciences in Late Antique Platonism

The Nile Delta

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