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New Yorker Jeremiah Salinger alleviates survivor's guilt by investigating an unsolved murder while visiting a mountainous region of Italy with his daughter. Translated from the Italian by Howard Curtis.

A CURSED PLACE. A COLD CASE. A KILLER WHO LEFT NO TRACE. The huge International bestseller. Gripping, unputdownable and packed with twists, The Mountain is a thriller that you will never forget. "Can be compared (with no fear of hyperbole) to Stephen King and Jo Nesbø" - Massimo Vincenz, La Repubblica. Jeremiah Salinger blames himself. The crash was his fault. He was the only survivor. Now the depression and the nightmares are closing in. Only his daughter Clara can put a smile on his face. But when he takes Clara to the Bletterbach - a canyon in the Dolomites rich in fossil remains - he overhears by chance a conversation that gives his life renewed focus. In 1985 three students were murdered there, their bodies savaged, limbs severed and strewn by a killer who was never found. Salinger, a New Yorker, is far from home, and these Italian mountains, where his wife was born, harbour a close-knit, tight-lipped community whose mistrust of outsiders can turn ugly. All the same, solving this mystery might be the only thing that can keep him sane. Translated from the Italian by Howard Curtis

D'Andrea Luca: The Mountain / B

The Mountain

The Breathtaking Italian Bestseller

Death and the Gardener

A Time of Loss

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city's spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini's creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942.

What today we deem as characteristic of the city of Rome was largely the product of one particular ideology of Rome; our understanding of the city’s spatial relationships and our sense of its visual familiarity have been orchestrated by the vision of one man, Benito Mussolini. Many students of antiquity are aware that the Fascist regime sponsored excavations throughout Italy and the Mediterranean. Yet perhaps more significant is the fact of Mussolini’s creation of the physical vision of Roman antiquity, literally how we view and thereby interpret the Roman city. The dominant vistas from which we study the emblematic Roman monuments were all designed and constructed between 1925 and 1942. Mussolini was eager to reveal the ruins of the past to emphasize the ways in which Fascist Italy was a visible improvement on Imperial Rome, and how antiquity relied on modern policies for its very survival. Towards these ends, the Fascist regime was a great supporter of archaeological scholarship and many prominent archaeologists wrote analyses of Roman monuments in genuine support of Fascist principles. The construction of Fascist doctrine and aesthetics developed hand-in-hand with the rise of modern Roman archaeology. This volume seeks to excavate the cultural layer that Fascist ideology placed upon contemporary archaeology, and to understand the ways in which this context continues both to obscure and enlighten our vision of Roman antiquity.

Roman Archaeology Under Italian Fascism

A Degree of Truth

Jonas Merrick series

The Irregular: The utterly gripping new instalment in the Jonas Merrick series from the master of the spy thriller

The Ending Writes Itself

Red Metal

Second in the terrifying and authentic series from the New York Times bestselling author of the Gray Man series and Tom Clancy thrillers and Lieutenant Colonel Hunter Ripley Rawlings IV

Second in the terrifying and authentic series from the New York Times bestselling author of the Gray Man series and Tom Clancy thrillers and Lieutenant Colonel Hunter Ripley Rawlings IV

The tense, authentic war thriller from the author of The Gray Man

Red Metal 2

'A deeply strange and equally affecting book, a dark domestic fairy tale' New York TimesEmerence is a domestic servant - strong, fierce, eccentric, and with a reputation for being a first-rate housekeeper. When Magda, a young Hungarian writer, takes her on she never imagines how important this woman will become to her. It takes twenty years for a complex trust between them to be slowly, carefully built. But Emerence has secrets and vulnerabilities beneath her indomitable exterior which will test Magda's friendship and change the complexion of both their lives irreversibly. TRANSLATED BY LEN RIX

The Door

Someone Knows

Essex Wives

The Lady Killer

The Mountain

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