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Contains new interviews with the cast and crew of classic 1986 film "Aliens", as well as many rare photos and pieces of concept art.

Comprehensive and definitive volume telling the complete story of how Aliens was made, featuring new interviews with some of the cast and production crew, and including many rarely seen photos and illustrations from the Fox archives.

Rinzler J: The Making of Aliens

The Making of Aliens

Anthem Impact

The first dedicated study of the relation between cinema and the work of African American author Ralph Ellison (1913-1994).

Ralph Ellison and Cinema

This open access book investigates film studios in Britain, France, Germany and Italy between the 1930s and 1960s. During this time, studios faces unprecedented challenges including wartime disruptions, post-war fragmentation, movement of labour and the introduction of new technologies. While the study of film studios has been dominated by the centralized Hollywood 'studio system', the authors present new research about the often very different histories of Europe's film studios, comparing their geographic locations, architectures and infrastructural development. They explore a number of well-known studios including Pinewood, Joinville, Babelsberg and Cinecittà, as well as lesser-known production sites such as Manchester, Victorine, post-war West German studios and Tirrenia as diverse creative and economic infrastructures. Drawing on a wealth of archival sources, photographs, films, aerial maps and visualizations, the book charts how artistic practices responded to transnational flows in film studio expertise, as studios constituted formative, materially based 'spaces of the imagination' that produced some of cinema's most influential films. How studios worked in the past as dynamic, creative working environments that were profoundly influenced by their locations, architectures and personnel, is foregrounded as the authors produce new understandings of how the collaborative and material environments of studio spaces and technologies shaped film production and cultures. The open access edition of this book is available under a CC BY-NC-ND 4.0 licence on www.bloomsburycollections.com. Open access was funded by the European Research Council.

Architecture, Innovation, Labour, Politics, 1930-60

Film Studios in Britain, France, Germany and Italy

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Film festivals, once seen as a matter for journalism, are now increasingly the subject of attention within scholarly Film Studies. They are, as Mar Diestro-Dopido argues, not only of cultural value in themselves but are also sites of cinematic, artistic, social, political and economic exchange.

Cinema and Cultural Exchange

Film Festivals

Kids, Wait Till You Hear This!

Notes on the Anti-Colonial Imagination

Analogue Africa

When Harry Met Sally

Library of Gender and Popular Culture

Sex, Censorship and the Millennial Teen Film

This book examines the representation of the single woman in contemporary popular culture and places it in juxtaposition to the experience and self-narratives of single femininity in everyday life across the US, UK, and Europe.

Living in the Cultural Imaginary of Single Femininity

Fantasies of Singledom

Critical Perspectives on Contemporary Directors

This book provides a comprehensive, interdisciplinary, and up-to-date analysis of the entire filmography of Dario Argento, one of the most renowned directors from the world of Euro-Horror, to illuminate and demonstrate the lasting contributions and influence of his perspective and works on the horror genre.

Critical Perspectives on Dario Argento

Global East Asian Screen Cultures

Power, Precarity and Working Cultures

Producing Chinese Reality Television

Go behind the screens with this essential companion to all three seasons of Star Wars: The Mandalorian. Produced in close collaboration with Lucasfilm, this must-have guide to the Disney+ phenomenon is packed with fascinating new insights and exclusive imagery. Discover the hidden gadgets of Din Djarin's beskar armor. Learn more about the iconic child, Grogu. Discover the secrets of the Mandalorian code of honor known as the Way. Examine the functional workings of the Razor Crest. Meet the deadly Fennec Shand and the ruthless Moff Gideon, and much more. Star Wars: The Mandalorian: Visual Guide is the perfect gift for fans of all ages, and will be released in time to celebrate their next adventure in movie theaters, Star Wars: The Mandalorian and Grogu.

Star Wars The Mandalorian Visual Guide

Magic Rays of Light is an original and ambitious history of the largely unknown early years of television in Britain. A detailed cultural study of the first demonstrations, of the extensive experimental broadcasts between 1928 and 1935, and of the BBC's richly varied daily service starting in November 1936 from Alexandra Palace, the book overturns the popular mis-conception that television in Britain effectively began with Elizabeth II's Coronation in 1953. In tracing this history, John Wyver chronicles the process by which a technology became a medium. He argues that much of what that television as we knew it in the late twentieth century was created within the fluid and at times unstable forms of the interwar medium. Most fundamentally the basics of television's screen language and grammar were developed. As this emerged, television drama flourished in the staging of more than 400 plays, from Shakespeare and Agatha Christie to Pirandello and P.G. Wodehouse, starring luminaries including Laurence Olivier, Sybil Thorndike and Peggy Ashcroft. Outside broadcasts of state occasions, and of Wimbledon and Test matches, were pioneered, along with transmissions of the Derby (from 1931 onwards) and the FA Cup Final. Light entertainment formats, quiz shows and the direct ancestor of countless magazine programmes were devised, alongside ambitious presentations of classical ballet and grand opera. As a striking counterpoint to this story, Magic Rays of Light also celebrates the inchoate, indeterminate nature of interwar television. In certain key ways, from the first imaginaries and sci-fi visions of television, and in aspects of how it was made, of what was produced and how this was seen, early television was entirely distinct from what the medium later became. The book reveals television's forgotten pasts and unrealised futures, including the low resolution, vertical format transmissions of John Logie Baird's first systems, and the live, large-screen electronic projection systems known as 'cinema television'. Relaying sports events and pageantry to cinemas, this pre-war sensation was seen by the BBC as a serious threat to its monopoly. By attending closely to the transmissions of the first fifteen years, to the emerging medium's industrial context, and to its intermedial links with radio, theatre, cinema, music hall, sport and more, Magic Rays of Light illuminates television's place in the cultural and social histories of Britain between the wars.

The Early Years of Television in Britain

Magic Rays of Light

The Making of Aliens

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