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Orange Hippo!: The Little Guide to South
Park

The Little Guide to South Park

This showcases the production art, character and vehicle designs, planets, storyboards, and other breathtaking work created during the production of the hit Disney+ series.

The Art of Star Wars: The Acolyte (Season One)

LUST, GREED, PRIDE, ENVY...WHATEVER YOUR SIN OF CHOICE, THIS BOOK WILL SHOW YOU HOW TO DO IT RIGHTIf there's one thing that Joanne McNally knows how to do, it's how to have a good time - and in Seven Deadly Sins, she explores how much fun being bad can be. Using each of the original seven deadly sins as a mirror, she blends stories from her life with wider observations about what it means to be a 'single, unfertilised female in her 30s' living in the modern world. This book is full of everything that the world throws at women with the expectation that they take it in their stride: from observations on celebrity, sex and wine, to stories of being an outcast, facing eating disorders and - yes - being ghosted by your therapist, this book shows that no woman is out there on her own. Raucously funny, relatable and infinitely insightful, Seven Deadly Sins is Joanne McNally's manifesto on womanhood, from an actual human woman, for other human women of every age.

LUST, GREED, PRIDE, ENVY...WHATEVER YOUR SIN OF CHOICE, THIS BOOK WILL SHOW YOU HOW TO DO IT RIGHT If there's one thing that Joanne McNally knows how to do, it's how to have a good time - and in Seven Deadly Sins, she explores how much fun being bad can be. Using each of the original seven deadly sins as a mirror, she blends stories from her life with wider observations about what it means to be a 'single, unfertilised female in her 30s' living in the modern world. This book is full of everything that the world throws at women with the expectation that they take it in their stride: from observations on celebrity, sex and wine, to stories of being an outcast, facing eating disorders and - yes - being ghosted by your therapist, this book shows that no woman is out there on her own. Raucously funny, relatable and infinitely insightful, Seven Deadly Sins is Joanne McNally's manifesto on womanhood, from an actual human woman, for other human women of every age.

Femme Feral

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Drawing from social theory and the anthropology of religion, this book explores popular media's fascination with dreams, vampires, demons, ghosts and spirits. Dreams, Vampires and Ghosts does so in the light of contemporary animist studies of societies in which other-than-human persons are not merely a source of entertainment, but a lived social reality. Films and television programs explored include Buffy the Vampire Slayer, Twin Peaks, Bram Stoker's Dracula, Truly Madly Deeply and the films of Hitchcock. Louise Child draws attention to how they both depict and challenge ideas and practices rooted in psychology, while quality television has also facilitated a wave of programming that can explore the interaction of characters in complex social worlds over time. In addition to drawing on theories of film from Freudian psychology and feminist theory, Dreams, Vampires and Ghosts uses approaches derived from a combination of Jungian film studies and anthropology that offer fresh insights for exploring film and television. This book draws attention to explicit and subtle ways in which cinematic narratives engage with myth and religion while at the same time exploring collective dimensions to social and personal life. It advances new developments in genre studies and gender as well as contributing to the growing field of implicit religion using in-depth analyses of communicative dreaming, the shadow, and mystical lovers in film and television.

Drawing from social theory and the anthropology of religion, this book explores popular media’s fascination with dreams, vampires, demons, ghosts and spirits. Dreams, Vampires and Ghosts does so in the light of contemporary animist studies of societies in which other-than-human persons are not merely a source of entertainment, but a lived social reality.
 
Films and television programs explored include Buffy the Vampire Slayer, Twin Peaks, Bram Stoker’s Dracula, Truly Madly Deeply and the films of Hitchcock. Louise Child draws attention to how they both depict and challenge ideas and practices rooted in psychology, while quality television has also facilitated a wave of programming that can explore the interaction of characters in complex social worlds over time. In addition to drawing on theories of film from Freudian psychology and feminist theory, Dreams, Vampires and Ghosts uses approaches derived from a combination of Jungian film studies and anthropology that offer fresh insights for exploring film and television.
 
This book draws attention to explicit and subtle ways in which cinematic narratives engage with myth and religion while at the same time exploring collective dimensions to social and personal life. It advances new developments in genre studies and gender as well as contributing to the growing field of implicit religion using in-depth analyses of communicative dreaming, the shadow, and mystical lovers in film and television.

Anthropological Perspectives on the Sacred and Psychology in Film and Television

Dreams, Vampires and Ghosts

BFI Film Classics

Billy Wilder's classic screwball comedy Some Like it Hot (1959), starring Jack Lemmon, Tony Curtis and Marilyn Monroe, tells the story of two struggling Jazz musicians who accidentally witness a mob massacre in Chicago who then, disguised as women, join a female band to escape the gangsters' pursuit. Despite the film's popular reception, with Academy Award nominations for Wilder and star Jack Lemmon, the film gained notoriety for its crossdressing plot and gender-bending comedy. Steven Cohan's study of the film disentangles its production history and subsequent notoriety from the film itself, reconsidering the ways in which it playfully challenged generic and gender conventions of the 1950s. He provides an in depth analysis of the film's near perfect comedic structure, Wilder's aesthetic choices and self-reflexive star performances by Curtis, Lemmon and Monroe. He goes on to consider the film's queerness, as well as its promotion and reception in 1959. Contextualizing the film within its contemporary moment, he argues its textual richness, one that allows it to be viewed differently across generations, securing its lasting influence in popular culture.

Billy Wilder's classic screwball comedy Some Like it Hot (1959), starring Jack Lemmon, Tony Curtis and Marilyn Monroe, tells the story of two struggling Jazz musicians who accidentally witness a mob massacre in Chicago who then, disguised as women, join a female band to escape the gangsters' pursuit. Despite the film's popular reception, with Academy Award nominations for Wilder and star Jack Lemmon, the film gained notoriety for its crossdressing plot and gender-bending comedy. 

Steven Cohan's study of the film disentangles its production history and subsequent notoriety from the film itself, reconsidering the ways in which it playfully challenged generic and gender conventions of the 1950s. He provides an in depth analysis of the film's near perfect comedic structure, Wilder's aesthetic choices and self-reflexive star performances by Curtis, Lemmon and Monroe. 

He goes on to consider the film's queerness, as well as its promotion and reception in 1959. Contextualizing the film within its contemporary moment, he argues its textual richness, one that allows it to be viewed differently across generations, securing its lasting influence in popular culture.

Some Like It Hot

SUNY series, Afro-Latinx Futures

Slave Resistance in the Cinematic Imaginary

From Havana to Hollywood

In the vein of works by Gary Janetti and Danny Pellegrino, an honest, funny, and heartfelt memoir-in-essays about chasing your dreams, making big messes, and finding yourself along the way.In in his debut book for adults, Jeffery Self invites readers into his world, taking them through the usual foibles of gay adolescence, amplified in the vast wasteland of the American South and the odd characters who peopled it, from shoddy community theater productions to underage drinking with Broadway stars, from downtown comedy rooms to adventure-filled bedrooms. Along the way, he shares his experiences of acting in TV and film, touring live comedy around the world, getting booed off gay cruise ships, a tenure in the "oldest profession," meeting his heroes, falling in love, getting his heart broken, breaking other people's hearts, being hated, hating himself, and on the best of days, finding stuff to like about himself, too.Self-Sabotage is a deeply personal and intimate exploration of Self's life, filled with humor, heartache, and a hearty dose of bipolar disorder. It asks the profound question of how you become the person you want to be when so much of yourself is a secret--and how you learn to accept yourself when it's not. It is also, of course, side-splittingly funny.

In the vein of works by Gary Janetti and Danny Pellegrino, an honest, funny, and heartfelt memoir-in-essays about chasing your dreams, making big messes, and finding yourself along the way.In in his debut book for adults, Jeffery Self invites readers into his world, taking them through the usual foibles of gay adolescence, amplified in the vast wasteland of the American South and the odd characters who peopled it, from shoddy community theater productions to underage drinking with Broadway stars, from downtown comedy rooms to adventure-filled bedrooms. Along the way, he shares his experiences of acting in TV and film, touring live comedy around the world, getting booed off gay cruise ships, a tenure in the “oldest profession,” meeting his heroes, falling in love, getting his heart broken, breaking other people’s hearts, being hated, hating himself, and on the best of days, finding stuff to like about himself, too.Self-Sabotage&nbsp;is a deeply personal and intimate exploration of Self’s life, filled with humor, heartache, and a hearty dose of bipolar disorder. It asks the profound question of how you become the person you want to be when so much of yourself is a secret—and how you learn to accept yourself when it’s not. It is also, of course, side-splittingly funny.

And Other Ways I've Spent My Time

Self-Sabotage

spectrum Literaturwissenschaft / spectrum Literature

Literarische Kommunikation im filmischen Dispositiv

Litpics

An astonishing new collection from the Poet Laureate of Punk and the Bard of Salford, Dr John Cooper Clarke.

Dr John Cooper Clarke's dazzling, scabrous voice has reverberated through pop culture for decades, his influence on generations of performance poets and musicians plain for all to see. In WHAT, the original 'People's Poet' comes storming out of the gate with an uproarious new collection, reminding us why he is one of Britain's most beloved writers and performers. James Brown, John F. Kennedy, Jesus Christ: nobody is safe from the punk rocker's acerbic pen – and that's just the first poem. Hot on the heels of The Luckiest Guy Alive and his sprawling, encyclopaediac memoir I Wanna Be Yours, the good Doctor returns with his most trenchant collection of poems yet. Vivid and alive, with a sensitivity only a writer with a life as varied and extraordinary as Cooper Clarke's could summon, WHAT is an exceptional collection from one of our foremost satirists.

WHAT

Tales from My Life, the Afterlife, and Beyond

Hexy Bitch

The story of the epic friendship between John Belushi and Dan Aykroyd, the golden era of improv, and the making of a comedic film classic that helped shape our popular culture“They’re not going to catch us,” Dan Aykroyd, as Elwood Blues, tells his brother Jake, played by John Belushi. “We’re on a mission from God.” So opens the musical action comedy The Blues Brothers, which hit theaters on June 20, 1980. Their scripted mission was to save a local Chicago orphanage. But Aykroyd, who conceived and wrote much of the film, had a greater mission: to honor the then-seemingly forgotten tradition of rhythm and blues, some of whose greatest artists—Aretha Franklin, James Brown, John Lee Hooker, Cab Calloway, Ray Charles—made the film as unforgettable as its wild car chases. Much delayed and vastly over budget, beset by mercurial and oft drugged-out stars, The Blues Brothers opened to outraged reviews. However, in the 44 years since, it has been acknowledged a classic: it has been inducted into the National Film Registry for its cultural significance, even declared a “Catholic classic” by the Church itself, and re-aired thousands of times on television to huge worldwide audiences. It is, undeniably, one of the most significant films of the twentieth century.The story behind any classic is rich; the saga behind The Blues Brothers, as Daniel de Visé reveals, is epic, encompassing the colorful childhoods of Belushi and Aykroyd; the comedic revolution sparked by Harvard’s Lampoon and Chicago’s Second City; the birth and anecdote-rich, drug-filled early years of Saturday Night Live, where the Blues Brothers were born as an act amidst turmoil and rivalry; and, of course, the indelible behind-the-scenes narrative of how the film was made, scene by memorable scene. Based on original research and dozens of interviews probing the memories of principals from director John Landis and producer Bob Weiss to Aykroyd himself, The Blues Brothers illuminates an American masterpiece while vividly portraying the creative geniuses behind modern comedy.

An Epic Friendship, the Rise of Improv, and the Making of an American Film Classic

The Blues Brothers

Adventures in Tennis and Comedy

Lucky Loser

The Little Guide to South Park

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