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Partington Alan: The Language of
Persuasion in Politics and the Media

The Language of Persuasion in Politics and the Media

An Introduction

Routledge Environment and Sustainability Handbooks

This handbook consolidates the large and growing amount of knowledge and expertise in the field in the form of targeted contributions by leading experts. It will be of great interest to energy researchers across the world in a number of disciplines, as well as to museums, arts and environmental organisations, governments, and policymakers.

This handbook consolidates the large and growing amount of knowledge and expertise in the field in the form of targeted contributions by leading experts. It will be of great interest to energy researchers across the world in a number of disciplines, as well as to museums, arts and environmental organisations, governments, and policymakers.

Routledge Handbook of Energy Humanities

An Alternative History of Liverpool

Scouse Republic

Russian Shorts

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Beginning with the 1881 Itinerant Art Exhibition, this book examines the history of modern Russia through the paintings of Vasily Surikov and Viktor Vasnetsov, two of the most important Russian painters of the period. By placing specific paintings and their artists alongside the historical myths and legends depicted in the art, Stephen M. Norris explores in highly readable prose how paintings helped to bring obscure, half-forgotten historical events into the public imagination in the 19th century.

Russia's History Painters reveals how Russian history and national identity came to include Kievan princes, Orthodox Christian knights, Cossacks and Peter the Great, among many others. It also analyzes how critics and commentators interpreted these canvases as living entities, encouraging viewers to immerse themselves into the pasts captured on them, and in doing so, to assimilate notions of honour, bravery, and love for the motherland. 

Analysing 11 pivotal artworks in depth, this accessible book explores how painting has defined Russian history and nationhood up to the present day.

Vasily Surikov, Viktor Vasnetsov, and the Remaking of the Past

Russia's History Painters

Writing History

Writing Queer History introduces and surveys the ways in which historians and others have researched and written about the lesbian, gay and queer past. It pinpoints some of the key themes, issues and questions they have sought to address, looks at the kinds of sources they have used and suggests ways in which queer theory since the early 1990s has shifted approaches and perspectives for historians. Section One gives an overview of uses and accounts of the queer past from the late 19th century to the present. Section Two explores key questions and themes that have exercised historians by focusing on key texts ranging from the Medieval to the contemporary. Section Three focuses in further on different kinds of source material, examining specific archives to demonstrate how we might understand the past through particular documents, artifacts, voices and images. Finally, the author describes how his work has been shaped by his own biography, changing academic fashion, new theoretical perspectives and the particularities of archive collections. The book shows how histories of queer life have implications for the broader understanding of culture, society and politics, as well as demonstrating how queer history writing has been influenced and shaped by activist and community groups and by scholars working in and across different disciplines. Rich in case studies and including practical guidance on approaching queer history, Writing Queer History is an invaluable text for those studying the history of sexuality, gender history, the history of the emotions and historiography.

Writing Queer History

Investigative Journalism in Africa is a window into the murky world of Africa's democratic watchdogs that tells the story of perseverance in the face of ubiquitous threats, imprisonment and harassment through the eyes of ten celebrated African investigative journalisms. 

The book answers the profound questions of 'why' and 'how' African frontline reporters do the work they do. Also documented are serious challenges facing investigative journalists in Africa. It sheds light on the lives of Africa's best muckrakers, and mostly, it casts new light on the motivations that drive them - against all odds and adversities. 

Divided into twelve chapters, Albert Ntibinyane first offers a brief history of investigative journalism in Africa, before focusing on behind-the-scenes vignettes chronicling the experiences of ten leading African muckrakers. These brief biographical sketches explore the contexts within which they work but focuses on their daily struggles, hopes and fears. Included are pictures, newspaper cuttings and other illustrations to complement the text.

Investigative Journalism in Africa is a window into the murky world of Africa’s democratic watchdogs, telling the story of perseverance in the face of ubiquitous threats, imprisonment, and harassment through the eyes of ten celebrated African investigative journalists.
 
The book answers the profound questions of 'why' and 'how' African investigative journalists, as frontline reporters, do the work they do in the face of overwhelming adversities. It sheds light on the lives of Africa’s best muckrakers and casts new light on the motivations that drive them—against all odds and adversities.
 
Divided into ten chapters, Alvin Ntibinyane first provides a brief overview and historical context of investigative journalism in Africa. He then identifies five motivating factors that drive African investigative journalists before focusing on behind-the-scenes vignettes chronicling the experiences of four leading African muckrakers. These biographical sketches explore the contexts within which they work, focusing on their daily struggles, hopes, and fears. The book is enriched with pictures, newspaper cuttings, and other illustrations to complement the text.

The Struggles, Resilience, and Future of Africa’s Muckrakers

Investigative Journalism in Africa

Routledge Studies in Environmental Communication and Media

This book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Adopting a social semiotic approach, and exploring key examples including Greenpeace's "Everything is NOT Awesome" brandjacking advert, Volkswagen's "Think Blue" campaign and Unilever's "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion.

Environmental Communication is a growing area of academic enquiry. But, whilst there are key texts on environmental communication and new texts on environment-themed media, there is, as yet, no book specifically devoted to "green" (environment themed) advertising. Filling this lacuna, this book explores twenty-first century environment-themed advertising with a global reach in relation to three key emerging persuasive themes: governance, morality and transnational rhetoric. Such environment-themed advertising with transnational reach, addressed to transnational publics and produced by global actors (from NGOs to multinationals to the United Nations to celebrities), is now a significant form of environmental communication. This book considers that form and its meanings; the "environmental imaginary" it builds in the minds of its publics, its ideological and emotional landscapes, and its limitations. Adopting a social semiotic approach, and exploring key examples including Greenpeace’s "Everything is NOT Awesome" brandjacking advert, Volkswagen’s "Think Blue" campaign and Unilever’s "Why Bring a Child Into This World?" advert, Alexander puts forward a number of observations about the ideological character and function of environmental advertising as a new form of transnational persuasion. The first book to explore the social and symbolic significance of "green" advertising as a transnational form of environmental communication, this book will be of great relevance to scholars and students with an interest in this growing field.

New Forms of Transnational Persuasion

Environmental Advertising

Principles and Practices

Political Polling

Dialects of English [DOE]

This is the first book solely dedicated to the systematic description of the linguistic and discourse features of Malaysian English. The descriptions are based on research done by the author and data from the Corpus of Spoken Malaysian English. The book also discusses current trends in the use of Malaysian English. Because of its scope and research-based content, the book provides valuable insights on the sub-varieties subsumed under the umbrella term 'Malaysian English'. It also examines where Malaysian English is situated within the milieu of regional and global Englishes. A survey of previous work on Malaysian English and an annotated bibliography provides a valuable 'one-stop' resource for students and researchers. The book can be used as a key or supplementary reference for both undergraduate and postgraduate courses on World Englishes or Varieties of English.

This is the first book solely dedicated to the systematic description of the linguistic and discourse features of Malaysian English. The descriptions are based on research done by the author and data from the 
 Corpus of Spoken Malaysian English
 . The book also discusses current trends in the use of Malaysian English. Because of its scope and research-based content, the book provides valuable insights on the sub-varieties subsumed under the umbrella term ‘Malaysian English’. It also examines where Malaysian English is situated within the milieu of regional and global Englishes. A survey of previous work on Malaysian English and an annotated bibliography provides a valuable ‘one-stop’ resource for students and researchers. The book can be used as a key or supplementary reference for both undergraduate and postgraduate courses on 
 World Englishes
 or 
 Varieties ofEnglish
 .

Malaysian English

Routledge Studies in Evangelicalism

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children's clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization? corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

This book is the first major study of the constellation of evangelists, mission halls, tent revivals, children’s clubs, Bible institutes, musicians, advertising strategies, publishing enterprises, and philanthropic activity that constituted a vibrant substratum of British Evangelical Christianity between the mid-nineteenth and mid-twentieth centuries. This populist Protestant subculture has been well-charted in North America but virtually ignored in Britain. This lacuna is part due to a common assumption that secularization corroded traditional religious communities during this era. By contrast, this book argues that this panoply of pan-denominational affinities and endeavours in fact represented an adaptation of the British Evangelical Protestant tradition to the age of mass democracy. In exploring the beliefs, worship and spirituality, gender roles, mission networks, revival events, material culture, and social protocols and taboos of popular Evangelicalism, the book presents a religious movement well-attuned to an age of popular politics, metropolitan culture, demotic advertising, and mass entertainment.

Popular Evangelicalism in the Age of Mass Democracy

Regina Lawrence¿s new text argues that many films explicitly or implicitly portray aspects of power¿the central concept in the study of politics¿in patterned, predictable, and often problematic ways. By introducing a multi-faceted framework for thinking about the political nature of films, Lawrence explores three ways film can be studied by political scientists and scholars of political communication: the power of film to portray political reality, how films allocate resources, and the nature of film¿s portrayals of power.

Portraying Power follows the recent trend toward using popular culture and entertainment as a vehicle for explaining politics by pushing the line of inquiry into the study of film, the form of entertainment least explored by scholars of political communication. Film studies rooted in film theory and critical cultural approaches have a long and venerable history, but political science has thus far contributed very little to nor drawn much upon it. Regina Lawrence’s new text argues that many films explicitly or implicitly portray aspects of power—the central concept in the study of politics—in patterned, predictable, and often problematic ways. By introducing a multi-faceted framework for thinking about the political nature of films, Lawrence explores three ways film can be studied by political scientists and scholars of political communication: the power of film to portray political reality, how films allocate resources, and the nature of film’s portrayals of power. Covering a typology of film in terms of general form—from documentaries to "based on a true story" narratives to the purely fictional—and their political content—from explicit to implicit—Lawrence analyzes a broad array of films. This will be the only text on the market written by an expert on political communication that truly synthesizes the scholarly insights of political science, communication studies, and film studies. A companion website will includes basic background on film theory and technique, links to film clips and interviews with filmmakers, and other support materials for the text.

Film and Politics in the New Media Age

Portraying Power

Film Theory in Practice

The Film Theory in Practice series fills a gaping hole in the world of film theory. By marrying the explanation of a film theory with the interpretation of a film, the volumes provide discrete examples of how film theory can serve as the basis for textual analysis. This book provides a broad introduction to network theory and shows how this theory can motivate a close reading of Robert Altman's 1975 film Nashville. By offering a tour of the expansive intellectual network we can now call network theory, the book demonstrates how analyzing the ubiquitous characteristics of networks changes the way film fans, students, and scholars might understand cinema's storytelling possibilities. It models a method of interpretation (focusing on character, cinematography, and sound) that students can practice with other feature films. Moreover, it situates film within a larger discourse about art and society, offering students the tools for analyzing other large-form cultural objects. Organized into two parts, the first section of the book presents an overview of network theory, its various facets as a still-emerging discourse, and its historical context in post-industrial life, before turning to Altman's Nashville. It then explores the film's narrative style and character system as a special case of network cinema, to show how there is more than "connectedness" alone to the network form.

Network Theory and Nashville

Gender, Theology and Spirituality

A Theology of Incarnation from Within Dis-Abled Minds is an auto-ethnographic journey into a question that is both deeply personal and theo-therapeutic. Utilising the author's own experiences, it explores whether there can be an applied theology, rooted in the living 'tradition' of feminist and queer theology, that begins to question classical definitions of the 'sane' and 'insane'. This book offers a transgressive theology of healing and wellbeing based on radical feminist Christological understanding. Therefore, it will be of keen interest to scholars of Religion and Theology, as well as those working in Psychiatry, Mental Health and Disability Studies.

Too frequently, theology has addressed issues of mental health from a largely pastoral and detached observational perspective. This book asks whether the model of an embodied and experiential theology of disability, championed by theologians such as Nancy Eiesland, can more powerfully and insightfully apply to those who are described as suffering from severe and enduring mental health problems.A Theology of Incarnation from Within Dis-Abled Minds is an auto-ethnographic journey into a question that is both deeply personal and theo-therapeutic. Utilising the author’s own experiences, it explores whether there can be an applied theology, rooted in the living ‘tradition’ of feminist and queer theology, that begins to question classical definitions of the ‘sane’ and ‘insane’. Can certain contemporary theological models of chaos, in creation and cosmology, offer a valorised place for those whose psycho-chaos is usually deemed to be of little value in western capitalist economies, except as the recipients of ‘professional compassion’? This book offers a transgressive theology of healing and wellbeing based on radical feminist Christological understanding which speaks as much of anger, chaos, and resistance as it does of peace, healing or reconciliation. Therefore, it will be of keen interest to scholars of Religion and Theology, as well as those working in Psychiatry, Mental Health and Disability Studies.

Our wounds are not for healing

A Theology of Incarnation from Within Dis-Abled Minds

The Language of Persuasion in Politics and the Media

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